Here's The Thing with Alec Baldwin

The last Democrat elected to the Senate seat Cristina Tzintzun has her sights on was Lyndon Johnson. Republican takeovers are just a fact of life in the South. And yet in some places, there's light at the end of the tunnel for beleaguered Dems. It's in the Lone Star State that they hope to reverse the trend. Texas is urbanizing, and it's getting more educated and more diverse. Tzintzun -- a political organizer who's the daughter of a Mexican immigrant and an Anglo-Texan -- tells Alec that by activating those Democratic base constituencies, she can win where others have failed. It's a trail begun by Beto O’Rourke, who almost won the state’s other Senate seat back for the Democrats in 2018, but it's a perilous strategy, too, in a state as conservative as Texas. Much of Beto's team has come over to help Tzintzun, and full disclosure: Alec, too, is a supporter, and hosted a fundraiser for her in October. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Errol Morris’s documentaries are visually unmistakable, whether they’re about pet cemeteries or the morally bankrupt "great men" of American history. Thanks to his optical invention, the "Interrotron," Morris's subjects’ are looking straight at those of us in the movie theater and, sometimes, lying. He’s one of cinema’s most distinctive storytellers. In conversation with Alec, Morris recounts his meandering path to the top, involving deep debt, a master's degree in Philosophy, and a stint as a private investigator. "Film-making saved me," he says. Morris also responds to the heated controversy surrounding his new documentary, American Dharma, about Trump strategist Stephen Bannon, rejecting the argument that it was wrong to provide Bannon a platform for his ideas. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Edward Norton gets into every aspect of filmmaking, even when he comes to the set as an actor. He's helped rewrite scripts, and sometimes gets intimately involved in editing, as was the case with American History X. That has led to tension with directors, but Norton tells Alec that the Hollywood press has grossly mischaracterized many of those relationships. Norton himself directed Alec recently in his new film, Motherless Brooklyn. Norton stars alongside Alec's Robert Moses character, who tries to bend New York City to his will. Their shared experience on set sparks a conversation about directing, and all the great directors Norton has worked with, including Spike Lee, David Fincher, Tony Kaye, and Miloš Forman. A "cheat sheet" of all the movies and directors Edward and Alec discussed, in order, is available at https://www.wnycstudios.org/podcasts/heresthething/edwardandalec. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Judith Light has an unequaled emotional and tonal range as an actor. She also has a shape-shifting physicality that made her entirely convincing both as the shuffling yenta Shelly Pfefferman in Transparent and as the lithe, aristocratic Hedda Gabler. But she only got to exercise those talents by saying "yes" to a lot of less intricate roles -- most famously the housewife-prostitute Karen Wolek on One Life to Live and Type-A divorcée Angela Bower on Who's the Boss. Her manager (a former Psychology professor) helped her arrive at that place of openness. After a few bad auditions, he sat her down and said, "You have an expectation that people should just be giving you stuff, and it's untenable. People feel it. You walk into a room and nobody wants to be around you." "And so," Light tells Alec, "when I walked into the audition for Who's the Boss, I was in a very different place." Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Peter Bergman is the dean of soap opera actors. His portrayal of Dr. Cliff Warner on All My Children from 1979 to 1989 overlapped precisely with the era when soap operas were America's great guilty pleasure. Liz Taylor made cameos alongside Bergman, mainstream publications covered Dr. Warner's many marriages, and the soaps sometimes rivaled prime time in total viewers. Madison Avenue noticed, and Bergman entered the pitchman pantheon with his cough syrup ad in 1986, "I'm not a doctor, but I play one on TV." Since 1989, the soaps have been less central to popular culture, but Bergman has played a much richer character than the debonair doctor: his last 30 years have been spent playing Jack Abbott on The Young and the Restless. Jack is the mercurial head of Jabot Cosmetics, trying to triumph in love and industry over his rival Victor Newman. Alec and Bergman bond over their shared past as high school athletes who found themselves attracted to the stage, and over the joys and difficulties of daytime television. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Dubbed “the hottest artist on the classical music planet” by The New York Times, pianist Lang Lang has reached a level of stardom rare for classical musicians.  But his prominence is hard-won. Alec, who adores Lang Lang's charisma and talent, elicits from his guest stories of hardship during his childhood in northeastern China, and of his slow climb to the top, via Philadelphia. That's where fish-out-of-water Lang Lang showed up at the age of 15 and enrolled in public high school as well as conservatory. Throughout the interview, Lang Lang plays pieces from his latest album, Piano Book, a collection of pieces normally reserved for young learners, reinterpreted with brilliance and respect by the great master. And we at WNYC add more of our favorites from Piano Book and beyond. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

At the end of the 1950s, James Caan, son of a German-Jewish butcher, had been kicked out of ROTC and was too poor to finish college on his own. He started a job for his godfather unpacking meat along the docks of the Hudson River. Less than a decade later, he was starring alongside John Wayne and Robert Mitchum in El Dorado, just a few years from Coppola's giving him a lead in The Godfather. In his unmistakable Queens patois, Caan tells Alec the wonderful, unlikely story of his rise to stardom. That story includes his many marriages, even more fistfights, and heretofore untold details from the sometimes-violent set of The Godfather. Plus what sort of roles Caan wanted but didn't get because of typecasting. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Since 2004, 1300 towns across America have lost local newspaper coverage. 2004 was also the first full year David Rattray, the third generation of his family to own the East Hampton Star, served as the paper's editor. It's a job for which Rattray gave up a very different life and career in New York City. That was a good choice: thanks in part to his stewardship, the Star thrives.  It covers East Hampton's seasonal transformation into the center of an elite New York social universe, but other than that, the venerable weekly operates much as it always has. Rattray makes sure Town Board meetings get covered and that the Fishing Report is up to date -- as did his parents, and his grandfather before them. Alec has been spending time in East Hampton for almost 40 years, so he and Rattray have much to discuss about the paper, and the changes they've witnessed in town. They also discuss the Star's long-term project to research and confront the Hamptons' slaveholding past -- a past in which Rattray's own ancestors played a part. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

The Reverend Donna Schaper of New York's Judson Memorial Church leads her flock of 300 through life's sacraments like any pastor. But she has a national profile, too, appearing in print and on television to reject the idea that Christian values necessarily lead to conservative politics. She tells Alec her story of spiritual awakening, from an abusive working-class home, to parting ways from the Lutheran Church of her childhood, all the way to Judson Memorial Church, a Christian outpost in Greenwich Village that ministers to sex workers, doubters, LGBT folk, the undocumented, and Village gentry alike. Alec in return tells Donna about his own journey of faith. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Alec Baldwin and Matthew Landfield crossed paths one time before their Here's the Thing interview. In early 2001, Alec was shooting a movie in front of 31 Desbrosses Street in New York's Tribeca neighborhood. Matthew had grown up in the building in the 1980s, raised by a performance-artist mom and modernist-painter father. Matthew and Alec said hello as Matthew walked in to visit his parents. The bohemian scene on the block stuck with Alec over the years -- so much so that when in 2015 he was driving by and noticed that the building was gone, he researched what had happened. Online, Alec discovered Matthew's labor of love: perhaps the best, most deeply researched article ever written about a single address. The Lenape, the Dutch, the English, the factory workers, junkies, artists and bankers -- every stage of New York history had some brush with the land (or water) that is now 31 Desbrosses. Alec was transfixed, and this funny, fascinating conversation is the result. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.