New Books in the American South

Scott Gac's Born in Blood: Violence and the Making of America (Cambridge UP, 2023) investigates one of history's most violent undertakings: The United States of America. People the world over consider violence in the United States as measurably different than that which troubles the rest of the globe, citing reasons including gun culture, the American West, Hollywood, the death penalty, economic inequality, rampant individualism, and more. This compelling examination of American violence explains a political culture of violence from the American Revolution to the Gilded Age, illustrating how physical force, often centered on racial hierarchy, sustained the central tenets of American liberal government. It offers an important story of nationhood, told through the experiences and choices of civilians, Indians, politicians, soldiers, and the enslaved, providing historical context for understanding how violence has shaped the United States from its inception. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

Lost Causes: Confederate Demobilization and the Making of Veteran Identity (LSU Press, 2022) by Dr. Bradley R. Clampitt is a groundbreaking analysis of Confederate demobilisation. The book examines the state of mind of Confederate soldiers in the immediate aftermath of war. Having survived severe psychological as well as physical trauma, they now faced the unknown as they headed back home in defeat. Lost Causes analyses the interlude between soldier and veteran, suggesting that defeat and demobilisation actually reinforced Confederate identity as well as public memory of the war and southern resistance to African American civil rights.Intense material shortages and images of the war’s devastation confronted the defeated soldiers-turned-veterans as they returned home to a revolutionised society. Their thoughts upon homecoming turned to immediate economic survival, a radically altered relationship with freedpeople, and life under Yankee rule—all against the backdrop of fearful uncertainty. Dr. Clampitt argues that the experiences of returning soldiers helped establish the ideological underpinnings of the Lost Cause and create an identity based upon shared suffering and sacrifice, a pervasive commitment to white supremacy, and an aversion to Federal rule and all things northern. As Lost Causes reveals, most Confederate veterans remained diehard Rebels despite demobilization and the demise of the Confederate States of America.This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

In the late 1970s, Hollywood producers took the published biography of Crystal Lee Sutton, a white southern textile worker, and transformed it into a blockbuster 1979 film, Norma Rae, featuring Sally Field in the title role. This fascinating book reveals how the film and the popular icon it created each worked to efface the labor history that formed the foundation of the film's story. Drawing on an impressive range of sources--union records, industry reports, film scripts, and oral histories--Aimee Loiselle's cutting-edge scholarship shows how gender, race, culture, film, and mythology have reconfigured and often undermined the history of the American working class and their labor activism. While Norma Rae constructed a powerful image of individual defiance by a white working-class woman, Loiselle's Beyond Norma Rae: How Puerto Rican and Southern White Women Fought for a Place in the American Working Class (University of North Carolina Press, 2023) demonstrates that female industrial workers across the country and from diverse racial backgrounds understood the significance of cultural representation and fought to tell their own stories. Loiselle painstakingly reconstructs the underlying histories of working women in this era and makes clear that cultural depictions must be understood as the complicated creations they are.Aimee Loiselle is assistant professor of history at Central Connecticut State University.Caleb Zakarin is the Assistant Editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

Kami Fletcher and Ashley Towle’s edited collection Grave History: Death, Race and Gender in Southern Cemeteries (University of Georgia Press, 2023), demonstrates how Jim Crow laws extended into the realms of the dead. Cemeteries throughout the Southern states either relegated Black funerals to the margins in existing cemeteries or excluded the community altogether, often citing the excuse that inclusion would create unrest amongst white lot-holders, and disturb the peace of the cemetery. Burial spaces become demonstrative of oppression, but could also signal resistance to oppression. This impressive text provides an essential primer in African American cemetery history and illustrates how the Black community created frameworks of community support to ensure that homegoing services were dignified and affordable. Chapters also explore the historic importance of African American burial grounds, where grave markers are uniquely important to the recreation of otherwise poorly documented communities. The chapters also lean into the problems intrinsic to interpreting the material culture of oppression, where historic Black identities risk becoming fixed within narratives of victimhood.The book includes workshop guidance for teachers, for use with students at all stages in the education process.Dr Julie Rugg is Director of the Cemetery Research Group, University of York, UK. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

In 1912, at age 24, Georgia O’Keeffe boarded a train in Virginia and headed west, to the prairies of the Texas Panhandle, to take a position as art teacher for the newly organized Amarillo Public Schools. Subsequently she would join the faculty at what was then West Texas State Normal College (now West Texas A&M University). Already a thoroughly independent-minded woman, she maintained an active correspondence with her future husband, photographer Alfred Stieglitz, and other friends back east during the years she lived in Texas.In Georgia O'Keeffe's Wartime Texas Letters (Texas A&M UP, 2020), Amy Von Lintel brings to readers the collected O’Keeffe correspondence and added commentary and analysis, shining fresh light on a period of the artist’s life she characterizes as “some of the least appreciated in the vast O’Keeffe scholarship,” but also as “a time when she discovered her own voice as a young, successful, and independent woman . . . a dedicated faculty member at a brand-new college . . . a vibrant social butterfly . . . a progressive woman who spoke her mind and fought for her beliefs to be heard.”Although selected paintings by O’Keeffe that support the narrative are featured, this work focuses on O’Keeffe’s words. By doing so, Von Lintel aims to allow the artist’s voice to “emerge as a powerful witness of her own life, but also of western America in a pivotal moment of its development.” The result is an important new examination of one of our most beloved artists during a time when she was in the process of discovering her future identity.Amy Von Lintel is the Doris Alexander Endowed Professor of Fine Arts at West Texas A&M University. She is the author of Georgia O’Keeffe: Watercolors and coauthor of Robert Smithson in Texas. She resides in Amarillo, Texas.Kirstin L. Ellsworth is an Associate Professor of Art History at California State University Dominguez Hills. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

Most scholars of popular music use songs, artists, and clubs as the key texts and sites in their exploration of the social, cultural, political, and economic effects of music. Laurent Dubois‘ new book looks at the history of an instrument, the banjo, to help us better understand American history and culture. Dubois also helps readers understand the banjo as part of an Afro-Atlantic musical heritage.In The Banjo: Americas African Instrument (Harvard University Press, 2015), Dubois examines how the banjo came into existence in the Americas and what it reveals about debates about American culture. Dubois book starts in Africa with a wide range of instruments that shaped the banjo. He then follows these instruments as they cross the Atlantic in the Middle Passage, winding up in the Caribbean and in North America. Sifting through travelers accounts and documents in archives, Dubois shows how the banjo brought together African peoples in the Americas, creating a familiar but new instrument and sound. He describes the banjo as the product of parallel development in which many enslaved musicians deployed similar instrument-making strategies to create what we now know as the banjo.The story, however, does not stop there. The banjo came to represent authentic Africa American and American culture and became a key symbol in abolitionist rhetoric and minstrelsy. As a result, the banjo was not simply an instrument but a powerful marker of identity within American culture. Dubois traces how the banjo played a significant role in jazz, country, bluegrass, and folk music, symbolizing a diverse set of values and politics. From the minstrel Joel Walker Sweeney to the political activist Pete Seeger, the history of the banjo is the history of American popular culture.Laurent Dubois is Marcello Lotti Professor of Romance Studies and History at Duke University. He is also the author of Avengers of the New World: The Story of the Haitian Revolution and Haiti: The Aftershocks of History. More information about his work on the banjo can be found at Banjology and Musical Passage.Richard Schur, Professor of English at Drury University, is the host for this podcast. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

In Stories of Struggle: The Clash over Civil Rights in South Carolina (U South Carolina Press, 2020), longtime journalist Claudia Smith Brinson details the lynchings, beatings, bombings, cross burnings, death threats, arson, and venomous hatred that black South Carolinians endured―as well as the astonishing courage, devotion, dignity, and compassion of those who risked their lives for equality.Through extensive research and interviews with more than one hundred fifty civil rights activists, many of whom had never shared their stories with anyone, Brinson chronicles twenty pivotal years of petitioning, preaching, picketing, boycotting, marching, and holding sit-ins. Participants' use of nonviolent direct action altered the landscape of civil rights in South Carolina and reverberated throughout the South.These firsthand accounts include those of the unsung petitioners who risked their lives by supporting Summerton's Briggs v. Elliot, a lawsuit that led to the historic Brown v. Board of Education decision; the thousands of students who were arrested and jailed in 1960 for protests in Rock Hill, Orangeburg, Denmark, Columbia, and Sumter; and the black female employees and leaders who defied a governor and his armed troops during the 1969 hospital strike in Charleston.Brinson also highlights contributions made by remarkable but lesser-known activists, including James M. Hinton Sr., president of the South Carolina Conference of Branches of the National Association for the Advancement of Colored People; Thomas W. Gaither, Congress of Racial Equality field secretary and scout for the Freedom Rides; Charles F. McDew, a South Carolina State College student and co-founder of the Student Nonviolent Coordinating Committee; and Mary Moultrie, grassroots leader of the 1969 hospital workers' strike.These intimate stories of courage and conviction, both heartbreaking and inspiring, shine a light on the progress achieved by nonviolent civil rights activists while also revealing white South Carolinians' often violent resistance to change. Although significant racial disparities remain, the sacrifices of these brave men and women produced real progress―and hope for the future. For more information on this book, see storiesofstruggle.comMatt Simmons is an Assistant Professor of History at Emmanuel University where he teaches course in U.S. and public history. His research interests focus on the intersection of labor and race in the twentieth-century American South. You can follow him on X @matthewfsimmons. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

By 1935 William Faulkner was well established as an author of critically praised novels, yet the low volume of his sales forced him to seek work in Hollywood. As Carl Rollyson details in The Life of William Faulkner: This Alarming Paradox, 1935-1962 (University of Virginia Press, 2020), this led to an itinerant life divided between Mississippi and Hollywood. Rollyson shows how his encounters with the politicized writers and European refugees who populated the film industry helped broaden his outlook, which was reflected in the injection of anti-fascist elements into his scripts and novels. By the end of the Second World War, Faulkner enjoyed a growing international status that culminated with receiving the award of the Nobel Prize for Literature in 1950, which cemented his place at the forefront of American literature. Though a reluctant celebrity, Faulkner embraced his status by becoming an informal ambassador of American values abroad, while using his position as an unofficial spokesperson of the South to criticize the mistreatment of Blacks in the region and call for improvements in race relations. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

Yael A. Sternhell's War on Record: The Archive and the Aftermath of the Civil War (Yale University Press, 2023) is a history of the United States' greatest archival project and how it has shaped what we know about the Civil War. The Civil War generated a vast archive of official records--documents that would shape the postwar era and determine what future generations would know about the war. Yael Sternhell traces these records from their creation during wartime through their deployment in a host of postwar battles, including those between the federal government and Southerners seeking reparations and between veterans blaming each other for defeat. These documents were eventually published in the most important historical collection ever to have been assembled in the United States: The War of the Rebellion: The Official Records of the Union and the Confederate Armies. Known as the OR, it is the ultimate source for generations of scholars and writers and ordinary citizens researching the war. By delving into the archive, Sternhell reveals its power to shape myths, hide truths, perpetuate rancor, and foster reconciliation. Far more than a storehouse of papers, the Civil War archive is a major historical actor in its own right.Hallel Yadin is an archivist and special projects manager at the YIVO Institute for Jewish Research. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

Black vaudevillians and entertainers joked that T.O.B.A. stood for "tough on black artists." But the Theater Owner's Booking Association (T.O.B.A.) played a foundational role in the African American entertainment industry. T.O.B.A. Time: Black Vaudeville and the Theater Owners’ Booking Association in Jazz-Age America by Michelle R. Scott (University of Illinois Press, 2023) examines this circuit of vaudeville theaters active between 1920 and 1930 which booked blues singers, comedians, dancers, and many other kinds of entertainers into Black-serving theaters throughout the United States. T.O.B.A. launched and nurtured the careers of many Black performers including Cab Calloway, Sammy Davis Jr., Count Basie, Bessie Smith, Ethel Waters, and Hattie McDaniel. Scott traces T.O.B.A.’s antecedents in the first decades of the twentieth century and documents the ten years of its existence. She contextualizes T.O.B.A. within the politics of segregated America, the Black communities served by its theaters, and its effect on the lives and careers of thousands of Black performers.Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south