The Tikvah Podcast

As he looked out at the Western world of the 1960s and ‘70s, Rabbi Eliezer Berkovits saw a society whose value system had collapsed. Relativism, boredom, and permissiveness were all around him. But this void could be filled, argued Rabbi Berkovits, by a sophisticated Judaism that sought to rear the next generation in the best of the Jewish ethical tradition. “Jewish Education in a World Adrift” is a clarion call for a morally confident Judaism that can speak to the human soul in a nihilistic age. In this podcast, Jonathan Silver is joined by veteran educator and Tikvah Fund Senior Director Rabbi Mark Gottlieb to think through this powerful essay. They discuss Berkovits’s bold halachic philosophy, the circumstances that moved him to tackle this issue, and the future of Jewish education. At a time of promise and peril for Jewish pedagogy, their conversation is as timely as ever. Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble, as well as Ich Grolle Nicht, by Ron Meixsell and Wahneta Meixsell. Rabbi Gottlieb teaches in and directs Tikvah’s programs for high school students and the yeshiva community. Learn more about these programs here and here.

The Israeli government’s recent decision to shelve a plan for a state-recognized egalitarian prayer space at the Western Wall has widened the already deepening rift between Israeli and American Jews. And the debate that has arisen in its aftermath has raised vital questions about the relationship between the world’s two largest Jewish communities. In this podcast, which originally aired on May 16, 2016, Elliott Abrams joins Eric Cohen to discuss his Mosaic essay, “If American Jews and Israel Are Drifting Apart, What’s the Reason?” Abrams and Cohen confront some uncomfortable facts about the changing nature of American Jewry—facts that are as relevant today as they were when the essay was published. Courtesy of Pro Musica Hebraica, musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim, and performed by the ARC Ensemble.

Religious liberty is on trial in America, both in legislative debates at the state and federal level and in court cases now working their way through the judicial system. As the environment for religious traditionalists becomes more hostile, observant Jews will increasingly confront some difficult questions: Will American society continue to respect the religious freedom of traditional communities? Will the moral teachings and ritual practices of Orthodox schools and synagogues get restricted, and will leaders of these institutions be kept out of the public square? What can Jewish leaders and activists do to help protect and preserve religious freedom in America—not only for Jews, but for all Americans? In order to help us think through these issues, Tikvah invited two of the nation’s foremost experts on religious liberty to the Tikvah Center in New York City as part of our lecture series on “Torah Jews and America.” The Heritage Foundation’s Ryan Anderson helped provide a general overview of the religious freedom issue in America today, and Professor Daniel Mark of Villanova University, and the Chairman of the U.S. Commission on Religious Freedom explored the unique challenges that increasingly face by the Orthodox Jewish community. This event took place on June 12, 2017.

Why don’t Jews like the Christians who like them? That’s the question James Q. Wilson, one of the America’s most influential political scientists, posed in the pages of City Journal in 2008. Evangelical Christians are, by and large, enthusiastic supporters of Israel, and their goodwill extends beyond sympathy for the Jewish state. American Evangelicals even harbor affection for the Jewish people themselves. Yet, these positive attitudes go largely unreciprocated by the American Jewish community, which continues to view conservative Christians with suspicion. In this podcast, Jonathan Silver sits down with Rabbi Mitchell Rocklin, a chaplain with the New Jersey Army National Guard and a Resident Fellow at the Tikvah Fund to discuss Wilson’s essay. Silver and Rocklin explore the theological and sociological reasons behind Evangelical support for Israel as well as the nature of the historical memory that keeps many Jews wary of this Christian support. The two also touch on the hostility of mainline Christian churches toward Israel, American Jews’ habit of viewing enemies as allies, and the future of American Jewish politics. Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble, as well as Ich Grolle Nicht, by Ron Meixsell and Wahneta Meixsell.

How do poetry and song convey Jewish meaning? Does Jewish poetry have to be liturgical? At the turn of the century, Ahad Ha’am challenged the early Zionist movement to conceive of the Jewish nation as a home for the Jewish national spirit. Even in the diaspora, the Jewish imagination needs tending. Who were the most prominent Jewish poets of the North American diaspora in the latter half of the twentieth century? The late singer Leonard Cohen might not come first to mind, but in this podcast, Tablet Magazine’s Liel Leibovitz explores the reasons he should. Perhaps no artist better answered the call of Jewish cultural renewal than Leonard Cohen. Born in Montreal to an Orthodox family, Cohen became one of the most important North American musicians of the 20th century. Throughout his long career, he consistently drew on Jewish themes in his music, seamlessly interweaving biblical stories and kabbalistic ideas into songs that spoke of love, loss, and longing. Drawing on his biography of Cohen, A Broken Hallelujah, Leibovitz and Tikvah Senior Director Jonathan Silver read and discuss some of Cohen’s best songs, including  “Story of Isaac,” “You Want It Darker,” and of course, “Hallelujah.” As they do so, it becomes clear that Cohen was, at heart, a poet who took Judaism seriously. Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble, as well as Ich Grolle Nicht, by Ron Meixsell and Wahneta Meixsell.

Through its countless runs on the Broadway stage and in an award-winning film, Fiddler on the Roof made Tevye the dairyman the most iconic Old World Jew in the American imagination. But before he burst into song on stage and screen, Tevye was the Sholem Aleichem’s comedic protagonist whose triumphs and tragedies showed readers how the rural Jewish fathers of Eastern Europe could deal with poverty, inequality, religious doubt, and, most of all, daughters. In this podcast, former Harvard Professor and Tikvah Distinguished Senior Fellow Ruth Wisse joins Eric Cohen to discuss Sholem Aleichem’s most famous character. Focusing their discussion on the second installment of the Tevye stories, “Tevye Blows a Small Fortune,” Wisse and Cohen explore the comedy and tragedy of Sholem Aleichem’s writing, the character and values of Tevye, and what this country Jew can teach us about rootedness, tradition, and faith. Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble, as well as Ich Grolle Nicht, by Ron Meixsell and Wahneta Meixsell. If you enjoy this podcast and want to study more of Sholem Aleichem’s Tevye stories, we invite you to audit Tikvah’s upcoming summer course. For just $299, you can join Professor Wisse in person at the Tikvah Center in New York City for an eight-part study of Tevye’s triumphs and trials and what they can teach us about tradition and freedom. Click here to learn more about the course and enroll!

It was Thomas Jefferson, in a now-famous letter to the Danbury Baptist Association, who first wrote of a “wall of separation between Church & State.” And it has long been America’s Jews who have stood at the forefront of public arguments to keep that wall as high as possible. Why are Jews so devoted to the separation of religion and government? Is it because of a prudent assessment of Jewish interests? Or it the result of outdated beliefs that have calcified into secular dogma? In one of his most important essays, “Church and State: How High a Wall?,” Milton Himmelfarb tackles these very questions. Published in Commentary in 1966, the piece argues that the American Jewish dedication to strict separationism is misguided and isolates the Jewish community from a democratic consensus in America without any obvious benefit. In this podcast, Tikvah’s Jonathan Silver is joined by Professor Samuel Goldman of the George Washington University’s Loeb Institute for Religious Freedom to discuss this classic essay. They discuss the complex history and logic of American Jews’ changing attitudes toward church-state separation as well as the most powerful arguments against the separationist consensus. In so doing, they begin to paint a picture of what an authentically American idea of religious freedom ought to look like in a truly pluralistic America.

This episode originally aired on July 13, 2016. We bring it to you today in commemoration of Yom Yerushalayim and the 50th anniversary of Israel’s remarkable victory in the Six-Day War. In this podcast, Tikvah Executive Director Eric Cohen speaks with Pulitzer Prize-winning columnist Bret Stephens about political life in Israel and America and the challenges of the Middle East and the Modern West. They discuss the legacy on the 1967 war, the work of Peter Beinart, and the dilemmas of Israeli decision-makers. Courtesy of Pro Musica Hebraica, musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim, and performed by the ARC Ensemble.  

The revelation at Sinai was central to the transformation of the people of Israel into a nation. Fresh from their Exodus from Egypt, at the foot of that mountain, a nation of slaves heard the Lord Himself pronounce His law—His “Ten Commandments”—prescribing proper conduct toward God and man. It would be hard to overstate the influence of the Decalogue in the history of West. Even in our increasingly post-Christian age, the Ten Commandments remain a potent cultural symbol. Yet, for all this familiarity, their true significance remains elusive. In 2013, Leon Kass—one of America’s deepest thinkers—sought to shed light on how the Ten Commandments ought to be understood. Published as Mosaic’s inaugural essay, “The Ten Commandments: Why the Decalogue Matters” analyzes the meaning of each Divine command, placing it in the context of the Bible as a whole as well as the  permanent conditions of human nature. In this Tikvah Podcast, Professor Kass joins Jonathan Silver for a reconsideration of this important piece of commentary. In a conversation that looks back toward creation and forward to the civic character of the modern Jewish State, Kass and Silver take a deep dive into the first five commandments and their meaning. Their wide-ranging discussion touches on the nature of God’s covenant with Israel, man’s relationship with nature, and the indispensable role of the family in the life of the people of Israel. Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble, as well as Ich Grolle Nicht, by Ron Meixsell and Wahneta Meixsell.

This episode originally aired on June 29, 2016. We bring it to you this week in honor of the re-publication of Norman Podhoretz’s memoir, Making It, as well as the upcoming celebration of the liberation of Jerusalem. In this podcast, Eric Cohen is joined by Norman Podhoretz, the legendary former editor of Commentary. They discuss Podhoretz’s essay, “Jerusalem: The Scandal of Particularity.” Cohen talks to Podhoretz about the circumstances that inspired this piece, the feelings that being in Jerusalem stirs in him, and why modern men and women find Jewish particularity such a scandal. Courtesy of Pro Musica Hebraica, musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim, and performed by the ARC Ensemble.