Bulletproof Screenwriting™ Podcast

The legacy of the crime drama television series, The Sopranos remains a defining art of storytelling for mob TV shows. We have the genius behind this hit TV series, David Chase as our guest today. As expected, Chase is a twenty-five-time Emmy Awards-winner, seven times Golden Globes winner, and highly acclaimed producer, writer, and director. His forty-year career in Hollywood has contributed immensely to the experience of quality TV. Before getting into the nitty-gritty of Chase, let’s do a brief of the HBO 1999 hit show, The Sopranos: Produced by HBO, Chase Films, and Brad Grey Television, the story ran for six seasons, revolving around Tony Soprano, played by James Gandolfini, a New Jersey-based Italian-American mobster, portraying the difficulties that he faces as he tries to balance his family life with his role as the leader of a criminal organization.The series has been the subject of critical analysis, controversy, and parody, and has spawned books, a video game, soundtrack albums, podcasts, and assorted merchandise. During its run, the film earned multiple awards, including the Peabody, Primetime Emmy, and the Golden Globe Awards. Even though David has continued to dominate his craft, with other works like The Rockford Files, I'll Fly Away, Not Fade Away, Northern Exposure, Almost Grown, Switch, etc, he is still most known for his television directorial debut, The Sopranos.The genius is back with the Sopranos prequel, The Many Saints of Newark, which stars Alessandro Nivola and James Gandolfini’s son Michael Gandolfini as a young Tony Soprano. It has been in theaters and on HBO Max since October 1, 2021.The plot explores the life of Young Anthony Soprano. Before Tony Soprano, there was Dickie Moltisanti, Tony’s uncle. Young Anthony Soprano is growing up in one of the most tumultuous eras in Newark's history, becoming a man just as rival gangsters begin to rise up and challenge the all-powerful DiMeo crime family's hold over the increasingly race-torn city.Caught up in the changing times is the uncle he idolizes, Dickie Moltisanti, who struggles to manage both his professional and personal responsibilities-and whose influence over his nephew will help make the impressionable teenager into the all-powerful mob boss we'll later come to know: Tony Soprano.We also talk a bit about David’s five-year, first-look deal to create shows for HBO parent WarnerMedia. More culture moments, please!Let’s get into the chat, shall we?Enjoy my entertaining conversation with David Chase.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

I believe that most indie filmmakers have a dream of making a feature film, getting accepted to the Sundance Film Festival, and that film would be fought over in a massive bidding war that generates millions of dollars for the filmmakers. I’ve called this dream the lottery ticket mentally. I always say that someone wins the lottery every week somewhere.Well, today’s guest is that lottery ticket winner. Today on the show we have director Max Barbakow, the filmmaker behind the largest sale at Sundance in history. His film Palm Springs sold for a record-breaking $17.5 million and .69¢. Those last cents are what broke the record.The film stars Andy Samberg, Cristin Milioti, and J.K. Simmons and was acquired by NEON and Hulu at the festival.When carefree Nyles and reluctant maid of honor Sarah have a chance encounter at a Palm Springs wedding, things get complicated when they find themselves unable to escape the venue, themselves, or each other.I’ve always wanted to know what it was like to be a fly on the wall during a bidding war at Sundance. In today’s episode, I take you through the improbable journey of this first-time feature filmmaker and his adventures of getting his film Palms Springs from the page to the Sundance record books.You can watch Palm Springs on Hulu.Enjoy my conversation with Max Barbakow.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

The NO Bullsh*t Guide to Making Your Indie Film with Jeff LeisawitzHave you ever been in a place where nothing is going right creatively? Do you ever feel like you are standing in your own way? Me too. Today's guest is author Jeff Leisawitz who wrote Not F*ing Around— the No Bullsh*t Guide for Getting Your Creative Dreams Off the Ground.  This little pack is quite a punch.I wanted to have Jeff on the show to drop some knowledge bombs to wake up the tribe a bit. To help you get out of your own way; to get you out of any creative rut.This guidebook is a manual for creatives who can't quite get their creative juices flowing? The day job sucking your soul? Fizzled out before you put the finishing touches on your amazing creation? With relentless positivity, full-on authenticity, and a punk rock thunder spirit, author Jeff Leisawitz pulls back the curtain on the creative process and reminds us that we are all creative SuperStars.It's time to get off the couch and get on the path. It's time to tap into the cosmic heartbeat that thumps in your chest and shines from your soul. It's time to get NFA!About Jeff Leisawitz: Jeff is an award-winning musician/ producer, a critically acclaimed author, and an internationally distributed filmmaker who has devoted his life to creativity.As the guy behind Electron Love Theory, Jeff fused interviews with Seattle’s WTO demonstrators into electronic music, garnering more than a quarter-million downloads worldwide. Jeff has released five studio albums and has landed thousands of music placements in film, TV, and multimedia for clients like HBO, MTV, Discovery, Microsoft, NBC, and many others.As the founding writer for Seattle’s taste-making alternative rock station 107.7 The End, he chronicled the alternative grunge scene in the 90s.After training as a Life Coach and practicing NLP (Neuro-Linguistic Re-Patterning) Jeff landed a gig as an adjunct faculty member at Pacific Lutheran University— teaching college students to rock. (Seriously)When creative businesses, schools, and organizations like Brown Paper Tickets, Tacoma School of the Arts, Gage Academy of Art, Northwest Film Forum, and others need to amp up the creativity, Jeff leads workshops and events to fire up the creative spirit and empower people to tap into their true potential.Enjoy my conversation with Jeff Leisawitz.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

I have an inspirational treat for you today. On the show, we have writer/producer/director Elizabeth Blake-Thomas. She has recently financed, written, directed, and sold six feature films in the past two years, with no professional film school training. Elizabeth has been involved in the creative industries for over 30 years. Studying drama from a young age led her to run theatre schools, train other students and companies and work in various creative industries, culminating in where she is now, a director and writer.When I heard her story I had to hunt her down and find out how she did it. BTW, she's not stopping, Elizabeth is currently in prep for three more feature films. Talk about hustle. She is the definition of the phrase "INDIE FILM HUSTLE."She is proof that no film school is needed. Enjoy my conversation with Elizabeth Blake-Thomas.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

It’s always way fun to have a guest who is also a fan of the show. This week’s guest is definitely a member of the tribe. We chatted up pre-interview about some of his favorite IFH podcast episodes like Ed Burns and Joe Carnahan and I knew front hen on we were on for a treat. My guest today is award-winning writer, director, and producer, Chris Sparling.Chris has written some of Hollywood's most original and fascinating screenplays like Buried, Greenland, Mercy, Down A Dark Hall, Reincarnate (featuring Leonardo DiCaprio), The Sea of Trees with Matthew McConaughey, etc.One of his latest films, Greenland, which premiered in 2020 started streaming on Amazon prime this February.The disaster thriller film starring Gerard Butler and Morena Baccarin follows a family who must fight for survival as planet-destroying comet races to Earth. Butler’s family struggles for survival in the face of a cataclysmic natural disaster as the planet-killing comet races to Earth. John Garrity (Gerard Butler), his estranged wife Allison (Morena Baccarin), and young son Nathan make a perilous journey to their only hope for sanctuary.Amid terrifying news accounts of cities around the world being leveled by the comet's fragments, the Garrity's experience the best and worst in humanity while they battle the increasing panic and lawlessness surrounding them. As the countdown to global apocalypse approaches zero, their incredible trek culminates in a desperate and last-minute flight to a possible safe haven.With its reception and regardless of the COVID 19 Pandemic, the film grossed $52.3 million at the Box Office and was announced that the sequel, Greenland: Migration is already in the works. The continuation of the story will center around the Garritys' journey across a frozen European wasteland to find a new home. STX has already acquired the worldwide distribution rights for the film at the 2021 Cannes Film Festival for the sequel with a $65 million budget.Chris’s path to becoming a renowned Hollywood blockbuster writer begun on the actor’s path. He was inspired to take up writing after the 1997 hit psychological drama film, Goodwill Hunting which was directed by Gus Van Sant and starred Robin Williams, Matt Damon, Ben Affleck, and others.He left Los Angeles on a home (Rhodes Island) bound to recalibrate and focus on completing college and writing because it was a challenge juggling that and acting auditions. After completing college, Sparling returned to Los Angeles. With no connections or leads, he returned to Rhodes Island with the plan to make a movie of one of the many scripts he had written by then. Though he had no formal film production experience at this point, Sparling wrote, directed, and produced An Uzi at the Alamo which is about a young writer in search of his identity, pledges to his dysfunctional family that he will commit suicide on his 25th birthday. As the fateful day approaches, he stumbles upon love and a new sense of self. Fearing family humiliation if he backs out of his pledge, he prepares for his last birthday with the feigned support of his family.Of course, the film did not do well, but this is when things became interesting for Chris’s writing career. He dusted up and sent out about one hundred specs to studios, managers, producers, literally anyone he could contact. He received back, only three responses and one of which was from a manager who became his manager and still is till this day. That was his first open door.When I saw the trailer for Chris’s 2010 film, Buried, and the success of it, as an independent filmmaker, I was in awe and slightly jealous of how easy (cost, and production-wise), revolutionary the film is. Buried is a brilliantly twisted suspense and original screenplay that is a nightmare for claustrophobes. Sparling found mainstream success when his feature-length screenplay Buried was purchased by producer Peter Safran starring Ryan Reynolds.Ryan plays Paul, an Iraq-based American civilian truck drive. After an attack by a group of Iraqis, he Wakes up groggy in pitch darkness, to find he is buried alive inside a coffin. With only a lighter, flask, flashlight, knife, glowsticks, pen, pencil, and a mobile phone.It's a race against time to escape this claustrophobic death trap. He is left to rely on his cell phone to contact the outside world. But the outside world proves not to be very helpful at finding a man buried in a box in the middle of the Iraqi desert. Paul must rely on his best resource--himself.The film premiered at the 2010 Sundance Film Festival and was sold to Lionsgate Films. Buried was shown at several major European and North American film festivals. It was nominated for and won a plethora of European films awards because it was produced in Barcelona by Barcelona-based Versus Entertainment, in association with The Safran Company and Dark Trick Films.Some of the awards included the Goya Award, for Best Original Screenplay, a Gaudi Award in the same category, and the best European feature film of the year award at the Strasbourg European Fantastic Film Festival in September 2010. This $2 million budget indie film made a gross splash of $21.3 million worldwide. Sparling had an immediate success from Buried; between the script going out in March of 2009 and the movie premiering at Sundance in 2010, and he suddenly needed an agent, an attorney, and everything legit in between. Intrusion, Sparling’s latest film will be streaming on Netflix in just one week (September 22, 2021), starring Freida Pinto and Logan Marshall-Green. It is about a husband and wife who move to a small town. A deadly home invasion leaves the wife traumatized and suspicious that those around her might not be who they seem. Even though it was self-defense, it was still a homicide. However, it turns out that the home invasion was not a one-off, and there are many other missing person cases in which the invaders may be involved. Meera falls into a rabbit hole as she takes it upon herself to find out the truth.Enjoy my entertaining conversation with Chris Sparling.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

We have on today, one of the best rom-com and comedy writers and filmmakers of all time a master at visual storytelling. I've been a fan of many of his films growing up, specifically, Father of The Bride. Now that I have two daughters of my own, it is fondly scary to rewatch it.Charles Shyer is an award-winning director, screenwriter, and producer whose work includes some of the best fuzzy-feel good films of all time. Shyer grew up in the film industry where his father worked with D.W. Griffith and was one of the founders of the Directors Guild of America. He is the director and writer of the 1991 comedy film, Father of the Bride starring Steve Martin, Diane Keaton, Kimberly Williams (in her film debut) in this remake of the Spencer Tracy classic, George (played by Steve Martin) and Nina Banks (played by Diane Keaton) are the parents of young soon-to-be-wed Annie (played by Kimberly Williams-Paisley). George is a nervous father unready to face the fact that his little girl is now a woman. The preparations for the extravagant wedding provide additional comic moments. Martin, a businessman, and owner of an athletic shoe company finds out his daughter is getting married, he finds himself reluctant to let go and goes on a spiral. It is one of those movies with a lot of smiles and laughter in it, and a good feeling all the way through. The film grossed $129 million and has had two sequels of it made in 1995 and 2020.He wrote and co-produced one of the most pivotal films in Lindsey Lohan’s career, The Parent Trap (1998). It captured the story of identical twins Annie and Hallie (played by Lohan), separated at birth and each raised by one of their biological parents, later discover each other for the first time at summer camp and make a plan to bring their wayward parents back together.People fell in love with the movie and Lohan’s exceptional performance, leading to an instant box-office success with a $92.1 million gross. There are but few writers who are able to master the craft of romantic comedy, and Charles Shyer is one. His films include Private Benjamin (1980), Irreconcilable Differences (1984), Baby Boom (1987), the Father of the Bride sequels, The Affair of the Necklace (2001), etc.Shyer directed Baby Boom and co-wrote it with his long-time writing partner, Nancy Meyers in 1987. It stars Diane Keaton (a super-yuppie J.C) who discovers that a long-lost cousin has died, leaving her a fourteen-month-old baby girl as an inheritance. Like most of his films, this too was a box office success. Her life is thrown into turmoil.J.C. Wiatt is a successful New York businesswoman known around town as the "tiger lady." She gets news of an inheritance from a relative from another country and off the bat she suspects it's money. Well, it's not money, it's a baby girl. At first, she doesn't accept until the lady that gives the baby to her has to catch her flight. J.C. is now stuck with an annoying baby girl. Her boyfriend doesn't like the idea of a baby living with them and he leaves her. J.C. has enough of it and takes her to meet a family ready to adopt her. She leaves but hears the baby cry while walking away and has to go back. The baby is too attached to her now and won't let her go. Later, her baby gets into mischief which causes her to get fired. Now, she sets her eyes on an old two-story cottage in Vermont to get out of New York life. When she arrives, the house needs more help than originally thought. She gets bored one snowy day and decides to make apple sauce. Her baby loves it and she decides to sell it. Pretty soon everyone wants some of the baby apple sauce. J.C. hits it big and falls in love with a local veterinarian.All this happened after he made the switch at the start of his career in the industry, from pursuing directing to writing and landing a gig on the 1970 TV series, The Odd Couple. Where Shyer eventually worked his way up to head writer and associate producer, writing about twenty-four episodes of the show. The sitcom, The Odd Couple was formally titled onscreen as Neil Simon's The Odd Couple. It was broadcasted on ABC from September 24, 1970, to March 7, 1975, starring Tony Randall as Felix Unger and Jack Klugman as Oscar Madison.In our conversation, Shyer tackled the making of some of his well-known films and the changing writing culture in Hollywood. It’s always a good fun day at the office when I can chat up with folks like Charles. Enjoy my chat with Charles Shyer.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

I was glad to take a deep dive into the deep end of horror screenwriting with writer and producer, Devin Watson, notably known for writing and producing The Cursed (2010) which was the first draft he wrote in only two days. He’s also written several books, the latest of which is Horror Screenwriting: The Nature of Fear. Horror has, among all of the genres in film and written works, one of the longest, most distinguished, and often misunderstood bloodlines in history. It is often overlooked by critics who don't see anything more than blood and guts on the screen or a collection of cheap scares.But what is missed is the hard-hitting commentary on society and life contained in those works.Devin got his start working with the website, 'moviepartners.com' in the late 90s which was one of the first websites out there that really had any kind of information on independent filmmaking.Eventually, he decided to try out writing some scripts. But reading what every he could find to prepare him for scriptwriting. He was influenced in a big way by Lew Hunter's book, Screenwriting 434. Here, Lew Hunter shares the secrets of his course on the screenwriting process by actually writing an original script, step by step in Screenwriting 434.When he felt ready, Devin wrote his first five scripts, all of which turned out not very good. Not until November 2006 that he wrote a script in 2 days for his friend, Phil Melfi. That was when he felt confident in his work. That script became his debut production and writing, The Cursed, which is still a sci-fi channel Halloween rotation regular.Devin’s book Horror Screenwriting really dives into the craft of horror and screenwriting pretty deeply.Enjoy my conversation with Devin Watson.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

We have award-winning author, playwright, actor, teacher, and writing consultant, Catherine Ann Jones on the show today. She’s authored a number of consciousness-raising books, plays, film, and television scripts, including, The Christmas Wife (film), Unlikely Angel with Dolly Parton, The Way of Story: the craft & soul of writing (book), Freud’s Oracle (Play), and several others.Unlikely Angel stars Dolly Parton who plays a self-absorbed singer who meets an untimely death and gets an opportunity to earn her wings if she helps a family lost in the tragic death of their Mother find each other again. This should be a Holiday movie tradition.In our interview, we talk about her book, The Way Of Story which offers an integrative approach to writing all forms of narrative.This illustrated book contains evocative insights from the author's own professional journey. The emphasis on the integration of both a solid craft and an experiential inner discovery makes this writing book unique.She helps others on their writing journeys through workshops, consulting, and writingFollowing her passions for truth-seeking and dramatic self-expression Catherine’s written six books. Her most recent book is a 2013 publication, Heal Your Self With Writing.Catherine was a writer on the popular 90s TV show, Touch by an Angel.The series generally revolved around the "cases" of Monica (played by Roma Downey), an angel recently promoted from the "search and rescue" division, who works under the guidance of Tess (played by Della Reese), a sarcastic boss who is sometimes hard on her young colleague but is more of a surrogate mother than a mentor. The trio of angels is sent to Earth to tell depressed and troubled people that God loves them and hasn't forgotten them.Let's delve into Catherine's writing process and how she helps others achieve excellent stories, shall we?Enjoy my conversation with Catherine Ann Jones.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

I’m taking a journey down the rabbit hole of screenwriting psychoanalysis with Professor William Indick, who is a psychology professor at William Paterson University in New Jersey, professor of psychology executive chair of faculty at Dowling College, and author of Psychology for Screenwriters.We take a nerdy dig into the world of psychology and how it affects writers, screenwriters, and characters. With some expert contextualization, William psychoanalyzes some of our favorite films and characters while also breaking down character archetypes and themes he has studied.  How did it all start, you ask?Well, in 2003 he made the decision to incorporate more culturally relevant theories of personality instead of antiquated theories in his psychology classes by sorting references from famous films. Based on his students growing interested and fascination, William researched to find psychology textbooks about films, but none existed. So he wrote one instead. The book was published by Michael Wiese productions in 2004.  Psychology For Screenwriters supports that screenwriters must understand human behavior to make their stories come alive. This book clearly describes theories of personality and psychoanalysis with simple guidelines, thought-provoking exercises, vivid film images, and hundreds of examples from classic movies.Basically, the book takes general psychology theories and applications and adapts them into helpful tools for screenwriters.He delves into various genre archetypal characters and themes that are repetitive in screenplays in the second edition of the book which will be out soon.Just this summer, William published his sixth book, Media Environments and Mental Disorder: The Psychology of Information Immersion. It deals a lot with narcissism, and the notion that all media is a mirror, and how we understand ourselves at a time when we're constantly being reflected in a million ways. The information environments that modern society requires us to master and engage in are based on literacy and digital communication. Mediated information not only passes through our brains, it alters and rewires them. Since our environment, to a large extent, is shaped by the way we perceive, understand, and communicate information, we can even think of mental disorders as symptoms of maladaptation to our media environments.This book uses this "media ecology" model to explore the effects of media on mental disorders. It traces the development of media from the most basic forms--the sights and sounds expressed by the human body--to the most technologically complex media created to date, showing how each medium of communication relates to specific mental disorders such as anxiety, depression, schizophrenia, and autism. As the digital age proceeds to envelop us in an environment of infinite and instantly accessible information, it's crucial to our own mental health to understand how the various forms of media influence and shape our minds and behaviors.My conversation with William was one of those discussions that you come out of, more informed than you went in.We had a blast. Enjoy my very informative conversation with William Indick.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

I’m sure many of you are familiar with the cult indie film classic The Boondock Saints. But many of you might not know the crazy story of its writer and director Troy Duffy.Well, prepare to get your mind BLOWN. I had an EXCLUSIVE discussion with Troy this week, and let's say, he did not hold back. Nothing was off-limits - from his instant rise to fame to the brutal fate he met - getting blacklisted, all of it. He wanted to set the record straight because there is always another side to the story, and what better side to hear than that of the man who lived this brutal Hollywood adventure?Troy Duffy moved to Hollywood in his twenties to chase the dream of a music career with his band, The Brood. While seeking music gigs, he tended bar at a local Los Angeles dive, where he wrote the screenplay for The Boondock Saints during his break periods.The muse for the script happened one day when he came home from his job to find a dead hooker being wheeled out of a drug dealer’s apartment across the hall. Duffy went and rented a computer (as he couldn’t afford to buy one) and wrote the screenplay for The Boondock Saints based on his feelings of disgust at what he had just seen. As he puts it:I decided right there that out of sheer frustration and not being able to afford a psychologist, I was going to write this, think about it. People watching the news sometimes get so disgusted by what they see. Susan Smith drowning her kids... guys going into McDonald's, lighting up the whole place. You hear things that disgust you so much that even if you're Mother Teresa, there comes a breaking point. One day you're gonna watch the news and you're gonna say,'Whoever did that despicable thing should pay with their life. You think — for maybe just a minute — that whoever did that should die, without any fuckin' jury. I was going to give everybody that sick fantasy. And tell it as truthfully as I could. I wrote Boondock Saints in three sections. I wrote the very beginning and then I started thinking of cool shit for the middle. Then somehow between the beginning and the middle, the ending dictated itself.The screenplay featured two brothers in Boston dedicated to killing Mafia thugs. He successfully got the script into the hands of Harvey Weinstein of Miramax Films, who bought the screenplay for $300,000 intending to film the movie on a $15,000,000 budget.Now what happened over the next three years is a remarkable cautionary tale. I saw this documentary called Overnight, the 2003 documentary that chronicled Duffy’s rise and fall. Troy was portrayed in the film as an egomaniacal maniac, obsessed with the heights of his talent and abusive to his friends. He goes on to lose his mega-deal, with the now conflict sexual predator Harvey Weinstein, his friends, and his Hollywood connections.Of course, there are two sides to every story. Troy took full responsibility for what he did and said in the documentary but as I told him editing can be a bitch. The filmmakers amplified the negative, manufactured storylines and really damaged Troy's film career. I mean the film made Troy look insane. You can watch the film by CLICKING HERE and make up your own mind.Now, this should have been the end of the tale but we all love a great comeback story. After being dropped by Harvey and Miramax, still believing that the film was a hot commodity, Troy Duffy convinced agents at the William Morris Agency to help him market it to other studios.The independent production company Franchise Pictures agreed to finance the project, for $7 million, less than half of Miramax’s original budget. The Boondock Saints grossed over $50 million in domestic video sales, of which Troy Duffy received nothing due to the bad deal he signed with the distribution company but after the debacle of the Miramax deal, he didn’t have many options.According to Troy Duffy, no one on the film got paid; not him, his producers, or the cast. He sued Franchise Pictures for royalties of the first film, merchandise, and sequel rights. After a lengthy lawsuit, Troy, his producers, and the principal cast received an undisclosed amount of The Boondock Saints royalties as well as the sequel rights.Years later, Troy Duffy finally returned for the sequel to The Boondock Saints, titled The Boondock Saints II: All Saints Day which was released on October 30, 2009.The film grossed $11 million at the box office (the film was released limited, never playing on more than 524 screens) and has grossed over $50 million in DVD sales (as of June 2012). The film had an $8 million budget.Currently, Duffy has several projects in development, including “Boondock Saints III.”Troy Duffy receives the golden ticket and then struggled to deal with it but it seemed that was the journey he needed to take as a filmmaker, a person, and a human being. If put on the same path in my early twenties I don’t know how I would have reacted. I would have probably wouldn’t have fared well at all.Troy and I dive into the deep end of the pool in this conversation. He revealed things he never had before. We discuss the making of Overnight, his interactions with the now-disgraced Harvey Weinstein, and where he sees himself going from here.Enjoy my exclusive and entertaining as hell conversation with Troy Duffy.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.