#AmWriting

KJ here. Sarina wanted to try Morning Pages, the most famous ritual from Julia Cameron’s The Artist’s Way—a book that, tbh, has never, ever floated my boat, just as my resistance to morning pages—in my mind, a variation on journaling, which I have also never liked—has been strong.But Sarina wanted to try it. So we did, she in a fairly systematic way and me in what I still have to concede was more than a little half-assed. And now, having recorded the podcast, and kinda-sorta-promised to try this again later, I write these show notes still unconvinced. I already do creative things. I don’t think I need to free up my creativity. Is there really anything WRONG with only wanting to do the thing if it makes a thing—something someone might read, in the case of writing, but in other arts as well? That’s how I am. I’ll knit a hat, but I’m not just gonna sit here and knit. I like to draw but I like to share what I drew. And there’s no better art than making beautiful, tasty cookies and cakes.I get it. Perhaps that’s a very Puritan approach to creativity, but I don’t feel like I only have “permission” to do it if it’s useful. I feel like it’s only fun if it ends in something. I go back and forth on whether that’s a good thing.Well, these are unusual shownotes. Do you like Morning Pages? Do you do them? Every day, some days, always at the same time… how? What do you think comes from it? We’d love to hear your answers in the #AmWriting Facebook Group.Links from the PodThe Artist’s Way, Julia CameronVideo: Julia Cameron discusses morning pagesThe prewriting concept comes from the excellent book From 2K to 10K by Rachel AaronBecca Symes, The QuitcastAtomic Habits, James Clear#AmReadingSarina: Loud is How I Love You, Mercy BrownKJ: Apples Never Fall, Liane MoriartyKJ also mentioned The Nineties by Chuck Klosterman and Major Labels, A History of Popular Music in Seven Genres by Kelefa SannehAre you serious about writing a nonfiction book this year? Author Accelerator is offering a nonfiction book incubator starting February 28th. There are only a few seats in this intensive program because you will get 1:1 coaching on every single step of the process AND you will have the chance to pitch your proposal to a pool of agents and publishers at the end -- a fabulous opportunity. Apply for the program HERE -- and get a strategic session with Jennie Nash to kickstart your work. We think Jennie and her book coaches are terrific -- tell her we sent you! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

Hey writers—KJ here, and we have a treat for you this week. A bonus episode, filled with all the writer-y advice and details and aspirational riffs that you’ve come to expect from us, but this time in the form of—an entirely different podcast. We’re dropping an episode of Book Dreams into your #AmWriting feed so that you can discover something new. I think you’re going to love it. Hosts Julie and Eve are excellent interviewers—and they fill their interviews with excerpts from the author’s work and their own ideas about why it shines and how it helps the rest of us to understand our writing and ourselves. This episode, with Kathryn Schulz, author of the memoir Lost and Found, is an excellent example. If you love it—and I think you will—I hope you’ll look for it in your podcast player and subscribe, or check it out here: BookDreamsPodcast.com. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

300 is a lot of episodes, and we have recorded them. Things we’ve learned—the most famous guests aren’t necessarily the one that have the most to teach us—UNLESS you ask the right questions.WOTY Recap: Jess: Evaluate KJ: Play Sarina: WIPLinks from the PodEveryday Calendar, by Simone Giertz (there is no link on MOMA, sorry!)It was actually an opera singer who got stuck in the closet. Here’s a This American Life Opera about it. It’s a TOTALLY WORTH IT rabbit hole down which I am sending you.“Hustle” episode: How to Get Work as a FreelancerBomb Shelter by Mary Laura PhilpottRachael Herron’s Annual Money Episode The free NFT book dude#whatpublishingpaidmeReading with Babies Toddlers and TwosARTIFACT, 30 Seconds to Mars Tanya Eby#AmReadingJess: Sarina’s latest, The Best MenThe Latinist by Mark Prins—read the print versionSuperhot Wing Man on YouTubeSarina: The Other Man by Farhad J. DadyburjorKJ: All the Feels by Olivia DadeJess recommends: The Stand-In by Lily Chu This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

How, HOW has it taken us this long to bring you the amazing Sue Shapiro? Sue teaches what is unquestionably THE class on publishing personal essays—her motto is “Instant Gratification takes too long” and her students’ success record is astounding. She’s the author , co-author or editor of 16 books in genres ranging from memoir to middle-grade and including self-help and fiction. She’s a poet, an essayist and a teacher of such generosity and enthusiasm that I could probably just stop talking right now and let her go and you’d still end this podcast going man, I learned so much! Her latest book is The Book Bible: Sell Your Manuscript—No Matter What Genre—Without Going Broke or Insane, and there is no one more qualified to write it. The Book Bible should be taught in the first session of every writing program or MFA. It’s a how-to on getting published, but also a primer on the industry as a whole—an industry every writer should understand, ideally early in their career. We talk about learning hard lessons, the dream of “becoming a writer” as opposed to “becoming a poet/novelist/literary figure” and how many, many different ways there are to make this particular sausage. Links from the pod:The Byline Bible: Get Published in Five WeeksAmy Klein, The Trying GameSamantha Wextein, agentJess’s 3 part blog post: When Opportunity Knocks (part 1, part 2, part 3)Five Men Who Broke My Heart, Susan ShapiroKJ’s book coaches: Jennie Nash and Susanne DunlapEmail Sue at: profsue123@gmail.comLOOK! Sue hosts an online event at The Strand: How to Publish in Any Genre 1/22 at 6 PM.#AmReadingSue: Black American Refugee, Tiffanie Drayton KJ: The Frederick Sisters Are Living the Dream, Jeannie ZusyJess: The Latinist, Mark PrinsFind Sue: susanshapiro.netIG: @ProfSue123Twitter: @SusanShapironetAre you serious about writing a nonfiction book this year? Author Accelerator is offering a nonfiction book incubator starting February 28th. There are only a few seats in this intensive program because you will get 1:1 coaching on every single step of the process AND you will have the chance to pitch your proposal to a pool of agents and publishers at the end -- a fabulous opportunity. Apply for the program HERE -- and get a strategic session with Jennie Nash to kickstart your work. We think Jennie and her book coaches are terrific -- tell her we sent you! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

“Just a little jaunt to Ireland to research my next book.” If that sounds like a dream to you, we asked Sarah Stewart Taylor—author of The Mountains Wild, A Distant Grave and the forthcoming The Drowning Sea, all set in Ireland and the somewhat-less-glamorous Long Island—to explain how she made that dream a reality, even before she sold the first of her books. We talk about why research travel matters, when and why Sarah chooses to use real neighborhoods or locations in her fiction, how she spends her time (hint—you have to suck it up and be a tourist) and why it’s so important to “get extra”. #AmReadingSarah: Matrix by Lauren GroffIlaria Tuti - Flowers Over the Inferno, The Sleeping NymphJess: Once there Were Wolves by Charlotte McConaghyGo Tell the Bees that I am Gone by Diana GabaldonWish You Were Here by Jodi PicoultKJ: Louise Erdrich, The SentenceAlso mentioned: narrator Davina PorterClass with KJ! I’m teaching a 4 week long online class I call “Cry Harder: Taking the Reader on an Emotional Roller Coaster” through the Flying Books School of Reading and Writing on Thursday nights from January 20th through February 10th.  Emotional journeys are at the core of every story, whether it’s Die Hard or Fried Green Tomatoes—and they can easily get lost in the excitement of creating and pulling off that external plot. We’ll talk about finding the emotional arc in other writers’ work as well as your own; how to infuse a book with emotion after the plot is already established, when to “show” emotion and when it’s important to go right ahead and “tell”; and how to make sure the emotional arc doesn’t disappear when the plot gets hot and heavy. Students are welcome to submit a synopsis and 10 pages from a work in progress for class discussion and feedback, but it is not required. Writers of all experience levels are welcome. Details HERE, and I’d love to see you there!Are you serious about writing a nonfiction book this year? Author Accelerator is offering a nonfiction book incubator starting February 28th. There are only a few seats in this intensive program because you will get 1:1 coaching on every single step of the process AND you will have the chance to pitch your proposal to a pool of agents and publishers at the end -- a fabulous opportunity. Apply for the program HERE -- and get a strategic session with Jennie Nash to kickstart your work. We think Jennie and her book coaches are terrific -- tell her we sent you! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

Alison Zak has just been “jolted from being a writer to being an author” with the interest in her non-fiction book proposals—but with that interest came questions about… The dreaded platform problem! That was the subject line of the reader email that caught our attention, and the problem is follows: you’ve got a great non-fiction proposal—but a relatively small existing “platform”. What is a platform, you ask? Well, it could be an offline community, a reputation, an academic or business space that you’re prominent in, or your reach as a professional writer in other’s spaces (i.e. the NYT, ESPN, McSweeney’s—but it’s more probably a question of online reach. As in, followers on email, Twitter, Instagram, Facebook or for a blog or podcast. Numbers are important, but intensity and engagement matter too, as do being an active part of the community you want to reach, even if it’s led by others. We talk building platform and how to explain the platform you have to publishers who might think only numbers matter.Links from the podEpisode 127: #AmBranding with Carol BlymireThe Creative Shift Podcast: Does Social Media Sell Books? The Creative Shift Podcast: Leigh Stein episode 1 - Behind the Book Launch of a NovelThe Creative Shift Podcast: Leigh Stein episode 2 - Focus on What You Can Control.Find Alison at:alisonzak.comInstagram: @animal_asanaTwitter: @animal_asanaNewsletters we like:Gretchen RubinMary Laura Philpott#AmReadingBe the Gateway by Dan BlankNewsletter Ninja by Tammi LabrecqueYour First 1000 Copies by Tim GrahlAre you serious about writing a nonfiction book this year? Author Accelerator is offering a nonfiction book incubator starting February 28th. There are only a few seats in this intensive program because you will get 1:1 coaching on every single step of the process AND you will have the chance to pitch your proposal to a pool of agents and publishers at the end -- a fabulous opportunity. Apply for the program HERE -- and get a strategic session with Jennie Nash to kickstart your work. We think Jennie and her book coaches are terrific -- tell her we sent you!  This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

Words of the Year from 2021/New words for 2022Jess: 2021: Organize 2022: EvaluateKJ: 2021: Flow 2022: PlaySarina: 2021 Generous 2022: TBDLinks from the Pod:Oh. What. Fun. by Chandler BakerJetpensScrivenerHooplaLibby/OverdriveLast week y’all heard me—KJ—rave about the coaching certification I’m working towards with our sponsor Author Accelerator. I have learned so much—about my own work, and how to help others’ with theirs. I spent five years editing others’ work at the New York Times, and I’m a good editor—but no one ever taught me how to help other writers feel excited about those edits before. (At the Times we kind of went in for the “my way or the highway” approach, with a solid dose of “if you can’t take the heat get out of the kitchen”.) And I’ve never understood story as well as I do now. If that all makes you intrigued to set some goals around starting up a book coaching career of your own, learn more at bookcoaches.com or sign up with our affiliate code HERE.(And if you want to see what kind of (pretty dang limited) coaching I’m offering, click HERE.)Are you serious about writing a nonfiction book this year? Author Accelerator is offering a nonfiction book incubator starting February 28th. There are only a few seats in this intensive program because you will get 1:1 coaching on every single step of the process AND you will have the chance to pitch your proposal to a pool of agents and publishers at the end -- a fabulous opportunity. Apply for the program HERE -- and get a strategic session with Jennie Nash to kickstart your work. We think Jennie and her book coaches are terrific -- tell her we sent you!  This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

What did we notice evolving in the industry? What worked and what didn’t in our own writing lives? Here’s our take. We’d love to hear yours—check in via the #AmWriting Facebook group.Links from the podFindaway Voices acquired by SpotifyPenguin Random House/Simon Schuster mergerStorytell acquired Audiobooks.comThe Other Black Girl by Zakiya Dalila HarrisReading Apps like Radish The Shrink Next DoorOur best lessons from 2021:KJ: You only need one plot.Sarina: Write the flap copy first.Jess: My best writing comes from what I’m immersed in and I need the freedom to write about those things. (Blog post: Look at the Sky, Grown and Flown: Parenting Creative Children.)Y’all heard me—KJ—rave about the coaching certification I’m working towards with our sponsor Author Accelerator. I have learned so much—about my own work, and how to help others’ with theirs. I spent five years editing others’ work at the New York Times, and I’m a good editor—but no one ever taught me how to help other writers feel excited about those edits before. (At the Times we kind of went in for the “my way or the highway” approach, with a solid dose of “if you can’t take the heat get out of the kitchen”.) And I’ve never understood story as well as I do now. If that all makes you intrigued to set some goals around starting up a book coaching career of your own, learn more at bookcoaches.com or sign up with our affiliate code HERE.(And if you want to see what kind of (pretty dang limited) coaching I’m offering, click HERE.) This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

Who doesn’t want a craft book that’s fun to read and will help you plan your fiction (or memoir), write that fiction, revise that fiction and then sell that fiction? This week we talked to Theodora Taylor, author of more than 50 novels and one brilliant book about writing that made Sarina and I (KJ) go SQUEEEE and then text back and forth frantically for a couple of hours. It’s all about the “Universal Fantasies” that give our story-loving brains the things we need when we read—and how to spot those in your own writing to help you tell people what you’re all about, use them in drafting and revising and just generally make sure they’re everywhere in everything you write—literary, commercial, genre, short stories, novellas—everything. We read Harry Potter for Hogwarts fun and the hero’s journey—but we also are in it for the universal fantasies of “crushed underdog proves self to loathsome family” and “ordinary person turns out to be special” and “loyal friends can be better than family” and so on—and the thing about those elements is that they appear everywhere. You could find a book in any genre that scratches those itches, and those feelings are a big part of what we’re reading for. As Theodora says, they’re what makes your book taste good.They’re the butter.7 Figure Fiction: How to Use Universal Fantasy to Sell Your Books to AnyoneFacebook group: 7 Figure Fictionhttps://theodorataylor.com#AmReadingTheodora: Beastars Manga by Paru ItagakiKJ: Labyrinth Lost by Zoraida CórdovaSarina: The Talent Code by Daniel CoyleHey! Know what else a great craft book is good for? Helping you give better advice to fellow writers—or be a better book coach! I just finished Author Accelerator’s Fiction Book Coaching course, and I learned a lot about my own writing—and of course about helping others with theirs. I was an editor for many years but I still doubted my ability to help with a whole book until I finished the course, and learned not just about editing but about coaching—helping someone through the process of writing a book, which is challenging in so many ways that aren’t just about the words and the pages. If that sounds fun to you, find out more about the coaching course at bookcoaches.com. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

Ever want to know “how she did it”? This episode is our little version of How I Built This, in which we ask Zibby Owens—whose name you surely know by now—about how she turned a desire to be part of the world of books into a one-woman mini book empire.Zibby Owens is the host of Moms Don’t Have Time to Read, a daily podcast featuring interviews with authors that has over 900 episodes. She’s also a Bookstagrammer with 16K followers, the host of a second podcast—Moms Don’t Have Time to Have Sex—the editor of two anthologies, Moms Don’t Have Time To and Moms Don’t Have Time to Have Kids—KJ contributed to that last one—and now the CEO of Zibby Books, a new publishing home for fiction and memoir. She’s a regular contributor to Good Morning America, she’s been called “America’s Top Bookfluencer” and she has two books coming soon: Princess Charming, a picture book, and Booked, a memoir. She’s also got four kids, and they’re kids—elementary and middle school age, not a bunch of independent high schoolers wandering aroundBut.Five years ago Zibby was none of those things (except a mother of four). And that’s what I want to talk about. She’s built a massive literary life, a community, a reputation in just a few years, and—after totally owning the fact that she has help with her kids (heck, not just help, they’re completely gone every other weekend because, divorce sometimes works like that) and also that this isn’t how Zibby earns a living— we go back to the beginning and talk about what it took to get there.Because no matter who you are, you can’t wake up and say, I think I’d like to be America’s Biggest Bookfluencer, and whip out your Amex card and make it happen. You can’t even take your Kardashian self and decide this is what you want and ask your assistant to set it up. This takes work and desire and passion, and we dig into how Zibby started, and how she made things take off.Links from the pod:Lee Carpenter: Red, White, Blue and ElevenAndre Agassi: OpenZibby BooksZibby Books Ambassadors (at bottom of Zibby Books page)#AmReadingZibby: Going There by Katie CouricHungry Hill by Eileen Patricia CurranThe Husbands by Chandler Baker The Last Season by Jenny Judson & Danielle MahfoodKJ: A Spindle Splintered by Alix E. HarrowJess: Speaking of Race by Celeste HeadleeHey cupcakes, KJ here. Tonight I chatted with a writer who has a memoir that might—or might not—be ready to pitch. It’s hard to know the answer to that as a writer without getting some professional feedback (and you don’t want to pitch before you’re ready). So of course I pointed them toward Author Accelerator’s book coach matching services. The right coach can help get your project ready and then help you pitch it to the right agents. It’s an investment—but you’ve already invested HOW many years in this? I say go for it. And if you’d like to be the one to help writers make that leap, look into book coach certification. I loved the process—and I love knowing how to really help. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe