The WhatsOnStage Podcast

Luke Norris, Tilda Swinton, Gary Oldman, Ryan Calais Cameron, Robert Aramayo, John Proctor is the Villain and so much more – the Royal Court season is celebrating its 70th birthday in style. We hop into artistic director David Byrne's office to get the lowdown on his programming choices – how he's both honouring and winking at the history of this home for new writing. Plus – his experiences watching Andrew Lloyd Webber watching John Proctor is the Villain – and the moment Arthur Miller had beef with the Court... Hosted on Acast. See acast.com/privacy for more information.

Sarah and Alex meet up from opposite sides of the Atlantic to discuss the latest hot news in theatre including Chris Pine’s casting in Ivanov at the Bridge Theatre, how Keanu Reeves and Alex Winter are landing on Broadway in Jamie Lloyd’s Waiting for Godot and why the new stage production of The Hunger Games found itself in a lose-lose situation with its first preview Hosted on Acast. See acast.com/privacy for more information.

On this special Monday bonus episode, we hopped over to the Garrick Theatre to check in with the stars of The Producers, Andy Nyman and Marc Antolin, who had a very special announcement for the five-star West End production... The duo have been playing the two lead roles in the show since it opened to acclaim at the Menier Chocolate Factory – it now settles in for a stay at the Charing Cross venue. Hosted on Acast. See acast.com/privacy for more information.

Following a high-profile launch for the Women's Health in Theatre report at the Harold Pinter Theatre last week, chief critic Sarah Crompton sat down with the report's pioneer, award-winning producer Emily Vaughan-Barratt, at her offices in London. The report's finding were an uncompromising reminder of the constant hurdles placed in front of women in the theatre industry - with issues around fertility, menopause and childcare all brought into sharp focus. The report didn't just cover those on stage - but also those behind the scenes and working across theatreland's offices and front-of-house areas. So what are the next steps? How can the situation be helped? And who are the unsung heroes helping those in need? Hosted on Acast. See acast.com/privacy for more information.

 In this episode, we head to the US where editor David Gordon sits down with director Bill Condon to discuss his new movie version of Kiss of the Spider Woman. Together they explore his approach to adapting the acclaimed story for the stage, the themes of identity and survival, and the creative process behind bringing such an iconic work to life. It’s an insightful look at storytelling, collaboration and the enduring legacy of Kiss of the Spider Woman. David also chats to break-out star Tonatiuh about his role in the new flick. Hosted on Acast. See acast.com/privacy for more information.

To be or not to be - that is the question... Or is it "Do You Hear The People Sing?" As Les Misérables celebrates 40 years in the West End, Sarah and Alex reflect on the runaway success of the iconic musical that has enchanted audiences for decades. What does it say about the critics that they got it so wrong? Meanwhile, the National Theatre has opened a new production of Hamlet - laden with Easter eggs and references - and a standout performance that wowed Sarah! Hosted on Acast. See acast.com/privacy for more information.

We’re heading to Manchester to celebrate a remarkable milestone. It’s been ten years since the Hope Mill Theatre first opened its doors, transforming a former textile mill into one of the country’s most respected independent producing houses.With just over 145 seats, it’s an intimate space that’s punched well above its weight — staging acclaimed revivals and brand-new work alike, and helping to launch careers both on and off stage. Its productions have included the award-winning Spring Awakening, Rent, Mame, and, later this month, the team are bringing Young Frankenstein to the Hope Mill stage. And looking ahead to 2026, they’re taking on their biggest project yet with High School Musical at The Lowry. Hosted on Acast. See acast.com/privacy for more information.

Sarah and Alex catch up on the latest in a hectic season of theatre and talk about why The Weir by Conor McPherson really is one of the great plays of the past 50 years. And - actors getting wet is always irresistible, but does it just make you think about drainage? Hosted on Acast. See acast.com/privacy for more information.

In a little midweek episode, we bring you red carpet interviews from London and New York. On Sunday, Rachel Zegler picked up the Best West End Debut Performer award at The Stage Debut Awards in London for her performance leading Evita in the West End, while over in New York, the stars of the forthcoming production of Chess came together to discuss making all the right moves in the upcoming revival of the much-loved show. Hosted on Acast. See acast.com/privacy for more information.

As Jane Austen celebrates her 250th birthday, Ava Pickett has adapted Emma for the stage. She’s taken a radical approach. She talks to Sarah about why Austen is still the best portrayer of complex women, how hard it is to write comedy, the freedom of writing period drama and why the craft of women writers still isn’t recognised. Hosted on Acast. See acast.com/privacy for more information.