Coming to you from Dehli, India.... via dodgy mic in a hotel room so don't watch the sound quality!I play Vent in Tokyo this Friday, and will be making my debut in Shanghai this Saturday.On the show this week...What makes an Ibiza DJ? And does anyone want to be one anymore?Chloé Caillet is always talked up that way in the press, but there's a lot more to her than a residency at Circo Loco. One of house music's breakthrough DJs of the post-pandemic era, Chloé has really become a big name on the circuit in a way that transcends the pigeonholing that, in fairness, just about everyone in this position has to deal with to some extent.We discuss her formative years in Paris and Bristol, as well as her time in New York going to party's like former NDP guest Taimur's Blkmarket Membership.Chloé is a classically trained musician so we get deep into that debate. We also cover the AI-in-music questions, the looming changes in music tech and the wider industry, as well as the more recent ones too.I hadn't met Chloe before this conversation and it was great to be able to shoot the breeze with her on some crucial stuff. You're gonna enjoy the conversation!If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.You can also make a one-off donation to the podcast using a credit or debit card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlistFollow Scuba: twitter instagram bandcamp spotify apple music beatport Hosted on Acast. See acast.com/privacy for more information.

For the dance producer, a move into scoring film and TV is often a secret (or not-so-secret) career aspiration. Hardly anyone manages to pull it off though. How do you do it? And what is the work and life actually like if you make it?Nathan Micay has released singles and albums on labels including Aus Music and Lucky Me, but now spends most of his time writing music for projects for Netflix and the like. His CV in that area now includes Industry, the new Sexy Beast series, and HBO's Reality. So he's a great person to get into the details of the above questions with... and on this episode we do just that. We also talk about the dance stuff too though, and get some great stories about Berlin, Berghain, and music making generally. If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.You can also make a one-off donation to the podcast using a credit or debit card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlistFollow Scuba: twitter instagram bandcamp spotify apple music beatport Hosted on Acast. See acast.com/privacy for more information.

What connects hair metal on the sunset strip with Burning Man, the Dotcom Bubble, and Planet E Communications? On this this week's episode we find out, with the man who was formerly label manager for Carl Craig's imprint, grew up in the Bay Area and was in the first group of employees and AskJeeves.com...!Monty Luke is a great DJ and producer who has been around the block a few times. We therefore had much to discuss, including the aforementioned journey from dive bars in LA in the late 80s, through early years as a DJ in California rave scene, emerging as a character in the industry to eventually ending up in Berin. And we discuss his new album on Rekids too.This is a great conversation with a man who has stories for days, you're gonna enjoy it!If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.You can also make a one-off donation to the podcast using a credit or debit card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlistFollow Scuba: twitter instagram bandcamp spotify apple music beatport Hosted on Acast. See acast.com/privacy for more information.

The Orb are the biggest ambient act of all time - that's probably true but they were certainly THE ambient band of the 90s, selling enormous amounts of records, touring a live show which drew breathless comparisons to Pink Floyd, arguably inventing the concept of Chill Out, and generally occupying a unique space as a truly experimental group in the mainstream of music. Alex Paterson is the only constant member of The Orb, who last released an album in 2023, and has the scars of litigation to prove it - their 90s catalogue is till being argued over with its owners, Universal, and the lawsuits over uncleared samples have been numerous and acrimonious. So we talk about all that, plus his formative years as an unofficial member of and sometime roadie for The Killing Joke, doing A&R for E.G. Records in the 80s, starting The Orb with KLF legend Jimmy Caughty, DJing at the legendary UFO in Berlin the night the wall came down, and of course his new record with his other project, Sedibus. Some parallels here with the episode we did with Adrian Sherwood... it took a fair bit of work to get this one into shape, but I think it was worth it. You're gonna enjoy it!If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.You can also make a one-off donation to the podcast using a credit or debit card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlistFollow Scuba: twitter instagram bandcamp spotify apple music beatport Hosted on Acast. See acast.com/privacy for more information.

I think this might be a classic episode in the making... it's a really fun and interesting comversation about scenes, new music, new tech, and being a musician. T.Williams is a UK house don, a close friend and long-time recommendation of previous NDP guest Roska, who has done all sorts of stuff over a long career covering multiple genres, touring with Disclosure, releasing a great new album, but starting all the way back in the early Grime scene as a member of the Black Ops crew in West London. Here's his album, Raves Of Future Past - Spotify and Bandcamp You're going to enjoy this one, it's a banger. If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.You can also make a one-off donation to the podcast using either a credit or debit card, or with Paypal. Head over to scubaofficial.io/support.Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlistFollow Scuba: twitter instagram bandcamp spotify apple music beatport Hosted on Acast. See acast.com/privacy for more information.

Welcoming Danny Daze back for a second appearance on the podcast. Danny graced us with his presence on episode 32, but a lot has happened since then both in the scene generally and in Danny's life too. We get deep into his recent album and visual project, Blue, which is a great piece of music but also a really interesting example of how to build a truly engaging visual element into the album format. We talk about constructing spatial audio mixes, Dolby Atmos, the audience perception of albums, and the music itself... it's not a dancefloor record, but is it IDM?Additionally, we also discuss topical issues in the scene... developments in music AI, and also (deep breath) the return of NFTs and the crypto market!So this one's definitely worth checking. If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.You can also make a one-off donation to the podcast using either a credit or debit card, or with Paypal. Head over to scubaofficial.io/support.Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlistFollow Scuba: twitter instagram bandcamp spotify apple music beatport Hosted on Acast. See acast.com/privacy for more information.

The podcast discusses Fracture, a London DnB vet involved in pirate radio. They talk about his musical philosophy, the DnB scene, and problems with underground music today. Also, his pirate radio history project '0860' and the evolution of music genres and lack of recent innovation.

The ongoing travails with my lower back have now eased somewhat, but not in time to record a new episode for this week's show. That IS HAPPENING today however, so there will be a brand new piece of content for you next Tuesday. Or this Thursday if you sign up on Patreon in the meantime, as episodes go live early over there. But in the meantime let's take the opportunity to revisit one of the best episodes of the podcast so far... the one with Dave Clarke. --From episode 022 (June 2022):Musicians can be broadly assigned one of two categories - those who are willing to say what they think, and those who are not. There is an element of risk and reward at play in this dynamic - and it might be a calculated strategy or purely a reflection of a given person's ability (or otherwise) to express themselves.This week's guest, Dave Clarke, is a reliable representative of the former group. He is frequently interviewed, and those interviews often cover topics which have little to do with music - international politics is a common point of discussion.... which leads us to the disclaimer that there is quite a lot of non-music related chat on the show this week.BUT THAT'S OK. DJs shouldn't be limited to talking about kick drums, and we cover topics here including living abroad, Brexit, energy policy, cultural conservatism, as well as the disappearance of counter-culture, the perils of record deals, and the secret sauce of hardware compressors.This was a conversation I was looking forward to having and it did not disappoint.If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.You can also make a one-off donation to the podcast using either a credit or debit card, or with Paypal. Head over to scubaofficial.io/support.Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlistFollow Scuba: twitter instagram bandcamp spotify apple music beatport Hosted on Acast. See acast.com/privacy for more information.

I have been laid up with a serious back problem for nearly two weeks now and haven't been able to record a new episode in that time. But fear not, because we are taking this opportunity to revisit one of absolute my favourite episodes of the show, all the way back to February 2022. Fingers crossed we will be back with a new episode next week!--From episode 006 (Feb 2022): dBridge is an unequivocal legend of Drum n Bass. From his work as part of Future Forces Inc. on Renegade Hardware in the mid 90s, through the supergroup Bad Company and the Autonomic project with Instra:mental, right up to releasing 4 albums since 2018 on his own Exit Records label, he has been right at the cutting edge of the genre, and of electronic music generally for more than 25 years. We talk about the early Jungle scene, subgenre fragmentation, DnB politics, the tyranny of rewinds, and making peace with your own musical output. If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.You can also make a one-off donation to the podcast using either a credit or debit card, or with Paypal. Head over to scubaofficial.io/support.Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlistFollow Scuba: twitter instagram bandcamp spotify apple music beatport Hosted on Acast. See acast.com/privacy for more information.

Regarding the brevity of the intro... which actually wasn't that brief because I was able to use some audio I'd already recorded to pad it out. The bout of sciatica that I was suffering from last week has got significantly worse and I'm typing this while lying on the floor, where I have been for the majority of the last three days. So that's not great - it may affect the podcast schedule next week but let's hope not. Apologies in advance if it does. And now, on with the show...--Would you get “tech house” tattooed on your butt?Me either, and in fairness I don’t think our guest this week actually has, despite the title of one of the tracks on her 2020 EP ‘Pleasant Stay But I Won’t Come Back’.Machine Woman has emerged as a really great producer with releases on Ninja Tune’s Technicolour, Delsin, as well as her own label Take Away Jazz Records. And she is also a character with an interesting story.We discuss the challenges of moving to a new country as a teenager, navigating through musical gender stereotypes, the scene in different cities, and much else besides.This was a fun conversation with one of the more irreverent characters of the dance scene, and you’re gonna enjoy it!If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.You can also make a one-off donation to the podcast using either a credit or debit card, or with Paypal. Head over to scubaofficial.io/support.Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlistFollow Scuba: twitter instagram bandcamp spotify apple music beatport Hosted on Acast. See acast.com/privacy for more information.