New Books in Medieval History

It was common during the years of the U.S. invasion of Iraq to talk about the Sunni-Shia split—and how the sectarian violence was the result of a “centuries-long hatred” between the two different religious schools.But seeing this divide as the result of a longstanding feud—or to see it in the model of other religious schisms, like the Catholic-Protestant split and the centuries of war that followed—would be a mistake, argues Toby Matthiesen.Toby, in his most recent book The Caliph and the Imam: The Making of Sunnism and Shiism (Oxford University Press, 2023), tries to chart the history of the Sunni-Shia split: its origins at the very start of Islam’s founding, and how different Muslim polities—including those outside of the Arabian core—flitted between tolerance and conflict.In this interview, Toby and I talk about the origins of the division between the Sunni and the Shia, how different regimes throughout history molded and were molded by the split, and what that means for the present day.Toby Matthiesen is Senior Lecturer in Global Religious Studies at the University of Bristol. He is the author of several award-winning books and has previously held fellowships at the Universities of Oxford, Ca' Foscari of Venice, Stanford, Cambridge, and the LSE.You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Caliph and the Imam. Follow on Twitter at @BookReviewsAsia.Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices

Song, Landscape, and Identity in Medieval Northern France: Toward an Environmental History (Oxford University Press, 2023) investigates how northern French vernacular poets and musicians writing in the late middle ages expressed relationships between people and their environments. It explores medieval French song through the critical and disciplinary lenses of ecocriticism and environmental history. The repertoire under scrutiny embraces the gamut of forms and genres of thirteenth- and fourteenth-century French music, considering the songs of the trouvères, the ars antiqua motet, the formes fixes, the plays of Adam de la Halle, and the lyric-infused narrative poetry of Guillaume de Machaut. Although these works have never before been conceptualized as a corpus of nature poetry, they routinely evoke nature and the outdoors. They feature the gardens, meadows, and trees found in the countryside that many of their authors inhabited, and they conceptualize nature as crucial to poetic inspiration, to the fulfillment of desire, and as a space symbolic of the sacred. Through a deep contextualization of these songs and the people who wrote them, Song, Landscape, and Identity offers a novel account that demonstrates how song could present modalities of engagement with nature that were determined by geography, gender, and status. Key questions include: How realistic is the nature imagery in these songs? What ways of interaction with a landscape do they encourage? Where, and for whom, were such experiences available? The answers to these questions reposition medieval song as a privileged vehicle through which songwriters expressed relationships between nature, place, and class.Jennifer Saltzstein is a Presidential Professor of Musicology at the University of Oklahoma, where she teaches courses on the music of the Middle Ages, Renaissance, and Baroque eras. She is author of The Refrain and the Rise of the Vernacular in Medieval French Music and Poetry (Cambridge: D.S. Brewer, 2013) and editor of Musical Culture in the World of Adam de la Halle (Leiden: Brill, 2019).Áine Palmer is a PhD candidate in Music History at Yale University. Her work considers trouvère song and the anthologies that collect them in the long thirteenth century. Learn more about your ad choices. Visit megaphone.fm/adchoices

Witchfinder General, Salem, Malleus Maleficarum. The world of witch-hunts and witch trials sounds archaic and fanciful, these terms relics of an unenlightened, brutal age. However, we often hear ‘witch-hunt’ in today’s media, and the misogyny that shaped witch trials is all too familiar. Three women were prosecuted under a version of the 1735 Witchcraft Act as recently as 2018.In Witchcraft: A History in Thirteen Trials (Simon & Schuster, 2023), Professor Marion Gibson uses thirteen significant trials to tell the global history of witchcraft and witch-hunts. As well as exploring the origins of witch-hunts through some of the most famous trials from the Middle Ages to the eighteenth century, it takes us in new and surprising directions. It shows us how witchcraft was reimagined by lawyers and radical historians in France, how suspicions of sorcery led to murder in Jazz Age Pennsylvania, the effects of colonialism and Christian missionary zeal on ‘witches’ in Africa, and how even today a witch trial can come in many guises.Professor Gibson also tells the stories of the ‘witches’ – mostly women like Helena Scheuberin, Anny Sampson and Joan Wright, whose stories have too often been overshadowed by those of the powerful men, such as King James I and ‘Witchfinder General’ Matthew Hopkins, who hounded them.Once a tool invented by demonologists to hurt and silence their enemies, witch trials have been twisted and transformed over the course of history and the lines between witch and witch-hunter blurred. For the fortunate, a witch-hunt is just a metaphor, but, as this book makes clear, witches are truly still on trial.This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Medievalist Comics and the American Century (UP of Mississippi, 2016), Chris Bishop surveys the medievalist comic, its stories, characters, settings, and themes drawn from the European Middle Ages. Hal Foster's Prince Valiant emerged from an America at odds with monarchy, but still in love with King Arthur. Green Arrow remains the continuation of a long fascination with Robin Hood that has become as central to the American identity as it was to the British. The Mighty Thor reflects the legacy of Germanic migration into the United States. The rugged individualism of Conan the Barbarian owes more to the western cowboy than it does to the continental knight-errant. In the narrative of Red Sonja, we can trace a parallel history of feminism. Bishop regards these comics as not merely happenchance, but each success (Prince Valiant and The Mighty Thor) or failure (Beowulf: Dragon Slayer) as a result and an indicator of certain American preoccupations amid a larger cultural context.Intrinsically modernist paragons of pop-culture ephemera, American comics have ironically continued to engage with the European Middle Ages. Bishop illuminates some of the ways in which we use an imagined past to navigate the present and plots some possible futures as we valiantly shape a new century.In this interview Dr. Bishop talks about the uses and abuses of classical and medieval texts in popular media, the value of studying flops, and how we all might misunderstand history for our own reassurance.Dr. Chris Bishop is a honorary lecturer at the Australian National University. He has published widely on the history of late antiquity and the early Middle Ages, as well as on comic book studies. In 2012 Bishop was awarded a Kluge Fellowship at the Library of Congress for his research, which led to the publication of the book. Learn more about your ad choices. Visit megaphone.fm/adchoices

Youcef Sufi's book The Rise of Critical Islam: 10th-13th Century Legal Debate (Oxford University Press, 2023) is a fascinating and engaging exploration of the history of critique in Islamic legal and intellectual history. It does this specifically through a case study of dispensations and disputations, known as munāẓarāt in Arabic. Dispensations were a practice of debates that were an important feature of a jurist's practice and an opportunity for him to showcase his juristic skills – for instance, they were sometimes tasked with having to defend a position that they disagreed with or that contradicted the opinion of the school they followed and represented. Ultimately, these dispensations serve as an excellent case study of the tremendous diversity of thought and the celebration of difference of opinion in Islamic history and Islamic law; they also show that for Muslim jurists, engaging in these debate was an act of piety, as a part of their personal and intellectual quest to discover God's law.In our conversation, we discuss the origins of the book, some of its main points and arguments, a detailed description of these dispensations (such as who participated in them, who was excluded from them, how the debate topic was chosen), the shifts and developments they undergo with time, and the role of ijtihad (or independent reasoning or re-interpretations of Islamic law) and taqlid (or sticking to the past scholarly positions) in these debates. We also discuss specific themes such as child or forced marriage, women’s right to divorce, which are perceived to have been settled matters but it turns out, not quite! And finally, Sufi explains why and how these disputations came to an end and what jurists participating in them may have imagined the role of later generations to be in the process of Islamic law-making.Shehnaz Haqqani is an Assistant Professor of Religion at Mercer University. She earned her PhD in Islamic Studies with a focus on gender from the University of Texas at Austin in 2018. Her dissertation research explored questions of change and tradition, specifically in the context of gender and sexuality, in Islam. She can be reached at haqqani_s@mercer.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the eighth century, the Byzantine Empire began a campaign to remove or suppress sacred images that depicted Christ, the Virgin, or other holy figures, whether in paintings, mosaics, murals, or other media. In some cases, the campaign extended to breaking or wrecking images through what became known as iconoclasm. Over the following years, the emperors' zealous movement involved other acts that closely foreshadowed the Reformation movement that would sweep Western Europe in the sixteenth century. Like that later Reformation, iconoclasm marked an authentic revolution in religious sensibility, with all that implied for theology, culture, and visual perceptions of holiness. This was a pivotal moment in the definition of Christianity and its relationship to the material creation. It was also a time of critical encounters with the other Abrahamic religions of Judaism and Islam.With A Storm of Images: Iconoclasm and Religious Reformation in the Byzantine World (Baylor UP, 2023), Philip Jenkins offers a compelling retelling of the saga of how the iconoclastic movement detonated ferocious controversy within the church and secular society as icon supporters challenged the image breakers. Decades of internal struggle followed, marked by rebellions and civil wars, purges and persecutions, plotting and coups d'état. After their cause triumphed, image supporters made the cult of icons ever more central to the faith of Orthodox Christianity. Iconoclasm marked a watershed in the history of Late Antiquity and the Early Middle Ages, and it contributed to Western attempts to establish new empires.The questions raised during these struggles are all the more relevant at a time when such controversy rages over public depictions of history and the removal of statues, monuments, and names associated with hated figures. As in those earlier times, debates over images serve as vehicles for authentic cultural revolutions.Crawford Gribben is a professor of history at Queen’s University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this interview we deep dive into the historiographical issues of the texts in The Rise of the Mongols: Five Chinese Sources (Hackett, 2021), edited and translated by Christopher P. Atwood, with Lynn Struve. For a complementary, more general interview of the book dealing with the period under discussion listeners can also check out the July 2023 interview with Professor Atwood over at the Chinese Literature Podcast. Rise of the Mongols offers readers a selection of five important works that detail the rise of the Mongol Empire from a Chinese perspective. Three of these works were written by officials of South China's Southern Song dynasty and two are from officials from North China writing in the service of the Mongol rulers. Together, these accounts offer a view of the early Mongol Empire very different not just from those of Muslim and Christian travelers and chroniclers, but also from the Mongol tradition embodied in The Secret History of Mongols.The five Chinese source texts (in English translation, each with their own preface): Selections from Random Notes from Court and Country since the Jianyan Years, vol.2, by Li Xinchuan "A Memorandum on the Mong-Tatars," by Zhao Gong "A Sketch of the Black Tatars," by Peng Daya and Xu Ting "Spirit-Path Stele for His Honor Yelü, Director of the Secretariat," by Song Zizhen "Notes on a Journey," by Zhang Dehui Also included are an introduction, index, bibliography, and appendices covering notes on the texts, tables and charts, and a glossary of Chinese and transcribed terms. Learn more about your ad choices. Visit megaphone.fm/adchoices

England and the Papacy in the Early Middle Ages: Papal Privileges in European Perspective, c. 680-1073 (Oxford University Press, 2023) by Dr. Benjamin Savill provides the first dedicated, book-length study of interactions between England and the papacy throughout the early middle ages. It takes as its lens the extant English record of papal privileges: legal diplomas drawn-up on metres-long scrolls of Egyptian papyrus, acquired by pilgrim-petitioners within the city of Rome, and then brought back to Britain to negotiate local claims and conflicts.How, why, and when did English petitioners choose to invoke the distant authority of Rome in this way, and how did this compare to what was taking place elsewhere in Europe? How successful were these efforts, and how were they remembered in later centuries?By using these still-understudied papal documents to reassess what we know of the worlds of Bede, the Mercian Supremacy, the West Saxon 'Kingdom of the English', and the Norman Conquest—locating them in the process within a comparative, Europe-wide setting—this book offers important new contributions to Anglo-Saxon studies, legal and documentary history, papal history, and the study of early medieval Europe more widely.This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

How 'green' were people in late antiquity and the Middle Ages? Unlike today, the nature around them was approached with faith, trust and care. The population size was many times smaller than today and human impact on nature not as extreme as it is now. People did not have to worry about issues like deforestation and sustainability. This book is about the knowledge of plants and where that knowledge came from. How did people use earth and plants in ancient times, and what did they know about their nutritional or medicinal properties? From which plants one could make dyes, such as indigo, woad and dyer's madder? Is it possible to determine that through technical research today? Which plants could be found in a ninth-century monastery garden, and what is the symbolic significance of plants in secular and religious literature? Claudine Chavannes-Mazel and Linda Ijpelaar's The Green Middle Ages: The Depiction and Use of Plants in the Western World 600-1600 (Amsterdam UP, 2023) addresses these and other issues, including the earliest herbarium collections, with a leading role for the palaeography and beautiful illuminations from numerous medieval manuscripts kept in Dutch and other Western libraries and museums. Learn more about your ad choices. Visit megaphone.fm/adchoices

Marvels like enchanted rings and sorcerers’ stones were topics of fascination in the Middle Ages, not only in romance and travel literature but also in the period’s philosophical writing. Rather than constructions of belief accepted only by simple-minded people, Michelle Karnes shows that these spectacular wonders were near impossibilities that demanded scrutiny and investigation.Medieval Marvels and Fictions in the Latin West and Islamic World (U Chicago Press, 2022) is the first book to analyze a diverse set of writings on such wonders, comparing texts from the Latin West—including those written in English, French, Italian, and Castilian Spanish —with those written in Arabic as it works toward a unifying theory of marvels across different disciplines and cultures. Karnes tells a story about the parallels between Arabic and Latin thought, reminding us that experiences of the strange and the unfamiliar travel across a range of genres, spanning geographical and conceptual space and offering an ideal vantage point from which to understand intercultural exchange. Karnes traverses this diverse archive, showing how imagination imbues marvels with their character and power, making them at once enigmatic, creative, and resonant. Skirting the distinction between the real and unreal, these marvels challenge readers to discover the highest capabilities of both nature and the human intellect. Karnes offers a rare comparative perspective and a new methodology to study a topic long recognized as central to medieval culture.Michelle Karnes is professor of English and the history of philosophy and science at the University of Notre Dame. She is the author of Imagination, Meditation, and Cognition in the Middle Ages and the coeditor of Studies in the Age of Chaucer.Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices