The Essay

Joanna Robertson's earliest childhood memory is that of the baker calling at noon each day, with a basket full of fragrant buns, cakes and bread. It was the first indication of what was to develop into a lifelong love affair with food. For Joanna, food has never just been about nourishment. It has shaped her life in highly personal as well as professional ways, with surprising, funny or poignant results. So much so, that telling her food stories in these Essays amounts to sharing an intimate and revealing autobiography, with deeply personal insights into her life, the places she has lived and worked in, and the people she has met through food. In the second programme, Joanna is a young adult. She is now working two jobs in London, involving food and encounters with world class artists, designers and musicians. In Soho, these include Derek Jarman, Howard Hodgkin and Alexander McQueen, while on the South Bank she serves, for example, Karl-Heinz Stockhausen, Pierre Boulez and Sviatoslav Richter. Joanna Robertson is a journalist who has lived in several countries and is now based in Paris. Produced by Arlene Gregorius.

Joanna Robertson's earliest childhood memory is that of the baker calling at noon each day, with a basket full of fragrant buns, cakes and bread. It was the first indication of what was to develop into a lifelong love affair with food. For Joanna, food has never just been about nourishment. It has shaped her life in highly personal as well as professional ways, with surprising, funny or poignant results. So much so, that telling her food stories amounts to sharing an intimate and revealing autobiography, with insights into her life, the places she’s lived and worked in, and the people she's met through food. These stretch from Italians who would become a collective of godparents to her eldest daughter, to world class artists and musicians, ranging from Derek Jarman to Sviatoslav Richter. In the first programme, Joanna reveals how her love of food already manifested itself when she was a child growing up in different parts of the UK. Joanna Robertson is a journalist who has lived in several countries and is now based in Paris. Produced by Arlene Gregorius.

Joanna Robertson's earliest childhood memory is that of the baker calling at noon each day, with a basket full of fragrant buns, cakes and bread. It was the first indication of what was to develop into a lifelong love affair with food. For Joanna, food has never just been about nourishment. It has shaped her life in highly personal as well as professional ways, with surprising, funny or poignant results. So much so, that telling her food stories in these Essays amounts to sharing an intimate and revealing autobiography, with deeply personal insights into her life, the places she has lived and worked in, and the people she has met through food.In the final programme, Joanna is living in Paris. Fortune has smiled on her in the shape of a second daughter, but when it comes to food, her luck seems to have run out, as neither her children's school lunches nor local restaurants' menus live up to Joanna's expectations which had been stoked by food writers of the calibre of Elizabeth David and MFK Fisher whom Joanna read avidly as a teenager. Now it's chips with everything it seems. Fate has one good surprise in store however: Joanna's local baker, where she gets her daily morning bread, has just been crowned the best baguette maker in Paris.Joanna Robertson is a journalist who has lived in several countries and is now based in Paris. Produced by Arlene Gregorius.

Twm Morys was brought up in the same village as Lloyd George, and in the essay 'Why the Lloyd George museum is so small' (Twm worked in the museum for a while), he explains that the former prime minister is not fondly remembered there. Some think that Lloyd George betrayed his country's cause in order to further himself in England and the Empire, others that his behaviour during the First World War was warmongering (he personally gave many speeches recruiting young welsh men to the army). Twm also recalls that a filthy limerick was found in Lloyd George's wallet at the time of his death, and that as a museum assistant, it wasn't the done thing to draw attention to the verse.Producer: Megan Jones for BBC Wales

The history of the Welsh people, from the year six hundred to the present, can be traced through poetry - there has not been one generation in that time in which poets haven't kept a record. In this series of Essays, poet and musician Twm Morys brings his personal perspective to five stories looking at aspects of the history of Wales over several centuries, following the fortunes of Welsh figures both eminent and ordinary.In his fourth essay this week, Twm looks into the experiences of an African man in North Wales in the 1770s, and the stories the community told about how he came to be there. The only black man anyone had ever come across in Cricieth at that time, it seems Jack Ystumllyn may have been an escaped slave, who overcame prejudice to become an extremely popular and respectable man.Producer: Megan Jones for BBC Wales

Twm Morys delves into the cultural links between Brittany and Wales, and looks into the story of St Teilo.Drawing on his experience of living in Brittany for ten years, Twm says that speaking Breton was like speaking Welsh after taking some psychedelic drug, and living there was like a Wales where Methodist chapels never happened. St Teilo fled to Brittany with a band of monks in the 6th century to escape the plague, and during this time tamed a fierce dragon and chained it to a rock in the sea. Twm explains how a church in Brittany still manages to claim that they hold a hallowed relic of the Welsh Saint - his arm and hand, encased in silver - even though he returned to Wales to die.Producer: Megan Jones for BBC Wales

The history of the Welsh people, from the year six hundred to the present, can be traced through poetry - there has not been one generation in that time in which poets haven't kept a record. In this series of Essays, poet and musician Twm Morys brings his personal perspective to five stories looking at aspects of the history of Wales over several centuries, following the fortunes of Welsh figures both eminent and ordinary.In the second essay Twm explores a tradition that was preserved for more than a thousand years in Wales - that of farmhands singing songs to their oxenProducer: Megan Jones for BBC Wales

The history of the Welsh people, from the year six hundred to the present, can be traced through poetry - there has not been one generation in that time in which poets haven't kept a record. In this series of Essays, poet and musician Twm Morys brings his personal perspective to five stories looking at aspects of the history of Wales over several centuries, following the fortunes of Welsh figures both eminent and ordinary.In the first essay, Dinogad's Jerkin, he tells the story of the oldest lullaby in Britain, sung by a mother to her son in Borrowdale in the Lake District at the end of the 7th century. It was preserved in a medieval manuscript which reveals that it was in the Welsh language, throwing a strange light on the history of England.In the second essay Twm follows the very different fates of two famous Welshmen during the First World War - David Ivor Davies and Ellis Humphrey Evans. From opposite ends of Wales geographically and economically, the former became known as Ivor Novello and thanks to his contacts not only survived the war but was made famous by it. The latter was a poet known as Hedd Wyn, who became the figurehead for Wales' experience of the war: he was killed within hours of going into action on the first day of the Battle of Passchendaele.‘Jack Ystumllyn’, or 'A victory over racism in 18th century Criccieth', looks into the experiences of an African man in North Wales, and the stories the community told about how he came to be there. The only black man anyone had ever come across, it seems he may have been an escaped slave, and Jack overcame prejudice to become an extremely popular and respectable man.Twm was brought up in the same village as Lloyd George, and in the essay 'Why the Lloyd George museum is so small' (Twm worked in the museum for a while), he explains that the former prime minister is not fondly remembered there. Some think that Lloyd George betrayed his country's cause in order to further himself in England and the Empire, others that his behaviour during the First World War was warmongering (he personally gave many speeches recruiting young welsh men to the army). Twm recalls that a filthy limerick was found in Lloyd George's wallet at the time of his death, and that as a museum assistant, it wasn't the done thing to draw attention to the verse.In the final essay 'Saint Teilo - a surplus of arms' Twm delves into the cultural links between Brittany and Wales, drawing on his experience of living there for ten years. Of this he says that speaking Breton was like speaking Welsh after taking some psychedelic drug, and living there was like a Wales where Methodist chapels never happened. St Teilo fled to Brittany with a band of monks in the 6th century to escape the plague, and during this time tamed a fierce dragon and chained it to a rock in the sea. Twm explains how a church in Brittany manages to claim that they hold a hallowed relick of the Welsh Saint - his arm and hand, encased in silver - even though he returned to Wales to die.Producer: Megan Jones for BBC Wales

Author and broadcaster Sarah Churchwell describes the spell that female film stars of the 1930's and 40's have over her.From Jean Harlow, the blonde bombshell, to someone the author came to admire later in life. Why? Because this star tried too hard, was unrelenting, was altogether frightening. She now thinks about Joan Crawford - the 'working girl'.Producer Duncan Minshull.

Poet Kenneth Steven writes on the remote islands of St Kilda, where the community is only a distant memory echoed in the sound of seabirds. This is an island far out in the ocean. 'To make the sea crossing to St Kilda a boat is heading into the full fury of the North Atlantic; west of here lies nothing more than Rockall - and then America.' Once a thriving community lived on the island known as Hirta. 'Not only was there life on St Kilda, there was joy in life. The reports written by early visitors make that abundantly clear: the people made music and danced, they were singers of songs and tellers of tales. They faced hardship together and even death on a daily basis, but this little society held together in happiness.'But by 1930 the British Government wanted an end to the expense of supporting this remote colony, and the community were forced to take the decision to evacuate. Now there are only the empty shells of houses and the endless cries of seabirds.'In all the cobbles, concrete years to come Their islands promises to lie at the bottom of a glass, Or silent forever in their eyes, a story frozen Like a fly in the amber of time.' Producer Mark Rickards.