Books of Some Substance

In this episode Nick is joined by Tom Comitta, aficionado of citational fiction and author of The Nature Book, newly released and available now from Coffee House Press. Tom selected Henri Lefebvre's The Missing Pieces as the work of focus for today's discussion, so listen in as we talk through the history of authors remixing words, Lefebvre's ability to invoke emotion with lists, and the apparent popularity of the destruction of art in antiquity. Post-script: The remix artist referenced at 43:20 is People Like Us.

Bob Blaisdell, a Professor of English and Chekhov expert, shares fascinating insights about Anton Chekhov's story, Difficult People. He explores Chekhov's unique voice and how it resonates with true readers, contrasting it with his letters. The conversation dives into themes of insincerity and unresolved familial conflicts within the story. Blaisdell also discusses the economic realities that shaped Chekhov’s writing and his innovative use of ellipses. This enlightening discussion sheds light on Chekhov’s rapid productivity and his impact on literature.

David, Nathan, and Nick continue on their expedition for misplaced minutes, this time tackling Marcel Proust's fifth installment, The Captive & The Fugitive. Topics this time around include: the endless cycle of the narrator's obsession and apathy toward Albertine; the errors and inconsistencies of this posthumously published work (and whether that matters at all); the ability of different readers to find different points of connection in a lengthy work so packed with details that it begins to approximate real life. Say what you will about My Darling Marcel™, but our narrator hero can still deliver quite the impressive take on art, time, and space. Only one more volume to go — stay tuned for the coming finale as we wrap up our search and seek to regain all that time sunk into this podcast series.

David, Eric, and Nick dive into The Vegetarian, a 2007 novel by Han Kang that, after its English translation, won the 2016 Man Booker International Prize. This compact work will appeal to anyone interested in tightly architected narrative structures, complex questions of individual agency, and visceral scenes situated right next to moments of quiet contemplation. One's ability to choose, well, anything at all is not quite so black and white, is it?

Nathan, David, and Nick tackle Sodom and Gomorrah, the fourth volume of Marcel Proust's In Search of Lost Time. They discuss how groundbreaking it was at the time to so openly write about homosexuality, the noticeable increase in the narrator's presence in the book's happenings, and the increased level of action in play (at least in comparison to prior volumes, that is). Listen in as you continue on your own Proust journey and remember: It's okay if you can't pronounce French names either.

Seth — aficionado of difficult fiction and driving force behind WASTE Mailing List — joins the podcast this episode to chat with David about the endless gifts to be found within the endless layers of Thomas Pynchon's The Crying of Lot 49. Pynchon-lite it is not! Encompassing both the absurd and the prophetic, this early work by the reclusive author covers everything from embedded allusions to the cultural tumult of the 1960s, distrust of any and all formal systems, and a prescient view of the future of communication (cough, the internet, cough). But perhaps the most meaningful conclusion to draw from Pynchon's work is the absence of drawn conclusions. It's messy out there, readers. Grab a copy, give it a read, give it another read, then take a listen. And make sure to check out Seth's work at WASTE Mailing List's Youtube and Instagram.

David, Nathan, and Nick continue their journey through Marcel Proust's In Search of Lost Time, this time discussing the third volume, The Guermantes Way. While this one might very well be "a middle book" — and by proximity, this episode "a middle episode" — there is continued brilliance to be enjoyed (if one can make it through the marathon salon scenes, that is). Come for the deep dives on The Dreyfus Affair, stay for the masterful ending. And just remember: You're halfway home.

Writer, interviewer, and heavy reader George Salis returns to the podcast, this time to discuss Alexander Theroux's Fables with David. The two tackle a list of maximalist topics: deep cuts of vocabulary (real and invented), the forever ongoing inclusions of edits and additions that make a work expand even after being published, and, well, lists themselves. Salis also provides insight into the world of Theroux via his past interviews with the writer and involvement in the publishing process of Fables. Grab a copy, give this latest episode a listen, and check out Salis' work at The Collidescope. May your sentences be long, your word choices intricate, and your fables dark.

David, Eric, and Nick seek out some mid-summer spookiness in Shirley Jackson's acclaimed We Have Always Lived in the Castle and instead find a compact work that is much more complicated than the horror themes, accessible sentences, and vaguely young adult-ish book cover (thanks Penguin Classics) lead one to believe. Cheers to Jackson for walking the line between genre and literary fiction and forcing the reader to sit with a story that has all the trappings of a murder mystery, but none of the virtuous resolutions. Perhaps we are all lacking the ability to communicate across societal lines, forever content in our ever-shrinking castles after all.

David, Nick, and Nathan reconvene to continue their Proust pilgrimage, this time tackling the second volume, Within a Budding Grove. There is discussion around the narrator's age — whether it be twelve or twenty-two, Proust certainly has a knack for combining the idealism and naiveté of youth with the insight and wisdom of adulthood. There is discussion around the book's repetition of similar events and themes and how it is used to advance the book's common aesthetic. And there is discussion around that (infamous?) wrestling scene between Gilberte and the narrator and just exactly what was transpiring amidst the perspiring. At the very least, this one is chock-full of wonderful Proust quotes, the beauty of which (we hope) carries the episode on its own.