The Tikvah Podcast

The English Catholic writer G.K. Chesterton famously described the United States as “a nation with the soul of a church.” Americans, even now, are a uniquely religious people, and it is impossible truly to understand the American Founding and the American story without reference to Scripture in general, and the Hebrew Bible in particular. And yet, while one can sometimes undertake the academic study of the Bible in our universities—uncovering the text’s strands of composition, its dating, and its relation to ancient Near Eastern culture—less easily available in our institutions of higher learning is the opportunity to mine the Hebrew Bible for its moral and political wisdom, its manner of thinking, its ability to speak to the urgings of the soul. The Center for Hebraic Thought (CHT) at The King’s College is trying to change that. Founded in partnership with the Philos Project, the CHT aims to “re-capture our understanding of the biblical authors’ patterns of thought and how they can inform our understanding today.” Last month, the CHT hosted a launch event featuring Philos Project Director Robert Nicholson in conversation with CHT Director Dru Johnson and Tikvah’s own Jonathan Silver. This week, the Tikvah Podcast brings you a special broadcast of this eye-opening discussion about the wisdom of the Hebrew Bible and why 21st-century America needs a revival of Hebraic thought. Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble.

This past July, something unusual happened in Alaska. The Israeli military launched its most technologically sophisticated defensive missiles through the atmosphere, into space. The July testing of the Arrow 3 represents the consummation of decades of military and scientific partnership between Israel and the United States. The Arrow 3 conveys a kill vehicle that constantly adjusts in order to intercept an incoming missile itself—what is called in missile defense, a “metal to metal” intercept. If you want to understand what a monumental technological achievement this is, remember that intercontinental ballistic missiles can travel three or four miles per second—from Moscow to New York in 20 minutes. Israeli missile engineers have figured out a way to detect an incoming projectile moving that fast, deploy an intercept, and observe metal to metal contact in outer space. This unbelievable marvel of technology is the subject of this podcast. Our guest is Dr. Thomas Karako, Senior Fellow at the Center for Strategic and International Studies and the director of their Missile Defense Project. Dr. Karako discusses the nature of U.S.-Israel cooperation on missile defense, what makes the Arrow 3 system special, and why this incredible technology is so promising for America, Israel, and the world. Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble, as well as the original Broadway cast recording of Fiddler on the Roof and "Above the Ocean" by Evan MacDonald.

According to Jewish tradition, the holiday of Rosh Hashanah—the Jewish New Year—marks the “birth” of man on the sixth day of creation. But what else was created along with him? According the sages of the Talmud, Adam and Eve ate from the Tree of Knowledge on the very same day they were made, bringing the capacity for sin latent within them out into the world. Sin, in other words, is part of God’s original creation. In this season of repentance between Rosh Hashanah and Yom Kippur, we welcome Rabbi David Bashevkin to the Tikvah Podcast. His new book, Sin-a-gogue: Sin and Failure in Jewish Thought, helps us think about the nature and origins of sin. Rabbi Bashevkin and Jonathan Silver discuss what it means to think of sin as part of the fabric of creation, the relationship between sin and free will, and how we should think about the sins and failures of the individual versus those of the community. Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble, as well as the original Broadway cast recording of Fiddler on the Roof and "Above the Ocean" by Evan MacDonald.

In the American Jewish imagination, the story of Israel’s founding is a story of East European pioneers, socialist kibbutzim, and a Jewish state rising from the ashes of the Holocaust. And all of these things are indispensable elements of Israel’s early history. But they are not the whole picture. After the founding of the state, Israel absorbed a massive influx of Jews from Middle Eastern lands—Mizrahim—who came from a society and culture vastly different from that of their East European co-religionists. These Jews are also part of the story of the Jewish state’s beginnings; today they represent over half of Israel’s Jewish population, profoundly shaping the culture, religion, and politics of 21st-century Israel. In 2014, author and journalist Matti Friedman penned an essay in Mosaic titled, “Mizrahi Nation,” in which he tells the story of these Jews from Arab lands and explains how one simply cannot understand contemporary Israel without understanding that it has been profoundly shaped by the Mizrahim. Israel, Friedman argues, is a much more Middle Eastern country than many Jews in the West imagine it to be. In this podcast, Friedman joins Jonathan Silver to reflect on his essay. They discuss the long and remarkable history of Mizrahi Jews, how they have shaped the Jewish state, and how understanding their role in Israel’s past and present can give us a clearer picture of the nation’s future. Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble, as well as the original Broadway cast recording of Fiddler on the Roof and "Above the Ocean" by Evan MacDonald.

If you follow Israeli politics, then you know that within the past year, the Jewish state has experienced two deadlocked elections. What explains this political stalemate? According to Micah Goodman, one of Israel’s leading public intellectuals, Israeli politics is trapped in a Catch-67. Most Israelis have been persuaded by the Right that peace with the Palestinians isn’t feasible and that withdrawal from Judea and Samaria would be a security nightmare. But they are also persuaded by the Left’s argument that Israel’s control over the West Bank poses a demographic time-bomb that threatens the nation’s character as a Jewish and democratic state. They think that establishing a Palestinian state right now would be a disaster and that remaining in the territories would be a disaster. How can Israel get out of this impossible situation? By abandoning comprehensive peace plans and messianic solutions, argues Goodman. Rather than solving the conflict or ignoring it, Israel ought to focus on shrinking the conflict by improving the day-to-day lives of Palestinians while maintaining an unwavering commitment to national security. In his Atlantic essay, “Eight Steps to Shrink the Israeli-Palestinian Conflict,” Goodman describes how Israel can do just that. And in this week’s podcast, he joins Tikvah to explore his vital book and thought-provoking essay. Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble, as well as the original Broadway cast recording of Fiddler on the Roof and "Above the Ocean" by Evan MacDonald.

Throughout our podcast series with eminent Jewish historian Jack Wertheimer, we have spoken about a Judaism of “peak moments.” This is the kind of Judaism most American Jews practice; connecting to their faith at a small number of important dates and life transitions: the High Holy Days, b’nai mitzvah, weddings, funerals. In this week’s podcast—the third and final episode in our series—our conversation focuses on the place where so many of these peak moments take place: the synagogue. The liturgy and choreography of synagogue services—especially in the liberal denominations—are undergoing important changes. From hosting musical “rock shabbat” services to creating a more informal atmosphere in the sanctuary, shuls are working hard to engage congregants on a more regular basis. And the Orthodox are doing their part to reach out to the unengaged through a massive network of outreach organizations that draw in the non-Orthodox, even as they remain fastidiously observant of Jewish law. Wertheimer and Tikvah's Jonathan Silver discuss where these efforts have been successful and where they have failed, the goals of Orthodox outreach, and how committed Jews can do their part to secure the Jewish future. Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble, as well as the original Broadway cast recording of Fiddler on the Roof and "Above the Ocean" by Evan MacDonald.

With the exception of shabbat, there is probably no practice that distinguishes pious Jews more than the observance of kashrut—the Jewish dietary laws. Whether at a business meeting or an everyday social gathering, Jews who keeps kosher have to set themselves apart from the crowd whenever food is involved. To keep kosher is to stand out. And that is precisely the point. In “Locusts, Giraffes, and the Meaning of Kashrut,” Rabbi Dr. Meir Soloveichik argues that the deepest purpose of kashrut lies in how it reinforces the distinct identity of the Jewish people and their status as a chosen nation. “By keeping kosher,” he writes, “Jews express the belief that they are chosen, separate from the nations until the end of time.” In this podcast, Rabbi Soloveichik joins Tikvah’s Jonathan Silver to discuss his essay and his argument. They analyze the many diverse reasons that have been given for Jewish dietary laws, explore what those arguments get right and wrong, and explain how eating kosher locusts can help illuminate the true meaning of kashrut. Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble, as well as the original Broadway cast recording of Fiddler on the Roof and "Above the Ocean" by Evan MacDonald.

On July 18, 1994, a car-bomb struck the headquarters of AMIA—the Argentine Israelite Mutual Association, the largest Jewish community center and social-service agency in Buenos Aires—killing 85 people and wounding 300 more. It was the worst single attack on Diaspora Jews since the Holocaust. A quarter-century later, the perpetrators of this terror attack have still not been brought to justice. And in this month’s Mosaic essay, the renowned Jewish activist Rabbi Avi Weiss tells the story of the shameful cover-up of the AMIA bombing. As soon as he heard about the attack, Rabbi Weiss packed his bags and traveled to Argentina to be present with the suffering Jewish community there. But he soon found himself confronting the then-president of Argentina, Carlos Menem, and attending a cabinet meeting where it became clear to Rabbi Weiss that the Menem government was not serious about catching and punishing the perpetrators of this horrific crime. In this week’s podcast, Rabbi Weiss joins Tikvah’s Jonathan Silver to discuss his essay. He recounts his initial trip to Argentina and surreal meeting with President Menem, reflects on his many journeys back to Argentina in the years since the bombing, and offers his thoughts on the complicated role of the Jewish activist who operates outside the corridors of power demanding justice for his people. Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble, as well as the original Broadway cast recording of Fiddler on the Roof and “Above the Ocean” by Evan MacDonald.

For much of the 20th century, the major denominations—Conservative, Reform, Orthodox—loomed large over institutional Jewish life in America. But in 2019, the Jewish scene looks different; the movements hold less purchase on Jewish life than they once did, especially for the young. And the denominations look different internally as well. Reform Judaism has embraced ritual practices once deemed outmoded. Orthodoxy, which many thought on its way to extinction, is strong, growing, and confident. And Conservative Judaism, once thought to be the future of American Jewry, is caught betwixt and between, too religiously observant to facilitate intermarriage, too religiously lenient to command the encompassing solidarity and halakhic observance of Orthodoxy. In this second installment in our series on The New American Judaism: How Jews Practice Their Religion Today, Jack Wertheimer helps us make sense of the many changes in Jewish denominational life. He looks at the strengths and weaknesses of the major Jewish movements, and gives us insight into the variance between the denominational doctrines and the “folk religion” that Jews actually practice. Wertheimer also ponders what the Jewish movements can continue to contribute to Jewish life in our age of declining allegiance to institutions. Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble, as well as the original Broadway cast recording of Fiddler on the Roof and "Above the Ocean" by Evan MacDonald.

There is probably no character in Jewish fiction more well known than Tevye the Dairyman. Fiddler on the Roof is one of the best known and most widely performed musicals of all time, and the film adaptation is the quintessential portrayal of shtetl life in American cinema. But long before he sang his way into the hearts of theatergoers around the globe, Tevye was the protagonist of the great Yiddish writer Sholem Aleichem’s most important short stories. At turns comedic, tragic, and wise, Tevye was the character in whom Sholem Aleichem poured the most of himself, and it was Tevye to whom he turned when he felt the urge to comment on the great issues facing the Jews of his day. Tikvah Distinguished Senior Fellow Ruth Wisse has been teaching the tales of Tevye the Dairyman for decades, and she recently released a free online course that brings her lifetime of learning to computer screens everywhere. This week, we are rebroadcasting a conversation between Professor Wisse and Tikvah Executive Director Eric Cohen that takes a close look at the second story in the Tevye series, “Tevye Blows a Small Fortune.” They explore the character and values of Tevye and ask what this country Jew can teach us about rootedness, tradition, and faith. If you enjoy this podcast, you can enroll in Professor Wisse’s free online course on Tevye the Dairyman at Tevye.TikvahFund.org. Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble.