Psyop Cinema

Our Terrence Malick series continues with The New World, Malick's depiction of the Pocahontas story. Thomas and Steven analyze the film's treatment of religion, romance, and civilization, while continuing to consider the extent to which Malick's mystical themes are Christian. They discuss philosophical questions raised by the film regarding religious pluralism and phenomenology. https://twitter.com/StevenDeLay4https://stevendelay.com/https://sunypress.edu/Books/L/Life-Above-the-Cloudshttps://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com

An extended preview of the most in-depth content yet from Brett's Monarch series. In clips from three full length Patreon-only episodes, Brett details his research on the nightmarish 1985 children's film Return to Oz. This preview of the Monarch subseries provides information on the history of Wizard of Oz programming, the occultic career of of child star Fairuza Balk, and how the entire plot of the film is a coded depiction of mind control techniques designed to generate alter personalities.https://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com

Geoff Shullenberger joins us for an analysis of the recent David Gordon Green Halloween trilogy. He discuses a Girardian reading of Halloween Ends as well the "lab leak theory of Michael Myers." Is the 2018 film correctly read as based and right-wing, or is it more of the same MK-culture fetishization of trauma? Why is Halloween Kills so terrible? And does Halloween Ends present a cringe lib approach to evil or a positive subversion of typical Hollywood incel revenge fantasies?https://outsidertheory.com/https://twitter.com/g_shullenbergerhttps://compactmag.com/https://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com

We continue through the Halloween franchise, this time joined by Sean McCann to discuss the strange cult classic Halloween III: Season of the Witch. This unique entry in the series showcases some intense revelation of the method in its combined depiction of technology, witchcraft, and corporate media. We discuss the significance of Samhain and demonic pagan religion in both its ancient and modern forms.https://onegreatworknetwork.com/sean-mccannhttps://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com

We are joined by Paul and Phillip Collins to discuss John Carpenter's Halloween, in the first of three episodes on the Halloween franchise. They explain the apotheosis of Michael Myers, how this archetypal slasher fits into the occult transhumanist project to transcend good and evil and remake humanity. We discuss depictions of evil within Carpenter's work and how the weaponized insanity of Myers relates to demonic clowns and what we have called "the Joker cycle."Invoking the Beyond: The Kantian Rift, Mythologized Menaces, and the Quest for the New Man - https://www.amazon.com/dp/1663213518https://www.conspiracyarchive.com/author/collins-brothers/https://twitter.com/PhillipDCollin1The correct title of the Spanish film that Brett refers to as Agony is Anguish (1987).https://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com

We discuss The Thin Red Line with Steven DeLay, after first going much deeper into Terrence Malick's background. Considering many remarkable and little known facts about Malick's biography, we analyze his relationship to the academia/media/intelligence culture creating complex. We then talk about Malick's late 90s epic war film The Thin Red Line, discussing whether the underlying religious message is essentially Christian or pantheistic and unpacking the significance of the film's notable casting choices.https://twitter.com/StevenDeLay4https://stevendelay.com/https://sunypress.edu/Books/L/Life-Above-the-Cloudshttps://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com

We went on the podcast Debra Gets Red Pilled for a fun conversation about the influential horror film Jacob's Ladder. It's a movie that hits most major Psyop Cinema themes, including religious engineering, trauma-based experimentation, the psychedelia psyop, Gnosticism, and fetishization of dissociation. We talk about the highly suspicious drug experience that led to the writing of this film and discuss the essential place of the Vietnam War within MK-culture. https://twitter.com/DebraGetsPilledhttps://www.deezer.com/us/show/2155432https://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com

A look at the multi-layered psyop around Sound of Freedom, the popular recent Jim Caviezel film dealing with child sex trafficking. In contrast with the charged discourse around the film's alleged QAnon themes, we analyze the subtle quality of the Monarch 'dogwhistles' actually present in the film. We discuss those involved in the production and promotion of this movie, clarifying which of these figures are highly suspicious and which seem to be benign. At the center of our investigation is Caviezel's career (which is strangely filled with movies depicting memory loss and reality distortion) and troubling persona. Finally, we speculate about the possible purpose of this psyop and how it might relate to our current political landscape. https://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com

Our appearance on William Ramsey's show discussing Arlington Road, a 1999 thriller about domestic terrorism. We show how the film projects the tactics of intelligence services onto the militia movement, resulting in intense misdirection regarding events like Oklahoma City and Ruby Ridge. We also examine the predictably sus credits of the filmmakers, the hints of mind control themes, and the film's overall attempt to undermine social trust and foster the wrong kind of paranoia. https://www.williamramseyinvestigates.com/https://twitter.com/WilliamRamseyInhttps://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com

Thomas and Mariana are joined by Jamie Hanshaw for a thorough examination of Disney's sinister history. Jamie takes us through Disney's deep state and occult connections, the life of Walt Disney, and how the parks themselves are a microcosm of the spell cast by the dark magic of imagineering. We then talk about Fantasia's probable function as a direct tool of Monarch programming, similar features in Fantasia 2000, and how Monsters Inc acts as a disturbing revelation of the method. https://www.youtube.com/@jamiehanshaw4378https://jaysanalysis.com/product/hollywood-mind-control-signed-copies/https://jaysanalysis.com/product/weird-stuff-operation-culture-creation-2-signed-copies/https://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com