New Books in the American South

On the evening of May 31, 1921, thousands of white Oklahomans assaulted the Greenwood District of the city of Tulsa. In what would come to be known as the Tulsa Race Massacre, dozens of Black residents were killed and thousands more displaced as armed whites looted their homes and businesses before burning them to the ground.Karlos K. Hill’s The 1921 Tulsa Race Massacre: A Photographic History (University of Oklahoma Press, 2021) provides a visual record of the attack upon the community and the destruction it wrought upon the neighborhood, along with pictures of the aftermath and the testimony of the survivors. As Hill’s images reveal, Greenwood had established itself as the most prosperous Black community in the United States prior to the massacre. This prosperity was a source of resentment for many whites, and fueled much of the anger reflected in the massacre. Yet Hill’s photos also reveal the resilience of a community, as in the aftermath of the devastation the residents of Greenwood rallied to rebuild much of what had been destroyed, serving as a foundation for further prosperity in the decades that followed. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

E. Patrick Johnson's Sweet Tea: Black Gay Men of the South (University of North Carolina Press, 2011) has been a monograph, a documentary film, a stage play, and now a published script from Northwestern University Press. This play weaves together interviews Johnson conducted with gay Black men from the South with Johnson's own recollections of growing up young, gifted, gay, and Black in Hickory, North Carolina. These stories are funny, heart-breaking, and inspiring, and reveal a collective portrait of gay Black Southern life that is much more complex than the simple narrative of repression and escape so often associated with this community. In this interview we discuss what keeps Johnson returning to these stories, his relationship to Black spirituality, and the techniques he used to embody these men when he performed Sweet Tea as a one man show.Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

Fatima Shaik's book Economy Hall: The Hidden History of a Free Black Brotherhood (Historic New Orleans Collections, 2021) tells the story of the Sociâetâe d'Economie et d'Assistance Mutuelle, a New Orleans mutual aid society founded by free men of color in 1836. The group was one of the most important multiethnic, intellectual communities in the US South: educators, world-traveling merchants, soldiers, tradesmen, and poets who rejected racism and colorism to fight for suffrage and education rights for all. The author drew on the meeting minutes of the Sociâetâe d'Economie as well as census and civil records, newspapers, and numerous archival sources to write a narrative stretching from the Haitian Revolution through the early jazz age.Adam McNeil is a third year Ph.D. in History student at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

The capital city of a nation founded on the premise of liberty, nineteenth-century Washington, D.C., was both an entrepot of urban slavery and the target of abolitionist ferment. The growing slave trade and the enactment of Black codes placed the city's Black women within the rigid confines of a social hierarchy ordered by race and gender. At the Threshold of Liberty: Women, Slavery, and Shifting Identities in Washington, D.C. (UNC Press, 2021) reveals how these women--enslaved, fugitive, and free--imagined new identities and lives beyond the oppressive restrictions intended to prevent them from ever experiencing liberty, self-respect, and power.Consulting newspapers, government documents, letters, abolitionist records, legislation, and memoirs, Tamika Y. Nunley traces how Black women navigated social and legal proscriptions to develop their own ideas about liberty as they escaped from slavery, initiated freedom suits, created entrepreneurial economies, pursued education, and participated in political work. In telling these stories, Nunley places Black women at the vanguard of the history of Washington, D.C., and the momentous transformations of nineteenth-century America.Adam McNeil is a third year Ph.D. in History student at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

Chronicling Stankonia: The Rise of the Hip-Hop South (University of North Carolina Press, 2021) pulses with the beats of a new American South, probing the ways music, literature, and film have remixed southern identities for a post–civil rights generation. For scholar and critic Dr. Regina N. Bradley, OutKast’s work is the touchstone, a blend of funk, gospel, and hip-hop developed in conjunction with the work of other culture creators—including T.I., Kiese Laymon, and Jesmyn Ward. This work, Bradley argues, helps define new cultural possibilities for Black southerners who came of age in the 1980s and 1990s and have used hip-hop culture to buffer themselves from the historical narratives and expectations of the civil rights era. André 3000, Big Boi, and a wider community of creators emerge as founding theoreticians of the hip-hop South, framing a larger question of how the region fits into not only hip-hop culture but also contemporary American society as a whole. Chronicling Stankonia reflects the ways that culture, race, and southernness intersect in the late twentieth and early twenty-first centuries. Although part of southern hip-hop culture remains attached to the past, Bradley demonstrates how younger southerners use the music to embrace the possibility of multiple Souths, multiple narratives, and multiple points of entry to contemporary southern Black identity.Dr. Regina N. Bradley is an alumna Nasir Jones HipHop Fellow at Harvard University and an Assistant Professor of English and African Diaspora Studies at Kennesaw State UniversityCheck out Bradley's podcast about Southern hip-hop, Bottom of the Map. Bradley also has another OutKast book coming in August 2021, An OutKast Reader:Essays on Race, Gender, and the Postmodern South (UGA Press).  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

Welcome to Fairyland: Queer Miami before 1940 (University of North Carolina Press, 2017)highlights how transnational forces—including (im)migration, trade, and tourism—to and from the Caribbean shaped Miami’s queer past. The book has received six awards and honors, including the Charles S. Sydnor Award from the Southern Historical Association for the best book written on Southern history.Dr. Julio Capó, Jr. is a transnational historian whose research and teaching interests include modern U.S. history, especially the United States’s relationship to the Caribbean and Latin America. He addresses how gender and sexuality have historically intersected with constructions of ethnicity, race, class, nation, age, and ability. He teaches introductory and specialized courses on all these subjects, as well as courses on public history.Leo Valdes is a graduate student in the History Department at Rutgers University. In addition to being a host for the LGBTQ Studies channel on the New Books Network, they are an oral historian with the Latino New Jersey Oral History Project at Rutgers University and Voces of the Pandemic, a collaborative oral history project with Voces Oral History Center at UT Austin. Their dissertation explores how criminalization and race shaped trans cultures and politics in the 20th century. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

Dr. Brian K. Mitchell describes Reconstruction as the most misunderstood period in American history. In the Jim Crow era, there was a concerted effort to reverse the achievements of African Americans. White supremacists also removed the history of figures such as Louisiana’s Oscar Dunn, the first Lieutenant Governor and acting governor, from the official narrative. Since the second grade, when he learned he was related to Oscar Dunn, Mitchell has been pushing against this historical amnesia.Mitchell’s graphic history Monumental: Oscar Dunn and His Radical Fight in Reconstruction Louisiana was published by The Historic New Orleans Collection in 2021. He worked on Monumental with Nick Weldon, an associate editor at The Historic New Orleans Collection. Barrington S. Edwards of the Massachusetts College of Art and Design illustrated the book.Dr. Brian K. Mitchell is an assistant professor of history at the University of Arkansas, Little Rock and an associate faculty member at the Anderson Institute on Race and Ethnicity. He earned his Ph.D. in urban studies with a concentration in public history at the University of New Orleans, his hometown. His research on race, violence, and the Elaine Massacre has been covered by CNN, NPR, Atlas Obscura, The Guardian, and the Associated Press. Previously he was a senior federal investigator for Equal Opportunity Employment Commission. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

The civil rights movement was among the most important historical developments of the twentieth century and one of the most remarkable mass movements in American history. Not only did it decisively change the legal and political status of African Americans, but it prefigured as well the moral premises and methods of struggle for other historically oppressed groups seeking equal standing in American society. And, yet, despite a vague, sometimes begrudging recognition of its immense import, more often than not the movement has been misrepresented and misunderstood. For the general public, a singular moment, frozen in time at the Lincoln Memorial, sums up much of what Americans know about that remarkable decade of struggle.In The Movement: The African American Struggle for Civil Rights (Oxford UP, 2021), Thomas C. Holt provides an informed and nuanced understanding of the origins, character, and objectives of the mid-twentieth-century freedom struggle, privileging the aspirations and initiatives of the ordinary, grassroots people who made it. Holt conveys a sense of these developments as a social movement, one that shaped its participants even as they shaped it. He emphasizes the conditions of possibility that enabled the heroic initiatives of the common folk over those of their more celebrated leaders. This groundbreaking book reinserts the critical concept of "movement" back into our image and understanding of the civil rights movement.Marshall Poe is the editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

How did the gay movement, which began as a sedate group of intellectuals, become what is arguably the most dynamic civil rights crusade in America? How did a deviant and marginalized fraction of society evolve into powerful, effective, and respected leaders? Activist Morris Kight, a sometimes ignored leader of the post-Stonewall gay rights movement, self-aggrandizing and egotistical in a room full of egos, always found the camera and a way to give gay rights a seat at the table of social reform. His style of organizing and activism showed the power of the “influencer” decades before social media brought millions together with a meme.His work in the 1950s as a part of an underground network of gay ‘safe houses’ that provided bail, health care, and legal advice was based on his early Socialist beliefs. He turned his unique charisma and organizing skills to the 1960s anti-war movement before deciding to devote the rest of his life to the public fight for “Gay Liberation.” He fostered key relationships with fellow activists such as Harvey Milk, politicians, socialites, and gangsters. He had backroom deals with wealthy business owners and handshake agreements with power brokers. This led to a new quality of life for homosexuals, liberated homo youths and, eventually, led to the first generation of never-closeted Gays.Kight helped organize the first gay pride parade in the country in 1970. He founded groups that lead seminal protests that resulted in: The American Psychiatric Association removing homosexuality as a disease from its diagnostic manual, protecting civil rights for gay citizens in California, and reducing police violence against the gay community. And for every good thing he did, he took credit for more. He was a man who, with his many flaws, managed to alienate as many people as he brought together. His story brings to life his work as remembered by those who loved and loathed him.  Mary Ann Cherry befriended Morris Kight in the last decade of his life. She, with Morris’s permission, began writing his biography. Cherry is a Los Angeles based writer whose wide-ranging work includes, television and film producing as well as creating and maintaining the historical archives for the AIDS Healthcare Foundation.Morris Ardoin is the author of STONE MOTEL – MEMOIRS OF A CAJUN BOY (2020, University Press of Mississippi). A communications practitioner, his work has appeared in regional, national, and international media. He divides his time between New York City and Cornwallville, New York, where he does most of his writing. His blog, Parenthetically Speaking, can be found at www.morrisardoin.com. Twitter: @morrisardoin Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

Elizabeth L. Jemison, who teaches American religious history at Clemson University, South Carolina, has written an outstanding new book, Christian Citizens: Reading the Bible in Black and White in the Post-Emancipation South (University of North Carolina Press, 2020). Focusing on the Lower Mississippi River Valley, and working from the 1860s to 1900, Jemison explains how white and African-American protestants developed strikingly different accounts of Christian citizenship. Paying attention to the variety of perspective within and between the Methodist, Baptist, Presbyterian and Episcopalian denominations, and to the perspectives of men and women, Jemison asks troubling questions about white violence and the religious character of the segregated society to which the white protestant counter-revolution eventually led.Crawford Gribben is a professor of history at Queen’s University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south