The Essay

1913 marks an extraordinary year in Paris. Momentous events occurred in literature, music and the visual arts. In the first of four essays looking at this annus mirabilis for French and European culture, Professor Michael G Wood of Princeton University explores the publication of Marcel Proust's Swann's Way, a novel that marked a turning point in the relationship between a writer and his characters.Producer: Sara Davies.

In this final essay, psychotherapist Emmy Van Deurzen reflects on how existentialist philosophy has shaped her life and work. She grew up in the Netherlands, but went as a student to France, where she read philosophy and later studied psychotherapy. Her work in the two fields led her to want to follow an existentialist path- to pursue a form of therapy which was rooted in philosophy. She now lives and teaches in England, where she works with clients on using moments of crisis in their lives for positive action.Producer: Emma KingsleyThe Existential Me was first broadcast in November 2013 to mark the centenary of the birth of Albert Camus.

Here, film-maker Gary Walkow reflects on how existential thinking has influenced his work, from his adaptation of Dostoevsky's "Notes From Underground" to his film on the Beat writers.Producer: Emma KingsleyThe Existential Me was first broadcast in November 2013 to mark the centenary of the birth of Albert Camus.

The novelist and poet Michèle Roberts, half French, has been considerably influenced by existentialist literature. Her essay begins with an examination of Raymond beating up his nameless girlfriend in Camus's 'L'Etranger' - and getting let off by the police - then moves on to the works of Simone de Beauvoir and a discussion of feminism as a politics. She considers, too, existentialism as it appears in Madeleine Bourdouxhe, and how she has learned from both these writers.Producer: Julian MayThe Existential Me was first broadcast in November 2013 to mark the centenary of the birth of Albert Camus.

Paul Hart is a young theatre director who last year directed Jean Paul Sartre's existentialist play 'Huis Clos' in London's West End. In the play three people are locked in a room with each other for eternity. This is damnation, for Hell, famously, is other people.This year Hart was staff director of 'The Captain of Köpenick' at the National Theatre. In Carl Zuckmayer's play petty criminal Wilhelm Voigt (Antony Sher), released after fifteen years in prison, wanders 1910-Berlin in desperate pursuit of identity papers. When he picks up an abandoned military uniform in a fancy-dress shop he suddenly finds the city ready to obey his every command. But what he craves is official recognition that he exists.Drawing on his experience of these productions, his other work in the theatre and his life as he establishes himself in his hazardous profession, Paul Hart considers the power and veracity of existentialist ideas.Producer: Julian MayThe Existential Me was first broadcast in November 2013 to mark the centenary of the birth of Albert Camus.

'The Existential Me' is a series marking the centenary of the birth of Albert Camus and complementing Radio 3's documentary about him. Five people working in different disciplines write essays about existentialism its impact on their work and their lives.As well as writing novels and short stories Naomi Alderman is a writer of computer games. The world of computers is, she believes essentially existentialist because nothing exists except through the will of the players, who create themselves. Within the games they exist solely through what they do. Any meaning is created by the players themselves Alderman considers the implications of this, and they way her literary and gaming endeavours influence each other.She is fascinated, too, by the way that the first and third persons are the dominant voices in writing, but in computer games and cyber space the second person comes to the fore. There is a constant challenge to you. What are you up to? What do you want to do now? This, she reflects, is entirely existential.Producer: Julian May.

Novelist Glenn Patterson is proudly Belfast, and admits to being baffled by Derry in his childhood - it seemed far off in the distant West, and not quite in Northern Ireland, and not quite in Donegal, on whose border the city lies. Belfast has had a tendency to feel superior culturally, so why then has Derry's unique cultural tale had such a lasting impact and influence on Glenn? The city's Punk rockers The Undertones changed his view of music and 'shook' him awake, so why does he now think of them as Canadians?

Dublin born Nuala Hayes first came to Derry in the 1970s to act in Brian Friel's early Field Day productions, including the first staging of Translations at the height of the 'troubles'. Since then she has become fascinated with the city's many stories, and in particular those of the famous shirt factories. Nuala ponders the common threads of the city's shirt factory and story-telling traditions, examining the shirt as a symbol in Irish poetry and literature, and on the factory floors of Derry where story-telling became a way of life for the city's women.

Novelist Brian McGilloway was born and brought up in Derry, a city from which his imagination has never quite escaped. He explores how the urban landscape shaped him creatively, from the river Foyle which divides the city, to its dark, tangled streets and alleyways, and the strange hinterland of the nearby Donegal border. As his writing progressed, the city began to take shape as a character in its own right, one which continues to feed and inspire his imagination.

Composer, jazz musician and session pianist Neil Cowley revisits his year as musician in residence for Derry / Londonderry, the inaugural UK City of Culture in 2013. Neil arrived in a city he knew little about, full of trepidation thanks to years of headlines about terrorism and violence in Northern Ireland. What he found among the city's young musicians challenged and changed not only his long-held preconceptions, but also his view of music as a tool to bring about change.