New Books in Medieval History

The concept of madness as a challenge to communities lies at the core of legal sources. Aleksandra Nicole Pfau's book Medieval Communities and the Mad: Narratives of Crime and Mental Illness in Late Medieval France (Amsterdam UP, 2020) considers how communal networks, ranging from the locale to the realm, responded to people who were considered mad. The madness of individuals played a role in engaging communities with legal mechanisms and proto-national identity constructs, as petitioners sought the king's mercy as an alternative to local justice. The resulting narratives about the mentally ill in late medieval France constructed madness as an inability to live according to communal rules. Although such texts defined madness through acts that threatened social bonds, those ties were reaffirmed through the medium of the remission letter. The composers of the letters presented madness as a communal concern, situating the mad within the household, where care could be provided. Those considered mad were usually not expelled but integrated, often through pilgrimage, surveillance, or chains, into their kin and communal relationships. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Catch: An Environmental History of Medieval European Fisheries (Cambridge UP, 2023) provides a comprehensive examination of European engagement with aquatic systems between c. 500 and 1500 CE. Using textual, zooarchaeological, and natural records, Richard C. Hoffmann's unique study spans marine and freshwater fisheries across western Christendom, discusses effects of human-nature relations and presents a deeper understanding of evolving European aquatic ecosystems. Changing climates, landscapes, and fishing pressures affected local stocks enough to shift values of fish, fishing rights, and dietary expectations. Readers learn what the abbess Waldetrudis in seventh-century Hainault, King Ramiro II (d.1157) of Aragon, and thirteenth-century physician Aldebrandin of Siena shared with English antiquarian William Worcester (d. 1482), and the young Martin Luther growing up in Germany soon thereafter. Sturgeon and herring, carp, cod, and tuna played distinctive roles. Hoffmann highlights how encounters between medieval Europeans and fish had consequences for society and the environment - then and now.Richard Hoffmann is Professor Emeritus in History at York University, Toronto, and author of the acclaimed An Environmental History of Medieval Europe.Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices

Several scholarly fields investigate the reuse of source texts, most relevantly adaptation studies and fanfiction studies. The limitation of these two fields is that adaptation studies focuses narrowly on retelling, usually in the form of film adaptations, but is not as well equipped to treat other uses of source material like prequels, sequels and spinoffs. On the other hand, fanfiction studies has the broad reach adaptation studies lacks but is generally interested in "underground" production rather than material that goes through the official publication process and thus enters the literary canon. Canon Fanfiction: Reading, Writing, and Teaching with Adaptations of Premodern and Early Modern Literature (Medieval Institute Publications, 2023) sits in the gap between these fields, discussing published novels and their contribution to the scholarly engagement with their pre- and early modern source material as well as applying that creative framework to the teaching of literature in the college classroom.Christine Schott, MFA, PhD, is associate professor of English at Erskine College where she teaches medieval and world literatures and creative writing.Becky Straple-Sovers is a medievalist and freelance editor who earned her Ph.D. in English at Western Michigan University in 2021. Her research interests include bodies, movement, gender, and sexuality in literature, as well as poetry of the First World War and the public humanities. She can be found on Twitter @restraple. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ruth Yun-Ju Chen is a historian of mid-imperial China (600–1400). Her research interests lie in the histories of medicine, publishing, and material cultures during this period. Her first book, Good Formulas: Empirical Evidence in Mid-Imperial Chinese Medical Texts, will come out from the University of Washington Press in 2023. This book charts how early print culture reshaped strategies for presenting medical knowledge in Song China (960–1279). Her current project explores the transregional circulation of medical knowledge and aromatic drugs across East Asia and Southeast Asia in Song-Jin-Yuan China (960–1368). She has published articles in Chinese and English language journals and, most recently, “A New Study of Scholar-officials’ Roles in the Printing of Medical Texts in Song China” in the Bulletin of IHP 92.3 (2021) and “The Quest for Efficiency: Knowledge Management in Medical Formularies” in the Harvard Journal of Asiatic Studies 80.2 (2021).A bit about the book:Why and how did the strategy of documenting medical practices through personal experience rise to prominence in China? This question is at the heart of Good Formulas, the first book-length study of the use of empirical evidence in Chinese medicine between the ninth and thirteenth centuries. The rise of this new approach to substantiating knowledge, which had appeared only sporadically in earlier medical literature, provides a window into transformations in the construction of textual authority in mid-imperial China.Focusing on medical genres and working extensively with notebooks (biji), Ruth Yun-Ju Chen shows that employing empirical evidence became prominent in conjunction with a publishing boom that enabled wider availability of medical texts and treatises. To convince a more socioculturally diverse readership to believe their claims and to win intertextual debates with contemporaneous authors, many Song medical authors turned to empirical methodology. Revealing a correlation between publishing cultures and changes in persuasion strategies in medical genres, Good Formulas offers new insights into the histories of medicine, knowledge production, and publishing in China. It also provides rich examples for scholars interested in the development of empirical evidence in the premodern world.Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices

With its expanding legal system and its burgeoning throngs of lawyers, legates, and documents, the papacy of the thirteenth and fourteenth centuries has often been credited with spearheading a governmental revolution that molded the high medieval church into an increasingly disciplined, uniform, and machine-like institution. Reimagining Christendom: Writing Iceland's Bishops Into the Roman Church, 1200-1350 (U Pennsylvania Press, 2023) offers a fresh appraisal of these developments from a surprising and distinctive vantage point. Tracing the web of textual ties that connected the northern fringes of Europe to the Roman see, Joel D. Anderson explores the ways in which Norse writers recruited, refashioned, and repurposed the legal principles and official documents of the Roman church for their own ends.Drawing on little-known vernacular sagas, Reimagining Christendom is populated with tales of married bishops, fictitious and forged papal bulls, and imagined canon law proceedings. These narratives, Anderson argues, demonstrate how Norse writers adapted and reconfigured the institutional power of the church in order to legitimize some of the thoroughly abnormal practices of their native bishops. In the process, Icelandic clerics constructed their own visions of ecclesiastical order―visions that underscore the thoroughly malleable character of the Roman church’s text-based government and that articulate diverse ways of belonging to the far-flung imagined community of high medieval Christendom.Dr. Joel Anderson is an Assistant Professor of History at the University of Maine. He is a historian of medieval Europe, and his research revolves around issues of communication, imagination, and authority, particularly in the high and late medieval church.Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master’s in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Play about the Antichrist (Ludus de Antichristo) was composed around 1160 at the imperial Bavarian abbey of Tegernsee, at a critical point in the power-struggle between the papacy and Emperor Frederick Barbarossa. In this new translation, Carol Symes provides the first full and faithful rendering of the play’s dynamic language, maintaining the meter, rhyme scheme, and stage directions of the Latin original and restoring the liturgical elements embedded in the text. Kyle A. Thomas, whose dedicated research provides the foundation for an analysis of the play’s broader contexts, also brings perspectives from the first fully staged modern production that tested the theatricality of the translation and provides a new historical and dramaturgical analysis of the play’s rich interpretive and performative possibilities.In this discussion, Symes and Thomas discuss the significance of the play, surprising and fascinating things they learned while working on the book, and what the Play about the Antichrist tells us about what it means to be human.Carol Symes is associate professor of history and theatre at the University of Illinois, Urbana-Champaign, and author of an award-winning monograph on theater and public life in medieval Arras. Kyle A. Thomas is assistant professor of theatre at Missouri State University, specializing in medieval performance texts and strategies for their modern enactment.Becky Straple-Sovers is a medievalist and freelance editor who earned her Ph.D. in English at Western Michigan University in 2021. Her research interests include bodies, movement, gender, and sexuality in literature, as well as poetry of the First World War and the public humanities. She can be found on Twitter @restraple. Learn more about your ad choices. Visit megaphone.fm/adchoices

Opulent jewelled objects ranked among the most highly valued works of art in the European Middle Ages. At the same time, precious stones prompted sophisticated reflections on the power of nature and the experience of mineralized beings. Beyond a visual regime that put a premium on brilliant materiality, how can we account for the ubiquity of gems in mediaeval thought?In The Mineral and the Visual: Precious Stones in Medieval Secular Culture (Penn State University Press, 2022), art historian Dr. Brigitte Buettner examines the social roles, cultural meanings, and active agency of precious stones in secular mediaeval art. Exploring the layered roles played by gems in aesthetic, ideological, intellectual, and economic practices, Dr. Buettner focuses on three significant categories of art: the jewelled crown, the pictorialized lapidary, and the illustrated travel account.The global gem trade brought coveted jewels from the Indies to goldsmiths’ workshops in Paris, fashionable bodies in London, and the crowns of kings across Europe, and Buettner shows that Europe’s literal and metaphorical enrichment was predicated on the importation of gems and ideas from Byzantium, the Islamic world, Persia, and India.Original, transhistorical, and cross-disciplinary, The Mineral and the Visual engages important methodological questions about the work of culture in its material dimension. It will be especially useful to scholars and students interested in mediaeval art history, material culture, and mediaeval history.This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

Yamin Levy's The Mysticism of Andalusia: Exploring HaRambam's Mystical Tradition (MHC Press, 2023) is a groundbreaking book that delves into the mystical tradition of Andalusia and specifically of Maimonides. Unlike Kabalah and the European mystical traditions, Andalusian mysticism is rooted in clear Halakhic and philosophical principles devoid of superstition and magic. This book examines Maimonides works which serve as a guide for those interested in pursuing mystical union with G-d. Topics such as prophecy, love and awe of G-d, silent meditation, the role of prophets, and the spiritual aspects of Jewish rituals are all explored in this book. The Mysticism of Andalusia offers a refreshing perspective and path forward for all who desire deep spiritual fulfillment without the rejection of the mind and self.Ohad Fedida lives in Miami and is a psychology research and clinical assistant. He is pursuing a graduate degree in psychology, and is involved in a wide array of initiatives and studies from legal philosophy, Jewish programming, and psychology. Learn more about your ad choices. Visit megaphone.fm/adchoices

Amir Artaban Sedaghat’s Translating Rumi into the West: A Linguistic Conundrum and Beyond (Routledge, 2023) engages Rumi, the 13th-century Muslim Persian mystic and a best-selling poet, and the paradoxes of English translations associated with him. Sedaghat explores generative questions from translation to audience reception using translation studies and theories of semiotics. The book addresses linguistic and pragmatic questions of translations, such as how text, gender, language, and lexicon can or cannot be translated into languages like English and what's lost in the process. To highlight the latter example, Sedaghat masterfully maps various translators' works over the years, such as Orientalist scholars (Arberry and Nicholson) to contemporary Rumi enthusiasts (Coleman Barks), to show how these various translations have resulted in negotiations informed by translators own particularities (i.e., beliefs, linguistic abilities, and social locations etc). The book further considers how Rumi’s poetry is also defined by kinetic and musical dimensions, which cannot be translated. What then are the ethical challenges to these paradoxes of untranslatability and reception politics of Rumi into the global west? This book will be of interest to any Rumi enthusiast, scholars of translation, linguistics, and semiotics, and mysticism, Sufism, Persian/Iranian Studies and much more.Shobhana Xavier is an Associate Professor of Religious Studies at Queen’s University. More details about her research and scholarship may be found here and here. She may be reached at shobhana.xavier@queensu.ca. You can follow her on Twitter via @shobhanaxavier. Learn more about your ad choices. Visit megaphone.fm/adchoices

It’s amazing that art historians like Robert Hillenbrand got to study the “Great Mongol Shahnama” at all.500 pages of Firahdosi’s epic poem, with 300 illustrations, in a manuscript whose leaves are as wide as an ordinary person’s arms. Never completed, never bound, smuggled out of Iran by corrupt dignitaries, and separated and padded out by an unsavory Belgian art dealer.Robert Hillenbrand’s work collects all these disparate illustrations and puts them together in one book, which puts “The Great Mongol Shahnama” back at the center of a sprawling 14th-century Mongol empire.Robert Hillenbrand is an honorary professorial fellow in the Department of Islamic and Middle Eastern Studies at the University of Edinburgh.In this interview, Robert and I talk about the Shahnama—and what makes the “Great Mongol Shahnama” unique—and how the Mongol empire gave this masterpiece’s illustrations recognizable Western and Chinese influences.You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Great Mongol Shahnama. Follow on Twitter at @BookReviewsAsia.Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices