Slate Culture

HEY! HO! LET’S GO!! Is this chant: (a) a movement of disaffected hipsters, (b) walkup music for a baseball player, or (c) a really catchy bop? How about all of the above?The legendary New York nightclub CBGB was the birthplace of punk. But it was also the future of pop: the Ramones, Talking Heads, Patti Smith, Blondie. To varying degrees, these acts either became hitmakers, tried to reshape their music for the charts, or influenced generations of future multiplatinum stars.Honestly? Their music was pretty infectious from the jump, even if it was too advanced for the ’70s hit parade. The music we called punk contained multitudes: the improvisatory jazz-rock of Television. The demented anthems of the Ramones. The quirky funk of Talking Heads. The stylistic eclecticism of Blondie—who scored four No. 1 hits in four different genres.Join Chris Molanphy on a journey back to New York’s dirty days to try to answer: When did CBGB punk morph into chart pop?Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

The NFL is a multi-billion dollar business, with a player population that’s more than 60 percent African American. Yet the league’s owners, leadership, and reporters don’t reflect that diversity. In his role as an NFL Media journalist, Jim Trotter repeatedly questioned officials, including NFL Commissioner Roger Goodell, about the league’s lack of diversity. After he lost his job, Trotter filed a lawsuit, claiming racial discrimination and retaliation. On today’s episode of A Word, Trotter joins host Jason Johnson to talk about career, his court case, and the importance of having more African American journalists covering professional football.Sandy Nunes, Vice President Talent Management On-Air at National Football League, declined to commentStephen A. Smith, host of ESPN’s First Take, declined to comment. Buffalo Bills owner Terry Pegula previously denied Jim Trotter’s allegations. Dallas Cowboys owner Jerry Jones previously denied much of Trotter’s account, saying “Some of the representation is not accurate” in response to the lawsuit. Guest: Jim Trotter, senior opinion writer for The AthleticPodcast production by Kristie Taiwo-MakanjuolaYou can skip all the ads in A Word by joining Slate Plus. Sign up now at slate.com/awordplus for $15 for your first three months. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week’s episode of The Waves, Golden Bachelor Gerry is rapidly approaching hometown dates and needs to narrow the pool down to three. To get there, we have a passionate one-on-one date and a high-stakes group date. Slate senior producer Cheyna Roth and Dating While Gray host Laura Stassi give their thoughts.Podcast production by Cheyna Roth and Vic Whitley-Berry with editorial oversight by Daisy Rosario and Alicia Montgomery.Send your comments and recommendations on what to cover to thewaves@slate.com.If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows—you’ll also be supporting the work we do here on The Waves. Sign up now at slate.com/thewavesplus. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Maeve Higgins (author of Maeve in America: Essays by a Girl From Somewhere Else) joins Prudie (Jenée Desmond-Harris) to answer letters from readers about how to respond when everyone thinks your toxic ex is brave and amazing, where to turn when your absentee dad has done psychedelics and forgiven himself a little too enthusiastically, and what to do when you can’t stop making nasty comments to your dog.If you want more Dear Prudence, join Slate Plus, Slate’s membership program. Jenée answers an extra question every week, just for members. Go to Slate.com/prudieplus to sign up. It’s just $15 for your first three months. Podcast production by Se’era Spragley Ricks and Daisy Rosario, with help from Maura Currie. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week’s episode of The Waves, the Las Vegas Aces beat the New York Liberty to win their second WNBA championship in a row. But more impressive is that they played in front of one of the biggest crowds to ever attend a WNBA game. Slate senior supervising producer Daisy Rosario is joined by sports journalist and founder of the Power Plays newsletter Lindsay Gibbs to unpack the recent surge in popularity for women’s sports, why you should make an effort to support women’s basketball, and more.In Slate Plus: Lindsay tries to convince Daisy to get into women’s college basketballIf you liked this episode, check out: Watch The Women’s World Cup, Damnit! Podcast production by Cheyna Roth and Vic Whitley-Berry with editorial oversight by Daisy Rosario and Alicia Montgomery.Send your comments and recommendations on what to cover to thewaves@slate.com.If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows—you’ll also be supporting the work we do here on The Waves. Sign up now at slate.com/thewavesplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

The spooky season is upon us, so hosts Christina Cauterucci, Jules Gill-Peterson, and Bryan Lowder discuss Living for the Dead, the new queer ghost-hunting reality show from the creators of Queer Eye. The show, now streaming on Hulu, is narrated by the disembodied voice of Kristen Stewart, a haunting many of us would welcome. The hosts end the show, as always, with some new additions to the Gay Agenda.Please note, starting in November, Outward will be appearing in your feeds more often, so be sure to subscribe.Items discussed in the show:Trans Data LibraryLiving for the Dead, on HuluGay AgendaChristina: Autostraddle’s coverage of Ashlyn Harris and Ali Krieger’s divorceJules: JewishCurrents’ “Dispatches From Gaza”Bryan: Queer witch @RiotaddamsThis podcast was produced by Palace Shaw and June Thomas.Please send feedback, topic ideas, and advice questions to outwardpodcast@slate.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

On today’s episode, Rachelle Hampton and Candice Lim dive into the saga of Jon Romano. At the age of 16, Romano walked into his high school with a shotgun in an attempt, he says, to commit law-enforcement-assisted suicide. Though no one was killed in the ensuing violence, a teacher was shot and injured. Romano pled guilty to attempted murder and reckless endangerment. He served 17 years in prison and was released in 2020. Since his release, he’s been a public advocate for mental health reform and gun control. Since 2022, TikTok has been a part of that advocacy work for Romano, a choice that landed Romano in the headlines once again after many decried his public platform of more than 275,000 followers.Romano’s presence on TikTok and his large public profile raise thorny questions around the possibility of redemption and life online for those who commit violent acts. To help answer those questions, Hampton and Lim are joined by Dr. Teiahsha Bankhead, the executive director of Restorative Justice for Oakland Youth and an expert in restorative and racial justice.This podcast is produced by Se’era Spragley Ricks, Daisy Rosario, Rachelle Hampton and Candice Lim. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, the panel begins by reviewing Killers of the Flower Moon, Martin Scorsese’s film based on David Grann’s 2017 non-fiction book about the plot of white Americans to steal the Osage Nation’s headrights in the 1920s, starring Leonardo DiCaprio and Lily Gladstone. Then, the three are joined by Dan Kois, writer and editor at Slate and author of Vintage Contemporaries, to puzzle over Slayers: A Buffyverse Story, a scripted audio series based on Buffy: The Vampire Slayer that’s written and performed by many of the original cast, with one glaring omission: creator and showrunner Joss Whedon. Finally, the trio asks: Why is the internet no longer fun? The once utopian dream of democracy has turned into a hellscape, according to Kyle Chayka’s essay in The New Yorker, “Why the Internet Isn’t Fun Anymore.” In the exclusive Slate Plus segment, the panel shares their relationships (or lack thereof) with audiobooks, inspired by Paul Grimstad’s essay “Confessions of an Audiobook Addict for The New Yorker.” Email us at culturefest@slate.com. Endorsements:Dana: The Genius Behind Hollywood’s Most Indelible Sets, a profile of Jack Fisk, the master production designer behind Killers of the Flower Moon and many other films. Julia: While watching Sleepless in Seattle with her husband, Julia discovered her new favorite sound clip: When Meg Ryan dishes with Rosie O’Donnell about her budding romance with Tom Hanks, O’Donnell responds comically while chomping a bite of egg salad into her mouth, in a way that deserves to become a meme.Stephen: The little-known, up-and-coming writer Shakespeare (according to Stephen, he’s “very good” if not “a little antique-y”), specifically in the context of Killers of the Flower Moon. The film’s final scenes recall The Tempest in many ways. Outro music: “Back to Silence” by OTE.Podcast production by Cameron Drews. Production assistance by Kat Hong. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You’ll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the mid-1990s, the prime time drama Melrose Place became a home to hundreds of pieces of contemporary art—and no one noticed. In this episode, Isaac Butler tells the story of the artist collective that smuggled subversive quilts, sperm-shaped pool floats, and dozens of other provocative works onto the set of the hit TV show. The project, In the Name of the Place, inspired a real-life exhibition and tested the ability of mass media to get us to see what’s right in front of our faces. Decoder Ring is produced by Willa Paskin and Katie Shepherd. This episode was written and reported by Isaac Butler and produced by Benjamin Frisch. Derek John is executive producer. Joel Meyer is senior editor/producer. Merritt Jacob is our senior technical director.Thank you to Jamie Bennett, JJ Bersch, Mark Flood, and Cynthia Carr, whose book On Edge: Performance at the End of the 20th Century inspired this episode.If you haven’t yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends.If you’re a fan of the show, we’d love for you to sign up for Slate Plus. Members get to listen to Decoder Ring without any ads. Their support is also crucial to our work. So please go to Slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices

On today’s episode of Hear Me Out… when silence is violence. The war in Israel and Palestine is a rapidly-evolving situation – and one that’s bringing up a lot of emotions for a lot of people. Couple that with the flood of mis-and-disinformation on social media, and “to post or not to post” becomes an extremely loaded question. Are you ever required to speak up on social media? Even if you don’t know the whole story? And if you elect not to say anything, is that inherently choosing a side — and causing harm to others in the process? Social strategist and writer Rachel Greenspan joins us to say that, as a Jewish woman, she doesn’t expect her friends to post about this moment in history… and maybe, neither should you.If you have thoughts you want to share, or an idea for a topic we should tackle, you can email the show: hearmeout@slate.comPodcast production by Maura CurrieYou can skip all the ads in Hear Me Out by joining Slate Plus. Sign up now at slate.com/hearmeoutplus for just $15 a month for your first three months. Learn more about your ad choices. Visit megaphone.fm/adchoices