New Books in Medieval History

Identities and Ideologies in the Medieval East Roman World (Edinburgh UP, 2022) examines ideas, beliefs and practices of identification in the medieval East Roman world Approaches ideology and identity in the Byzantine world from different perspectives, top-down, bottom-up, and outside-in, and from various disciplinary perspectives including historical, literary, art-historical and archaeological. Explores what makes discourses ideological by giving them a central function in the promotion of power relations and interests on the macro-level of society as well as on the micro-level of certain social groups. Explores the interrelation between dominant imperial ideology and collective identification. Scrutinizes various kinds of identification, local-regional, religious, gender, class, ethno-cultural and regnal-political. Contributors include Leslie Brubaker, Kostis Smyrlis, Alicia Simpson and Dionysios Sthathakopoulos. This collection offers new insights into ideology and identity in the Byzantine world. The range of international contributors explore the content and role of various ideological discourses in shaping the relationship between the imperial centre and the provinces. Crucially, they examine various kinds of collective identifications and visions of community in the broader Byzantine world within and beyond the political boundaries of the empire.This interdisciplinary collection includes historical, literary, art-historical and archaeological as well as cross-cultural perspectives along with the exploration of ideas and identifications in cultures on the empire’s periphery.Dr. Yannis Stouraitis is Senior Lecturer in Byzantine History, University of Edinburgh. He specializes in Byzantine social and cultural history, focusing on the socio-ideological aspects of war, collective identifications and ideological attachments and the construction of historical memory. He is the author of Krieg und Frieden in der politischen und ideologischen Wahrnehmung in Byzanz (Byzantinische Geschichtsschreiber, Erganzungsband, 2009). He is editor of A Companion to the Byzantine Culture of War, c. 300-1204 (Brill, forthcoming 2018) and he is co-editor of Byzantine War Ideology between Roman Imperial Concept and Christian Religion (Osterreichische Akademie der Wissenschaften (2012).This episode is part of the NBN's Byzantine Studies series. Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master’s in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices

Mary Channen Caldwell in her new book Devotional Refrains in Medieval Latin Song (Cambridge University Press 2022) opens up new avenues for investigation by centering the refrain as an area of focus in which to analyze Latin songs through the Middle Ages.Throughout medieval Europe, male and female religious communities attached to churches, abbeys, and schools participated in devotional music making outside of the chanted liturgy. Newly collating over 400 songs from primary sources, this book reveals the role of Latin refrains and refrain songs in the musical lives of religious communities by employing novel interdisciplinary and analytical approaches to the study of medieval song. Through interpretive frameworks focused on time and temporality, performance, memory, inscription, and language, each chapter offers an original perspective on how refrains were created, transmitted, and performed. Arguing for the Latin refrain's significance as a marker of form and meaning, this book identifies it as a tool that communities used to negotiate their lived experiences of liturgical and calendrical time; to confirm their communal identity and belonging to song communities; and to navigate relationships between Latin and vernacular song and dance that emerge within their multilingual contexts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Humans love stories. And no collection of stories is more beloved worldwide than the Middle Eastern folk tales known as One Thousand and One Nights. The original collection only contained about 40 stories. It was compiled into a manuscript sometime between the 8th century and the 14th century during the Islamic Golden Age. The stories were made popular in the West by the French translator Antoine Galland who got a hold of this original manuscript in the 1690s. Galland began translating and publishing these stories in French. They were an instant hit. But some of the most popular stories, such as Aladdin and Ali Baba didn’t appear in that original manuscript. Paulo Lemos Horta is an associate professor of literature at New York University Abu Dhabi. He is the author of Marvellous Thieves: Secret Authors of the Arabian Nights See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod. Learn more about your ad choices. Visit megaphone.fm/adchoices

For centuries, the Crusades have been central to the story of the medieval Near East, but these religious wars are only part of the region’s complex history. As Nicholas Morton reveals in The Mongol Storm: Making and Breaking Empires in the Medieval Near East (Basic Books, 2022), during the same era the Near East was utterly remade by another series of wars: the Mongol invasions. In a single generation, the Mongols conquered vast swaths of the Near East and upended the region’s geopolitics. Amid the chaos of the Mongol onslaught, long-standing powers such as the Byzantines, the Seljuk Turks, and the crusaders struggled to survive, while new players such as the Ottomans arose to fight back. The Mongol conquests forever transformed the region, while forging closer ties among societies spread across Eurasia. The Mongol Storm is the definitive history of the Mongol assault on the Near East and its enduring global consequences.Maggie Freeman is a PhD student in the School of Architecture at MIT. She researches uses of architecture by nomadic peoples and historical interactions of nomads and empires, with a focus on the modern Middle East. Learn more about your ad choices. Visit megaphone.fm/adchoices

Games can act as invaluable tools for the teaching of the Middle Ages. The learning potential of physical and digital games is increasingly undeniable at every level of historical study. These games can provide a foundation of information through their stories and worlds. They can foster understanding of complex systems through their mechanics and rules. Their very nature requires the player to learn to progress.The educational power of games is particularly potent within the study of the Middle Ages. These games act as the first or most substantial introduction to the period for many students and can strongly influence their understanding of the era. Within the classroom, they can be deployed to introduce new and alien themes to students typically unfamiliar with the subject matter swiftly and effectively. They can foster an interest in and understanding of the medieval world through various innovative means and hence act as a key educational tool.Teaching the Middle Ages through Modern Games: Using, Modding and Creating Games for Education and Impact (de Gruyter, 2022), edited by Robert Houghton, presents a series of essays addressing the practical use of games of all varieties as teaching tools within Medieval Studies and related fields. In doing so it provides examples of the use of games at pre-university, undergraduate, and postgraduate levels of study, and considers the application of commercial games, development of bespoke historical games, use of game design as a learning process, and use of games outside the classroom. As such, Teaching the Middle Ages through Modern Games is a flexible and diverse pedagogical resource and its methods may be readily adapted to the teaching of different medieval themes or other periods of history.Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 874 CE, the eleventh Imam died, and the Imami community splintered. The institutions of the Imamate were maintained by the dead Imam's agents, who asserted they were in contact with a hidden twelfth Imam. This was the beginning of 'Twelver' Shiʿism. In Agents of the Hidden Imam: Forging Twelver Shi‘ism, 850-950 CE (Cambridge UP, 2022), Edmund Hayes provides an innovative approach to exploring early Shiʿism, moving beyond doctrinal history to provide an analysis of the socio-political processes leading to the canonisation of the Occultation of the twelfth Imam. Hayes shows how these agents cemented their authority by reproducing the physical signs of the Imamate, including protocols of succession, letters and the alm taxes. Four of these agents were ultimately canonised as “envoys” but traces of earlier conceptions of authority remain embedded in the earliest reports. Hayes dissects the complex and contradictory Occultation narratives to show how, amidst the claims of numerous actors, the institutional positioning of the envoys allowed them to assert a quasi-Imamic authority in the absence of an Imam.Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

A gulf of centuries separates the Byzantine Empire from the academic field of Byzantine studies. The Invention of Byzantium in Early Modern Europe offers a new approach to the history of Byzantine scholarship, focusing on the attraction that Byzantium held for Early Modern Europeans and challenging the stereotype that they dismissed the Byzantine Empire as an object of contempt.The authors in this book focus on how and why the Byzantine past was used in Early Modern Europe: to diagnose cultural decline, to excavate the beliefs and practices of early Christians, to defend absolutism or denounce tyranny, and to write strategic ethnography against the Ottomans. By tracing Byzantium’s profound impact on everything from politics to painting, this book shows that the empire and its legacy remained relevant to generations of Western writers, artists, statesmen, and intellectuals as they grappled with the most pressing issues of their day.Refuting reductive narratives of absence or progress, this book shows how “Byzantium” underwent multiple overlapping and often discordant reinventions before the institutionalization of “Byzantine studies” as an academic discipline. As this book suggests, it was precisely Byzantium’s ambiguity—as both Greek and Roman, ancient and medieval, familiar and foreign—that made it such a vibrant and vital part of the Early Modern European imagination.Nathanael Aschenbrenner is a lecturer at the University of California San Diego in the department of history. His research and publications explore empire and ideology in the medieval and early modern Mediterranean, as well as Byzantium’s imperial legacy after 1453.Jake Ransohoff is a Hellenisms Past & Present, Local and Global Postdoctoral Fellow at the Stavros Niarchos Foundation Centre for Hellenic Studies at Simon Fraser University. He holds a BA from the University of Chicago, and defended his PhD dissertation in History at Harvard University in June, 2022. His current research focuses on the intersection between power, political legitimacy, and attitudes toward the body in the Byzantine world—especially the disfigured and disabled body.Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master’s in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices

When he was in his late 30s, the Italian poet Dante Alighieri got himself into some serious political trouble and was exiled from his beloved Florence. While in exile, he wrote one of the world’s greatest literary works, the Divine Comedy. In the story, Dante, the main character, must pass through the nine circles of Hell, climb Mount Purgatory, and ascend to Heaven to reach salvation. Along the way he meets all sorts of characters including the Roman poet Virgil, various politicians of his time, teachers from his school, and his one true love. Nassime Chida is a Core Lecturer in Literature Humanities at Columbia University. She is the author of Local Power in Dante’s Inferno. See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Kingdom of Rye: A Brief History of Russian Food (U California Press, 2022) unearths the foods and flavors of the Russian land. Preeminent food studies scholar Darra Goldstein offers readers a concise, engaging, and gorgeously crafted story of Russian cuisine and culture. This story demonstrates how national identity is revealed through food—and how people know who they are by what they eat together. The Kingdom of Rye examines the Russians' ingenuity in overcoming hunger, a difficult climate, and a history of political hardship while deciphering Russia's social structures from within. This is a domestic history of Russian food that serves up a deeper history, demonstrating that the wooden spoon is mightier than the scepter.Darra Goldstein is the Willcox B. and Harriet M. Adsit Professor of Russian, Emerita, at Williams College and founding editor of Gastronomica: A Journal of Food and Culture, named Publication of the Year by the James Beard Foundation. She is author of six award-winning cookbooks, including Beyond the North Wind: Russia in Recipes and Lore, and Fire + Ice: Classic Nordic Cooking, which was nominated for a James Beard, IACP, and The Art of Eating awards. Darra also serves as a series editor of California Studies in Food and Culture and has written for Gourmet, Saveur, Bon Appetit, and The New York Times. Follow Darra on Instagram.Yelizaveta Raykhlina is a historian of Russia and Eurasia and holds a PhD from Georgetown University. She is a faculty member at New York University. To learn more, visit her website or follow her on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices

“All men must die”: or “Valar Morghulis,” as the traditional Essos greeting is rendered in High Valyrian. And die they do – in prodigious numbers; in imaginatively varied and gruesome ways; and often in terror within the viciously unpredictable world that is HBO's sensational evocation of Game of Thrones. As acclaimed medievalist Professor Carolyne Larrington writes in All Men Must Die: Power and Passion in Game of Thrones (Bloomsbury, 2021), the stories George R.R. Martin brings to life are epic in scope and in imaginative breadth, telling of the dramatic rise and fall of nations, the brutal sweeping away of old orders, and the advent of new autarchs in the eternal quest for dominion.Yet, as her book reveals, many potent and intimate narratives of love and passion can be found within these grand landscapes of heroism, honour, and death. They focus on strong relationships between women and family, as well as among the anti-heroes, the “cripples, bastards and broken things.” In this vital follow-up to her book, Winter Is Coming (also published by Bloomsbury), Larrington explores themes of power, blood-kin, lust, and sex in order to draw entirely fresh meanings out of the show of the century.Carolyne Larringon is Professor of Medieval Literature at University of Oxford, UK. She completed her DPhil in Old English and Old Norse at Oxford and now teaches Old and Middle English literature as well as English and Old Norse-Icelandic languages. Previous publications include books on Norse mythology and literature and another book on the series called Winter Is Coming: The Medieval World of Game of Thrones. Also, Professor Larrington has been awarded the Order of the Falcon by the President of Iceland for her services to Icelandic literature.Carrie Lynn Evans is currently a PhD student of English Literature with Université Laval in Quebec. Learn more about your ad choices. Visit megaphone.fm/adchoices