The Essay

To mark the 400 years since the arrival of African slaves to America, Jamaican-born author Anne Bailey reflects on two remarkable women pertinent to this commemoration and discusses how they have influenced her journey as a Black female historian. Mary Prince, a West Indian slave who after enduring incredible hardships at the hands of several masters obtained her freedom and wrote an abolitionist narrative that was published in Britain. And Sally Hemings - the enigmatic enslaved mistress of Thomas Jefferson who never officially received her freedom and who never wrote her own story, yet as a historical figure looms large in history and in memory.Anne Bailey reflects on how each of them represented freedom in their own way.Producer Neil McCarthy

To mark 400 years since the arrival of African slaves to America, David Olusoga reflects on the life of Sarah Forbes Bonetta. As a young Dahomeyan girl called Ina, she was sold into slavery and, in an extraordinary twist of fate, was gifted to Queen Victoria and became her goddaughter Sarah Forbes Bonetta.Producer Neil McCarthy

To mark 400 years since the arrival of African slaves to America, the author Daina Ramey Berry reflects on Isaac, who led a rebellion, and whose life ended in a final act of defiance.Reflecting on the 400-year anniversary of African arrivals in America and the legacy of slavery, Daina Ramey Berry is drawn to an enslaved man she met while researching her book The Price for their Pound of Flesh. His name is Isaac and she learned about him through a 19th century newspaper that recorded his remarkable story. He is someone she thinks of often because of his expression of soul values which enslaved people clung to and used to resist the commodification of their bodies. Daina shares Isaac’s story, his powerful statement, and legacies of slavery that reverberate today. Producer Neil McCarthy

To mark the 400 years since the arrival of African slaves to America, the author and playwright Caryl Phillips reflects on the life of one individual.In February 1766, a twenty-five year old African man, Philip Quaque, arrived back in his native Africa, with an English wife. He had been taken to England as a teenager to be educated as a Christian missionary. In England he had been ordained into the church, and married, and now the young man was to serve in a slave fort as both a missionary to his own African people, and a Chaplain to the English troops and merchants stationed on the coast. His was an impossible situation, trapped as he was between the hostility of his own people and the disdain of the English. For nearly half a century he managed to maintain a life balanced between these two opposing groups, and he recorded the anxieties visited upon him in a remarkable series of letters that he dispatched back to his employers in England.Producer Neil McCarthy

In the last of five personal takes on the Weimar Republic, Ute Lemper looks at the enduring appeal of Weimar music and song.

Film critic Clarisse Loughrey looks at the cinema of the Weimar Republic.

Katie Sutton, author of The Masculine Woman in Weimar Germany looks at sexuality in the Republic.

Blade Runner's future is now 40 years old. 5 writers explore the impact and legacy Ridley Scott's 1982 classic film where replicants escape to a retrofitted Earth only to meet their end at the hands of the washed out, titular Blade Runner played by Harrison Ford. Adapted from Philip K. Dick's equally classic 1968 novel Do Androids Dream of Electric Sheep.Both film and book are meditations on what it is to be human but we have been looking through the eyes of the film ever since it plunged us into its acid rain, neon coated, West Coast nightmare of flaming night skies, commercial ziggurats, flying cars and fake animals. Now its future is our present. We live in a world of mass species die off, environmental crisis, rapidly developing A.I., all powerful corporations and extreme divides between rich and poor The legendary writer on film, David Thomson, takes a long hard look back at Ridley Scott's rain soaked mash up of existential noir and artificial souls. "Maybe you’ve never seen Blade Runner – but you think you have. It’s one of those films in our dreams and feeble memory. I used to think it was what it claimed to be, the story of a sour bounty hunter charged to eliminate or retire some dangerous escapees from the old scheme of how the universe was run. "Producer: Mark Burman

Blade Runner's future is now 40 years old. 5 writers explore the impact and legacy Ridley Scott's 1982 classic film where replicants escape to a retrofitted Earth only to meet their end at the hands of the washed out, titular Blade Runner played by Harrison Ford. Adapted from Philip K. Dick's equally classic 1968 novel Do Androids Dream of Electric Sheep.Both film and book are meditations on what it is to be human but we have been looking through the eyes of the film ever since it plunged us into its acid rain, neon coated, West Coast nightmare of flaming night skies, commercial ziggurats, flying cars and fake animals. Now its future is our present. We live in a world of mass species die off, environmental crisis, rapidly developing A.I., all powerful corporations and extreme divides between rich and poor.Film and book have bled into our culture in many different ways. Dr Beth Singler, Junior Research Fellow in Artificial Intelligence at Homerton College, Cambridge asks what is real and fake in A.I. sex and love."Simulation forces us to think about how we can the ‘real’ that we seem so often to be confident about. Confident enough perhaps to reassure ourselves that the use of ‘fake’ humans as slave labour and sexbots is alright to be skimmed over in the dialogue of the human characters in Blade Runner. What does it say about the society in the world of Blade Runner that it is okay with slave replicants who fight our off-world wars and fulfil sexual needs for colonists? It gets worse. What does it say about a society that is okay with slave replicants who are only two years old?"Producer: Mark Burman

Blade Runner's future is now 40 years old. 5 writers explore the impact and legacy Ridley Scott's 1982 classic where replicants escape to a retrofitted Earth only to meet their end at the hands of the washed out, titular Blade Runner played by, Harrison Ford. Adapted from Philip K. Dick's equally classic 1968 novel Do Androids Dream of Electric Sheep.Both film and book are meditations on what it is to be human but we have been looking through the eyes of the film ever since it plunged us into its acid rain, neon coated, West Coast nightmare of flaming night skies, commercial ziggurats, flying cars and fake animals. Now its future is our present. We live in a world of mass species die off, environmental crisis, rapidly developing A.I., all powerful corporations & extreme divides between rich and poor.Film and book have bled into our culture in many different ways. The writer Ken Hollings takes the Voight Kampff test as he examines the ethical barriers between us and the machine. "According to both the novel and its film adaptation, androids are committing a crime simply by not being human. And in the world of 2019, Blade Runner reveals, the punishment is enforced ‘retirement’ – or legal execution. This is the extent to which humanity holds itself responsible for its creations. "Producer Mark Burman