Slate Culture

This election cycle, TikTok has evolved into a news-and-politics delivery mechanism. Will it make a difference?Guest: Sapna Maheshwari, reporting on TikTok and other tech for the New York Times.Want more What Next TBD? Subscribe to Slate Plus to access ad-free listening to the whole What Next family and all your favorite Slate podcasts. Subscribe today on Apple Podcasts by clicking “Try Free” at the top of our show page. Sign up now at slate.com/whatnextplus to get access wherever you listen.Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond’s yield is a function of its market price, which can fluctuate; therefore, a bond’s YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode: Jamilah, Zak, and Elizabeth tackle a letter from a Care and Feeding reader who is trying to explain code-switching to a six-year-old. This kid doesn’t seem to understand how or why to speak differently to his peers than to adults… but how can you convey that without giving him the wrong message?We’ll also, of course, circle up for a round of triumphs and fails. Join us on Facebook and email us at careandfeedingpod@slate.com to ask us new questions, tell us what you thought of today’s show, and give us ideas about what we should talk about in future episodes. You can also call our phone line: (646) 357-9318.If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows—you’ll also be supporting the work we do here on Care and Feeding. Sign up now at slate.com/careplus to help support our work.Podcast produced by Maura Currie. Learn more about your ad choices. Visit megaphone.fm/adchoices

Puberty is changing, and we’re not talking about developing Adam’s apples and growing hair in new places.It starts earlier and lasts longer.Regardless of when this necessary stage of life starts, youth and their adults need support going through it.On this week’s episode of Well, Now puberty expert Vanessa Kroll Bennett discusses the biggest ways puberty has changed for today’s youth and how best to navigate it. She’s co-host of the podcast This Is So Awkward with Dr. Cara Natterson and co-author of This Is So Awkward: Modern Puberty Explained.If you liked this episode, check out: Can Kids Be Healthy at Any Size? Well, Now is hosted by registered dietitian nutritionist Maya Feller and Dr. Kavita Patel.Podcast production by Vic Whitley-Berry with editorial oversight by Alicia Montgomery.Send your comments and recommendations on what to cover to wellnow@slate.com.Want to listen to Well, Now uninterrupted? Subscribe to Slate Plus to immediately unlock ad-free listening to Well, Now and all your other favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of our show page. Or, visit slate.com/wellplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

There is a prominent bird in the 2000 film Charlie’s Angels that makes absolutely no sense. This so-called Pygmy Nuthatch doesn’t look or sound like it should, or live where the characters say it does. The bird is so elaborately wrong that it has haunted the birding community, including Slate’s very own Forrest Wickman, for almost a quarter of a century. In this episode, Forrest embarks on a wild goose chase: Why can’t hundreds of filmmaking professionals with a $100 million budget accurately portray a single bird?This episode was reported and written by Forrest Wickman. It was edited by Willa Paskin. It was produced by Max Freedman. Decoder Ring is produced by Willa Paskin, Evan Chung, Katie Shepherd, and Max Freedman with help from Sofie Kodner. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director.In this episode, you’ll hear from Charlie’s Angels screenwriters John August and Zak Penn, director McG, animal trainer Guin Dill, and sound editor Michael Benavente; and bird experts Nick Lund, Nathan Pieplow, and Drew Weber.If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.comWant more Decoder Ring? Subscribe to Slate Plus to unlock exclusive bonus episodes. Plus, you’ll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Decoder Ring show page. Or, visit slate.com/decoderplus to get access wherever you listen.Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond’s yield is a function of its market price, which can fluctuate; therefore, a bond’s YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

The 2004 presidential race would be the first fully Fox News election—a contest that was framed by Fox, and fought on its terms. But the fight over Fox News was about more than just partisan politics. It also launched covert ops against reporters and let loose a secret army of online trolls. And when a Fox producer made serious allegations against Bill O’Reilly, the network showed just how far it would go to defend its biggest star—no matter the cost.To read our full reporting on the most recent legal actions between Bill O'Reilly and Andrea Mackris, and learn more about how a non-disclosure agreement from two decades ago has kept Mackris silent, go to slate.com/foxnda.Want more from Slow Burn? Join Slate Plus to unlock full access to all seasons, including members-only bonus episodes from The Rise of Fox News. You'll also enjoy ad-free listening to all of your favorite Slate podcasts. Subscribe now by clicking "Try Free" at the top of the Slow Burn show page on Apple Podcasts. Or, visit slate.com/slowburnplus to get access wherever you listen.Season 10 of Slow Burn was written and reported by Josh Levin. It was executive produced by Lizzie Jacobs.Slow Burn is produced by Sophie Summergrad, Joel Meyer, and Rosie Belson with help from Patrick Fort, Jacob Fenston, and Julia Russo. Derek John is Slate’s executive producer of narrative podcasts.This season was edited by Susan Matthews and Hillary Frey.Merritt Jacob is our senior technical director. Mix and sound design by Joe Plourde. Our theme music was composed by Alexis Cuadrado. Derreck Johnson created the artwork for this season. Episode artwork by Ivylise Simones. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week’s show, the panel falls for Anora, a new movie from writer-director Sean Baker (Tangerine, The Florida Project) that’s as arrestingly tender as it is sexy, funny, and unpredictable. The whirlwind Cinderella story won the Palme d’Or at Cannes this year, and will likely become an Oscar frontrunner due to its star-making performances and humanistic depiction of life on the margins and sex work. One host calls it “the best American movie in the past 25 years.” Then, the three discuss Matlock, a gender-swapped reboot on CBS starring Kathy Bates. With huge viewership numbers and decent critical success, is the quirky legal procedural proof that network television is so, so back?‌‌ Finally, our trio turns their attention to Hearing Things, a new site for independent music journalism run (and owned by) a group of former Pitchfork writers.In the exclusive Slate Plus segment, the hosts explore their thoughts and feelings about Halloween costumes. Email us at culturefest@slate.com. Endorsements:Steve:‌ “Two Don Quixote Lyrics”‌ by W. H. Auden.Julia:‌‌ Hampton Heights, an excellent novel by Supreme Friend of the Pod (SFOP)‌ Dan Kois.Dana:‌ In honor of her new oven, a recipe for Roasted Cod and Potatoes. Also in honor of Dana’s recent appliance upgrade, an oven recipe from Julia and Stephen respectively:‌ Sheet-Pan Sausages and Brussels Sprouts With Honey Mustard and Roasted Kale and Sweet Potatoes With Eggs.Podcast production by Jared Downing. Production assistance by Kat Hong. Disclosure: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond’s yield is a function of its market price, which can fluctuate; therefore, a bond’s YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Candice Lim is joined by Slate culture writer Nadira Goffe and Teen Vogue associate editor Aiyana Ishmael to break down the Victoria’s Secret Fashion Show, which came back last week after six years away. The lingerie brand’s once-iconic show featured performances from Cher, Tyla, and LISA, but its return has begged the question: who is the show for, and what does it say about the body positivity movement right now. But first, the panel dissects the alleged insurance fraud attempt that recently went viral on TikTok.This podcast is produced by Se’era Spragley Ricks, Daisy Rosario and Candice Lim, with production assistance from Alexandra Botti and Kat Hong. Learn more about your ad choices. Visit megaphone.fm/adchoices

On December 4th, the Supreme Court will hear arguments for U.S. v. Skrmetti, a case that could decide the fate of gender-affirming care for trans people across the country. Outward’s own Jules Gill Peterson contributed to an amicus brief for the case, a document that provides expertise and historical context to assist the court in making it’s decision. In this episode, Bryan and Christina reunite with Jules to break down her contributions to the document and dive into the history of transition and the powerful voices of trans youth from across time. Learn more about your ad choices. Visit megaphone.fm/adchoices

When he was 11 years old, actor Haley Joel Osment was nominated for an Oscar. His resume was already long and impressive, but his role as Cole Sear in M. Night Shyamalan’s psychological thriller The Sixth Sense cemented him as an acting prodigy and a big star. Money, fame, and accolades rapidly flew in his direction. But Osment managed to avoid a lot of the common hurdles that early fame can bring. This week, he talks to Anna Sale about the many factors that led to his relatively smooth child star experience and his continued positive outlook in an industry that can be cruel and unpredictable. Podcast production by Cameron Drews. Death, Sex & Money is now produced by Slate! To support us and our colleagues, please sign up for our membership program, Slate Plus! Members get ad-free podcasts, bonus content on lots of Slate shows, and full access to all the articles on Slate.com. Sign up today at slate.com/dsmplus.And if you’re new to the show, welcome. We’re so glad you’re here. Find us and follow us on Instagram and you can find Anna’s newsletter at annasale.substack.com. Our new email address, where you can reach us with voice memos, pep talks, questions, critiques, is deathsexmoney@slate.com.Ad Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond’s yield is a function of its market price, which can fluctuate; therefore, a bond’s YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

As the parent of five kids, Sadie is no stranger to feeling overwhelmed. Most of her kids have left the nest, but one adult daughter has severe autism and can’t live or work on her own. Facing the end of school-based support services, Sadie has to figure out what comes next for her daughter—and for herself. On this episode of How To!, Carvell Wallace brings on Sarah Wayland, the founder of Guiding Exceptional Parents, to talk about parenting two autistic young adults and how to ask for help. Links mentioned:  Your Child (Young Adult!!) Is Graduating: Here’s a List of Things to Do National Alliance of Mental Illness (NAMI) The Arc If you liked this episode check out: How To Hack Any Bureaucracy, How To Date With a Disability, or How To Fill an Empty Nest.Do you have a problem that needs solving? Send us a note at howto@slate.com or leave us a voicemail at 646-495-4001 and we might have you on the show. Subscribe for free on Apple, Spotify, or wherever you listen.How To!’s executive producer is Derek John. Joel Meyer is our senior editor/producer. The show is produced by Rosemary Belson, with Kevin Bendis and Sara McCrea.Want more How To!? Subscribe to Slate Plus to unlock exclusive bonus episodes. Plus, you’ll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the How To! show page. Or, visit slate.com/howtoplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices