The Essay

Five writers go on five reflective, restorative and often playful journeys in search of the final resting places of their literary heroes.Today, Anita Sethi journeys to the grave of her heroine Anne Brontë, overlooking the sea she so loved, and considers why she was buried high on a hill in Scarborough, away from her better known sisters. Her grave has over the years been neglected and ravaged by the elements, but more recently - like her reputation - restored. Producer: Ciaran Bermingham

Five writers go on five reflective, restorative and often playful journeys in search of the final resting places of their literary heroes.Today, Diana Souhami steps into the tomb of Radclyffe Hall in London’s Highgate Cemetery, where The Well of Loneliness author resides with her lover, her lover’s husband and their dog Tulip – an aptly unconventional set-up in death as in life.Producer: Ciaran Bermingham

Five writers go on five reflective, restorative and often playful journeys in search of the final resting places of their literary heroes. Today Paul Muldoon recalls numerous pilgrimages to the rugged west coast of Ireland, where the remains of WB Yeats may or may not be buried, as per his poetical final request.Producer: Ciaran Bermingham

Five writers go on five reflective, restorative and often playful journeys in search of the final resting places of their literary heroes. Today Lauren Elkin finds Oscar Wilde in Pere Lachaise, Paris - where the outsider in life overshadows in death the greats of French literature who jostle for space in the famous cemetery. Producer: Ciaran Bermingham

From full stops to emojis, a Tudor letter to texting - how has the use of punctuation marks developed over the centuries? Florence Hazrat thinks about the way brackets help us understand the pandemic. The first parentheses appear in a 1399 manuscript by the Italian lawyer Coluccio Salutati, but - as her essay outlines - it took over 500 years for the sign born at the same time as the bracket, the exclamation mark (which printers rather aptly call “bang”) to find its true environment: the internet.Florence Hazrat is a Leverhulme Early Career Fellow, University of Sheffield. She is a 2021 New Generation Thinker on the scheme run by BBC Radio 3 and the Arts and Humanities Research Council to select ten academics each year to turn their research into radio.Producer: Robyn Read

Xangô (the god of thunder) and Paso Ñañigo’, composed by the Cuban Moises Simons, were two of the numbers performed by Elsie Houston in the clubs of Paris in the 1920s. Also able to sing soprano in Portuguese, English, French, German, Italian, Spanish, and Russian, Elsie's performances in Afro-Brazilian dialects chimed with the fashion for all things African. Adjoa Osei's essay traces Elsie's connections with Surrealist artists and writers, (there are photos of her taken by Man Ray), and looks at how she used her mixed race heritage to navigate her way through society and speak out for African-inspired arts. Adjoa Osei is a researcher based at Trinity College, Cambridge. She was selected as a 2021 New Generation Thinker on the scheme run by BBC Radio 3 and the Arts and Humanities Research Council to turn research into radio. You can hear her discussing the career of another singer Rita Montaner in this episode of Free Thinking https://www.bbc.co.uk/programmes/m0010q8b and taking part in this Free Thinking discussion From Blackface to Beyoncé https://www.bbc.co.uk/programmes/m000tnlt Producer: Ruth Watts

Africa's first filmmakers boldly revealed how, and why, colonialism lived on after the independences. Sarah Jilani takes a closer look at the works of Ousmane Sembène and Souleymane Cissé. The Malian director's 1982 film Finye (the Bambara word for wind) considers students as the winds of change, whilst Sembène's Mandabi, made in 1968, takes its title from a Wolof word deriving from the French for a postal money order – le mandat postale. Adapting his own novel about the frustrations of bureaucracy, the Senegalese director made the decision to make the film in the Wolof language. Sarah Jilani teaches at City, University of London and was chosen as a 2021 New Generation Thinker on the scheme run by BBC Radio 3 and the Arts and Humanities Research Council which makes research into radio. You can hear her discussing another classic of African cinema on Free Thinking in this episode about Touki Bouki https://www.bbc.co.uk/programmes/m0013js4 and Satyajit Ray's Indian Bengali drama Jalsaghar, which depicts a landlord who would prefer to listen to music than deal with his flood ravaged properties https://www.bbc.co.uk/programmes/m000v9gjProducer: Torquil MacLeod

In 1821, Thomas de Quincey's Confessions of an Opium Eater paved the way for drug memoirs, but how do contemporary novelists help us see the global opium trade in a different way? Fariha Shaikh's essay looks at the novel An Insular Possession published in 1986 by Timothy Mo, and at Amitav Ghosh's trilogy which began in 2008 with Sea of Poppies. She also quotes from her researches into The Calcutta Review, Fraser's Magazine for Town and Country and the book Tea and Coffee written by the campaigning vegetarian William Alcott as she make links between tea, sugar, opium, addiction and trade. Dr Fariha Shaikh teaches in the Department of English Literature at the University of Birmingham. She is a 2021 New Generation Thinker on the scheme run by the BBC and the Arts and Humanities Research Council to turn research into radio. Producer: Robyn Read

What made him great? Celebrated as a military leader, Alexander took over an empire created by the Persians. Julia Hartley's essay looks at two examples of myth making about Alexander: The Persian Boy, a 1972 historical novel by the English writer Mary Renault and the Shānāmeh or ‘Book of Kings’, an epic written by the medieval Persian poet Abdolghassem Ferdowsi. Julia Hartley lectures at King's College London. She was selected in 2021 as a New Generation Thinker on the scheme run by BBC Radio 3 and the Arts and Humanities Research Council which turns research into radio. You can hear her in this Free Thinking discussion Dante's Visions https://www.bbc.co.uk/programmes/m000zm9b and in another episode about Epic Iran, Lost Cities and Proust https://www.bbc.co.uk/programmes/m000xlzh Producer: Torquil MacLeod

Sculptures like mouldy fruit, sea creatures that look like oil, blocks of ice carved from a melting glacier and transported to a gallery, reforesting a disused quarry: Vid Simoniti looks at different examples of environmental art and asks whether they create empathy with nature and inspire behaviour change or do we really need pictures of loft insulation and ground source heat pumps displayed on gallery walls? Vid Simoniti lectures at the University of Liverpool. He hosted a series of podcasts Art Against the World for the Liverpool Biennial 2021. He was selected as a New Generation Thinker in 2021 on the scheme run by BBC Radio 3 and the Arts and Humanities Research Council which turns research into radio. You can hear him taking part in this Free Thinking discussion about Who Needs Critics? https://www.bbc.co.uk/programmes/m000w5f3Producer: Luke Mulhall