In Conversation: An OUP Podcast

The starting point of this book is the 'civil war' of ideas that broke out during the early 2010s about the purpose and even the desirability of the European Union as a polity, with a number of right-wing populist formations openly advocating for exiting the Union. The sovereign debt crisis triggered a spiral of ideological decommunalization: national leaders seemed to have lost that sense of 'togetherness' and mutual bonds that had been laboriously developed over decades of integration. Politics and Social Visions: Ideology, Conflict, and Solidarity in the EU (Oxford UP, 2024) explores this politically disruptive process from an ideational perspective, on the assumption that symbols and visions play a crucial role. In processes of polity formation, ideologies offer competing partisan views, but tend to converge along the 'communal' dimension, which defines the nature and boundaries of the emerging polity. This convergence has been a challenge for the EU since its origins, as it has required the construction of a coherent and acceptable image of Europe as a compound polity of nation-states with a divisive past. Maurizio Ferrera offers a reconstruction of how the main ideological currents have struggled - and often failed - to reconfigure their horizontal profiles (i.e. their images of the national within Europe) into a new vertical profile (i.e. an image of the European within the national). The challenge has been especially demanding for European left-wing parties, which have been largely unable to forge a shared and recognizable 'social vision' of the European Union. Only during the COVID pandemic have the seeds of a novel communal consensus emerged that might prove capable of defeating the anti-communal views of Eurosceptic ideologies and free market technocrats.

The growing concern about global environmental change and human impacts on the planet has led to the emergence of a broad field of study on the 'sustainability' of human societies. The term's common usage can be traced back to the advent of the Earth Summit in 1992 when 'sustainable development' was broadly embraced by the international community as an ostensibly win-win proposition for economic development, social inclusion, and ecological conservation. Yet both the natural science underpinnings and the social implications of a quest for sustainability have been diffuse. There is a need for a coherentSustainability: A Very Short Introduction (Oxford UP, 2024) begins by introducing the concept of sustainability and how it has developed. The central chapters consider four key concepts crucial to sustainability: a) material and energy flows in consumption and production; b) technological interventions for a sustainable society; c) tipping points, and resilience in natural and social systems; and d) renewability and circularity in the economy. In the concluding chapter, Saleem H. Ali explores political means of managing anthropogenic change for a more sustainable society. Earthly Order by Saleem H. Ali Pursuing Sustainability: A Guide to the Science and Practice  National Sustainability Society Saleem's column in Forbes Saleem H. Ali is Chair and Distinguished Professor of Geography at the University of Delaware.Caleb Zakarin is editor at the New Books Network.

Brahmins and Kings: Royal Counsel in the Sanskrit Narrative Literatures (Oxford UP, 2025) examines some of the most well-known and widely circulated narratives in the history of Sanskrit literature, including the Mahabharata, the Ramayana, Visnusarman's famed animal stories (the Panchatantra), Somadeva's labyrinthine Ocean of Rivers of Stories (the Kathasaritsagara), Kalhana's Chronicle of the Kings of Kashmir (the Rajatarangini), and two of the most famous plays in the history of Sanskrit literature, Kalidasa's Abhijnanasakuntala and Harsa's Ratnavali. Offering a sustained close, intertextual reading, John Nemec argues that these texts all share a common frame: they feature stories of the mutual relations of ksatriya kings with Brahmins, and they all depict Brahmins advising political figures. 

How do separatist conflicts arise and spread? When does separatism become a cover for a foreign aggression? How do local communities respond when state institutions collapse, and militants take over? The armed conflict in Eastern Ukraine, which started eight years before Russia's full-scale invasion, contains unique evidence to address each of these questions.In Seize the City, Undo the State: The Inception of Russia's War on Ukraine (Oxford UP, 2015), Serhiy Kudelia offers an authoritative study of the conflict at its initial stage--2013-14--based on a meticulous comparison of mobilization dynamics in over dozen towns of Donbas as well as in two major cities outside of it: Kharkiv and Odesa. Through his extensive travels and numerous interviews with conflict witnesses and participants, Kudelia explains how a small group of Russian agents and local militants succeeded in eliminating state control over the largest and most densely urbanized region of Ukraine but failed to do it elsewhere. Kudelia challenges the conventional accounts of the armed conflict in Donbas, which portray it either as an interstate conflict entirely manufactured by Moscow or as a civil war that broke out without any external influence. Instead, he argues that local actors prepared ideological and organizational basis for the uprising, but the successful spread of separatist control resulted from the covert intervention of Russian agents and widespread collaboration with them of town administrators and community activists. His findings also show that when enough members of local communities organized to resist militant takeovers, the separatist challenges there quickly dissipated.A fine-grained and highly original on-the-ground analysis of the origins of the wider Russian-Ukrainian war that broke out in 2022, this book offers broader insights into the conditions under which external intervention may trigger the rise of an armed insurgency in a society torn apart by political and ideological disagreements.

Brynn Quick speaks with Dr. Lauren Gawne, about cross-cultural variation in gesture use.In this episode, Brynn and Lauren discuss a paper that Lauren wrote in 2024 with co-author Dr. Kensey Cooperrider entitled “Emblems: Meaning at the interface of language and gesture”. Brynn and Lauren talk all about how emblems are different to gestures, cultural uses of emblems, emoji, and how emblems might be changing in the digital age.Discussions in this episode include references to Lauren’s book Gesture: A Slim Guide (Oxford UP, 2025), the video episode on gesture that Lingthusiasm made and Gretchen McCulloch’s book Because Internet.For additional resources, show notes, and transcripts, go here.

Oberbrechen: A German Village Confronts Its Nazi Past (Oxford UP, 2024) is a new title in OUP's Graphic History Series that chronicles the events of the Holocaust and its aftermath in a small village in rural Germany. Based on meticulous research and using powerful visual storytelling, the book provides a multilayered narrative that explores the experiences of both Jewish and non-Jewish villagers from the First World War to the present. Its focus on how "ordinary" people experienced this time offers a new and illuminating insight into everyday life and the processes of violence, rupture, and reconciliation that characterized the history of the twentieth century in Germany and beyond. The graphic narrative is accompanied by source documents published in English translation for the first time, an essay on the wider historical context, and an incisive reflection on the writing of this book—and of history more broadly.Kim Wünschmann is Director of the Institute for the History of the German Jews and teaches at the University of Hamburg. She obtained her Ph.D. from Birkbeck, University of London. Her research centers on German Jewish history, Holocaust Studies, and legal history. She held fellowships at The Hebrew University of Jerusalem and the International Institute for Holocaust Research at Yad Vashem. She was DAAD Lecturer at the Centre for German-Jewish Studies at the University of Sussex and Research Associate at the Department of History at LMU Munich. Her Publications include Before Auschwitz: Jewish Prisoners in the Prewar Concentration Camps (Harvard University Press, 2015), awarded the Yad Vashem International Book Prize for Holocaust Research. She is also the co-editor of Living the German Revolution 1918–19: Expectations, Experiences, Responses (Oxford University Press, 2023) and together with Stefanie Fischer co-author of the Graphic History Oberbrechen: A German Village Confronts Its Nazi Past, illustrated by Liz Clarke (Oxford University Press, 2024) .Stefanie Fischer a Senior Lecturer at the Center for the Study of Antisemitism at the Technical University of Berlin. Her fields of scholarly research are German Jewish history and Holocaust Studies. Fischer is the author of Jewish Cattle Traders in the German Countryside, 1919-1939. Economic Trust and Antisemitic Violence (Indiana University Press, 2024) and with Kim Wünschmann of Oberbrechen. A German Village Confronts its Nazi Past (Oxford University Press, 2025). She is also co-editor of the Leo Baeck Institute Year Book (Oxford University Press, since 2024).

Dancing Black, Dancing White: Rock 'n' Roll, Race, and Youth Culture of the 1950s and Early 1960s (Oxford University Press, 2023) offers a new look at the highly popular phenomenon of the televised teen dance program. These teen shows were incubators of new styles of social and popular dance and both reflected and shaped pressing social issues of the day. Often referred to as "dance parties," the televised teen dance shows helped cultivate a nascent youth culture in the post-World War II era. The youth culture depicted on the shows, however, was primarily white. Black teenagers certainly had a youth culture of their own, but the injustice was glaring: Black culture was not always in evident display on the airwaves, as television, like the nation at large, was deeply segregated and appealed to a primarily white, homogenous audience. The crux of the book, then, is twofold: to explore how social and popular dance styles were created and disseminated within the new technology of television and to investigate how the shows both reflected and re-affirmed the racial politics and attitudes of the time. The story of televised teen dance told here is about Black and white teenagers wanting to dance to rock 'n' roll music despite the barriers placed on their ability to do so. It is also a story that fuses issues of race, morality, and sexuality. Dancing Black, Dancing White weaves together these elements to tell two stories: that of the different experiences of Black and white adolescents and their desires to have a space of their own where they could be seen, heard, appreciated, and understood.Julie Malnig is Professor of Dance and Theatre Studies at The Gallatin School of Individualized Study at New York University.

In The Eleventh Plague: Jews and Pandemics from the Bible to COVID-19 (Oxford UP, 2023), Brown investigates the relation between Judaism and infectious diseases throughout the ages, from premodern and early-modern plagues, to rabbinic responses to smallpox and cholera, to the special vulnerabilities Jewish immigrants faced in the US as result of prejudice, and to the curious practice of “Black Weddings” in which two orphans are married in a cemetery and brings us to the modern day with the COVID-19 pandemic.

In the latest episode of Unlocking Academia, host Raja Aderdor sits down with Marc Owen Jones, associate professor at Northwestern University in Qatar, to explore the complex world of digital deception in the Middle East, as outlined in his book Digital Authoritarianism in the Middle East: Deception, Disinformation and Social Media (Hurst/Oxford UP, 2021).Marc draws on years of experience growing up in Bahrain and Saudi Arabia, as well as living and working in Sudan, Syria, Germany, and the UK. His perspective offers both depth and global context. In the episode, he discusses how social media has become a tool for manipulation, with bots, fake accounts, and disinformation campaigns shaping public discourse and limiting civil society. The conversation explores how these tactics function, their consequences, and the growing challenge of digital authoritarianism.Timely and insightful, this episode highlights the importance of understanding the role of digital technologies in shaping truth, politics, and media in the Middle East and beyond.We are Clavis Aurea: a dynamic team constantly looking for ways to help academic publishing grow and to promote groundbreaking publications to scholars, students, and enthusiasts globally. Based in the renowned publishing city of Leiden, we eat, sleep, and breathe publishing!

For many, technology offers hope for the future―that promise of shared human flourishing and liberation that always seems to elude our species. Artificial intelligence (AI) technologies spark this hope in a particular way. They promise a future in which human limits and frailties are finally overcome―not by us, but by our machines. Yet rather than open new futures, today's powerful AI technologies reproduce the past. Forged from oceans of our data into immensely powerful but flawed mirrors, they reflect the same errors, biases, and failures of wisdom that we strive to escape. Our new digital mirrors point backward. They show only where the data say that we have already been, never where we might venture together for the first time. To meet today's grave challenges to our species and our planet, we will need something new from AI, and from ourselves. In The AI Mirror: How to Reclaim Our Humanity in an Age of Machine Thinking (Oxford UP, 2024), Shannon Vallor makes a wide-ranging, prophetic, and philosophical case for what AI could be: a way to reclaim our human potential for moral and intellectual growth, rather than lose ourselves in mirrors of the past. Rejecting prophecies of doom, she encourages us to pursue technology that helps us recover our sense of the possible, and with it the confidence and courage to repair a broken world. Professor Vallor calls us to rethink what AI is and can be, and what we want to be with it.Our guest is: Professor Shannon Vallor, who is the Baillie Gifford Professor in the Ethics of Data and AI at the University of Edinburgh, where she directs the Centre for Technomoral Futures in the Edinburgh Futures Institute. She is a standing member of Stanford's One Hundred Year Study of Artificial Intelligence (AI100) and member of the Oversight Board of the Ada Lovelace Institute. Professor Vallor joined the Futures Institute in 2020 following a career in the United States as a leader in the ethics of emerging technologies, including a post as a visiting AI Ethicist at Google from 2018-2020. She is the author of The AI Mirror: Reclaiming Our Humanity in an Age of Machine Thinking; and Technology and the Virtues: A Philosophical Guide to a Future Worth Wanting; and is the editor of The Oxford Handbook of Philosophy of Technology. She serves as advisor to government and industry bodies on responsible AI and data ethics, and is Principal Investigator and Co-Director of the UKRI research programme BRAID (Bridging Responsible AI Divides), funded by the Arts and Humanities Research Council.Our host is: Dr. Christina Gessler, who is the creator and producer of the Academic Life podcast.Listeners may enjoy this playlist: More Than A Glitch Artificial Unintelligence: How Computers Misunderstand the World Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 250+ Academic Life episodes? Find them here. And thank you for listening!