New Books in Eastern European Studies

As Bruce R. Berglund, points out in his terrific book Castle and Cathedral in Modern Prague: Longing for the Sacred in a Skeptical Age (CEU Press, 2017), the Czech Republic is an odd place, religion-wise. It’s among the most secular in the world, yet Czechs have a long tradition of believing in “Something.” They even have a thing called “Somethingism.” Just what that Something is and what that Something means for Czechs to do, of course, is and long has been the subject of debate. Bruce takes us into the heart of that debate in the interwar period, a time of great intellectual ferment and creativity in what was then Czechoslovakia. It turns out Czech intellectuals (Masaryk being the foremost of them) wanted the Czechs the be guided by Something in all their affairs. Bruce does a great job of telling us why and how. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

Not very many intellectuals really change their minds about anything. They have a big idea, often become well known because of it. Then their big idea becomes an integral part of their identity and they just never let it go. Evidence that doesn’t “fit” is either ignored or contorted in such a way as to make it “fit.” Too bad, that. But, as you’ll read in Adi Gordon‘s terrific book Toward Nationalism’s End: An Intellectual Biography of Hans Kohn (Brandeis University Press, 2017), not Hans Kohn. He had a several big ideas, most notably one about nationalism. But he never stopped evolving it to, well, reality. Kohn lived in several different worlds—a Habsburg one, a Zionist one, an American one—and in each of them he witnessed how nationalism played out in different ways. Kohn adapted as he moved from one world to another, and so did his thought. Very good, that. Listen in to our fascinating conversation. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

It seemed that everyone wanted Bosnia in the late nineteenth century: Serbian and Croatian nationalists; Ottoman, Habsburg, Muslim and Yugoslav movements. At the same time, they all felt frustration with the Bosnian peasants for not living up to their nationalist and political imaginations. In Whose Bosnia? National and Political Imagination in the Balkans (Cornell University Press, 2015),Edin Hajdarpasic makes a number of arguments about how we understand nationalism and political movements in contested spaces. By exploring how these different movements defined Bosnia and Bosnians, crafted narratives of suffering and engaged youth, he argues that nationalism was a productive, open-ended force even in the face of seeming failures to achieve the nationalists’ goals. Hajdarpasic discusses these themes, as well as “nation-compulsion” which he defined as “a set of political and moral imperatives that one grapples with as part of becoming and maintaining oneself as a proper patriot.” Edin Hajdarpasic is Associate Professor of History at Loyola University Chicago, where he teaches courses in Western Civilization; the modern Balkans; nineteenth-century Europe; and the Habsburg and Ottoman Empires. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

Pieter Judson established himself as one of the top scholars of the East Central Europe with his first two books Exclusive Revolutionaries (University of Michigan Press, 1996) and Guardians of the Nation (Harvard University Press, 2006). His latest book, The Habsburg Empire: A New History (Harvard University Press, 2016) provides scholars with the first major general history of the Empire since a new wave of scholarship began chipping away at the myths built up in various national historiographies. Not only does his book offer a reappraisal of Habsburg history that incorporate concepts like national indifference, but more than previous histories it gets out of the purely political realm to look at economic changes. In so doing beyond offering a new more nuanced understanding of how and why Austria-Hungary fell apart, he also suggests the the twenty years before 1848 were much more interesting than the conventional narrative has allowed. It was a pleasure to speak with Pieter again about this book. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

In Serbia under the Swastika: A World War II Occupation (University of Illinois Press, 2017), Alexander Prusin delineates the Nazi occupation of Yugoslavia during World War II. He starts from the medium-term background, reaching back to the unification of Yugoslavia, and covers both the chronological process and its wide thematic breadth, with issues ranging from collaborationism to resistance. The book is important, therefore, both for historians of Yugoslavia and Southeastern Europe and to historians of World War II and the Holocaust in general. Orel Beilinson is a historian of nineteenth- and twentieth-century Eastern Europe, particularly the Russian Empire, Soviet Union and Yugoslavia. His research interests include the encounter of communism, religion, and modernity; the social history of law and religion under communism; and the comparative history of communism. He can be reached at orelb@mail.tau.ac.il.   Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

Mykola Soroka’s Faces of Displacement: The Writings of Volodymyr Vynnychenko (McGill-Queens University Press, 2012) is a compelling investigation of the oeuvre of one of the Ukrainian writers whose dramatic literary career offers insights not only into the nature of writing but also into the contextual environments that happen to shape writers’ reputations. Born and educated in Ukraine, Vynnycheko had to leave his homeland shortly after the emergence of the Soviet Union: his political vision considerably differed from the developments introduced and supported by the Soviet leaders. Extensively traveling across Europe, Vynnychenko was trying to maintain a fragile connection with his homeland: this connection was primarily constructed and nourished by the writers imagination. In spite of persecution, Vynnychenko ventured a few intermittent returns to Soviet Ukraine; however, he never had a chance to settle down in his home country again. France became one of the places where he attempted to develop a new sense of home and belonging; but this attempt was always imbued with the writers longing and nostalgia for Ukraine. Detailing the trajectory of Vynnychenko’s traveling/wandering, Mykola Soroka introduces the concepts of homeland and hostland, contributing to the discussion of exile literature. Negotiating the notions of exile, expatriate, nomad, diaspora, Soroka’s research offers a notion that includes different shadows of writers and the works they produce outside their homelands–displacement. Vynnychenko’s life and literary career exemplifies displacement that, in fact, can hardly be described as stable and concrete. Although inherently including some negative connotations (displacement hints at leaving a comfort zone), displacement is also nourished by change, movement, and transformation. As Soroka’s research demonstrates, Vynnycheko’s style changes and develops as he travels and as he attempts to adjust to new environments. Faces of Displacement is structured around two major stages of Vynnycheko’s balancing between his homeland and hostland(s): 1907-1914 and 1920-1951. Soroka provides detailed accounts of the writer’s negotiations with his multiple selves that arise as the external environments change. Astute artistic and psychological observations are accompanied by historical and political considerations that contribute to the proliferation of the research discussion. Reconstructing an intricate system of overlapping layers, Faces of Displacement offers new perspectives for the exploration of Vynnychenko’s works and for the investigation of literature that emerges on the edges of consciousness when homelands and hostlands intersect. In addition to an insightful analysis of works that establish Vynnychenko’s literary reputation (The Black Panther and the Polar Bear (1911), The Solar Machine (1928), The Leprosarium (1938), to name but a few), Faces of Displacement also considers the writer’s political activity and love of painting as one of significant factors. This consideration allows to present Vynnychenko’s works in the context of interdisciplinary investigations: Vynnychenko’s political aspirations appear to have been informed by his ethic and aesthetic principles; conversely, political and ideological nuances are part of the writer’s literary vision. In Ukraine, Vynnychenko’s works were banned for a few decades. His final novel, Take the Floor, Stalin! Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

People study atrocities and mass violence for a variety of reasons. When asked, many offer thoughtful intellectual or political explanations for their choice. But in truth, the field is a practical response to a cry of the heart. How, people ask, how can people do this to one another? How can men and women do such terrible things? How can they do them to people they know? Max Bergholz asks these questions systematically in his terrific new book Violence as a Generative Force: Identity, Nationalism and Memory in a Balkan Community (Cornell University Press, 2016). The book is a careful, detailed description of the violence that exploded in a rural community in Croatia in 1941. Bergholz researched the book for a decade, poring through records from local archives and libraries all across the region. This allows Bergholz, Associate Professor of History at Concordia University in Montreal, to answer questions about the history of ethnicity in the region, about the intersection of local agency and national leadership, and about the political impact of the memory of this violence. But all of this is subsidiary to the burning question at the heart of the book: why did people who had known each other for years suddenly fall upon each other with such violence? The book thus enters into a discussion with Scott Straus, Christopher Browning, James Waller and others. But Bergholz brings a distinctively historical perspective to the discussion. He doesn’t dismiss psychological analysis. Rather, he reminds us that context and situation matters enormously. The book is an enormously important contribution to the study of mass violence. Anyone interested in why neighbors kill neighbors will have to wrestle with his conclusions. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

The new German Democratic Republic, known as East Germany, faced many challenges when it was founded in 1949. Not least of which was convincing its citizens that they should be loyal to the new state and mobilizing the population towards its ideological goals. In The People’s Own Landscape: Nature, Tourism and Dictatorship in East Germany (University of Michigan Press, 2014), Scott Moranda explores how the Socialist Unity Party (SED) attempted to use tourism and landscape planning to reshape East Germans’ definition of their homeland. He also demonstrates the messy boundaries between state and society, in which East Germans refused to change patterns of pre-World War II nature activities such as hiking and camping; conservationists and the regime found common ground on concepts of landscape management; and environmentalism resulted in a fundamental break between society and the state. The People’s Landscape contributes to our understanding of East Germany’s environmental history as well as to our understanding of the nuances of the relationship between state and society under dictatorships. Scott Moranda is Associate Director of History at SUNY Cortland. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

In The Space of Boredom: Homelessness in the Slowing Global Order (Duke University Press, 2017) Bruce O’Neill explores how people cast aside by globalism deal with an intractable symptom of downward mobility: an unshakeable and immense boredom. Focusing on Bucharest, Romania, where the 2008 financial crisis compounded the failures of the postsocialist state to deliver on the promises of liberalism, O’Neill shows how the city’s homeless are unable to fully participate in a society that is increasingly organized around practices of consumption. Without a job to work, a home to make, or money to spend, the homeless—who include pensioners abandoned by their families and the state—struggle daily with the slow deterioration of their lives. O’Neill moves between homeless shelters and squatter camps, black labor markets and transit stations, detailing the lives of men and women who manage boredom by seeking stimulation, from conversation and coffee to sex in public restrooms or going to the mall or IKEA. Showing how boredom correlates with the downward mobility of Bucharest’s homeless, O’Neill theorizes boredom as an enduring affect of globalization in order to provide a foundation from which to rethink the politics of alienation and displacement. Nivedita Kar is a student at the University of Southern California, having graduated from UCLA with a double major in Anthropology and Statistics and a masters degree for Northwestern University in biostatistics and epidemiology. She is immersed in the realm of academia and medicine, she hopes to be one of the rare few who aim to bridge the gap between clinical literacy and statistical methods. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

In 2004, during the Orange Revolution in Ukraine, Adriana Helbig saw African musicians rapping in Ukrainian and wearing embroidered Ukrainian ethnic costumes. Her curiosity about how these musicians came to be performing during the protests led to her study of immigration, integration and identity in Hip Hop Ukraine: Music, Race, and African Migration (Indiana University Press, 2014). Through interviews with hip hop musicians and African immigrants in Ukraine, Helbig explores multi-valent racial imaginaries connected with U.S. hip hop and black identity construction through music. She also traces how Africans and Ukrainians both construct these identities by conducting research in Uganda, the home country of a number of African Ukrainian musicians. Multimedia resources for Hip Hop Ukraine are available through Indiana University Press Ethnomusicology Multimedia. Adriana Helbig is Associate Professor of Music at the University of Pittsburgh. She directs the Carpathian Music Ensemble and is affiliated faculty in Global Studies and the Center for Russian and East European Studies. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies