In the premiere episode of a new series hosted by Helen Molesworth, the curator and writer talks with her friend the artist Steve Locke about the re-emergence of art and culture of the 90’s, and why certain ideas, obsessions, and artists of the era—from Wolfgang Tillmans to Marlon Riggs to Friends—are bubbling back up into the mainstream now. This fall, Helen will be hosting regular episodes of the podcast that react to the shifting news and ideas in the art world and culture at large. Please follow Dialogues so you don’t miss an episode. This episode’s guest, the artist Steve Locke, currently has a solo exhibition at Alexander Gray Associates in New York, open through December 17, 2022.

In this special episode produced and hosted by the painter Lisa Yuskavage, six artists—Joe Bradley, Carroll Dunham, Rashid Johnson, David Reed, Sarah Sze, and Charline von Heyl—give Ann Temkin, Chief Curator of Painting and Sculpture at the Museum of Modern Art in New York, their insights on Matisse’s Red Studio (1911) and the elusive nature of creativity. It was inspired by the recent exhibition Matisse: The Red Studio at MoMA, now on view at the SMK Denmark through February 26, 2023.Dialogues is returning soon with new episodes hosted by the writer and curator Helen Molesworth, please stay tuned to this feed.

A special preview of a new podcast miniseries, Death of an Artist, hosted by the curator and art historian Helen Molesworth, who will also be hosting new episodes of Dialogues, coming very, very soon. For more than 35 years, accusations of murder shrouded one of the art world’s most storied couples: Was the famous sculptor Carl Andre involved in the death of his wife, the rising star artist Ana Mendieta? Helen revisits the question of Mendieta’s death, takes a closer look at the incident in which she fell from the window of their 34th floor New York apartment, and interrogates both the silence and protest that have followed this infamous story since 1985. You can hear the full episode and all of Death of an Artist here. Stay tuned to Dialogues for new episodes hosted by Helen Molesworth coming next month.

The artists and former partners on what it means to be an artist now—and what it meant when they emerged in the New York art world of the 1990s. Tiravanija, who will have his first exhibition with the gallery in Hong Kong later this year, is renowned for participatory installations that have a living, social dimension to them. Peyton is one of her generation’s best-known painters, recognized for her intimate paintings of people.

The editorial director of New York Review Books and editor of NYRB Classics explains the origins and cult status of the incredibly popular series. Since its founding by Frank in 1999, NYRB Classics’s mission has been to reintroduce out-of-print gems to a new audience, everything from Walt Whitman’s Drum Taps to a Janet Malcolm work of journalism. Combined with a simple and magnetic design, this model inspired David Zwirner Books’s own ekphrasis series, which focuses on writing about art, and which just celebrated its 20th edition with the publication of Virginia Woolf’s Oh to Be a Painter!.  Oh to Be a Painter!, the most accessible collection of Woolf’s writing on art, is available through David Zwirner Books. The entire ekphrasis series is now available as a special collection. 

A conversation that parses the nuances of the question: Does art have to be political to be important right now? With the art critic Jed Perl, who just published Authority and Freedom: A Defense of the Arts, and the novelist Johsua Cohen, author of the acclaimed The Netanyahus: An Account of a Minor and Ultimately Even Negligible Episode in the History of a Very Famous Family, which fictionalizes the Israeli family in ways comic and serious. 

A conversation about the art of looking. The Pulitzer Prize-winning art critic and author Jerry Saltz, of New York magazine and the bestselling How to Be an Artist, and the influential young gallerist Ellie Rines, of New York’s 56 Henry, on doing their jobs in unorthodox ways—and how to look at the endlessly proliferating and increasingly uncategorizable art in the world today.And a warning to our listeners: This episode briefly mentions suicide, so please listen with caution or skip 44:34-45:30.

The celebrated artist on the role of art criticism today, and how she probes and ultimately goes beyond the limitations of her painting in her other practice as a writer. This episode with Sillman, who in 2020 published Faux Pas, a new collection of her writings, is guest-hosted by Jarrett Earnest, and is the last of his three-part miniseries on serious artists who are also serious writers. Amy Sillman: Faux Pas is available here. Her work will be featured in the 2022 Venice Biennale, and was recently on view in Toni Morrison’s Black Book, an exhibition curated by Hilton Als at David Zwirner’s 19th Street gallery in New York.

What does evolutionary science have to do with the art world? A fascinating conversation with Richard Prum, a leading thinker in evolutionary ornithology who has developed a theory that impacts how we think about artistic genius, radicality, and the art world at large.

A conversation with two exciting artists taking their multimedia practices onto the movie screen. Ulman, whose work combines video, performance, and the Internet in fluid ways, recently released her critically-acclaimed first feature film, El Planeta. A hit at the Sundance Film Festival, it features Ulman and her mother as a pair of mother-and-daughter grifters in Gijon, Spain, their hometown. And Lee, who works across all manner of media, also made a standout film that draws from her own life: Mommy is a resonant profile of her mother following her devastating death that, like El Planeta, fuses the visual language of video and Net Art with that of Hollywood.