Bulletproof Screenwriting™ Podcast

I have a treat for the tribe today. Last week we had screenwriter Eduardo Cisneros on the show discussing his new film Half Brothers. Today we have his co-writer and producer of the film Jason Shuman. Jason is a writer and producer who has made over 20 motion pictures grossing more than $500 million worldwide as well as produced over 100 episodes of television.Shuman has produced four films that reached number one at the box office with Darkness Falls, The Messengers, Bangkok Dangerous, and the critically acclaimed Lone Survivor. Other well-known films include the 2017 docudrama Rebel In The Rye, Little Black Book, Daddy Day Camp, Middle Men and the beloved comedy Role Models.On the television side, Shuman has also produced shows including TBS comedy Are We There Yet? with Ice Cube, and served as Executive Producer on the FX show Anger Management and the Emmy® nominated TV movie, Dawn Anna. His new film is Half Brothers.Renato, a successful Mexican aviation executive, is shocked to discover he has an American half-brother he never knew about, the free-spirited Asher. The two very different half-brothers are forced on a road journey together masterminded by their ailing father, tracing the path their father took as an immigrant from Mexico to the US.I first met Jason years ago at the Sundance Film Festival where I spoke to him on the Indie Film Hustle Podcast about the film he had in the fest called Rebel in the Rye. In this episode, we discuss his career as a producer, how he went "all in" to become a serious screenwriter, how Danny Strong (Gilmore Girls, Empire, Billions) helped him become a better storyteller, and his epically funny new film Half Brothers.Enjoy my conversation with Jason Shuman.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

Today on the show we have screenwriter, Eduardo Cisneros. He began his screenwriting career in his home country of Mexico. Working on countless television series including Saturday Night Live: Mexico. His career took an upward trajectory when he began working with one of the biggest comedy actor/writer/producer and director in the Latinx world,  Eugenio Derbez. Eduardo help develop the massively successful crossover smash Instructions Not Included.Eduardo Cisneros's latest project hits close to home. Half Brothers, who he co-wrote and produced with Jason Shuman, is based on his experiences as an immigrant from Mexico in America. His father was the basis of the main character's father in the story.Renato, a successful Mexican aviation executive, is shocked to discover he has an American half-brother he never knew about, the free-spirited Asher. The two very different half-brothers are forced on a road journey together masterminded by their ailing father, tracing the path their father took as an immigrant from Mexico to the US.“Half brothers is about bonding. It’s about empathy. It’s about the challenge of developing the ability to put yourself into somebody else’s shoes and realizing that you have more in common than things that separate you.” - Eduardo CisnerosIt was an absolute pleasure speaking to Eduardo and discuss how he approaches each story, what it was like work on SNL Mexico, how it's like writing with a partner, and how he hopes his films change the conversation on how Latinx people are perceived in our culture. He wants to bring his Spanish-speaking audience a greater representation in Hollywood.Enjoy my conversation with Eduardo Cisneros.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

Today on the show we have screenwriter and Emmy-winner Scott W. Smith. Scott is an OG in the screenwriting blogging space. His blog Screenwriting from Iowa has been around since 2008 and has been nationally recognized. His new book Screenwriting with Brass Knuckles is a bare-knuckle approach to the screenwriting process. Here's some info on his book.Every screenwriter faces fear and failure. The legendary screenwriter William Goldman once said he was “programmed to fail.” Yet he went on to have a long career that included winning two Oscar Awards. Susannah Grant put a positive spin on constant failure saying “that free-falling feeling you get right on the knife-edge of total disaster may, in fact, be an essential ingredient to doing anything worthwhile.” Arguably the worst failure for the new screenwriting is either not finishing a script —or not even starting the writing process.You’ll find throughout this book that talent and hard work are essential to succeed at any level. You can’t teach that. But distilled from over 3,000 posts from Emmy-winner Scott W. Smith’s nationally recognized blog Screenwriting from Iowa . . .. and Other Unlikely Places, these 10 chapters will hopefully guide and inspire you to improve your writing and output. Sprinkled throughout these pages are quotes curated from an eclectic and diverse mix of many top screenwriters and filmmakers throughout the history of film and television.Enjoy my conversation with Scott W. Smith.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

Have you ever wondered how to format your screenplay so Hollywood would take you seriously as a screenwriter before they even read your script? Today's guest Christopher Riley can definitely help you with this.Christopher Riley is an American screenwriter whose first film, After The Truth, a multiple-award-winning courtroom thriller, sparked international controversy when it was released in Germany in 1999. Other credits include 25 To Life, a dramatic thriller written for Touchstone Pictures, The Other White House, a political thriller written for Sean Connery’s Fountainbridge Films, Aces, an action-adventure written for Paramount Pictures and Emmy-winning producer Robert Cort, and a screen adaptation of the book Actual Innocence for Mandalay Television Pictures and the Fox television network.A veteran of the Warner Bros. script department, Riley is the author of the screenwriting reference The Hollywood Standard: The Complete and Authoritative Guide to Script Format and Style, now in its second edition with a foreword by Antwone Fisher.Enjoy my conversation with Christopher Riley.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

I'm so excited to bring this episode to the BPS Tribe. Today we have legendary screenwriter James V. Hart. James is the screenwriter behind some of Hollywood's biggest blockbusters like HOOK, directed by Steven Spielberg based on an idea by Hart’s then 6-year-old son, Jake, BRAM STOKER’S DRACULA, directed by Francis Ford Coppola, MUPPET TREASURE ISLAND, directed by Brian Henson, and CONTACT, directed by Robert Zemeckis. MARY SHELLEY’S FRANKENSTEIN, TUCK EVERLASTING,  SAHARA, LARA CROFT: TOMB RAIDER: THE CRADLE OF LIFE, AUGUST RUSH and many more.“No one has a job in our business until you type ‘the end’.” — James V. HartDracula has a special place in my heart as it is one of the major influences that made me become a filmmaker.James has served on the faculty of the Columbia University Graduate Film program. Served as mentor and advisor at the Austin Writer’s Ranch, Sundance Film Labs, and the Equinoxe-Europe Writing Workshops for over 20 years in 11 countries. Hart has also conducted the Puglia Experience for writers and producers held in the Puglia region in Italy.During the making of Dracula Francis Ford Coppola called James up and told him he hated everything about the story and the movie they had shot. James sat down with Francis and beat up the film and story. Frustrated that this happened, James set out to develop a tool that could help him map out the screenplay's emotion before they ever start shooting.  The HART CHART was born.Originally launched online at the 2015 Austin Film Festival, James has developed a proven story mapping tool for serious writers working in television, film, novels, plays, and other literary forms, with a guarantee you will never face a blank page again.James and I discuss THE HARTCHART, his journeys in Hollywood, how he became a 20-year overnight success, what it was like working with master filmmakers like Coppola, Speilberg, and Zemeckis, and how he breakdowns a blockbuster story idea.This is one episode for the record books. Enjoy my conversation with James V. Hart.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

Today on the show we have screenwriter and script doctor, John Winston Rainey. John is the co-author, along with legendary script consultant Linda Seger, of the book You Talkin’ to Me?: How to Write Great Dialogue. John has written 25 screenplays of which 3 have been produced and 10 have been optioned. He has been a script consultant since 1989 and is the author of Screenwriting Style That Sizzles: A Primer For Polishing.Enjoy my conversation with John Winston Rainey.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

Today we have a special CROSSOVER episode of the BPS Podcast. Our guest is Derek Kolstad, the genius behind the extremely successful John Wick franchise. An ex-hitman comes out of retirement to track down the gangsters that took everything from him. With New York City as his bullet-riddled playground, JOHN WICK (Keanu Reeves) is a fresh and stylized take on the "assassin genre”.He is also the screenwriter of One in the Chamber, The Package (starring Steve Austin & Dolph Lundgren). This episode is from the archives of The Make Your Movie Podcast with Dave Bullis available from the IFH Podcast Network. Dave chats with Derek about bad movies, screenwriting, the film business, and working with Keanu Reeves.I wanted to bring this amazing episode to the BPS Tribe. Get ready to dive into the ultra-violent world of Derek Kolstad.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

Today on the show we bring the legendary story analyst and best-selling author Chris Vogler. Chris wrote the game-changing book  The Writers Journey: Mythic Structure for Writers. I read this book over 25 years ago and it changed the way I look at "story." Chris studied the work and principles of the late master Joseph Campbell. His book The Hero with a Thousand Faces was the basis for Star Wars as well as almost every other Hollywood feature film in the past 60 years using what Campbell called the monomyth.Many filmmakers and screenwriters believe that the hero's journey or monomyth is out of date and doesn't work on today's savvy audience. Nothing could be farther than the truth. The hero's journey is the meat and potatoes that all storytellers need to understand. Elements from the monomyth is in every story ever written. As screenwriters, you need to study and understand the monomyth then use it as you wish in your story. Take a look below at some of the monomyth's character archetypes.Chris's ground-breaking book is celebrating its 25-year anniversary so someone is reading it. Enjoy my conversation with Chris Vogler.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

Today on the show we have screenwriter and director Jeffrey Reddick, who is best known for creating the highly successful Final Destination horror film franchise. The franchise has grossed over $650 Million world-wide. Not bad for an idea that was first conceived for an X-Files episode.Jeffrey also co-wrote the story for, and executive produced, Final Destination 2 (2003). Jeffrey made his first connection to the film industry at age 14 when he wrote a prequel to Nightmare On Elm Street (1984) and mailed it to Bob Shaye, the President of New Line Cinema. Bob returned the material for being unsolicited. But the young man wrote Bob an aggressive reply, which won him over.Bob read the treatment and got back to Jeffrey. Bob, and his assistant, Joy Mann, stayed in contact with Jeffrey for over five years. When he went to The American Academy of Dramatic Arts in New York at age 19, Bob offered him an internship at New Line Cinema. This internship turned into an 11-year stint at the studio.Aside from Final Destination (2000), which spawned four successful sequels, Jeffrey's other credits include Lions Gate's thriller, Tamara (2005), and the remake of George Romero's classic, Day of the Dead (2008). Jeffrey's directorial debut is Don't Look Back.When a young woman overcoming her traumatic past is among several witnesses who see a man fatally assaulted and don't intervene, they find themselves targeted by someone, or something, out for revenge.Jeffrey has had an amazing career so far and I can't wait to see what he comes up with next.Enjoy my spooky conversation with Jeffrey Reddick.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

Ever wonder how Pixar continuously puts out hit after hit? What is the story secret sauce that has created one of Hollywood's most amazing track records? Today's guest might be able to shed some light on the answer. On the show, we have screenwriter and author Dean Movshovitz. Dean wrote the best-selling book Pixar Storytelling: Rules for Effective Storytelling Based on Pixar's Greatest Films.PIXAR STORYTELLING is the first book to offer an in-depth analysis of the screenwriting techniques and patterns that make Pixar’s immensely popular classic films so successful and moving. Each chapter of the book explores an aspect of storytelling that Pixar excels at. Learn what Pixar’s core story ideas all have in common, how they create compelling, moving conflict, and what makes their films’ resolutions so emotionally satisfying.First released in October 2015, the book has sold over 15,000 copies without any marketing or PR. PIXAR STORYTELLING is taught on campuses worldwide, from Norway to Argentina, to Northwestern’s Qatar extension, and is cited in works and books from Finland to the US to Russia. It has been translated into Vietnamese and is being translated into Russian.PIXAR STORYTELLING has proven to be an inspiring, insightful, approachable, and popular book, which can be used as a gift, a manual, and a textbookEnjoy my conversation with Dean Movshovitz.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.