New Books in the American South

In Jumping the Broom: The Surprising Multicultural Origins of a Black Wedding Ritual (UNC Press, 2020), Tyler D. Parry untangles the convoluted history of the "broomstick wedding." Popularly associated with African American culture, Parry traces the ritual's origins to marginalized groups in the British Isles and explores how it influenced the marriage traditions of different communities on both sides of the Atlantic Ocean. His surprising findings shed new light on the complexities of cultural exchange between peoples of African and European descent from the 1700s up to the twenty-first century. Drawing from the historical records of enslaved people in the United States, British Romani, Louisiana Cajuns, and many others, Parry discloses how marginalized people found dignity in the face of oppression by innovating and reimagining marriage rituals. Such innovations have an enduring impact on the descendants of the original practitioners. Parry reveals how and why the simple act of "jumping the broom" captivates so many people who, on the surface, appear to have little in common with each other.Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

When the Choctaw Nation was forcibly resettled in Indian Territory in present-day Oklahoma in the 1830s, it was joined by enslaved Black people—the tribe had owned enslaved Blacks since the 1720s. By the eve of the Civil War, 14 percent of the Choctaw Nation consisted of enslaved Blacks. Avid supporters of the Confederate States of America, the Nation passed a measure requiring all whites living in its territory to swear allegiance to the Confederacy and deemed any criticism of it or its army treasonous and punishable by death. Choctaws also raised an infantry force and a cavalry to fight alongside Confederate forces.In Choctaw Confederates: The American Civil War in Indian Country (UNC Press, 2021), Fay A. Yarbrough reveals that, while sovereignty and states’ rights mattered to Choctaw leaders, the survival of slavery also determined the Nation’s support of the Confederacy. Mining service records for approximately 3,000 members of the First Choctaw and Chickasaw Mounted Rifles, Yarbrough examines the experiences of Choctaw soldiers and notes that although their enthusiasm waned as the war persisted, military service allowed them to embrace traditional masculine roles that were disappearing in a changing political and economic landscape. By drawing parallels between the Choctaw Nation and the Confederate states, Yarbrough looks beyond the traditional binary of the Union and Confederacy and reconsiders the historical relationship between Native populations and slavery.Brandon T. Jett, professor of history at Florida SouthWestern State College, creator of the Lynching in LaBelle Digital History Project, and author of Race, Crime, and Policing in the Jim Crow South (LSU Press, 202) Twitter: @DrBrandonJett1. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

Jack Robinson made his name as a much-sought-after fashion and celebrity photographer during the 1960s and early 1970s, and his work is well documented in hundreds of pages of Vogue, the New York Times, and Life, as well as other publications. However, his personal life remains virtually unknown. In this study of Robinson and his photography, Howard Philips Smith takes an in-depth look at Robinson’s early life in New Orleans, where he discovered his passion for painting, photography, and the Dixie Bohemian life of the French Quarter. A Sojourn in Paradise: Jack Robinson in 1950s New Orleans (UP of Mississippi, 2020) features more than one hundred photographs taken by the artist, accompanied by detailed commentary about Robinson’s life in New Orleans and excerpts from interviews with the people who knew him when he lived there. Robinson’s photographs of New Orleans reveal the genesis of two unique and fascinating facets of the city’s history and culture: the creation of the first gay Carnival krewes who would make their own unique contribution to the rich cultural history of the city and the formation of the Orleans Gallery, one of the earliest centers of the contemporary art movement blossoming in 1950s America. This detailed study of Jack Robinson’s early life and photography illustrates the contributions of a gifted, gay artist whose quiet spirit and constant interior struggle found refuge in New Orleans, the city where he was able to find himself, for a time, free from society’s grip and open to exploring life on his own terms.Other interviews by Isabel Machado with Howard Philips Smith:Southern Decadence in New OrleansUnveiling the Muse The Lost History of Gay Carnival in New OrleansIsabel Machado is Research Associate with the SARChI Chair in South African Art and Visual Culture hosted by the Faculty of Art, Design & Architecture at the University of Johannesburg. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

Today I talked to Suzanne Cope about her new book Power Hungry: Women of the Black Panther Party and Freedom Summer and Their Fight to Feed a Movement (Lawrence Hill Books, 2021)In early 1969 Cleo Silvers and a few Black Panther Party members met at a community center laden with boxes of donated food to cook for the neighborhood children. By the end of the year, the Black Panthers would be feeding more children daily in all of their breakfast programs than the state of California was at that time.More than a thousand miles away, Aylene Quin had spent the decade using her restaurant in McComb, Mississippi, to host secret planning meetings of civil rights leaders and organizations, feed the hungry, and cement herself as a community leader who could bring people together--physically and philosophically--over a meal.These two women's tales, separated by a handful of years, tell the same story: how food was used by women as a potent and necessary ideological tool in both the rural south and urban north to create lasting social and political change. The leadership of these women cooking and serving food in a safe space for their communities was so powerful, the FBI resorted to coordinated extensive and often illegal means to stop the efforts of these two women, and those using similar tactics, under COINTELPRO--turning a blind eye to the firebombing of the children of a restaurant owner, destroying food intended for poor kids, and declaring a community breakfast program a major threat to public safety.But of course, it was never just about the food.Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

In this episode of QUEER VOICES OF THE SOUTH, I talk with ANDREW J. KUNKA, who is a professor of English and division chair at the University of South Carolina Sumter. He is the author of the book Autobiographical Comics and has also published articles and book chapters on Will Eisner, Kyle Baker, Doug Moench, Jack Katz, and Dell Comics.The Life and Comics of Howard Cruse: Taking Risks in the Service of Truth (Rutgers UP, 2021) tells the remarkable story of how a self-described “preacher’s kid” from Birmingham, Alabama, became the so-called “Godfather of Gay Comics.” This study showcases a remarkable fifty-year career that included working in the 1970s underground comics scene, becoming founding editor of the groundbreaking anthology series Gay Comix, and publishing the graphic novel Stuck Rubber Baby, partially based on his own experience of coming of age in the Civil Rights era.Through his exploration of Cruse’s life and work, Andrew J. Kunka also chronicles the dramatic ways that gay culture changed over the course of Cruse’s lifetime, from Cold War-era homophobia to the gay liberation movement to the AIDS crisis to the legalization of gay marriage. Highlighting Cruse’s skills as a trenchant satirist and social commentator, Kunka explores how he cast a queer look at American politics, mainstream comics culture, and the gay community’s own norms.Lavishly illustrated with a broad selection of comics from Cruse’s career, this study serves as a perfect introduction to this pioneering cartoonist, as well as an insightful read for fans who already love how his work sketched a new vision of gay life.Morris Ardoin is the author of Stone Motel – Memoirs of a Cajun Boy (2020, University Press of Mississippi), which was optioned for TV/film development in 2021. A communications leader in health care, immigration and asylum, and higher education, his work has appeared in national and international media. He divides his time between New York City and Cornwallville, New York, where he does most of his writing. His blog, “Parenthetically Speaking,” which focuses on life as a writer, home cook, and Cajun New Yorker, can be found at www.morrisardoin.com. Twitter: @morrisardoin Instagram: morrisardoin. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

In this episode, Siobhan talks with Warren Eugene Milteer, Jr. about his book North Carolina’s Free People of Color, 1715-1885 (LSU Press, 2020). He is an assistant professor of history at the University of North Carolina at Greensboro. His publications include two academic books, Beyond Slavery’s Shadow: Free People of Color in the South (UNC Press, 2021) and North Carolina’s Free People of Color, 1715-1885 (LSU Press, 2020), the independently published Hertford County, North Carolina’s Free People of Color and Their Descendants (2016), as well as articles in the Journal of Social History and the North Carolina Historical Review. Milteer was the recipient of the Historical Society of North Carolina’s R. D. W. Connor Award in 2014 and 2016 for the best journal article in the North Carolina Historical Review.In North Carolina’s Free People of Color, 1715–1885, Warren Eugene Milteer Jr. examines the lives of free persons categorized by their communities as “negroes,” “mulattoes,” “mustees,” “Indians,” “mixed-­bloods,” or simply “free people of color.” From the colonial period through Reconstruction, lawmakers passed legislation that curbed the rights and privileges of these non-enslaved residents, from prohibiting their testimony against whites to barring them from the ballot box. While such laws suggest that most white North Carolinians desired to limit the freedoms and civil liberties enjoyed by free people of color, Milteer reveals that the two groups often interacted—praying together, working the same land, and occasionally sharing households and starting families. Some free people of color also rose to prominence in their communities, becoming successful business people and winning the respect of their white neighbors.Milteer’s innovative study moves beyond depictions of the American South as a region controlled by a strict racial hierarchy. He contends that although North Carolinians frequently sorted themselves into races imbued with legal and social entitlements—with whites placing themselves above persons of color—those efforts regularly clashed with their concurrent recognition of class, gender, kinship, and occupational distinctions. Whites often determined the position of free nonwhites by designating them as either valuable or expendable members of society. In early North Carolina, free people of color of certain statuses enjoyed access to institutions unavailable even to some whites. Prior to 1835, for instance, some free men of color possessed the right to vote while the law disenfranchised all women, white and nonwhite included.North Carolina’s Free People of Color, 1715–1885 demonstrates that conceptions of race were complex and fluid, defying easy characterization. Despite the reductive labels often assigned to them by whites, free people of color in the state emerged from an array of backgrounds, lived widely varied lives, and created distinct cultures—all of which, Milteer suggests, allowed them to adjust to and counter ever­-evolving forms of racial discrimination. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

Even for someone trained from birth to manage a farm, stepping into an inheritance at the age of twenty is not easy. Yet this is the situation facing Promise Mears Crawford when Sunday’s Orphan opens in 1930. Trouble comes at her from many directions. Her adoptive uncle, Taylor Crawford, constructed his farm according to the principles of racial equality, in defiance of the Jim Crow laws in effect all around him. Taylor had the standing to resist opposition from his neighbors, but Promise lacks both his stature and the resources she needs to fulfill the obligations he took on. Her financial constraints land her in conflict with the farm’s foreman, Fletch Hart, a long-time friend whose dreams of becoming a physician she cannot support due to lack of funds.But the potential loss of Fletch’s friendship pales in comparison to the threat posed by the arrival of Daffron Mears, a self-appointed Jim Crow enforcer whose propensity for vigilante violence is well known throughout the county. Daffron wants a job—in fact, he wants Promise’s farm, which he regards as stolen from him by Taylor—and he is not above manipulating Jim Crow laws to get his way. He implies that he will report Promise to the authorities if she turns him down while giving work to Fletch, a Black man.To protect her friend, Promise agrees to Daffron’s demand, if only for a week. But Daffron’s return to the farm that he left twenty years before sets off a series of crises that cast doubt on everything Promise thought she knew about herself and her origins.Catherine Gentile admits in our interview that this was a difficult novel to write. For the same reasons, it is a difficult novel to read. But its exploration of a topic too often buried beneath platitudes about the need for change and its particular relevance to the questions of racial injustice that have been front and center the last two years make it an important book.Catherine Gentile is the author of The Quiet Roar of the Hummingbird, a fictionalized memoir, and Small Lies: A Collection of Short Stories, as well as Sunday’s Orphan. C. P. Lesley is the author of two historical fiction series set during the childhood of Ivan the Terrible and three other novels. Her next book, Song of the Sinner, will appear in 2022. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

In 1963, sisters Barbara Ann and Rosa Hawkins and their cousin Joan Marie Johnson traveled from the segregated South to New York City under the auspices of their manager, former pop singer Joe Jones. With their wonderful harmonies, they were an immediate success. To this day, the Dixie Cups’ greatest hit, “Chapel of Love,” is considered one of the best songs of the past sixty years. In Chapel of Love: The Story of New Orleans Girl Group the Dixie Cups (University Press of Mississippi, 2021), Rosa Hawkins and Steve Bergsman discuss the ups and downs of one of the most successful girl groups of the early 1960s. Telling their story for the first time, in their own words, Chapel of Love reintroduces the Louisiana Music Hall of Famers to a new audience.Podcast guest Steve Bergsman is a longtime journalist who has written over a dozen books. His most recent book was a biography of Screamin’ Jay Hawkins.Emily Ruth Allen (@emmyru91) holds a PhD in Musicology from Florida State University. Her current research focuses on parade musics in Mobile, Alabama’s Carnival celebrations.  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

In the wake of protests and marches for racial and gender justice in the twenty-first century, scholars have located and argued that racial violence has been embedded in the very fabric of the United States since its inception. In Drs. Sonia Hernández and John Morán González recent anthology, Reverberations of Racial Violence: Critical Reflections on the History of the Border (U Texas Press, 2021), the editors and contributors cement the issue that state-sanctioned violence affected the Mexican community in the Texas-Mexico borderlands. The volume brings together eminent researchers of Mexican American and borderlands studies to showcase the varying ways the Tejana/o community navigated and challenged state-encouraged violence in the early twentieth century.The book consists of fourteen essays to illustrate the formation of the Refusing to Forget collective, the influence that the Texas Rangers held in Texas, lynching and extralegal violence in Mexico and the United States, educational justice, the Idar family, J.T. Canales and his 1919 investigation into the Texas Ranger Force, intergenerational trauma, public memory and public history exhibits, family history in South Texas, and the legacies of violence.The volume is a critical addition to Latina/o/x and borderlands studies, given its thoughtful and exceptionally argued premise that the reverberations of racial violence extend well into the Southwest region of the United States.Tiffany González is an Assistant Professor of History at James Madison University. She is a historian of Chicana/Latinx history, American politics, and social movements. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

We often focus on enslaved people of color but Dr. Warren E. Milteer Jr.’s Beyond Slavery's Shadow: Free People of Color in the South (UNC Press, 2021) directs our attention to the people of color who were free -- and the complex web of intersecting values that led to significant inconsistencies in how they were treated and the institutions they built for themselves. Although many white southerners prized the racial hierarchy, Milteer insists that they also recognized other forms of hierarchy such as “gender, wealth, reputation, occupation, and family connections.” Engaging how these other forms of hierarchy intersected with racial categorization creates a rich history of how free people of color in the South negotiated legal regimes, political ideas, and institutions to carve out as much freedom as possible. Rejecting laws and political rhetoric as the only evidence for discerning the viewpoints of everyday people, Beyond Slavery’s Shadows places everyday people in their wider political and social contexts by drawing from an impressive catalogue of sources. The book accounts for how diverse political and social attitudes could coexist while it provides a remarkable history of law, colonization, taxes, labor, immigration, and gender.Dr. Warren E. Milteer, Jr. is an Assistant Professor of History at the University of North Carolina at Greensboro. He is also the author of North Carolina's Free People of Color, 1715-1885 (LSU Press, 2020).Daniella Campos assisted with this podcast.Susan Liebell is Dirk Warren '50 Professor of Political Science at Saint Joseph’s University in Philadelphia. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south