The Essay

With Scotland and all things Scottish very much in the air, acclaimed writer, comedian and now ex-pat, AL Kennedy, reflects on what Scottishness means to her in this series of The Essay. Today: morality and misery - is dourness necessarily such a bad thing?Written and performed by AL Kennedy Producer: Justine Willett.

With Scotland and all things Scottish very much in the air, acclaimed writer, comedian and now ex-pat, AL Kennedy, reflects on what Scottishness means to her in this new series of The Essay. Today: a good sense of humour.Written and performed by AL Kennedy Producer: Justine Willett.

With Scotland and all things Scottish very much in the air, acclaimed writer, comedian and now ex-pat, AL Kennedy, reflects on what Scottishness means to her in this new series of The Essay. Today: tartan, the kilt and a sense of identity.Written and performed by A L Kennedy Producer: Justine Willett.

Novelist and critic Ian Sansom believes that the idea of the average is one of the key terms and principles of the modern age, encompassing human productivity, relationships, politics and art. So, how did average become a byword for mediocrity?In the final essay of the series, he attempts to locate the most average place in the UK, the heart of Middle England, the spiritual home of Joe and Josephine Public. Producer: Stan Ferguson.

Novelist and critic Ian Sansom goes in search of the 'average' man or woman.

Novelist and critic Ian Sansom believes that the idea of the average is one of the key terms and principles of the modern age, encompassing human productivity, relationships, politics and art. So, how did average become a byword for mediocrity? In the third essay of the series, he explores the changing concept of the average working week in an age of zero hours contracts. Is the idea of an average working week now as redundant and old-fashioned as the idea of the tea-drinking, bowler-hatted man on the Clapham omnibus, with his 2.4 children living comfortably in suburbia, in a nation of cheeky-chappie shopkeepers?Producer: Stan Ferguson.

Novelist and critic Ian Sansom believes that the idea of the average is one of the key terms and principles of the modern age, encompassing human productivity, relationships, politics and art. So, how did average become a byword for mediocrity? In the second essay of the series, he uncovers the unlikely history of the scientific measurement of the dimensions of the average man and woman. We learn that our ever-changing dimensions matter - size matters - for all sorts of obvious reasons, not least because average sizes literally determine the shape of the world we all live in: the height of our tables and chairs, the shape of our clothes, our cars, our phones - and of course our coffins. We all live and die according to the average.Producer: Stan Ferguson.

Novelist and critic Ian Sansom believes that the idea of the average is one of the key terms and principles of the modern age, encompassing human productivity, relationships, politics and art. So, how did average become a byword for mediocrity? 'Average Is Over' proclaims the title of one recent best-selling book about economics. 'Start: Punch Fear In the Face, Escape Average And Do Work That Matters' suggests the title of another. 'Conquering Average'. 'Mastering Average'. 'Overcoming Average'. This has become the mantra of our times. In the opening essay of this series of investigations into the average, Sansom takes a sideways look at the history and meaning of the ordinary and the everyday and discovers what it means to be the opposite of 'awesome'. Producer: Stan Ferguson.

World War One ravaged Tanzania. East Africans were recruited as carriers and fighters, and many more were affected by the destruction of crops by retreating forces. As many as a million died from starvation and sickness as well as from their wounds, yet the war is barely remembered there now. Oswald Masebo, Professor of History at the University of Dar es Salaam, explores the conundrum with an audience at the auditorium of the British Council in Tanzania.

The First World War is a difficult history for Indians to remember. Although over a million soldiers from India served, their contribution was not rewarded with independence for their country and disappointment was met with harsh repression. The writer, diplomat and Indian MP Shashi Tharoor presents his essay at the Indian International Centre in Delhi, in partnership with the British Council. In 'Parting Words' he explores the troubled associations of the war and its aftermath, and explains that India is finally honouring its heroes of World War One.