Street Photography Magazine

We call ourselves street photographers, but let’s face it most of us don’t practice just one form of photography. If this applies to you, then you have the opportunity to add interest to some of your other work by incorporating your street photography style in other genres. Of course this doesn’t apply to everything but it can add an interesting twist areas where you least expect it. In this episode of I’m joined by guest co-host Debby Cole, a street photographer, speaker, author and visual storyteller from Austin, Texas. Together we discuss how we and others have applied a street-like, spontaneous style to other forms of photography like events, travel, weddings and even urban landscape. So have a listen and please share your experiences and examples by sending them to editor@streetphotographymagazine.com. We’ll post some of your responses in our newsletter. Some examples of “street photography moments” found in other places Events As photographers we are often asked to record the people and activities at various events, or we’re just here as participants (like weddings). These can be parties, parades, concerts…you name it. Just because you’re not on “the street” with your camera doesn’t mean that you can’t still pay attention to a moment that captures your attention and interest. These are often the photos that stand out. ©Deborah Cole ©Robert Virga. Robert is a very prolific street photography in the New York City area. He made this photo while shooting behind the scenes of a county fair in upstate New York. Robert says he applies the same style no matter what he shoots. See our interview with him in the October 2021 issue of Street Photography Magazine. ©Robert Patterson 2022. This is one of mine that I made while photographing the events around a local steeple chase race in Charlottesville, Virginia. The humor of the guy holding his date’s purse while waiting for her in a restroom line made me stop. @Robert Patterson 2019. My job this evening was to photograph the awards ceremony for a long-time corporate client. When you listen to the podcast, you’ll hear me tell Debby about the details behind the event and why I did this. When I saw this guy walk in with his cool hat and distinctive beard I switched into street photography mode and made several frames. This isn’t what the client paid me to do, but they loved it. I didn’t think much of it that day, because I do this all the time. I shot a similar event for them in DC a few weeks later they asked me to do the same thing. Travel This one is probably not a stretch for street photographers, but it’s worth a discussion. Most people when traveling to new places travelers are caught up trying to capture the perfect postcard shot of famous landmarks or landscapes. But a street photographer with an eye for “the moment” can spot them in the interactions and reactions to the sights by their fellow travelers ©Deborah Cole ©Deborah Cole 2022 ©Bob Patterson 2022 While visiting Jerónimos Monastery in Belem, Portugal recently, this humorous scene pulled my attention away from the amazing architecture. Like everyone else with a camera that day I made many photographs of the building. But it’s this single image of human reactions that bubbled to the top (for me anyway). Street-like moments are everywhere…even in church. Without People Even with no people present a photo can still be about them. Sometimes it’s a gesture made by a plant or inanimate a humanlike expression on an animal’s face or something that results from human presence. These can capture the street photographer’s attention inspiring them to capture the moment. ©Deborah Cole ©Deborah Cole ©Robert Patterson 2018. I was in Miami to cover the Miami Street Photography festival when I spotted these chairs in the courtyard of the history museum. I have a thing for empty chars because they make me thing of loved ones who are no longer with us. I tried to make an image of the chairs all week, but there was alway someone sitting in them. Finally, on the last day I had my chance. This is just a small example of where you can apply your street photography style in places other than “the street.” Wherever you are, keep your street photography antennae up to capture moments that are meaningful to you. Debby’s Links Deborah Cole Photography WebsiteDeborah Cole Connections WebsiteFacebookInstagram

Ted Nelson is well known in the Mid-Atlantic street photography community for his founding and leadership of the Fredricksburgh Street Photography Collective.  He created the group from scratch with a simple Instagram post reach out to other like-minded photographers in his area.  In a few short years the group has grown from a handful of people chatting in a coffee shop to dozens of local members who meet regularly at a local art cafe.  The group also hosts  a very popular annual shootout event in the fall.  And yes, he has a family and day job that requires him to travel worldwide.  I had the pleasure of spending a day shooting the streets with Ted and other members of the collective in my town of Charlottesville Virginia last year and again last fall after judging their annual shootout.  Not only was it fun seeing my little town throught the eyes of others, but I enjoyed watching how Ted and some of the other work the streets. Ted may come across on the podast as humble, but on the streets he’s fearless.  He’s one of those people who never met a stranger.  He’ll approach anyone with a friendly, relaxed, confident approach that immediately disarms everyone he meets.  It was a true epiphany for me. A selection of Ted’s street photos Links from the show Ted’s InstagramFredricksburg Street Photography Collective WebsiteFredricksburg Street Photography InstagramFXBG Annual Shootoff Event September 22, 2022Curbita Art Cafe – Collective Meeting Place

After each interview,  I like to make a list of things I learned from our guest.  These are lessons that apply to me personally which may mean nothing to everyone else.  This is why I rarely share them. I learned a lot  from my very lively conversation with New York photographer, Gerard Exupery.   But if I were to choose one lesson  it is to use photos I make of others to tell my own life story when I’m ready.  Gerard did  that beautifully in his new book Women Hold up Half the Sky. He demonstrates that there’s gold in his archives and I’ll bet there’s some in yours too. Gerard has been photographing life on the streets of his hometown New York City for over 40 years. But it wasn’t until just a few years ago that he began to show his work to others.  We can thank the street photography community on Flickr for brining  Gerard out of his shell and his ex sister-in-law for giving  him the inspiration and motivation to make this book.  Women Hold up Half the Sky isn’t really a biography, but more of a self portrait that tells his personal story through photographs made throughput his life of women in his life.  These women are family members,  lovers, friends and strangers on the streets.  The carefully curated sequence  spans the life of women from an  infant in the park to the last breaths of someone very close to him.    His prose pulls everything together in a very efficient style that tells the stories of critical moments of his life.  These are very personal short stories that you can’t stop reading once you begin.  Combined with his photos this stories that are funny, sad, sometimes tense and bittersweet.   I read and review lots of photobooks, many of which are self-published lik Gerard’s.  Most of them contain lots of very good photographs, but very few allowing  the reader inside the head and heart of the author the way Gerard does.  This one is special.  A selection of photos from Women Hold up Half the Sky Woman Madison Avenue 1975 She stoops to conquer. Walking up Madison Avenue she said “Hello.” I said “Hi.” Back to her. Then “May I take your picture?” 1976 Subway Tableaux 1979 2 Women on Delancey Street-2 August 2017 Linda in the living room 1983 Gerard’s Liks Gerard’s WebsiteWomen Hold Up Half the Sky

Harvey Stein specializes in long term projects. He believes in accumulating work on a variety of themes over the course of several years and then piecing them together to create a project. His long term projects generally culminate in a photobook. Some themes he’s published books on are twins, death and life in Mexico, movement on Italian streets, Harlem street portraits, and the list goes on. His newest book is called Coney Island People: 50 Years, 1970–2020 and you can preorder it here. In this episode of the podcast, we talked about Harvey’s 50 years shooting Coney Island and the resulting photo book, how to stay organized when you have projects that take years or even decades to complete, and how to keep finding points of interest when you go back to the same places time and time again. If you are working on a project or planning one, Harvey’s words will no doubt give you some good food for thought as you build your body of work. In addition to being a photographer and author, Harvey is also a teacher, lecturer, and curator so you can be sure there is much to learn from him. And not only is he knowledgeable, he’s a down-to-earth guy who is easy to talk (and listen) to. We know you’re going to enjoy this interview. Street Photography Magazine subscribers be sure to see Virginia Hines’ article about Harvey’s 50 Years shooting Coney Island here the article about Harvey’s new book. A Few of Harvey’s Coney Island Photos All Photos ©Harvey Stein All Photos ©Harvey Stein All Photos ©Harvey Stein Copyright © 2011 Harvey Stein Links from the Show Harvey’s New Book – Coney Island People 50 Years Harvey’s Website

When I shoot on the street I often fall into the FOMO (fear of missing out) trap by continually wandering in search of the next photo. Firiends often tell me to "stop already" and watch for opportunities where I am. Each time I do this I’m rewarded with at least one good (well maybe decent) photo for the day. But the habit persists. Mark Seymour is back again to share some simple tips to make us all better street photographers. As a master trainer Mark knows how to instill good habits by turning them into simple phrases to easily keep them itop-of-mind mind when shooting in a chaotic street environment. In this episode Mark shares the "Three Fs "of street photography which have helped me to control my own FOMO habit. They are Fish, Follow and F***k. It’s simple, easy to remember and quite powerful. So have a listen to my conversation with Mark Seymour explain how he employs this simple concept in his own work. Example street photos from the show Example of Fishing Example of Following Example of F***k Example of F***k Example of Following Links from the show Shoot the Street WebsiteMark’s InstagramMark’s FacebookVineet Vohra Instagram

Pia is a biologist, photographer and author. Originally from Milan of Italian and German nationality, with a PhD in ecology, she lived for years in the Amazon rainforest for her work as tropical ecologist on international projects. Pia has also lived in Italy, Germany, Venezuela, Brazil, and South Africa. Now she calls France home. She was admitted to the German Society for Photography (DGPh) in 2020. And is a member of the German Association of Journalists (DFJV), OpticNerve Collective (International) and Collectif Photon. If that’s not enough, she is the secretary of the Antibes Photo Club, France and a juror of the Fédération Française de Photographie and the Heidelberger Sommerschule der Photographie. Pia has carried a camera with her since the day her father gave her a Minolta at the age 9. She used the analog camera for scientific documentation. After landscape and macro, Pia was drawn to street and conceptual photography 2016. She keep post-production at a minimum and composes photos in camera. She shoots with the Leica Q2, Ricoh GRiii, Fuji X100F and Olympus OM5 M2. Pia is the author of numerous scientific biological studies and books on photography soft skills. Because she travel extensively, she photographs in many countries during her free time. Pia also holds street photography workshops and webinars. As someone who cares deeply about the state of our environment, she participates participates in round tables and debates about how to use art for a better world. A Selection of Pia’s Street Photos Links from the Show Pia’s websiteInstagramFacebook#womenartists projectPia’s SPM article about women street photographersSPM feature interview with Pia – February 2021Optic Nerve Street Photography CollectivePia’s scientific background

Carey Winfrey started taking pictures when he was about 10 years old and never stopped. Eventually, he became a journalist, a career that lasted for 45 years. Carey worked for Time Magazine and the New York Times, and even produced a couple of TV shows including “Behind the Lines” and “Assignment America.” During his time working on “Assignment America,” Carey even met and interviewed Henri Cartier-Bresson. Let’s just say it was an interesting experience that involved Carey getting yelled at for touching Cartier-Bresson’s camera. They may not have become fast friends, but Carey says his admiration for Cartier-Bresson’s work never wavered. Carey also learned an important lesson from the experience. When reviewing Cartier-Bresson’s contact sheets for the project, he had a revelation. Carey noted that Cartier-Bresson’s collection of New Jersey images looked much like his own, or those of this friends. His conclusion? The secret to capturing the “decisive moment” is that you have to shoot a lot of photos and throw out all the “indecisive moments.” But you’ll hear the full story in our interview; there’s much more to it than just this. Carey also noted that if you love the sound of the camera clicking, you’ll always find something to shoot. There’s always something to shoot. In a similar vein, he says equipment is so much less important than just having a camera with you. To quote one of his personal heros, “The camera doesn’t make a bit of difference. All of them can record what you are seeing. But you have to see.” – Ernst Haas Join Bob and Carey as they explore these subjects and many more on the Street Photography Magazine Podcast. A Selection of Carey’s Street Photos Links from the Show Carey on 500pxFine Art Print: “Brief Encounter”Amazon BooksCarey’s FacebookStreet Photography Community (SPM Facebook Group)

This is a special episode of the podcast to answer some of your questions and introduce you to our new publishing platform. Here are the highlights: How can I publish my work in Street Photography Magazine? We accept two types of submissions to consider for publication. Single images to be considered for our monthly Street Shooters of the Month section can be submitted the Single Image Submission form on our website. No login necessary. Image size no larger than 2,000 px on the long side at 72dpi. Maximum 2 submissions per month.Articles, photo stories and projects should be submitted using the Project / Article Submission form.Submission must include approximately 1200 words of text.Image size no larger than 2,000 px on the long side at 72dpi. Submit no more than 10 images per article. Please don’t send us an email with a link to your website asking us to look at your work. As much as we like to look at photography, we’re so busy reviewing submissions that we’re unlikely to do it. The best way to get our attention is to submit your work. New publishing schedule and articles by email Beginning with the July 2022 issue, new articles will be published every Sunday and Wednesday throughout the month. Paid subscribers will receive an email version of each article as they are published.Currently video interviews (usually in the Featured Photographer article) will not play inside email versions of each article. So the article will include a link to the website to watch the video.Subscribers who prefer not to receive the regular article emails can opt out by clicking the “Update Your Preferences” link at the bottom of each email. You have the option to receive either a monthly summary instead or no message at all.Beginning July 1 our homepage will display a list of latest articles.Full issues will be available on the Issues tab in the top menu as usual. Newsletter coming in July 2022 Beginning in July 2022 we will begin publishing an email newsletter every other Friday which will also be available on our website. Initially it will be sent to all subscribers and those who opted into other email lists on our website. You can use the “Update Your Preferences” link at the bottom or each email to remove yourself from the Newsletter list. Do you offer a printed edition of Street Photography Magazine? Currently Street Photography Magazine is a digital only publication. However we plan to offer a series of limited quarterly print versions for sale later this year.

Mark Seymour is an amazing wedding photographer who had an interesting journey into street photography. (No spoiler alerts here. You’ll have to listen in to hear the story. ) Now, he also guides intimate street photography workshops around the world with Shoot the Street. His own street photography is stunning as you can see in the gallery below. We talked about a number of subjects during our conversation, including Mark’s saying: “Show me the nose.” What street photography needs, in a word, is faces. Instead of taking uninteresting photos of people’s backs, Mark talked about why faces make for a much stronger image and how to achieve that kind of shot. We also talked about how to be aware of your backdrop as you take street photos. Mark argues that the background is something that can make or break a photo. Instead of focusing solely on the decisive moment or people interacting (both of which are still important), as street photographers we should keep an eye on the background too if we want to make strong images. There is so much to be learned from Mark. Tune in to this audio interview to learn from a seasoned teacher of the street photography genre. A selection of Mark’s street photos Links from the show Shoot the Street WebsiteShoot the Street YouTube ChannelMark’s Facebook Group

When Thomas Hackenberg heads out to do street photography, he’s a lone wolf and he’s fast. Armed with his Sony A7 and only a 35mm lens, he keeps things simple and unobtrusive. With this approach Thomas captures humorous street photos with quirky details and a real storytelling component. But there’s so much more to it than just gear and speed. During our conversation, Thomas and I discussed the fact that there are a lot of cliché street photos out there. You know the kind – the ones filled with graphics, shadows, and silhouettes. Thomas believes that while everyone has their own taste, street photography should be much more personal than that. Instead of making images that are easily interchangeable or easy to replicate, he argues that street photographers should create images that are about people and the fleeting moments that happen on the street. He says that the key to making that kind of very personal image is to use your heart, your empathy, your emotions. We also talked about a concept Thomas discussed in an article for the June issue of Street Photography Magazine called “Searching for My Very Own Rue Mouffetard” – the quest to make one iconic image as a street photographer. Thomas has been practicing street photography for years and he gets much of his inspiration from a beautiful collection of photo books he has. A few of his favorites include: Personal Exposures – Elliott ErwittWild Flowers – Joel MeyerowitzPerfect Strangers – Melissa O’ShaughnessyWinogrand 1964 – Garry Winogrand All That Life Can Afford – Matt StuartStags, Hens & Bunnies – Dougie WallaceCardiff After Dark – Maciej Dakowicz Truly, there’s so much to this interview, I know you’re going to enjoy it. Learn about a German saying that translates (roughly) to “don’t give into your weaker self” and how it relates to street photography, what it means to have good street photography ethics, how to develop your personal street photography style, and more. Give it a listen and enjoy this small selection of some of Thomas’ photos. A Selection of Thomas’ Photos Thomas Hackenberg Interview Links WebsiteInstagram