Bulletproof Screenwriting™ Podcast

Today on the show we have the legendary Linda Segar. Linda was one of my first ever interviews back when I launched Indie Film Hustle and her episode is by far one of the most popular ever. Here's some info on our lovely guest.In 1981, Linda Seger created and defined the career of Script Consultant. She based her business on a method for analyzing scripts that she had developed for her doctoral dissertation project. Since then, she has consulted on over 2,000 scripts including over 50 produced feature films and over 35 produced television projects. Linda was the consultant for Peter Jackson’s breakthrough film, Brain Dead and for Roland Emmerich’s breakthrough film, Universal Soldier.She was the script consultant on Pasttime and Picture Bride–both winners of the Audience Favorite Award at the Sundance Film Festival–as well as for the films The Long Walk Home, The Neverending Story II, Luther, Romero, and television movies and mini-series including The Bridge, the Danish-Swedish mini-series (now playing in the US).Other clients include Ray Bradbury who said, “Linda’s technique is a light to see by,” William Kelley, Linda Lavin, and production companies, film studios, producers, directors, and writers from over 33 countries.Having authored nine books on scriptwriting, including the best selling Making A Good Script Great, Linda is one of the most prolific writers in her field. Here new book The Collaborative Art of Filmmaking: From Script to Screen explores what goes into the making of Hollywood’s greatest motion pictures. Join veteran script consultant Linda Seger as she examines contemporary and classic screenplays on their perilous journey from script to screen. This fully revised and updated edition includes interviews with over 80 well-known artists in their fields including writers, producers, directors, actors, editors, composers, and production designers.Their discussions about the art and craft of filmmaking – including how and why they make their decisions – provides filmmaking and screenwriting students and professionals with the ultimate guide to creating the best possible “blueprint” for a film and to also fully understand the artistic and technical decisions being made by all those involved in the process.“A very thorough and fascinating look at the whole filmmaking process – the art and the craft. Highly readable and interesting for filmmakers or beginners with a special emphasis on the power of collaboration. A well-researched​ insider’s guide – like taking the hand of accomplished filmmakers and learning from the best.”- Ron Howard, Oscar-Winning Director and Co-Founder of Imagine EntertainmentEnjoy my knowledge bomb filled conversation with Linda Seger.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

Over the years I have mentioned my meditation practice and how important it is in my daily routine on the show. Many of the #IFHTribe have asked me to do an entire episode on meditation and the importance it has in the creative process. Today is that day.In this episode, I go over:My personal meditation practiceWhy it's impossible to CLEAR YOUR MINDHow to embrace your minds inner voiceHow science view meditationNeuroscience and what actually happens to your brain when you meditateHow meditation can make you more creativeI discuss practical everyday uses for meditation in your creative life. Some of my greatest ideas and thoughts have come to me during my meditations. I'll also teach you how to meditate for 10-15 min to start and then over time, you can grow your practice to 1-2 hours a day like I do. Once you start meditating it becomes addictive.Get ready to open your creative channels to full flow. Enjoy!Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

Today on the show we have an author, writer, and former development executive, Danny Manus. Danny parlayed his career as a development executive in Hollywood to becoming an in-demand script consultant and founder of No BullScript Consulting.The author of “No BS for Screenwriters: Advice from the Executive Perspective,” which is now in its 2nd Edition, Danny was ranked in the Top 15 “Cream of the Crop” Script Consultants by Creative Screenwriting Magazine and was named one of Screencraft’s “25 People Screenwriters Should Follow on Twitter.”Danny has taken over 3000 pitches, written almost 250 articles on screenwriting for numerous websites and publications including ScriptMag, for which he is a columnist, and has been a judge for the PAGE Awards four years running. On this episode, I wanted to see what the perspective is from the other side of the desk. Enjoy my conversation with Danny Manus.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

We have all heard about Joseph Campbell's Hero's Journey by this point but what is it really. Chris Vogler, the author of The Writer’s Journey: Mythic Structure For Writers and the man who brought the Hero's Journey into the film industry, breaks down the ordinary and special worlds of the hero's journey. Enjoy.These videos on screenplay structure are from his best selling online course: Story and Screenwriting Blueprint - The Hero's Two Journeys.In more than 4½ hours of lecture, discussion and Q&A, Michael Hauge, author of and Selling Your Story in 60 Seconds: The Guaranteed Way to Get Your Screenplay or Novel and Christopher Vogler, story analyst and author of The Writer’s Journey: Mythic Structure For Writers, unite to reveal the essential principles of plot structure, character arc, myth and transformation.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

Before we begin I need to reveal a truth to you."The Matrix is not a movie, it's a documentary"Believe it or not, this is true. Our internal operating system in our mind was programmed years ago when we were children. That programming runs our life through the subconscious. Don't believe me?Did you drive a car today?Did you brush your teeth?Did you think about walking to the kitchen to make breakfast?Did you think about breathing or making sure your heart beats?Probably not. You would be exhaust mentally if you had to think about all of this every day. This is all run by our operating system (aka the subconscious), the problem is many of us are still running Windows 95.In this episode, I go deep down the rabbit hole and discuss how our subconscious can and does stop us from achieving not only our screenwriting dreams but how it affects all areas of our lives. I discuss how my life changed dramatically when I discovered this and made those upgrades. I also go over the two ways you can upgrade the old operating system in your head.“This is your last chance. After this, there is no turning back. You take the blue pill – the story ends, you wake up in your bed and believe whatever you want to believe. You take the red pill – you stay in Wonderland and I show you how deep the rabbit-hole goes.” - MorpheusLet's all take that Red Pill and see how deep the rabbit-hole goes. Get ready to have your mind blown, literally. Enjoy!Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

Today on the show we have Emmanuel Oberg. Emmanuel is a screenwriter, author and script consultant with more than twenty years of experience in the Film and TV industry. After selling his first project to Warner Bros as a co-writer, he went on to be commissioned by StudioCanal and Gold Circle before writing solo for Working Title / Universal and Film4.He has also designed an internationally acclaimed 3-day Advanced Development Workshop - based on the Story-Type Method® - which he delivers with passion to filmmakers all over the world. Emmanuel lives in the UK with his wife and their two daughters. His film agent is Rachel Holroyd at Casarotto in London. He is also the writer of Screenwriting Unchained: Reclaim Your Creative Freedom and Master Story Structure (With The Story-Type Method).In Screenwriting Unchained, Emmanuel Oberg busts many myths and sets out an innovative methodThis practical, no-nonsense guide leaves behind one-size-fits-all story theories and offers a modern approach to story structure, making it a precious resource for anyone involved creatively in the Film and TV industry (or aspiring to be): writers, directors, producers, development execs, showrunners and, more generally, storytellers keen to reach a wide audience at home and abroad.Having identified three main story-types - plot-led, character-led, theme-led - Oberg reveals in a clear, conversational style how each of these impacts on the structure of any screenplay, and how we can use a single set of tools to develop any movie, from an independent crossover to a studio blockbuster.This leads to a powerful yet flexible way to handle the script development process: the Story-Type Method®. A new framework that doesn't tell you what to write and when, but focuses instead on why some tools and principles have stood the test of time, and how to use them in the 21st century.According to readers (see reviews below), Oberg's new approach is a game changer.Here are some of the easy-to-understand concepts explored in Screenwriting Unchained that will help you improve any screenplay:How to identify the story-type of your project to make its development faster, easier and solve most story structure problems.How to leave behind the prescriptive, logistical three-act structure based on page numbers or minutes and replace it with a flexible, dramatic three-act structure that will help you design a rock-solid screenplay.How focusing on emotion, character development and managing information will allow you to go beyond the "protagonist-goal-obstacles-conflict" basic chain of drama.How to use the fractal aspect of structure to design not only the whole story but also its parts in order to avoid the dreaded "sagging middle" syndrome and breathe new life into your script.How to clarify what's at stake and increase your chances of getting the project made with a new take on Maslow's Hierarchy of Needs.How to use subgoals to Sequence the Action and psychological/emotional steps to Sequence the Evolution of your characters.How to keep the audience engaged using tools like dramatic irony, surprise, mystery and suspense, adding a third dimension to your story.How to master these tools and principles in scenes through practical exercises before using them in a short film, a feature film, a TV episode or a whole series following hands-on tips and advice.How to design an attention-grabbing opening and a satisfying ending.How to deal with hybrids and exceptions, as story structure isn't about forcing all narratives into a single formulaic paradigm.With The Rewrite Stuff: 12 Ways to a Stronger Screenplay, how to approach a new draft creatively and efficiently.How to make the difference between selling documents - used to raise development or production finance - and story design tools.Once you've developed a killer script, how to best pitch your project according to its story-type and get enthusiastic partners on board....and much, much more!Using many case studies including films as diverse as Gravity, Silver Linings Playbook, Crash, Billy Elliot, The Intouchables, Birdman, Alien, Groundhog Day, Misery, Edge of Tomorrow, The Secret in Their Eyes, Cloud Atlas, L.A. Confidential and The Lives of Others, Screenwriting Unchained will transform the way you write, read, pitch, design, assess and develop screenplays.Enjoy my conversation with Emmanuel Oberg.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

Today on the show we have screenwriter and producer Erik Bork. Erik Bork is a screenwriter best known for his work on the HBO miniseriesBAND OF BROTHERS and FROM THE EARTH TO THE MOON, for which he wrote multiple episodes, and won two Emmy and two Golden Globe Awards as part of the producing team.Erik has also sold series pitches (and written pilots) at NBC and FOX, worked on the writing staff for two primetime dramas, and written feature screenplays on assignment for companies like Universal, HBO, TNT, and Playtone. He teaches screenwriting for UCLA Extension, National University, and The Writers Store, and offers one-on-one consulting to writers.Why don’t most scripts have the kind of success their writers' dream of? Because of problems with the basic idea for their story. Which the writer is usually unaware of. While story structure and scene writing choices do need to be top-notch, writers tend to rush into those parts of the writing process too quickly, without vetting their basic concept.This is a mistake professionals rarely make because their agents and managers insist that ideas be run past them first. And this usually leads to serious notes and development before the outlining process even starts.The "Seven Elements of a Viable Story" in The Idea form an acronym for the word PROBLEM, since every story is really about one, at its core. Each chapter focuses on one of these seven deceptively simple-looking aspects of a strong story, which are anything but easy to master. Mr. Bork highlights his own struggles as a writer, and his arrival at an understanding of how each of these elements works -- and how to know if one's idea really succeeds at each of them. A special section devoted to television writing (and its unique attributes) ends each chapter.Whatever your education and background in writing or story, this book and its unique focus contribute foundationally useful information not covered elsewhere -- which may be the missing piece that leads to greater results, both on the page and in the marketplace.Enjoy my conversation with Erik Bork.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

Today we will tackle the toxic screenwriter mindset. That screenwriting mindset. That artist mindset. We discuss the mindset. How the beliefs we have stop and derail our dreams and life. So many of us have belief systems that limit us. Today we are going to break this down and give you some tools to reprogram yourself into the person and screenwriter you want to be."To have results that very few people have you have to start doing things that very few people do."Please share this episode with anyone you think needs to hear it. Listen to this often. Enjoy and keep on hustling.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

Today on the show we have screenwriter and author Jeff Schimmel. Jeff wrote Maximum Screenwriting: 25 Commonly Asked Questions and Straight Answers.Jeff Schimmel began his Writing/Producing career in the 1980's, while attending law school in Los Angeles. When not studying for the bar exam, Jeff wrote and sold his original Cold War spy thriller, Archangel, to Phoenix Entertainment Group. Soon after, Jeff was chosen by comedy legend Rodney Dangerfield and award-winning Writer/Director Harold Ramis to co-write the full-length Warner Brothers animated film, Rover Dangerfield. This led to a sports comedy screenplay assignment from Orion Pictures and 20th Century Fox, and Jeff’s first TV writing job as Story Editor on ABC’s top ten sitcom, Full House.Next, Jeff co-wrote and produced The Schimmel Papers, a series of several short films for Fox TV's Sunday Comics, then went on to write for the groundbreaking, Emmy Award-winning sketch comedy series, In Living Color, worked as Story Editor on the WB network’s first-ever sitcom, then served as Writer and Producer on Laughing With The Presidents, NBC TV's final comedy special starring Bob Hope, with appearances by Presidents George Bush and Bill Clinton, actors Tom Selleck, Don Johnson, Tony Danza, Ann-Margret, Naomi Judd, and many more.In 2016, Jeff took over as Executive Producer of Fuse network’s music intensive Skee TV series, working with hip hop artists like Snoop Dogg, Tyler the Creator, Post Malone, and T.I.  Also in the rap world, Jeff was credited as a producer on three multi-platinum selling CDs by Busta Rhymes. In 2017, Jeff’s book, “Maximum Screenwriting,” was released and has earned Amazon’s five-star rating. Jeff has appeared as a guest lecturer at L.A.’s famed Screenwriting Expo, is a popular speaker at prestigious universities and film schools, and has worked closely with the Writers Guild of America to protect the best interests of writers.25 COMMONLY ASKED QUESTIONS AND STRAIGHT ANSWERSThe entertainment industry is the toughest business around. To achieve success as a professional screenwriter, you will need every advantage you can get. A writer who faces readers, agents, producers, and creative executives are no different than a soldier going into combat. To have the best chance of survival, both would be wise to bring every weapon they can carry into the fight.This book is ammunition for the battles every screenwriter will face as it teaches: How to create a bulletproof outline, How to build and breathe life into compelling characters, How to defeat crippling procrastination, How to avoid being ripped off, and How to deal with a myriad of situations other books never mention.The one thing this book will not do is tell you what the proper margins are for a screenplay, where to place a parenthetical in dialogue or what is supposed to happen on page 30. There are dozens of books and free online lectures for that. Maximum Screenwriting was written for one reason only: to teach you what other books don’t and to tell you what other writers won’t.Enjoy my conversation with Jeff Schimmel.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

What are you willing to sacrifice to make your screenwriting dream come true? How bad do you want it? These are the questions I'll be discussing in today's episode. If you are looking for something to get you revved up look no further. This is my "tough love" episode. I keep running into filmmakers and people in the business who just like to talk or hide behind excuses. I have two things to say about that.Life doesn’t care about excuses.The film business doesn’t care about your circumstances.There are 24 hours in a day. I breakdown 24 hours and I promise you will find out that you have, at least, 4-6 hours a day to dedicate to your craft and dream. Yes, even for those who have a 2-hour commute, work 8 hours and has a family. The power to make your dream to become a reality is only in your hands. No one else's! I really hope this episode lights that fire in your belly to make your dream come true.Please share this episode with anyone you think needs to hear it. Listen to this often. Enjoy and keep on hustling.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.