The Essay

Geoffrey Colman describes the ways in which reality TV has changed acting.Geoffrey is an acting coach, educator, broadcaster and former professor of acting at the Royal Central School of Speech of Drama, and in this series of Essays he takes listeners inside the rehearsal rooms and onto the stages of his professional life to address key questions about acting.In this Essay, Geoffrey describes the many ways in which reality TV has changed acting, discussing reality, truth and constructed reality.Producer: Giles Edwards

Geoffrey Colman explores the differences between acting on stage and on screen.Geoffrey is an acting coach, educator, broadcaster and former professor of acting at the Royal Central School of Speech of Drama, and in this series of Essays he takes listeners inside the rehearsal rooms and onto the stages of his professional life to address key questions about acting.In this third Essay, Geoffrey discusses the differences between acting on stage and on screen - the difference, according to Sir Laurence Olivier, between handling a sword and a cup of tea. Geoffrey argues that they are completely different propositions, with completely different technical skills required to master each. Actors who can do both stage and screen are, he concludes, truly exceptional artists, because they are very much working in two different art forms. But if they are done well, no one even notices. Producer: Giles Edwards

Geoffrey Colman asks what students learn in drama schools, as he continues his series of Essays on acting.Geoffrey is an acting coach, educator, broadcaster and former professor of acting at the Royal Central School of Speech of Drama, and in this series of Essays he takes listeners inside the rehearsal rooms and onto the stages of his professional life to address key questions about acting.In this second Essay Geoffrey asks what students learn in drama schools. Taking us inside the rehearsal rooms and drama school auditions of his professional life, he'll show how the history of acting tuition continues to inform practice today. But he also reveals how recent movements have upended some of that received wisdom, and challenged the intensely personal way in which graduates are assessed.Producer: Giles Edwards

Geoffrey Colman considers the art of acting, and in this first of a new set of Essays asks: what makes a great actor?Geoffrey is an acting coach, educator, broadcaster and former professor of acting at the Royal Central School of Speech of Drama, and in this series of Essays he takes listeners inside the rehearsal rooms and onto the stages of his professional life to address key questions about acting.In this first episode Geoffrey asks what makes a great actor. With awards season approaching, he's interested in asking what makes for an award-winning performance. As he touches on acting technique, building a character and even an equation for great acting, Geoffrey discusses vulnerability and an actor's ability to make the audience believe.Producer: Giles Edwards

In the last programme in a series celebrating the joys of Essex, surely the most maligned of counties, writer Gillian Darley explores the unsung delights of mid-Essex, with a trip along the Essex Way.Known recently for the pneumonic blondes and diamond geezers of television's The Only Way Is Essex, as well as the peroxided 'Essex Girls' of the 80s, Essex seems to have an image problem. John Betjeman called it 'a stronger contrast of beauty and ugliness than any other southern English county'. This series explores the contrasts of this boundary county, this interzone, which has become a parody of itself.Reader and writer: Gillian Darley is the author of Excellent Essex. She is a writer, broadcaster and architectural campaigner, with an OBE for her services to the Built Environment and its Conservation. Producer: Justine Willett

In the next in a series celebrating the joys of Essex, surely the most maligned of counties, writer and social historian Ken Worpole explores Essex as a place of retreat and refuge. Known recently for the pneumonic blondes and diamond geezers of television's The Only Way Is Essex, as well as the peroxided 'Essex Girls' of the 80s, Essex seems to have an image problem. John Betjeman called it 'a stronger contrast of beauty and ugliness than any other southern English county'. This series explores the contrasts of this boundary county, this interzone, which has become a parody of itself.Reader and writer: Ken Worpole is an acclaimed writer with books on architecture, landscape, planning, design, and social history. He was a founder-member of openDemocracy, and is a senior professor at The Cities Institute, London Metropolitan University.Producer: Justine Willett

In the next in a series exploring the joys of Essex, surely the most maligned and misunderstood of counties, writer and poet Lavinia Greenlaw takes us back to the formative landscape of her childhood - a place that she rejected for so long...Known recently for the pneumonic blondes and diamond geezers of television's The Only Way Is Essex, as well as the peroxided 'Essex Girls' of the 80s, Essex seems to have an image problem. John Betjeman called it 'a stronger contrast of beauty and ugliness than any other southern English county'. This series explores the contrasts of this boundary county, this interzone, which has become a parody of itself.Reader and writer: Lavinia Greenlaw is an acclaimed poet and novelist. Producer: Justine Willett

In the next in a series exploring the joys of Essex, surely the most overlooked and misunderstood of counties, AL Kennedy takes on a watery journey through the rivers, mudflats and reed beds of the county she now calls home.Known recently for the pneumonic blondes and diamond geezers of television's The Only Way Is Essex, as well as the peroxided 'Essex Girls' of the 80s, Essex seems to have an image problem. John Betjeman called it 'a stronger contrast of beauty and ugliness than any other southern English county'. This series explores the contrasts of this boundary county, this interzone, which has become a parody of itself.Reader and writer: AL Kennedy is an acclaimed novelist and short story writer.Producer: Justine Willett

Kicking off the series exploring the joys of Essex, surely the most maligned and misunderstood of counties, singer-songwriter Billy Bragg reflects on the borderland between London and Essex that fuelled his childhood imaginationJohn Betjeman called Essex 'a stronger contrast of beauty and ugliness than any other southern English county'. But, known recently for the pneumonic blondes and diamond geezers of TV's The Only Way Is Essex, as well as the peroxided 'Essex Girls' of the 80s and the Tory-loving 'Basildon Man' of the 90s, Essex seems to have become a parody of itself. But Billy Bragg thinks otherwise...Reader and writer: Billy Bragg is a singer, songwriter and activist. Producer: Justine Willett

Radio 3 presenter Jess Gillam celebrates the composer whose music unexpectedly helped her though lockdown, Johann Sebastian Bach,