The Creative Process · Arts, Culture & Society: Books, Film, Music, TV, Art, Writing, Creativity, Education, Environment, Theatre, Dance, LGBTQ, Climate Change, Social Justice, Spirituality, Feminism, Tech, Sustainability

Morgan Neville is an Academy Award-winning documentary filmmaker. For over twenty years he has been making films about music and cultural subjects including Troubadours, Search and Destroy and three Grammy-nominated films: Respect Yourself: The Stax Records Story, Muddy Waters Can’t Be Satisfied, and Johnny Cash’s America. His non-music films include The Cool School, Steinbeck and Shotgun Freeway: Drives Thru Lost L.A.. Neville has also produced many documentaries, including Pearl Jam Twenty, Crossfire Hurricane and Beauty is Embarrassing. In 2014, 20 Feet From Stardom, won numerous awards including the Academy Award for Best Documentary. His next film, Best of Enemies, won an Emmy Award for Best Historical Documentary at the News and Documentary Emmy Awards in 2017. The film was also shortlisted for the 2016 Academy Award for Best Documentary Feature. Recent projects include Ugly Delicious, Abstract: The Art of Design, They’ll Love Me When I’m Dead, and Won’t You Be My Neighbor?, a documentary about Fred Rogers which was released by Focus Features in 2018 and has become one of the best reviewed and highest grossing documentaries of all time. · tremoloproductions.com · www.creativeprocess.info

“We drastically misuse our mind and have neglected a very important part of the way our mind works in the modern world. I think preindustrial people and our ancestors used this very well. And that is that we have a whole right hemisphere of our brain which doesn't think in words, which takes in the holistic picture of everything around us. Anyone who is listening to this podcast will be aware that sometimes you have got feelings about things. They are signals that are sent from the right hemisphere of the brain, picking up things that we can't consciously interpret or read. It goes through our amygdala, which is our alarm system, and straight down the vagus nerve, and we feel it down in the middle of our body. What the books argue, if you want to be able to parent effectively, and live your life effectively, is to stay in touch with that. Include those signals as part of your mental checking out. Expand your awareness because you can read that every few seconds all the time. And your life will be very different. There are feelings below your feelings. They are not always right, but they're always worth listening to.”Steve Biddulph (AM) is a renowned parent educator. A retired psychologist of 30 years, he continues to write and teach, authoring books such as The Secret of Happy Children, Raising Boys, The New Manhood, and 10 Things Girls Need Most, which have influenced how we view childhood development and mental health. Voted Australian Father of the Year in 2001, Steve has since been made a member of the Order of Australia for his work in youth mental health, and remains a patron of the Sanctuary Refugee Trust and Australian Religious Response to Climate Change.· www.stevebiddulph.com · www.oneplanetpodcast.org · www.creativeprocess.info

Steve Biddulph (AM) is a renowned parent educator. A retired psychologist of 30 years, he continues to write and teach, authoring books such as The Secret of Happy Children, Raising Boys, The New Manhood, and 10 Things Girls Need Most, which have influenced how we view childhood development and mental health. Voted Australian Father of the Year in 2001, Steve has since been made a member of the Order of Australia for his work in youth mental health, and remains a patron of the Sanctuary Refugee Trust and Australian Religious Response to Climate Change.· www.stevebiddulph.com
· www.creativeprocess.info
· www.oneplanetpodcast.org

“We have to be unwavering in our commitment to principles of justice and freedom and be harbingers of hope. So for me, this is a lifelong thing, and I think of it as ancestor work that I one day will be somebody's ancestor, and I want them to be proud of the work that we did to give them a world that’s a little better of an inheritance than the world that I was born into. And I think that is how we mark progress in more nuanced ways, in more honest ways. It doesn't need to be a straight line towards freedom, more of a journey with wins and losses, setbacks and victories.”“It's what can feel like regression that’s happening. It’s like, okay, there is. I'm thinking about in the country right now, we’ve had these incredible moments, seeing a show like “Pose” on television with so many queer, trans, black, and brown actors. You have Laverne Cox on the cover of TIME, a really wonderful documentary “Disclosure” about trans representation, and some really positive steps made towards trans healthcare. And right now we're seeing all of these bills popping up across States criminalizing trans youth, and it is important for us to recognize at that moment part of that backlash is because certain progress was being made. Because we were starting to question gender and its fixity today and the ways that transphobia operates. Because people were becoming aware of how vulnerable trans people are in our world to violence. And, so of course, we see a response, which means we have to retool and keep fighting. That’s the charge. The struggle is at this point still in an ending one, but it doesn't mean that along the way that certain victories haven’t amassed that give us hope to propel us forward and be ready when the next attack on freedoms, on rights, on justice emerges, because it will. Right? We’re pushing in ways that are uncomfortable because we’re disrupting the center. We’re disrupting the default. We’re disrupting power. And Power it's not just going to concede because we're demanding it.”Treva B. Lindsey, PhD is a Black feminist historian and Associate Professor of Women’s, Gender, and Sexuality Studies at The Ohio State University. She is the recipient of several prestigious fellowships including the ACLS/Mellon Scholars and Society Fellowship, The Equity for Women and Girls of Color Fellowship at Harvard University, and The Woodrow Wilson Career Enhancement Fellowship. Lindsey is the founder of the Transformative Black Feminisms Initiative at Ohio State and the co-founder of Black Feminist Night School at Zora’s House in Columbus, Ohio. Her latest book entitled America, Goddam: Violence, Black Women, and The Struggle for Justice explores contemporary violence against Black women and girls and how they mobilize to halt violence against them.· https://trevablindsey.com
· www.creativeprocess.info
· www.oneplanetpodcast.org

Treva B. Lindsey, PhD is a Black feminist historian and Associate Professor of Women’s, Gender, and Sexuality Studies at The Ohio State University. She is the recipient of several prestigious fellowships including the ACLS/Mellon Scholars and Society Fellowship, The Equity for Women and Girls of Color Fellowship at Harvard University, and The Woodrow Wilson Career Enhancement Fellowship. Lindsey is the founder of the Transformative Black Feminisms Initiative at Ohio State and the co-founder of Black Feminist Night School at Zora’s House in Columbus, Ohio. Her latest book entitled America, Goddam: Violence, Black Women, and The Struggle for Justice explores contemporary violence against Black women and girls and how they mobilize to halt violence against them.· https://trevablindsey.com · www.creativeprocess.info · www.oneplanetpodcast.org

Albert Serra has been called one of the most radical and singular filmmakers working today. Born in Banyoles, Spain, he studied literature and art history at Barcelona University. In 2006 he wrote, directed and produced his first feature film, Honor of the Knights, followed by Birdsong; both were selected for the Directors’ Fortnight at Cannes. In 2010 he made Els noms de Crist before directing, a year later, El Senyor ha fet en mi meravelles for the exhibition Correspondencias at Barcelona. He is best known for his films Story of My Death and The Death of Louis XIV starring Jean-Pierre Léaud. His most recent feature film Liberté explores libertinism at the time of the French Revolution. www.albertserra.com · www.creativeprocess.info

Tom Perrotta is the bestselling author of nine works of fiction, including Election and Little Children, both of which were made into Oscar-nominated films, and The Leftovers, which was adapted into a critically acclaimed, Peabody Award-winning HBO series. His other books include Bad Haircut, The Wishbones, Joe College, The Abstinence Teacher, Nine Inches, and his newest, Mrs. Fletcher. His work has been translated into a multitude of languages. Perrotta grew up in New Jersey and lives outside of Boston. http://tomperrotta.com · www.creativeprocess.info

“There's a real decrease in functional connectivity between regions of the brain that modulate the ego and a sense of self for Gabriela Montero when she's improvising. That's not a region of the brain in particular, it’s the connections between a lot of them and that together as well and also our sense of self and also our conscious memory and our ability to anticipate and plan for the future. So our knowledge of ourselves in these different spheres of time, the light of that activity is dimmed during improvisation. There really is a biological reason behind her feeling that she gets out of the way and something else comes to the fore. The study asks why are her improvisations still so coherent, why did they hold together in time. They refer to it as this form of embodied creativity or embodied cognition, where it’s a deeper kind of memory. a more physical memory in her fingers in her body that know how to play and kind of takes over and allows for ego to kind of dissolve in that moment as she performs.”Born and raised in Denver, Natalie Hodges has performed as a classical violinist throughout Colorado and in New York, Boston, Paris, and the Italian Piedmont, as well as at the Aspen Music Festival and the Stowe Tango Music Festival. She graduated from Harvard University, where she studied English and music, and lives in Denver, Colorado. Uncommon Measure is her first book.· www.nataliehodges.com · www.creativeprocess.info · www.oneplanetpodcast.org

Born and raised in Denver, Natalie Hodges has performed as a classical violinist throughout Colorado and in New York, Boston, Paris, and the Italian Piedmont, as well as at the Aspen Music Festival and the Stowe Tango Music Festival. She graduated from Harvard University, where she studied English and music, and lives in Denver, Colorado. Uncommon Measure is her first book.· www.nataliehodges.com · www.creativeprocess.info · www.oneplanetpodcast.orgPhoto by Krista Mercer Buchenau