A Life in Biography

Carl Rollyson
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Nov 7, 2020 • 53min

How I became an outlaw biographer

Working on Lillian Hellman, Martha Gellhorn, Norman Mailer, Rebecca West, Susan Sontag, Jill Craigie, Michael Foot, Dana Andrews, Walter Brennan, Amy Lowell, Sylvia Plath, William Faulkner.
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Oct 31, 2020 • 38min

Episode 30: The Biographical Novel: Who Cares?

I discuss novels about Marilyn Monroe, Walt Disney, Martha Gellhorn, H. G. Wells and mull over a universe in which biography and biographical novels can co-exist.
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Oct 24, 2020 • 36min

Episode 29: The Biography Police

An account of the campaigns orchestrated against biographers, using as examples biographies of T. E. Lawrence and Susan Sontag.
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Oct 17, 2020 • 27min

Reading and Writing Biography: A Primer

The sorry state of reviewing biography as reviewers turns in what amounts to book reports, letting down the genre of biography and those who practice it.
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Oct 10, 2020 • 51min

What a biographer knows.

I read and discuss a section from The Life of William Faulkner, pointing out my use of evidence, and concluding that I am my own best evidence.
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Oct 3, 2020 • 49min

What is a definitive biography?

I consider the question in the light of biographies of Sylvia Plath, William Faulkner, Olson Welles, John F. Kennedy, and others.
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Sep 26, 2020 • 27min

The Cruelty of Biography

A wide ranging discussion of the anathemas against biography perpetuated by modern writers, including Henry James, Virginia Woolf, Somerset Maugham, Jean-Paul Sartre, and Anthony Powell.
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Sep 19, 2020 • 19min

Episode 24: Psychologizing Biography

What does Psychologizing biography mean? How I have used it.
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Sep 12, 2020 • 21min

Reviewing Biography: The Case of Sylvia Plath

I read a review of my book, The Last Days of Sylvia Plath, in order to discuss the methodology of biography and of the reviewer.
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Sep 5, 2020 • 16min

Episode 22: The Case Against Biography

What to say about the epistemology of biography and why it is sometimes better to not have been there, but to see it all from afar and yet in closeup, as the past is recreated in the biographer’s imagination.

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