The Tikvah Podcast

It's often thought that the Hebrew Bible focuses on the human capacity for good rather than on urging prosperity—that, in other words, trade and markets―areas where rational actors seek to maximize their self-interest―are distinct from ethical conduct and moral behavior. But that distinction, argues the author of a new commentary on the book of Genesis, is a false one.  To the Israeli venture capitalist and author Michael Eisenberg, Genesis and the rest of the Hebrew Bible can shape, channel, and propel the natural desire humans have to create wealth. It can help them engage in business not for the sake of greed but to establish a society of opportunity, one that recognizes the human dignity of all. Here he joins Mosaic editor Jonathan Silver to discuss how his extensive investment experience and study of Hebrew scripture helped him think theologically about labor, wealth, credit, debt, and more. Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble.

When Elie Wiesel was fifteen years old, the Nazis murdered his mother and sister and enslaved him and his father in Buchenwald. After the U.S. Army liberated the camp in April 1945, Wiesel went to France, where he studied the humanities and worked as a writer, and then to New York, where he became a professor and an activist for human rights. Wiesel, who died in July 2016, wrote some 60 books, was awarded the Nobel Peace Prize in 1986, and was counselor to presidents, senators, kings, and prime ministers. Recently, he and his family were honored by the installation of a sculpture of his likeness in the National Cathedral in Washington, DC. The manner of this honoring introduces some particularly vexing Jewish questions, which his son Elisha discussed in a recent Washington Post op-ed. Elie Wiesel was a moral hero, and a particularly Jewish one. His family worried that his memorialization in a church would emphasize the universalist elements of his legacy, and discard particular Jewish elements of his moral persona—including his Jewish observance and his Zionist commitments. Elisha joins Mosaic’s editor Jonathan Silver to think about these questions, his father's legacy, and more on this week’s podcast. Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble.

“We have arrived at a unique point in history,” a recent essay argues, “where many Americans love nothing more than themselves, and the only functioning organization that touches their lives is a corporation.” The author continues, “that’s all good and well as a single striver sprinting along our treadmill of an economic system; the above realization takes on a more somber tone when confronted with the only form of immortality available to most of us: our children.” That secular modernity functions perfectly fine until the biggest questions of life arise is just one notable observation among many made by the tech entrepreneur Antonio Garcia Martinez in his two-part essay “Why Judaism.” In it, Martinez looks at how Judaism presented itself to him as the antidote to the problems he felt mainstream secular American life couldn’t solve. Now, in conversation with Mosaic editor Jonathan Silver, he fleshes out his essay, explaining how he came to his conclusions and what made Judaism such a compelling alternative.  Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble.

The Jewish Agency for Israel is the largest Jewish non-profit in the world. Founded in 1929, it incubated the state of Israel’s proto-government, and, upon the state’s declaration of independence, its officers became Israel’s ministers. Since then, it has brought thousands of Jews to the land of Israel, and it has invested in agriculture, housing, social services, and other programs crucial to Israel’s survival and prosperity. But that's all mostly in the past. Now that a state has been established, and that most diaspora communities are not in danger, what should the Jewish Agency do? What is its purpose? Haviv Rettig Gur, senior analyst for the Times of Israel, was a former communications director of the Jewish Agency, and so he has a few ideas about what it should be doing today. That question is especially pertinent now, as later this month a new agency chairman will be elected. In conversation with Mosaic editor Jonathan Silver, Gur tries to make sense of the history, governance, strategy, and future of the Jewish world’s biggest non-profit. Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble.

Every week, on the seventh day—the Sabbath—observant Jews rest. They perform no labor and they dedicate the day to serving God. This idea, the Sabbath, has another application in the Hebrew Bible: God also commands the observance of a sabbatical year to be taken every seventh year and during which the land of Israel would lie fallow and debts would be remitted. For most of Jewish history, the laws of this year, known as shmitah, were abstract and remote. But with the growth of modern Zionism, and then the rebirth of the sovereign Jewish state, the laws of shmitah have acquired a renewed importance. Jewish farmers are obliged to let the land of Israel lie fallow every seven years, and religiously observant Jews are prohibited from consuming fruit grown on that land. Does this happen in Israel today, and if so, how? And what are the deeper ideas embedded in the practice of shmitah?  The questions are not abstract; this new Jewish year, 5782, is a shmitah year. So on this week’s podcast, the rabbi Yedidya (Julian) Sinclair joins Mosaic editor Jonathan Silver to explain why this biblical ordinance is so important, and how it’s expressed in Israel today. Recently, Sinclair translated and authored a commentary on a famous rabbinical work about shmitah, Shabbat Ha’Aretz, The Sabbath of the Land, by the rabbi Abraham Isaac Kook, who is considered the father of religious Zionism and whose ideas about shmitah govern much of its application in Israel today. Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble.

This week, Jews celebrate the holiday of Sukkot, during which it is traditional to read one of the most philosophically interesting books of the Hebrew Bible, Ecclesiastes. The narrator of the book, known by Jewish tradition to be King Solomon, has spent his life exploring the many corners of human endeavor, from the responsible life of politics to the pleasures of body and mind, and he has come to say that each corner, no matter how satisfying to certain parts of us, cannot answer our deepest needs—or perhaps cannot answer anything at all. Everything is vanity, the book whispers famously, and nothing more. This week’s podcast guest, the Catholic philosopher Peter Kreeft, admires Ecclesiastes not for its ultimate answers to the fundamental questions of life but for its honest look at human problems. As he writes in his own commentary, “honest hedonism is spiritually superior to dishonest self-delusion.” In conversation with Mosaic editor Jonathan Silver, he mines the biblical book for the wisdom it may offer. Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble.

The celebrated novelist Dara Horn's new book People Love Dead Jews has an arresting title, one designed to make the reader feel uncomfortable. That's because Horn makes an argument that tries to change the way people think about the function of Jews in the conscience of the West. In the book, and in this podcast conversation with Mosaic editor Jonathan Silver, Horn suggests that Jewish communities, figures, and abstract symbols of “the Jews” have come to serve a moral role in the Western imagination that, when one takes a step back, is bizarre and grotesque. It’s easy to acknowledge the darkness of the Holocaust and to marvel at the optimism of Anne Frank, but Horn detects in that acknowledgement something insidious that hasn't yet been fully revealed or explained. Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble.

Thirty years ago, in August 1991, riots broke out in the Brooklyn neighborhood of Crown Heights, a neighborhood shared by African Americans and Jews, the latter of whom were mostly members of the ḥasidic Chabad-Lubavitch movement. During the riot, which was sparked by a car accident that killed one young black child and injured another, local black residents attacked Jews on the streets, burned their businesses, and killed one of them, often while chanting anti-Semitic slogans. For three days, local authorities looked on passively. The episode is a sad one in the history of American Jewish-black relations. This week's podcast guest believes that if Jews and blacks are to enjoy a fruitful and mutually beneficial relationship in the future, as they have in the past, understanding how and why events like the Crown Heights riot came about is essential. Elliot Kaufman did just that in a recent essay for the Wall Street Journal. A Canadian who is too young to remember what happened, Kaufman—in the piece and in this conversation with Mosaic's editor, Jonathan Silver—forensically reconstructs what happened in Crown Heights, puts together what it meant at the time, looks at what it teaches us today, and suggests pitfalls that can be avoided so that the two communities can avoid such bitter antagonism. Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble.

In an 1897 essay called “The Jewish State and the Jewish Problem,” the Zionist writer Aḥad Ha’am argued that “Judaism needs at present but little. It needs not an independent state, but only the creation in its native land of conditions favorable to its development: a good-sized settlement of Jews working without hindrance in every branch of culture, from agriculture and handicrafts to science and literature.” Ha’am believed that the most powerful arguments for Zionism were not economic but moral, and in his many essays he stressed the importance of forming a modern Jewish identity from authentically Jewish culture and ideas. Culture first, sovereignty later, in other words. Ha’am was born in 1856 this week by the name Asher Ginsburg, and so we thought we'd mark the occasion by rebroadcasting a conversation about him between the Tikvah Fund’s executive director Eric Cohen and Allan Arkush, a professor of Judaic studies at Binghamton University and the senior contributing editor at the Jewish Review of Books. The two discuss Ha’am’s background, his ideas in this essay and elsewhere, and compare them to his more politically-minded Zionist rivals, namely Theodor Herzl. Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble.

In the year 1970, the distinguished American writer Cynthia Ozick published an essay arguing that Jewish literature might succeed if it embraced and conveyed the rich particularism of the Jewish experience. In a famous metaphor, she wrote that “If we blow into the narrow end of the shofar, we will be heard far. But if we choose to be mankind rather than Jewish and blow into the wider part, we will not be heard at all; for us America will have been in vain.” Fifty years later the Jewish people’s relation to the surrounding culture is a subject that still preoccupies Ozick. Her new novel, Antiquities, deals with the same themes. It depicts an elderly American man who, in the process of writing his memoirs, fixates on a friendship he developed with an outcast Jewish boy during the time they shared decades before in an exclusive private school. On our podcast today, in conversation with Jonathan Silver, Ozick explains how this relationship caused the man to question whether there was a more "significant thing" he could devote himself to, and she reveals some of the subtle wrinkles in the book that direct the reader toward monotheism and to the Jewish tradition. You can read a transcript of this conversation here. Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble.