New Books in Eastern European Studies

Adventurous and passionate” (The New Yorker) Ukrainian-born pianist Inna Faliks has established herself as one of the most communicative, and poetic artists of her generation. She has made a name for herself through commanding performances of standard piano repertoire, as well genre-bending, interdisciplinary projects, and inquisitive work with contemporary composers. This season, she gave the world premiere of Clarice Assad’s “Lilith” concerto, composed for her. Ljova’s “Voices” for piano and historical recording was composed for her and commissioned by the Milken Center of American Jewish Music in 2020.Faliks created a one-woman show “Polonaise-Fantasie, Story of a Pianist”, an autobiographical monologue for pianist and actress, premiered in New York’s Symphony Space and performed worldwide. A committed chamber musician, she has had notable collaborations with Rachel Barton Pine, Gilbert Kalish, Ron Leonard, Fred Sherry, Ilya Kaler, Colin Carr, Wendy Warner, Clive Greensmith, and Antonio Lysy, among many others.Inna Faliks has been featured on radio and television throughout the world. She co-starred with Downton Abbey’s Lesley Nicol in “Admission – One Shilling,” a play for pianist and actor based on the life of the great British pianist, Dame Myra Hess.Her CD releases, Reimagine: Beethoven and Ravel on Navona Records and The Schumann Project Volume 1, on MSR Classics, received rave reviews, and were named to several “best of 2021” lists. With her all-Beethoven CD release on MSR, WTTW called Faliks “High priestess of the piano, concert pianist of the highest order, as dramatic and subtle as a great stage actor.” Sound of Verse, was released in 2009, featuring music of Boris Pasternak, Rachmaninoff and Ravel. “Polonaise-Fantasie, Story of a Pianist” on Delos captures her autobiographical monologue-recital with short piano works from Bach to Carter.Faliks is founder and curator of Music/Words, an award-winning poetry-music series: performances in collaboration with distinguished poets. Her long-standing relationship with Chicago’s WFMT radio has led to multiple broadcasts of Music/Words, which she produced alongside some of the nation’s most recognized poets in performances throughout the United States.A past winner of many prestigious competitions, Inna Faliks is currently Professor of Piano and Head of Piano at UCLA. In Weight in the Fingertips: A Musical Odyssey from Soviet Ukraine to the World Stage (Backbeat Books, 2023) Faliks provides a globe-trotting account of her upbringing as a child prodigy in the Soviet Union, the perils of immigration, and the struggle to assimilate as an American. She chronicles years of training with teachers and her steady rise in the world of classical music. With a warm and playful style, Faliks helps non-musicians understand the experience of becoming a world-renowned concert pianist. The places she grew up, the books she read, and the poems she memorized as a child all connect to her sound at the piano. The way she hears and shapes a musical phrase illuminates both classical music and elite performance. She explores how a person’s humanity makes their art honest and voice unique, and how the lifelong challenge of retaining that voice is fueled by balancing the demands of musicianship and being human. Throughout, Faliks provides powerful insights into the role of music in a world of conflict, change, and hope for a better tomorrow. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

The Theological Metaphors of Marx (Duke UP, 2024) by Enrique Dussel – A Conversation with Camilo Pérez-Bustillo and Eduardo Mendieta In The Theological Metaphors of Marx, Enrique Dussel provides a groundbreaking combination of Marxology, theology, and ethical theory. Dussel shows that Marx unveils the theology of capitalism in his critique of commodity fetishization. Capitalism constitutes an idolatry of the commodity that undergirds the capitalist expropriation of labor. Dussel examines Marx’s early writings on religion and fetishism and proceeds through what Dussel refers to as the four major drafts of Capital, ultimately situating Marx’s philosophical, economic, ethical, and historical insights in relation to the theological problems of his time. Dussel notes a shift in Marx’s underlying theological schema from a political critique of the state to an economic critique of the commodity fetish as the Devil, or anti-God, of modernity. Marx’s thought, impact, and influence cannot be fully understood without Dussel’s historic reinterpretation of the theological origins and implications of Marx’s critiques of political economy and politics. Enrique Dussel (1934–2023) was Emeritus Professor, Universidad Autonoma Metropolitana-Iztapalapa, and the author of many books, including Twenty Theses on Politics and Ethics of Liberation: In the Age of Globalization and Exclusion, both also published by Duke University Press.Camilo Pérez-Bustillo is coauthor of Human Rights, Hegemony, and Utopia in Latin America.Eduardo Mendieta is Professor of Philosophy and Latina/o Studies at Pennsylvania State University. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel here Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

The period from September 1939 to early 1942 was crucial for Soviet foreign policy and coincided with the early stages of the Second World War, including the Great Patriotic War. In Stalin's Great Game, Michael Jabara Carley unpacks the complexities of Soviet diplomacy during this time, addressing key issues such as the Soviet-Finnish Winter War, Soviet views on the fall of France and the Battle of Britain, efforts to remain neutral in Europe, Soviet relations with both Britain and Nazi Germany, and the formation of the Grand Alliance against the Axis powers. Drawing on extensive research from multilingual archives in France, Britain, the United States, and the USSR, Carley offers a comprehensive narrative that explores Soviet intelligence activities, especially of the "Cambridge Five" spy ring and Nazi Germany's preparations for Operation Barbarossa, the invasion of the Soviet Union. The book also re-evaluates historiographical debates on Stalin's interpretation of Soviet intelligence and Hitler's intentions towards the USSR. The third volume in Carley's trilogy on the origins and early conduct of the Second World War, Stalin's Great Game provides a fresh re-examination of key events and interpretations by both Western and Soviet historians, introducing new ideas and perspectives on this critical period. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

Jiří Anger is a scholar, archivist, and videographic critic devoted, as he says in this interview, to "making weird shapes shine." In this episode of New Books in Film, Anger sits down with Alix Beeston to discuss his award-winning book Towards a Film Theory from Below: Archival Film and the Aesthetics of the Crack-Up.  Anger's book is an experiment in theorizing film "from below," from the perspective of moving-image objects themselves. Its revelatory readings of single frames from the digitized first Czech films by Jan Kríženecký challenge what we think we know about film materials, histories, and spectatorship. These early film objects are defined and deformed by scratches, stains, tears, and shakes that Anger takes seriously as part of an "accidental aesthetics" which reveals the creative potential of material traces and processes — beyond their shaping through human intention. How does doing film theory from below complicate our understandings of creativity and agency? What forms of scholarly or artistic interventions into film materials does it prompt? What are the ethics of "touching" or manipulating archival objects for the sake of restoration, dissemination, or interpretation? Reflecting on both his written scholarship and videographic practice, Jiří offers thoughtful answers to these and other vexing questions for all who seek to reimagine film history and theory through the archive's preponderance of idiosyncratic forms, disruptive materials, and weird shapes. Towards a Film Theory from Below is out now with Bloomsbury Academic. Anger builds on the work of the book in A Tale of Two Desktops: The First Czech Films in Parallel Worlds, a new videographic essay coproduced with Veronika Hanáková and Jiří Žák. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

Remembering Suffering and Resistance investigates the role of the Serbian Orthodox Church in shaping memory politics in Serbia following the fall of Slobodan Milošević. It argues that in periods of societal instability, religious institutions mobilise their memory potential to reaffirm their public relevance. The study analyses the Church’s mnemonic strategies—both liturgical and non-liturgical—within post-socialist, post-conflict, and post-secular contexts. By engaging in diverse commemorative practices, Hofmeister argues, the Church effectively reasserted its authority and legitimacy in Serbia’s public sphere after 2000. Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

Every Russian knows him purely by his patronym. He was the general who triumphed over Napoleon's Grande Armée during the Patriotic War of 1812, not merely restoring national pride but securing national identity. Many Russians consider Field Marshal Mikhail Illarionovich Golenischev-Kutuzov the greatest figure of the 19th century, ahead of Pushkin, Tchaikovsky, even Tolstoy himself. Immediately after his death in 1813, Kutuzov's remains were hurried into the pantheon of heroes. Statues of him rose up across the Russian empire and later the Soviet Union. Over the course of decades and centuries he hardened into legend.As award-winning author Alexander Mikaberidze shows in Kutuzov: A Life in War and Peace (Oxford UP, 2022), Kutuzov's story is far more compelling and complex than the myths that have encased him. An unabashed imperialist who rose in the ranks through his victories over the Turks and the Poles, Kutuzov was also a realist and a skeptic about military power. When the Russians and their allies were routed by the French at Austerlitz he was openly appalled by the incompetence of leadership and the sheer waste of life. Over his long career--marked equally by victory and defeat, embrace and ostracism--he grew to despise those whose concept of war had devolved to mindless attack.Here, at last, is Kutuzov as he really was--a master and survivor of intrigue, moving in and out of royal favor, committed to the welfare of those under his command, and an innovative strategist. When, reluctantly and at the 11th hour, Czar Alexander I called upon him to lead the fight against Napoleon's invading army, Kutuzov accomplished what needed to be done not by a heroic charge but by a strategic retreat. Across the generations, portraits of Kutuzov have ranged from hagiography to dismissal, with Tolstoy's portrait of him in War and Peace perhaps the most indelible of all. This immersive biography returns a touchstone figure in Russian history to human scale. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

On June 22, 1941, Nazi Germany launched Operation Barbarossa, the surprise invasion of the Soviet Union that opened the Eastern Front in World War II. With lightning speed and devastating success, the German army tore through Soviet territory and rolled over the Red Army, scoring some of the most dramatic victories in military history--until the blitzkrieg bogged down during the approach on Moscow. At the spearhead of the attack was General Heinz Guderian, one of the most celebrated and controversial commanders of the war, who commanded a tank group in the center of the German front that stretched from the Baltic to the Black Sea. Guderian's Panzers reconstructs Barbarossa from the perspective of Generaloberst Guderian and his 2nd Panzer Group. With the German war machine at the height of its martial prowess in June 1941, Guderian's group of 250,000 men and 900 tanks rapidly broke through the Soviet frontier defenses and thrust some 600 kilometers into Soviet Russia in a matter of weeks--in doing so playing an integral part in the successful encirclement (cauldron) battles of Belostok-Minsk (June/July 1941) and Smolensk (July/August 1941); each of these battles resulting in the loss of several Soviet armies and hundreds of thousands of prisoners. Despite having sustained alarming losses of personal and equipment in these opening battles, Guderian pushed his men, and himself, to even greater achievements, culminating in the triumphant cauldron Battle of Kiev in the Ukraine (September 1941) that obliterated Soviet Southwestern Front and resulted in the capture of over 600,000 Red Army POWs. It was, perhaps, Germany's greatest victory in WWII, and Guderian had made it happen. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

How and when did Russia become a country of smokers? Why did makhorka and papirosy become ubiquitous products of tobacco consumption? Tricia Starks explores these themes as well as the connections between tobacco, gender, and empire in her latest monograph, Smoking Under the Tsars: A History of Tobacco in Imperial Russia (Cornell University Press, 2018). Starks illustrates how tobacco influenced facets of life, politics, morality, and culture in the 19th century from the perspectives of tobacco users, producers, and objectors. The book includes full-color ads for tobacco and papirosy cigarettes that add to the book’s rich prose. From Tolstoy’s anti-tobacco screed to the “Tobacco Queens” of St. Petersburg, Starks uses primary sources to craft an edifying narrative of the history of tobacco and tobacco consumption in the imperial period.Tricia Starks is Professor of History at the University of Arkansas. Her research interests include Russian and Soviet history, public health and the history of medicine, as well as culture and gender.Kimberly St. Julian-Varnon is a History Instructor at Lee College. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

Violence and Propaganda in European Civil Wars explores the complex interplay between violence and propaganda during the continent's major civil conflicts in the first half of the 20th century. The book, edited by Yiannis Kokosalakis and Francisco J. Leira Castiñeira, uses a multidisciplinary approach to analyze how propaganda both reflected and fueled violence in conflicts like those in Russia, Finland, Ireland, Spain, Italy, and Greece. In essence, the book argues that violence during European civil wars was not solely a result of ideological clashes but was also deeply intertwined with and shaped by propaganda, which manipulated perceptions and fueled brutality. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

Richard W. Harrison's The Soviet Army's High Commands in War and Peace, 1941-1992 (Casemate Academic, 2022) is the first full treatment of the unique phenomenon of High Commands in the Soviet Army during World War II and the Cold War. The war on the Eastern Front during 1941–45 was an immense struggle, running from the Barents Sea to the Caucasus Mountains. The vast distances involved forced the Soviet political-military leadership to resort to new organizational expedients in order to control operations along the extended front. These were the high commands of the directions, which were responsible for two or more fronts (army groups) and, along maritime axes, one or more fleets. In all, five high commands were created along the northwestern, western, southwestern, and North Caucasus strategic directions during 1941–42. However, the highly unfavorable strategic situation during the first year of the war, as well as interference in day-to-day operations by Stalin, severely limited the high commands' effectiveness. As a consequence, the high commands were abolished in mid-1942 and replaced by the more flexible system of supreme command representatives at the front. A High Command of Soviet Forces in the Far East was established in 1945 and oversaw the Red Army's highly effective campaign against Japanese forces in Manchuria. The Far Eastern High Command was briefly resurrected in 1947 as a response to the tense situation along the Korean peninsula and the ongoing civil war in China, but was abolished in 1953, soon after Stalin's death. Growing tensions with China brought about the recreation of the Far Eastern High Command in 1979, followed a few years later by the appearance of new high commands in Europe and South Asia. However, these new high commands did not long survive the collapse of the Soviet Union in 1991 and were abolished a year later. The book relies almost exclusively on Soviet and post-communist archival and other sources and is the first unclassified treatment of this subject in any country, East or West.Richard W. Harrison earned his Undergraduate and Master’s degrees from Georgetown University, where he specialized in Russian Area Studies. He later earned his doctorate in War Studies from King’s College London. He also was an exchange student in the former Soviet Union and spent several years living and working in post-communist Russia. He has taught Russian History and Military History at the US Military Academy at West Point. Dr. Harrison lives with his family near Carlisle, Pennsylvania.Stephen Satkiewicz is an independent scholar with research areas spanning Civilizational Sciences, Social Complexity, Big History, Historical Sociology, Military History, War Studies, International Relations, Geopolitics, and Russian and East European history. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies