The Essay

Oscar-winning writer Frederic Raphael reads the first of his essay series about living abroad throughout Europe between the 1940s and 60s, beginning with the first foreign country he ever lived in: England.Uprooted from New York City as a young boy, the writer paints a child's-eye portrait of wartime Britain, with all its class conscious peculiarities, but seen through the eyes of a young American kid used to waffles, zips and Buicks.Producer: Jo Wheeler.

The last of five personal essays on the voice and radio. Broadcaster Fi Glover on how radio voices make the global local and the local global. Fi Glover has worked in almost every job that radio offers and is currently presenting the Listening Project on BBC Radio 4 - a programme in which her voice hardly appears whilst the voices of its contributors (ordinary people often at corners of their lives) are rich in personality and incident. Is radio good at not presenting and just listening? Has the BBC traditionally over-managed those who speak on its airwaves? And what of hate speech and hate radio? Why does the radio voice still reach deep into our hearts and minds in the era of screen-based living and social media?An essay given in front of an audience at the British Academy in London in October 2014 as part of a series of events marking the 100th anniversary of the birth of Dylan Thomas. Producer: Tim Dee.

The fourth of five personal essays on the voice and radio. BBC Radio Merseyside presenter Roger Phillips describes his job as the listening anchorman of the station's daily phone-in programme. What is is like to be the in the middle of a city as it talks to and of itself every day of the week? How does the city's voice manifest itself in the way it talks? Are there as many talkers in Newcastle or Bristol? What does the Liverpool voice do to the Liverpool mind? Thoughts too on victim culture and Scally jokes. An essay given in front of an audience at the British Academy in London in October 2014 as part of a series of events marking the 100th anniversary of the birth of Dylan Thomas. Producer: Tim Dee.

The third of five personal essays on the voice and radio. Former BBC journalist and now media professor David Hendy explores how, in the early years of radio, the voices coming through the airwaves were heard and regarded. Why did a heard voice carry more swaying power than written words, why did a radio voice carry - so experiments and test showed - even more potency? How did radio become a tool for demagogues? Why are our ears susceptible?An essay given in front of an audience at the British Academy in London in October 2014 as part of a series of events marking the 100th anniversary of the birth of Dylan Thomas. Producer: Tim Dee.

The second of five personal essays on the voice and radio. Journalist and broadcaster Olivia O'Leary describes her autobiography in radio from Irish nuns at her boarding school hunting down wicked wirelesses to thoughts on the speed of the Irish voice by comparison with the English. Olivia O'Leary has worked in radio for decades and is well known - as a voice - for her penetrating yet tactful interviewing skills. She shares some of her secrets.An essay given in front of an audience at the British Academy in London in October 2014 as part of a series of events marking the 100th anniversary of the birth of Dylan Thomas, himself one of the most famous radio voices of all time. Producer: Tim Dee.

The first of five essays on the voice and radio - all delivered by seasoned broadcasters and practitioners. Actor Samuel West explores the art of performance and declarative language. How should an actor speak? What is the best way to read poetry on the radio? How does radio drama get by without images? Are the pictures really better?Recorded in front of an audience at the British Academy in London in October 2014 as part of a series of events marking the 100th anniversary of the birth of Dylan Thomas, himself one of the best known radio voices of all time.Subsequent essays from the British Academy come from veteran Irish broadcaster Olivia O'Leary, Professor of Media David Hendy, Radio Merseyside's phone-in host Roger Phillips and Radio 4's Fi Glover - all sharing their varied perspectives on the art of radio.Producer: Tim Dee.

Serial entrepreneur Luke Johnson celebrates the simple but powerful messages of the self-help classic, "The Magic of Thinking Big" by David J Schwartz." "His book is not great literature," he admits. "Indeed, it is popular psychology at its most obvious." However, Johnson defends its power as "basic but also profound" - and it has influenced his huge success with a series of household name businesses. Producer: Smita Patel.

Malorie Blackman, a celebrated Children's Laureate and author, shares how Alice Walker's 'The Color Purple' opened doors to her writing aspirations. She reflects on the emotional journeys of Celie and Nettie, emphasizing themes of resilience and self-identity. Blackman discusses overcoming rejection and the transformative effect of representation in literature, particularly for black women. She recounts pivotal moments that fueled her creativity and the empowering message of finding one's voice in the face of adversity.

Actor/director Simon McBurney of Theatre de Complicite describes how John Berger's "And Our Faces, My Heart, Brief as Photos" plays with ideas of connection, memory, narrative and mortality which are essential to his theatrical work. "Berger digs in the vulnerable earth of human experience, and joins the fragments he uncovers with an eye as sure as an astronomer, a gesture as gentle as a carpenter," McBurney says. This slim work has been a point of reference for his art and his life. Producer: Smita Patel.

Singer Tracey Thorn describes how she as a rebellious teenager she seized on the feminist classic "The Female Eunuch" by Germaine Greer. "It seemed brand new, and it spoke to me of things I'd long thought and felt without ever having words or names for," she says. She explains how the book was a deep influence on the lyrics she wrote for her band Everything but the Girl. But now she is herself a mother, she finds herself questioning Greer's contemptuous dismissal of parenting. "As feminists, I feel we are more forgiving now than Greer was; more inclusive, less dismissive, and perhaps that's because greater freedoms have brought with them greater liberties for us to be so. It's not such a threat now to admit to being happily married and enjoying motherhood when we are not utterly constrained and defined by these roles." Producer: Smita Patel.