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“The figure in my work is me. The figure in my work is you. It's me placing objects. It’s me putting things together. It’s you standing near it. It’s you in proximity moving back and forth, moving around it. It’s us. One of the reasons I make the things I do the way I make them is because I can't imagine them. I make things that I couldn't draw or even think about clearly. I can only look at them. I enjoy the complexity that I make because I'm striving to see it.”John Powers was born in Chicago. He is a sculptor. After doing an apprenticeship on the West Coast with the sculptor Tom Jay, he moved to New York where he studied at Pratt and Hunter College. His artwork has been shown at MoMA PS1, the Brooklyn Museum, the Bruges Triennial, and PostMasters Gallery, among others. He was recently featured in the New York Times after injuring his hand.· www.johnpowers.us· www.creativeprocess.info

John Powers was born in Chicago. He is a sculptor. After doing an apprenticeship on the West Coast with the sculptor Tom Jay, he moved to New York where he studied at Pratt and Hunter College. His artwork has been shown at MoMA PS1, the Brooklyn Museum, the Bruges Triennial, and PostMasters Gallery, among others. He was recently featured in the New York Times after injuring his hand.· www.johnpowers.us· www.creativeprocess.info

Robert Nathan is an award-winning television producer, screenwriter, journalist, and novelist. Best known for his work on the Law & Order television franchise and his novel The White Tiger. He has worked in politics, broadcast and print journalism, film, and television. Nathan joined the original writing staff of Law & Order, working on three series in the franchise. Nathan’s script for the episode “Manhood,” co-written with Walon Green, holds the franchise’s only Emmy nomination for Outstanding Writing for a Drama Series. He was also on the original staff of the TV series ER and received a Peabody Award. Nathan has received four Emmy nominations, an Edgar Award nomination, the GLAAD Media Award, the Silver Gavel Award, the Shine Award, and a Humanitas Award nomination.www.creativeprocess.info

Robert Nathan is an award-winning television producer, screenwriter, journalist, and novelist. Best known for his work on the Law & Order television franchise and his novel The White Tiger. He has worked in politics, broadcast and print journalism, film, and television. Nathan joined the original writing staff of Law & Order, working on three series in the franchise. Nathan’s script for the episode “Manhood,” co-written with Walon Green, holds the franchise’s only Emmy nomination for Outstanding Writing for a Drama Series. He was also on the original staff of the TV series ER and received a Peabody Award. Nathan has received four Emmy nominations, an Edgar Award nomination, the GLAAD Media Award, the Silver Gavel Award, the Shine Award, and a Humanitas Award nomination.www.creativeprocess.info

“Is this true that we test for fewer than 100 chemicals in water, but in fact, there are thousands that go untested?”“There are thousands just like there are in air, just like there are in food. We sometimes compartmentalize too much. We forget, but what is food? Food is made up of chemicals. And I think we need to be broader in our understanding because, for example, we all have on us and within us our Microbiomes and we think about the GI bacteria and we now know that if people are obese they have very different microbial content in their gut compared to people who are not obese. And we know that a baby born by C-section section has a different position than a baby born vaginally. And we know that these things have impacts. We know that many of the bacteria have the ability for example to metabolize the contaminants as well as things in our food. And we know that you can have a different response depending upon what people are eating.”Dr. Linda Birnbaum is a scientist emeritus and former director of the National institute of Environmental Health Sciences and of the National Toxicology Program. She is also a Scholar in Residence at the Nicholas School of the Environment of Duke University, and an adjunct full professor at Duke, University of North Carolina, and Yale University School of Public Health. She is the author of more than 1000 peer reviewed articles, book chapters, and reports. She is a member of the National Academy of Medicine, has multiple honorary doctorates and awards.  Best of all, now that she is retired after 40 years of government. · sph.unc.edu/adv_profile/linda-birnbaum-phd/ · www.niehs.nih.gov· www.oneplanetpodcast.org · www.creativeprocess.info

Dr. Linda Birnbaum is a scientist emeritus and former director of the National institute of Environmental Health Sciences and of the National Toxicology Program. She is also a Scholar in Residence at the Nicholas School of the Environment of Duke University, and an adjunct full professor at Duke, University of North Carolina, and Yale University School of Public Health. She is the author of more than 1000 peer reviewed articles, book chapters, and reports. She is a member of the National Academy of Medicine, has multiple honorary doctorates and awards.  Best of all, now that she is retired after 40 years of government. · sph.unc.edu/adv_profile/linda-birnbaum-phd/ · www.niehs.nih.gov· www.oneplanetpodcast.org · www.creativeprocess.info

“So, if we study transportation, then we need to study urban development and infrastructure. Suddenly, we need to think about housing. We need to think about the co-location of jobs and shops, and you realize it's all connected.That might be one of the challenges of urban sustainability. It's all connected. So the way we move around is connected to the way we built the city. And I think the intrinsic sustainability or non-sustainability in urban areas seems to be designed in. Especially in the United States where there are just so many places where, if you don't have a car, you're basically stranded. You can't go anywhere. The European model is to have co-located things, and I miss that. I think it has some intrinsic sustainability built-in.”Roland Geyer is a Professor at the Bren School of Environmental Science and Management, University of California at Santa Barbara, and the author of The Business of Less. Since 2000, he has worked with a wide range of governmental organizations, trade associations, and companies on environmental sustainability issues. His overarching goal is to help develop the knowledge, tools, and methods necessary to reduce the environmental impact from industrial production and consumption.· www.rolandgeyer.com· www.oneplanetpodcast.org· www.creativeprocess.info

Roland Geyer is a Professor at the Bren School of Environmental Science and Management, University of California at Santa Barbara, and the author of The Business of Less. Since 2000 he has worked with a wide range of governmental organizations, trade associations, and companies on environmental sustainability issues. His overarching goal is to help develop the knowledge, tools, and methods necessary to reduce the environmental impact from industrial production and consumption.· www.rolandgeyer.com· www.oneplanetpodcast.org· www.creativeprocess.info

David Auburn's plays include Proof (Pulitzer Prize, Tony Award®, New York Drama Critics Circle Award), An Upset and Amateurs (EST Marathons) and Skyscraper. Films include The Girl in the Park (writer/director) and The Lake House. Recent directing credits include A Delicate Balance for BTF. His short plays have been collected in the volume “Fifth Planet and Other Plays” (DPS). His work has been published in Harper’s, New England Review, and Guilt and Pleasure; and he was a contributing editor to the Oxford American Writers Thesaurus. A former Guggenheim Fellow, he lives in New York City.www.creativeprocess.info

“In Edo Japan, basically life was pretty good, and they recycled everything. Everything was reused, upcycled. Waste was considered taboo. A person who was wasting was considered an ugly person. So there is a lot that we could talk about: design, the layout, scale. Buildings were rarely taller than two stories. Very good use of environmental features, microclimates, use of wind for cooling, passive solar heating. Good use of planting, gardens, etc. But regarding cities of the future, I think the main thing is it needs to be a place where people feel like they belong and want to take responsibility.I'm from New Orleans, and I am very interested in the fact that cities and the places we live in teach us. They shape us, as much as we shape them. And New Orleans was a wonderful place to grow up in because you wouldn't have said it was sustainable, but the vernacular traditional architecture was naturally cooler in summers because of the way it was built with high ceilings with deep eaves from the roof, with verandas shaded with lots of breezes and lots of gardens, plus it is full of older buildings. And things become gentle over time.”Azby Brown is a leading authority on Japanese architecture, design, and environmentalism and the author of several groundbreaking books, including Just Enough, Small Spaces, The Japanese Dream House, The Very Small Home, and The Genius of Japanese Carpentry. He is lead researcher for Safecast, a global citizen-science organization that pioneered crowdsourced environmental monitoring. Azby Brown has lived in Japan since 1985.· azbybrown.com · www.safecast.org · www.oneplanetpodcast.org · www.creativeprocess.info