Here's The Thing with Alec Baldwin

"The Lion King" is now the highest-grossing Broadway production of all time. Julie Taymor hadn't seen the Disney film when she was approached to direct the project, but she had spent years studying the masks, mythology, and ancient ritual drama of indigenous peoples in Indonesia. She tells host Alec Baldwin how she incorporates theater's primal magic into her many stage and screen projects: from the Beatles-soundtracked cosmic narrative of "Across the Universe;" to the elemental brutality of "Titus;" to her recent hallucinatory production of "A Midsummer Night's Dream." Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

At 6'6" tall, Penn Jillette is a huge character. He's got a huge frame, a huge personality, and huge appetites. It's a trait that has occasionally gotten him into trouble; he weighed, until a recent diet change, more than 350 pounds. But his gregarious energy mostly expands to fill every moment of free time with professional success. He's an inventor, an entrepreneur, a podcast host, a TV show creator, a Twitter celebrity, a comedian. And for more than forty years, he's been the talking half of stage magic duo Penn & Teller. He talks to host Alec Baldwin about his lifelong atheism, what it's like to perform the same trick for four decades, and why he's committed to debunking nonsense. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Paul Simon is one of the great American entertainers—a mantle he's worn since he started singing harmony with grade-school friend Art Garfunkel in a duo called Tom & Jerry. In the following six decades, Simon has written dozens of classic songs. His partnership with Garfunkel produced numerous hits like "The Sound of Silence," "America," and "Bridge Over Troubled Water." And Simon's solo career has been equally fruitful, as an engine of eclectic pop music (the gospel of "Loves Me Like a Rock," or the imported reggae of "Mother and Child Reunion"), and also as an ambassador of global sounds (the 1986 album Graceland, and 1990's The Rhythm of the Saints). He talks to host Alec Baldwin about how he has—and hasn't—changed after all these years.  Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

David Remnick is the editor of The New Yorker magazine. It's a title he's held since 1998, and one that requires a tireless attention to detail, and an endless awareness of current news, trends, and ideas. In short, he keeps himself busy. Under Remnick's leadership, the magazine has addressed national events like September 11 and the ensuing wars in Iraq and Afghanistan; he has also transformed the publication into a nimble digital enterprise amidst a cratering media landscape."We come out every week, and now we come out every second," he tells Alec Baldwin.Remnick has six books and numerous anthology credits to his name, and has worked with some of the leading literary lights of the last two decades. In this wide-ranging conversation, he talks about some of those relationships, about his early career — including four years in Perestroika-era Moscow — and about his lifelong love affair with the music and ideas of Bob Dylan. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Billy Joel has sold more records than The Stones, Bruce Springsteen, and Madonna—though the “rock star thing” is something he can “take off.” Joel started playing piano when he was about four or five years old. He admits that he doesn't remember how to read sheet music anymore, saying it’d be like reading Chinese. That doesn't stop the third best-selling solo artist of all time in the U.S. from plunking out a few tunes with Alec. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

BP recently settled civil lawsuits over the 2010 Deepwater Horizon oil spill to the tune of more than 18 billion dollars. But it's not the end of the story for the worst marine spill in U.S. history. Journalist and author Antonia Juhasz recently took a submersible to the floor of the Gulf of Mexico — closer to the BP Macondo well-head than anyone had gotten since it was sealed five years ago. Her story in the June issue of Harper's Magazine details what she didn't see down there — any vibrant sea life — as well as what she did see: a huge carpet of oil 3,000 square miles in size. And evidence indicates that companies are preparing to resume drilling in the region. Juhasz has been monitoring energy companies for over a decade, and has seen how routine spills have become, but as she explains to host Alec Baldwin, she still feels shock and anger over the ongoing impacts of these spills on the environment.   Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

The Graduate. Midnight Cowboy. Lenny. That's just the beginning of Dustin Hoffman's legendary Hollywood career. Over the last five decades, he's stretched and contorted himself into dozens of defining roles, earning recognition as one of the most talented actors in cinema history. Hoffman tells host Alec Baldwin that he savors each new opportunity like it's the first, and recalls his salad days when he was mis-cast, underestimated, and, on at least one notable occasion, sick on a co-star's shoe.  Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

When Gay Talese couldn't land an interview with Frank Sinatra, he wrote the profile instead by talking to Sinatra's tailor, stylist, valet, and other secondary characters in the pop star's world. The resulting piece for Esquire magazine, "Frank Sinatra Has A Cold," is a classic of New Journalism, which Talese helped pioneer."I wanted to be a storyteller," he tells host Alec Baldwin. "I used my imagination to penetrate the personalities, the private lives, of other people."For more than six decades, those people have included mafia crime bosses, civil activists, literati, prizefighters—and innumerable "normal" characters, with their own secret desires, triumphs, and failings. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Ian Schrager is in the hospitality business. Hotels or nightclubs, uptown or downtown, Miami or Manhattan, Schrager defines luxury and leisure. When he and his late business partner Steve Rubell opened Studio 54 in 1977, the club quickly became the epitome of the disco era's cultural mores. It was Mick Jagger, Andy Warhol, Cher, and as Schrager recalls, "serious, sweaty dancing." Today, Schrager says nightclubs are a young person's business; he's long since reinvented himself as one of the inventors of the boutique hotel. The aim, he tells host Alec Baldwin, is essentially the same: make people comfortable, and change their expectations. At 68, Schrager shows no sign of slowing down; his heroes are Giorgio Armani and Clint Eastwood—passionate people who are inspired by work they love.  Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.