New Books in Eastern European Studies

In the 1990s, a network of twenty Soros Centres for Contemporary Art sprung up across Eastern Europe: Almaty, Belgrade, Budapest, Kiev, Ljubljana, Prague, Riga, Sarajevo, Tallinn, Warsaw, and Zagreb among them. These centres, funded as their name suggests by Geroge Soros’ Open Society Foundation, had as their mission the cataloguing of dissident pre-1989 art and the introduction of new forms of artistic practice to the art scenes of post-Eastern Block states. Within a decade, the centres wound up their operation and their histories have been forgotten but not because they made a mark on Eastern European art and societies.The Influencing Machine, Aaron Moulton’s exhibition and book traces the network’s history and evaluates its outsized impact on its host societies. Through the use of template annual exhibitions and synchronised open calls, the Centres pioneered forms of socially engaged practice that preceded the form’s development in Western art capitals and gave artists access to unprecedented production budgets, international networking opportunities, and access to new media technologies.Moulton proposes that the Centres played an underappreciated role in orienting artists ideologically in pro-Western and pro-neoliberal directions, a that the extent of their influence has been underappreciated. In societies making the transition from socialism to free-reign capitalism, the actions of a single NGO which habitually outspent all other funders appear to have been glossed over if not outright expunged from memory.The book invites a conversation about the global art world, the role of activism in art, and the power of institutional critique. Its proposals should be a warning to anyone attempting to understand the role of capital in forming cultural consciousness today. If a single NGO could be credited with creating the cultural values of a whole region without once being called to account, what other ideologies is contemporary art producing and on whose orders?Aaron Moulton speaks to Pierre d’Alancaisez about the legacy of the Soros Centers of Contemporary Art Network, gonzo anthropology and conspiratorial theorising as methods for writing art history from neglected vantage points, and the antisemitic, bogeyman tropes which appear along the way.Aaron Multon trained at the RCA, London and was the editor of Flash Art International and a curator at Gagosian Gallery. He founded the Berlin exhibition space Feinkost. The Influencing Machine exhibition at CCA Ujazdowski CastlePierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

In the chaos of the end of WWI, the Russian Civil War, and a brief period of Ukrainian independence there occurred a series of massacres of German Mennonites. Sean Patterson's recent book Makhno and Memory: Anarchist and Mennonite Narratives of Ukraine's Civil War, 1917-1921 (University of Manitoba Press, 2020) analyzes the varying historical memories of these massacres. Patterson's book raises numerous and timely issues of national memory and identity, and contains much poignant reflection on the problems faced by an historically pacifist community facing down violent circumstances. What it means to be a member of a national community is an interesting and important question in any circumstances, but the construction of Ukrainian national identity is a subject of more-than-casual interest, in 2022. Makhno and Memory discusses a complicated and important series of event in accessible fashion, and usefully circumscribes what can and cannot be known about Nestor Makhno's specific role in those events.Aaron Weinacht is Professor of History at the University of Montana Western, in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

Among the Jewish writers who emigrated from Eastern Europe to France in the 1910s and 1920s, a number chose to switch from writing in their languages of origin to writing primarily in French, a language that represented both a literary center and the promises of French universalism. But under the Nazi occupation of France from 1940 to 1944, these Jewish émigré writers—among them Irène Némirovsky, Benjamin Fondane, Romain Gary, Jean Malaquais, and Elsa Triolet—continued to write in their adopted language, even as the Vichy regime and Nazi occupiers denied their French identity through xenophobic and antisemitic laws. In Writing Occupation: Jewish Émigré Voices in Wartime France (Stanford UP, 2020), Julia Elsky argues that these writers reexamined both their Jewishness and their place as authors in France through the language in which they wrote.The group of authors Elsky considers depicted key moments in the war from their perspective as Jewish émigrés, including the June 1940 civilian flight from Paris, life in the occupied and southern zones, the roundups and internment camps, and the Resistance in France and in London. Writing in French, they expressed multiple cultural, religious, and linguistic identities, challenging the boundaries between center and periphery, between French and foreign, even when their sense of belonging was being violently denied.Julia Elsky is Assistant Professor of French at Loyola University Chicago. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

In the fall of 1942, only the city of Stalingrad stood between Soviet survival and defeat as Hitler’s army ran rampant. With the fate of the USSR hanging in the balance, Soviet propaganda chiefs sent their finest writers into the heat of battle. After six months of terrifying work, these men succeeded in creating an enduring epic of Stalingrad. Their harrowing tales of valour and heroism offered hope for millions of readers. “Stalingrad lives!” went the rallying cry: the city had to live if the nation was to stave off defeat. In Stalingrad Lives!: Stories of Combat and Survival (McGill-Queen's Press, 2022) Ian Garner brings together a selection of short stories written at and after the battle. They reveal, for the first time in English, the real Russian narrative of Stalingrad - an epic story of death, martyrdom, resurrection, and utopian beginnings. Following the authors into the hellish world of Stalingrad, Garner traces how tragedy was written as triumph. He uncovers how, dealing with loss and destruction on an unimaginable scale, Soviet readers and writers embraced the story of martyred Stalingrad, embedding it into the Russian psyche for decades to come. Featuring lost work by Vasily Grossman alongside texts by luminaries such as Konstantin Simonov, Viktor Nekrasov, and Ilya Ehrenburg, Stalingrad Lives offers a literary perspective on the Soviet Union at war.Ian Garner is a cultural historian and translator in Kingston, Ontario. He completed his PhD at the University of Toronto in 2017 after studying at the University of Bristol and the St. Petersburg State Conservatory. Follow Ian on Twitter.Yelizaveta Raykhlina is a historian of Russia and Eurasia and holds a PhD from Georgetown University. She is a faculty member at New York University. To learn more, visit her website or follow her on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

The early 1930s constituted an ambiguous moment for the roughly three million Jews that resided in the Polish Republic. On the one hand, as recent scholars have emphasized, Polish Jews found numerous opportunities to partake in flourishing cultural and political projects that spanned the ideological spectrum from Zionism to Yiddishism to Polish integrationism to various brands of socialism. In addition, Josef Pilsudski’s government – while by no means an ally to Polish Jewry – was the lesser of two evils compared to the explicitly anti-Semitic Endecja regime that ruled the country by the end of the decade. At the same time, however, trouble lurked around every corner. Polish Jews found their earning opportunities deeply limited, due to both economic depression and a widespread social prejudice that blocked them from getting jobs. Even more concerning, the rise of fascist politics – in Poland and abroad – made clear the fledgling state’s weaknesses, and cast a shadow of doubt over any sense that acceptance would prevail over national hatred. Polish Jews now grappled with the possibility that Jewish life in Eastern Europe might not be feasible going forward. What was to be done amidst these precarious circumstances? How was one to plan for the future, both as an individual and as a member of a minority community? How was one to handle the anxiety of unclear and multifarious dangers?In his new volume An Unchosen People: Jewish Political Reckoning in Interwar Poland (Harvard UP, 2021), Kenneth Moss has resurrected the mentalité of those that struggled daily with these questions, illustrating what it meant for Polish Jews to grope for meaning in the face of constant uncertainty and real dread. To accomplish this task, Moss has assembled and examined an astounding breadth of documents produced by people from throughout Polish Jewish society. Readers will find analyses of Polish Jewish intellectual luminaries like Max Weinreich, Jacob Lestschinsky and Chaim Grade, each of whom allowed recent events to influence and mutate their understandings of Jewish life and community. Moss also shines a light on more common Jews that no less vociferously sought to forge practical and pragmatic solutions to their increasingly dire situations. The result is a monograph dedicated to the daily experience of minority life in the modern world; a world permeated by a sense of unease at what tomorrow might bring. James Benjamin Nadelis a Ph.D. student in the Department of History at Columbia University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

How has digitalisation changed Russian politics? How has Russia’s invasion of Ukraine changed Russia studies? What is special about Russia’s approach to algorithmic governance and internet control? Assistant Professor in Cyber-Security and Politics from Maastricht University, Mariëlle Wijermars, talks about her ongoing research on Russian politics, internet policy and platform governance.In a conversation with Joanne Kuai, Mariëlle Wijermars also talks about The Palgrave Handbook of Digital Russia Studies. This open-access handbook was published by Palgrave Macmillan in 2020 and was edited by Mariëlle together with Daria Gritsenko and Mikhail Kopotev.This handbook presents a multidisciplinary and multifaceted perspective on how the ‘digital’ is simultaneously changing Russia and the research methods scholars use to study Russia. It provides a critical update on how Russian society, politics, economy, and culture are reconfigured in the context of ubiquitous connectivity and accounts for the political and societal responses to digitalization.Dr. Mariëlle Wijermars is an Assistant Professor in Cyber-Security and Politics at Maastricht University in the Netherlands. She is currently a CORE Fellow at the Helsinki Collegium for Advanced Studies, where she researches internet freedom and the human rights’ implications of internet policy and platform governance, in particular in authoritarian states.You can connect with Mariëlle Wijermars on Twitter @Marielle_W_ and on Mastodon @Marielle_W@mastodon.social.Joanne Kuai is a PhD Candidate at Karlstad University, Sweden, with a research project on Artificial Intelligence in Chinese Newsrooms. Her research interests centre around data and AI for media, computational journalism, and the social implications of automation and algorithms. Find her on LinkedIn or on Twitter @JoanneKuai. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

From governesses with supernatural powers to motor-car obsessed amphibians, the iconic images of English children's literature helped shape the view of the nation around the world. But, as Translating England into Russian: The Politics of Children's Literature in the Soviet Union and Modern Russia (Bloomsbury, 2021) reveals, Russian translators did not always present the same picture of Englishness that had been painted by authors.In this book, Elena Goodwin explores Russian translations of classic English children's literature, considering how representations of Englishness depended on state ideology and reflected the shifting nature of Russia's political and cultural climate. As Soviet censorship policy imposed restrictions on what and how to translate, this book examines how translation dealt with and built bridges between cultures in a restricted environment in order to represent images of England. Through analyzing the Soviet and post-Soviet translations of Rudyard Kipling, Kenneth Grahame, J. M. Barrie, A. A. Milne and P. L. Travers, this book connects the concepts of society, ideology and translation to trace the role of translation through a time of transformation in Russian society. Making use of previously unpublished archival material, Goodwin provides the first analysis of the role of translated English children's literature in modern Russian history and offers fresh insight into Anglo-Russian relations from the Russian Revolution to the present day. This ground-breaking book is therefore a vital resource for scholars of Russian history and literary translation.Polina Popova is a Ph.D. student at the history department of the University of Illinois at Chicago. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

Critics of globalisation come in many forms from environmentalists to trade unionists and many others in between. In the midst of all the controversy less attention has been paid to how big a phenomenon globalisation actually is and how it compares to another trend – regionalism. In this podcast Owen Bennett Jones discusses The Globalisation Myth: Why Regions Matter (Yale University Press, 2022) with its author, Shannon K. O Neil. Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

In 1912, Italy occupied Rhodes, an Ottoman town inhabited by Greek Orthodox, Muslims, Jews, and Catholics. Rhodes became a territory of Italy's empire in 1923 following the Treaty of Lausanne, only one year after Mussolini seized power in Rome. The Ottoman demise corresponded to the expansion of fascist imperialism in the Mediterranean. Both the Ottoman Young Turks and Italian colonial governors invoked the role of a "new generation" of youth in imperial rule.Generations of Empire: Youth from Ottoman to Italian Rule in the Mediterranean (U Toronto Press, 2022) investigates the relationship between state and society in light of successive transformations of imperial rule, rethinking Italian colonialism as post-Ottoman history. Andreas Guidi explores how communal life in the town of Rhodes was affected by the transition between these regimes, from an autocratic to a constitutional empire in late Ottoman years to Italian military occupation to fascist annexation. Based on archival sources in five languages from seven different countries, the book investigates generational dynamics in the domains of political activism, the family, education, work and leisure, and mobility. Generations of Empire offers a vivid picture of how a local society navigated large-scale social and political transformations in the modern Mediterranean.Roberto Mazza is currently an independent scholar. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at robbymazza@gmail.com. Twitter and IG: @robbyref. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

Since the turn of the millennium, there has been an unusually large number of court cases against artists and curators in Russia. Focusing on prominent cases against the organizers of the exhibitions Caution, Religion! (2003) and Forbidden Art 2006 (2007), Frimmel examines the ways in which the meaning of art and its socio-political effects are argued in court. By placing these cases in a historical context, and comparing them with a number of international case studies, Art Judgements: Art on Trial in Russia After Perestroika (Vernon Press, 2021) reveals how these proceedings have intensified juridical power over artistic freedom (of speech) in Russia over the past two decades.Sandra Frimmel is Research Coordinator of the Centre of Arts and Cultural Theory (ZKK) and an affiliate of the Department for Slavic Studies at the University of Zürich. Her research interests include Russian art from 19th century through to today, as well as the concepts of art, law, justice, power, and society.Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies