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"For me, I don't start a project unless I have a really clear understanding of who the main characters are and why this is a journey that's necessary for them to take. And why are these both the best and the worst people to be in this series? That's the question I ask myself all the time because you need to know: What are their strengths? What are their weaknesses? What are the dramatic tension points going to be where these specific people can really succeed or really fail in this scenario?I love people who are passionate, and Quentin Tarantino is just so passionate. And I've never been in a writer's room or even really in any kind of development experience where a director was just so passionate and so full of kind of energetic ideas. And that was really inspiring. Somebody who just completely knows their own point of view and gets excited by their own ideas is just fun to watch.I was about to shoot Pet Sematary: Bloodlines. I was finishing up my work on Star Trek 4, which I had to leave to do Pet Sematary, so I had been working with J. J. Abrams closely for a while on the script, and so I just asked if he had any advice, in terms of just practical stuff on set. And I mean, I've been on so many sets, but still, he's a director who's done so many projects. So he did give me some great advice just about, you know, making it through such long days and taking time for yourself and just kind of keeping your sanity that was kind of the focus of the advice. And he was just very generous and sweet about that.”Lindsey Anderson Beer wrote and executive produced the hit Netflix original dramedy Sierra Burgess is a Loser before making the jump to direct the horror genre with Pet Sematary: Bloodlines, starring Jackson White and Natalie Alyn Lind. The story is based on an untold chapter of Stephen King's self-proclaimed, scariest property of all time. Up next, she will helm Paramount’s Sleepy Hollow reboot as the writer, director, and producer. She also has several projects in various phases of development and production, including Disney's live action remake of Bambi, New Line's Hello Kitty, and Universal's Fast and Furious spinoff, which she wrote with Geneva Robertson-Dworet. Under her production banner Lab Brew, Lord of the Flies will be directed by Luca Guadagnino and written by Patrick Ness for Warner Bros.www.imdb.com/name/nm5170222/www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Lindsey Anderson Beer wrote and executive produced the hit Netflix original dramedy Sierra Burgess is a Loser before making the jump to direct the horror genre with Pet Sematary: Bloodlines, starring Jackson White and Natalie Alyn Lind. The story is based on an untold chapter of Stephen King's self-proclaimed, scariest property of all time. Up next, she will helm Paramount’s Sleepy Hollow reboot as the writer, director, and producer. She also has several projects in various phases of development and production, including Disney's live action remake of Bambi, New Line's Hello Kitty, and Universal's Fast and Furious spinoff, which she wrote with Geneva Robertson-Dworet. Under her production banner Lab Brew, Lord of the Flies will be directed by Luca Guadagnino and written by Patrick Ness for Warner Bros."For me, I don't start a project unless I have a really clear understanding of who the main characters are and why this is a journey that's necessary for them to take. And why are these both the best and the worst people to be in this series? That's the question I ask myself all the time because you need to know: What are their strengths? What are their weaknesses? What are the dramatic tension points going to be where these specific people can really succeed or really fail in this scenario?I love people who are passionate, and Quentin Tarantino is just so passionate. And I've never been in a writer's room or even really in any kind of development experience where a director was just so passionate and so full of kind of energetic ideas. And that was really inspiring. Somebody who just completely knows their own point of view and gets excited by their own ideas is just fun to watch.I was about to shoot Pet Sematary: Bloodlines. I was finishing up my work on Star Trek 4, which I had to leave to do Pet Sematary, so I had been working with J. J. Abrams closely for a while on the script, and so I just asked if he had any advice, in terms of just practical stuff on set. And I mean, I've been on so many sets, but still, he's a director who's done so many projects. So he did give me some great advice just about, you know, making it through such long days and taking time for yourself and just kind of keeping your sanity that was kind of the focus of the advice. And he was just very generous and sweet about that.”www.imdb.com/name/nm5170222/www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"The belief that marginalized and hated populations can find freedom by being recognized by law, allowed to serve in the military, allowed to marry, and protected by anti-discrimination laws and hate crime statutes is a central narrative of the United States.Politicians, primary school textbooks, and the corporate media tell us the story that the United States left ugly histories of white supremacy behind through a civil rights movement that changed hearts, minds, and especially laws to eradicate racism and bring freedom to all. This simplified narrative is relentlessly reiterated in US culture and has played a starring role in the past four decades of lesbian and gay rights advocacy where the analogy to the Black civil rights to the Black civil rights movement has been a consistent rhetorical tool. 1. I argue that social movements must abandon the widely held belief that oppressed people can be freed by legal recognition and inclusion if we are to truly address and transform the conditions of premature death facing impoverished and criminalized populations in this period."-Normal LifeAdministrative Violence, Critical Trans Politics, and the Limits of Law Dean Spade is an organizer, speaker, author, and professor at Seattle University's School of Law, where he teaches courses on policing, imprisonment, gender, race, and social movements. Spade has been organizing racial and economic movements for queer and trans liberation for the past 20 years. Spade's books include Normal Life: Administrative Violence, Critical Trans Politics, and the Limits of Law and Mutual Aid, Building Solidarity During This Crisis (and the Next). In 2002, Dean founded the Sylvia Rivera Law Project, a non-profit law collective that provides free legal services to transgender, intersex and gender non-conforming people who are low-income and/or people of color, and which operates on a collective governance model. His writing has appeared in The Chronicle of Higher Education, Out, In These Times, Social Text, and Signs.www.deanspade.netwww.southendpress.org/2010/items/87965www.deanspade.net/mutual-aid-building-solidarity-during-this-crisis-and-the-next/https://srlp.orgwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

 Dean Spade is an organizer, speaker, author, and professor at Seattle University's School of Law, where he teaches courses on policing, imprisonment, gender, race, and social movements. Spade has been organizing racial and economic movements for queer and trans liberation for the past 20 years. Spade's books include Normal Life: Administrative Violence, Critical Trans Politics, and the Limits of Law and Mutual Aid, Building Solidarity During This Crisis (and the Next). In 2002, Dean founded the Sylvia Rivera Law Project, a non-profit law collective that provides free legal services to transgender, intersex and gender non-conforming people who are low-income and/or people of color, and which operates on a collective governance model. His writing has appeared in The Chronicle of Higher Education, Out, In These Times, Social Text, and Signs."The belief that marginalized and hated populations can find freedom by being recognized by law, allowed to serve in the military, allowed to marry, and protected by anti-discrimination laws and hate crime statutes is a central narrative of the United States.Politicians, primary school textbooks, and the corporate media tell us the story that the United States left ugly histories of white supremacy behind through a civil rights movement that changed hearts, minds, and especially laws to eradicate racism and bring freedom to all. This simplified narrative is relentlessly reiterated in US culture and has played a starring role in the past four decades of lesbian and gay rights advocacy where the analogy to the Black civil rights to the Black civil rights movement has been a consistent rhetorical tool. 1. I argue that social movements must abandon the widely held belief that oppressed people can be freed by legal recognition and inclusion if we are to truly address and transform the conditions of premature death facing impoverished and criminalized populations in this period."-Normal LifeAdministrative Violence, Critical Trans Politics, and the Limits of Lawwww.deanspade.netwww.southendpress.org/2010/items/87965www.deanspade.net/mutual-aid-building-solidarity-during-this-crisis-and-the-next/https://srlp.orgwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"At the Yale Program on Climate Change Communication, we study how people respond to climate change. So what do people around the world understand or misunderstand about the causes, the consequences, and solutions? How do they perceive the risks: the likelihood and severity of different types of impacts from sea level rise to the health impacts? What kinds of policies do they support or oppose? And then what kinds of behaviors are people engaged in or willing to change to be part of climate solutions? There are lots of different things there, but our ultimate question is answering why. What are the psychological, cultural, the political reasons why some people get engaged with this issue? While others are kind of apathetic and some are downright dismissive and hostile, or at least they are in the United States, which thankfully is not the case in most of the rest of the world."Anthony Leiserowitz, Ph.D. is the founder and Director of the Yale Program on Climate Change Communication and a Senior Research Scientist at the Yale School of the Environment. He is an internationally recognized expert on public climate change beliefs, attitudes, policy support, and behavior, and the psychological, cultural, and political factors that shape them and conducts research globally, including in the United States, China, India, and Brazil. He has published more than 250 scientific articles, chapters, and reports and has worked with the Intergovernmental Panel on Climate Change, the National Academy of Sciences, the Smithsonian Museum of Natural History, the Harvard Kennedy School, the United Nations Development Program, the Gallup World Poll, and the World Economic Forum, among others. He is a recipient of the Friend of the Planet Award from the National Center for Science Education, the Mitofsky Innovator Award from the American Association of Public Opinion Research, the Stephen H. Schneider Award for Outstanding Climate Science Communication from Climate One, and an Environmental Innovator award from the Environmental Protection Agency. In 2020, he was named the second-most influential climate scientist in the world (of 1,000) by Reuters. He is also the host of Climate Connections, a radio program broadcast each day on more than 700 stations nationwide.https://environment.yale.edu/profile/leiserowitzhttps://climatecommunication.yale.eduwww.yaleclimateconnections.orgwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Anthony Leiserowitz, Ph.D. is the founder and Director of the Yale Program on Climate Change Communication and a Senior Research Scientist at the Yale School of the Environment. He is an internationally recognized expert on public climate change beliefs, attitudes, policy support, and behavior, and the psychological, cultural, and political factors that shape them and conducts research globally, including in the United States, China, India, and Brazil. He has published more than 250 scientific articles, chapters, and reports and has worked with the Intergovernmental Panel on Climate Change, the National Academy of Sciences, the Smithsonian Museum of Natural History, the Harvard Kennedy School, the United Nations Development Program, the Gallup World Poll, and the World Economic Forum, among others. He is a recipient of the Friend of the Planet Award from the National Center for Science Education, the Mitofsky Innovator Award from the American Association of Public Opinion Research, the Stephen H. Schneider Award for Outstanding Climate Science Communication from Climate One, and an Environmental Innovator award from the Environmental Protection Agency. In 2020, he was named the second-most influential climate scientist in the world (of 1,000) by Reuters. He is also the host of Climate Connections, a radio program broadcast each day on more than 700 stations nationwide."At the Yale Program on Climate Change Communication, we study how people respond to climate change. So what do people around the world understand or misunderstand about the causes, the consequences, and solutions? How do they perceive the risks: the likelihood and severity of different types of impacts from sea level rise to the health impacts? What kinds of policies do they support or oppose? And then what kinds of behaviors are people engaged in or willing to change to be part of climate solutions? There are lots of different things there, but our ultimate question is answering why. What are the psychological, cultural, the political reasons why some people get engaged with this issue? While others are kind of apathetic and some are downright dismissive and hostile, or at least they are in the United States, which thankfully is not the case in most of the rest of the world."https://environment.yale.edu/profile/leiserowitzhttps://climatecommunication.yale.eduwww.yaleclimateconnections.orgwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"I'm really very glad. I was happy to see that within my lifetime that the prospects of not just Mars, but in fact interstellar space is being taken seriously. I've been at two conferences where we were talking about building the first starship within this century. One of my later books, Arkwright, is about such a project. I saw that Elon Musk is building Starship One, I wish him all the best. And I envy anybody who goes.I wish I were a younger person and in better health. Somebody asked me some time ago, would you go to Mars? And I said, 'I can't do it now. I've got a bum pancreas, and I'm 65 years old, and I'm not exactly the prime prospect for doing this. If you asked me 40 years ago would I go, I would have said: in a heartbeat!' I would gladly leave behind almost everything. I don't think I'd be glad about leaving my wife and family behind, but I'd be glad to go live on another planet, perhaps for the rest of my life, just for the chance to explore a new world, to be one of the settlers in a new world.And I think this is something that's being taken seriously. It is very possible. We've got to be careful about how we do this. And we've got to be careful, particularly about the rationale of the people who are doing this. It bothers me that Elon Musk has lately taken a shift to the Far Right. I don't know why that is. But I'd love to be able to sit down and talk with him about these things and try to understand why he has done such a right thing, but for what seems to be wrong reasons."What does the future of space exploration look like? How can we unlock the opportunities of outer space without repeating the mistakes of colonization and exploitation committed on Earth? How can we ensure AI and new technologies reflect our values and the world we want to live in? Allen Steele is a science fiction author and journalist. He has written novels, short stories, and essays and been awarded a number of Hugos, Asimov's Readers, and Locus Awards. He’s known for his Coyote Trilogy and Arkwright. He is a former member of the Board of Directors and Board of Advisors for the Science Fiction and Fantasy Writers of America. He has also served as an advisor for the Space Frontier Foundation. In 2001, he testified before the Subcommittee on Space and Aeronautics of the U.S. House of Representatives in hearings regarding space exploration in the 21st century.www.allensteele.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastPhoto from a field trip to Pease Air Force Base in Portsmouth NH, now closed. Photo credit: Chuck Peterson

What does the future of space exploration look like? How can we unlock the opportunities of outer space without repeating the mistakes of colonization and exploitation committed on Earth? How can we ensure AI and new technologies reflect our values and the world we want to live in? Allen Steele is a science fiction author and journalist. He has written novels, short stories, and essays and been awarded a number of Hugos, Asimov's Readers, and Locus Awards. He’s known for his Coyote Trilogy and Arkwright. He is a former member of the Board of Directors and Board of Advisors for the Science Fiction and Fantasy Writers of America. He has also served as an advisor for the Space Frontier Foundation. In 2001, he testified before the Subcommittee on Space and Aeronautics of the U.S. House of Representatives in hearings regarding space exploration in the 21st century."I'm really very glad. I was happy to see that within my lifetime that the prospects of not just Mars, but in fact interstellar space is being taken seriously. I've been at two conferences where we were talking about building the first starship within this century. One of my later books, Arkwright, is about such a project. I saw that Elon Musk is building Starship One, I wish him all the best. And I envy anybody who goes.I wish I were a younger person and in better health. Somebody asked me some time ago, would you go to Mars? And I said, 'I can't do it now. I've got a bum pancreas, and I'm 65 years old, and I'm not exactly the prime prospect for doing this. If you asked me 40 years ago would I go, I would have said: in a heartbeat!' I would gladly leave behind almost everything. I don't think I'd be glad about leaving my wife and family behind, but I'd be glad to go live on another planet, perhaps for the rest of my life, just for the chance to explore a new world, to be one of the settlers in a new world.And I think this is something that's being taken seriously. It is very possible. We've got to be careful about how we do this. And we've got to be careful, particularly about the rationale of the people who are doing this. It bothers me that Elon Musk has lately taken a shift to the Far Right. I don't know why that is. But I'd love to be able to sit down and talk with him about these things and try to understand why he has done such a right thing, but for what seems to be wrong reasons."www.allensteele.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"The way I measured time for a very large part of my life was I was always in preparation. I remember as a child I was preparing to make my first communion, then I was preparing to go to junior high. There are always these lapses that existed ahead of us, where we were progressing through time predicated on noteworthy events. So I was always functioning as though there was going to be a significant event, which occurred in some kind of concept of the future. And that coincided in parallel with the fact that when you're young, you feel essentially immortal because the idea of being old or dying is so abstract. It's so far away. So now that I'm in this phase of my life where all I'm interested in doing is maintaining my health, doing my push-ups, and profiting from as much time as I have left. Because now I'm at the very peak of my powers as a photographer. I'm getting pictures much faster and in greater ratio, and I'm moving through the experience at a rate that I always had yearned towards. And in terms of exhibitions and publications and all that I had everything I wanted when I was 40."How does the mind influence the mind? The mind cannot function without memory. And memory is just the mind aware of itself. So how do images tell us how we see and who we are?Ralph Gibson is one of the most interesting American photographers of our time. His international renown is based on his work, which is shown and collected by some of the world’s leading museums, including the Museum of Modern Art in New York, the J.P. Getty Museum in Los Angeles, the John Simon Guggenheim Memorial Foundation, the Creative Center for Photography in Tucson, the Museum of Fine Arts in Houston, the Maison Européenne de la Photographie in Paris, the Bibliothèque Nationale de France in Paris, and the Fotomuseum Winterthur in Switzerland.Gibson’s works reveal a meticulous aesthetic and visual territory edging on the surreal. His recent books include his memoir Self Exposure, Sacred Land: Israel before and after Time, and Secret of Light, which accompanied his exhibition at the Deichtorhallen House of Photography in Hamburg. He is a Leica Hall of Fame Inductee and has been awarded the French Legion of Honor. In 2022, The Gibson | Goeun Museum of Photography devoted to his work opened in Busan, South Korea.www.ralphgibson.comwww.deichtorhallen.de/en/ausstellung/ralph-gibsonwww.gibsongoeunmuseum.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

How does the mind influence the mind? The mind cannot function without memory. And memory is just the mind aware of itself. So how do images tell us how we see and who we are?Ralph Gibson is one of the most interesting American photographers of our time. His international renown is based on his work, which is shown and collected by some of the world’s leading museums, including the Museum of Modern Art in New York, the J.P. Getty Museum in Los Angeles, the John Simon Guggenheim Memorial Foundation, the Creative Center for Photography in Tucson, the Museum of Fine Arts in Houston, the Maison Européenne de la Photographie in Paris, the Bibliothèque Nationale de France in Paris, and the Fotomuseum Winterthur in Switzerland.Gibson’s works reveal a meticulous aesthetic and visual territory edging on the surreal. His recent books include his memoir Self Exposure, Sacred Land: Israel before and after Time, and Secret of Light, which accompanied his exhibition at the Deichtorhallen House of Photography in Hamburg. He is a Leica Hall of Fame Inductee and has been awarded the French Legion of Honor. In 2022, The Gibson | Goeun Museum of Photography devoted to his work opened in Busan, South Korea."The way I measured time for a very large part of my life was I was always in preparation. I remember as a child I was preparing to make my first communion, then I was preparing to go to junior high. There are always these lapses that existed ahead of us, where we were progressing through time predicated on noteworthy events. So I was always functioning as though there was going to be a significant event, which occurred in some kind of concept of the future. And that coincided in parallel with the fact that when you're young, you feel essentially immortal because the idea of being old or dying is so abstract. It's so far away. So now that I'm in this phase of my life where all I'm interested in doing is maintaining my health, doing my push-ups, and profiting from as much time as I have left. Because now I'm at the very peak of my powers as a photographer. I'm getting pictures much faster and in greater ratio, and I'm moving through the experience at a rate that I always had yearned towards. And in terms of exhibitions and publications and all that I had everything I wanted when I was 40."www.ralphgibson.comwww.deichtorhallen.de/en/ausstellung/ralph-gibsonwww.gibsongoeunmuseum.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast