In Conversation: An OUP Podcast

Four years ago, on Feb. 1 2021, the Burmese military overthrew the fledgling democratic government in the Southeast Asian country of Burma, officially known as Myanmar. That sparked a civil war that continues today–with neither the military junta nor the various rebel groups coming closer to victory.How did the country get here? Veteran Asia journalist Bertil Lintner tackles the country’s history since independence, including the military’s long involvement in the country’s politics, in his book The Golden Land Ablaze: Coups, Insurgents and the State in Myanmar (Hurst: 2024). He joins today to talk about Burma’s history, the role of the military, China’s involvement in the country, and prospects for the civil war going forward.Bertil Lintner is an acclaimed journalist and expert on contemporary Southeast Asia, especially Myanmar. Formerly the Far Eastern Economic Review’s Burma correspondent, he is now a full-time correspondent with the Asia Pacific Media Services and writes regularly for Asia Times, The Irrawaddy and other regional and international websites and publications. Lintner has written 25 books on Asian politics and history, including Outrage: Burma's Struggle for Democracy (Review Publishing: 1989); Great Game East: India, China and the Struggle for Asia’s Most Volatile Frontier (Yale University Press: 2015); and The Costliest Pearl: China’s Struggle for India’s Ocean (Hurst: 2019).You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Golden Land Ablaze. Follow on Twitter at @BookReviewsAsia.Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.

In November 1839, a group of young women in Boston formed a conversation society "to answer the great questions" of special importance to women: "What are we born to do? How shall we do it?" The lives and works of the five women who discussed these questions are at the center of Bright Circle, a group biography of remarkable thinkers and artists who played pathbreaking roles in the transcendentalist movement.Transcendentalism remains the most important literary and philosophical movement to have originated in the United States. Most accounts of it, however, trace its emergence to a group of young intellectuals (primarily Ralph Waldo Emerson and Henry David Thoreau) dissatisfied with their religious, literary, and social culture. Yet there is a forgotten history of transcendentalism--a submerged counternarrative--that features a network of fiercely intelligent women who were central to the development of the movement even as they found themselves silenced by their culturally-assigned roles as women.Bright Circle: Five Remarkable Women in the Age of Transcendentalism (Oxford UP, 2024) is intended to reorient our understanding of transcendentalism: to help us see the movement as a far more collaborative and interactive project between women and men than is commonly understood. It recounts the lives of Mary Moody Emerson, Elizabeth Palmer Peabody, Sophia Peabody Hawthorne, Lydia Jackson Emerson, and Margaret Fuller as they developed crucial ideas about the self, nature, and feeling even as they pushed their male counterparts to consider the rights of enslaved people of color and women.Many ideas once considered original to Emerson and Thoreau are shown to have originated with women who had little opportunity of publicly expressing them. Together, the five women of Bright Circle helped form the foundations of American feminism.

The Business of Bobbysoxers: Cultural Production in 1940s Frank Sinatra Fandom (Oxford University Press, 2024) by Dr. Katie Beisel Hollenbach reconsiders the story of American popular music, celebrity following, and fan behavior during World War II through close examination of “bobbysoxers.” Preserved in popular memory as primarily white, hysterical, teen girl devotees of Frank Sinatra clad in bobby socks and saddle shoes, these girls were accused of displaying inappropriate behavior and priorities in their obsessive pursuit of a crooning celebrity at a time of international crisis. Dr. Beisel Hollenbach peels back the stereotypes of girlhood idol adoration by documenting the intimate practices of wartime Sinatra fan clubs, revealing a new side of this familiar story in American history through the perspective of the bobbysoxer.In World War II America, fan clubs and organizations like Teen Canteens offered a haven for teenage girls to celebrate their enjoyment of popular culture while cultivating relationships with each other through media icons and the entertainment industry. Many of these organizations attempted to encourage diverse memberships, influenced in part by Frank Sinatra's public work on racial and religious tolerance, and by Sinatra's own identity as an Italian American. Away from the critical public eye, these communities offered girls a place to safely explore and discuss issues including civil rights, politics, the war, patriotism, internationalism, and professional development in the context of their shared Sinatra fandom. With these broader social and political complexities in mind, The Business of Bobbysoxers shines a light on musical fan communities that provided teenage girls with peer groups at a critical moment of personal and historical change, allowing them to creatively express their desires and imagine their futures as American women together.This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

The asylum--at once a place of refuge, incarceration, and abuse--touched the lives of many Americans living between 1830 and 1950. What began as a few scattered institutions in the mid-eighteenth century grew to 579 public and private asylums by the 1940s. About one out of every 280 Americans was an inmate in an asylum at an annual cost to taxpayers of approximately $200 million.Using the writing of former asylum inmates, as well as other sources, Writing Mad Lives in the Age of the Asylum (Oxford UP, 2025) reveals a history of madness and the asylum that has remained hidden by a focus on doctors, diagnoses, and other interventions into mad people's lives. Although those details are present in this story, its focus is the hundreds of inmates who spoke out or published pamphlets, memorials, memoirs, and articles about their experiences. They recalled physical beatings and prolonged restraint and isolation. They described what it felt like to be gawked at like animals by visitors and the hardships they faced re-entering the community. Many inmates argued that asylums were more akin to prisons than medical facilities and testified before state legislatures and the US Congress, lobbying for reforms to what became popularly known as "lunacy laws."Michael Rembis demonstrates how their stories influenced popular, legal, and medical conceptualizations of madness and the asylum at a time when most Americans seemed to be groping toward a more modern understanding of the many different forms of "insanity." The result is a clearer sense of the role of mad people and their allies in shaping one of the largest state expenditures in the nineteenth and early twentieth centuries--and, at the same time, a recovery of the social and political agency of these vibrant and dynamic "mad writers."

Immigration is now a polarizing issue across most advanced democracies. But too much that is written about immigration fails to appreciate the complex responses to the phenomenon. Too many observers assume imaginary consensus, avoid basic questions, or disregard the larger context for human migration.In Borders and Belonging: Toward a Fair Immigration Policy (Oxford University Press, 2025), Hiroshi Motomura offers a complex and fair-minded account of immigration, its root causes, and the varying responses to it. Taking stock of the issue's complexity, while giving credence to the opinions of immigration critics, he tackles a series of important questions that, when answered, will move us closer to a more realistic and sustainable immigration policy. Motomura begins by affirming a basic concept—national borders—and asks when they might be ethical borders, fostering fairness but also responding realistically to migration patterns and to the political forces that migration generates. In a nation with ethical borders, who should be let in or kept out? How should people forced to migrate be treated? Should newcomers be admitted temporarily or permanently? How should those with lawful immigration status be treated? What is the best role for enforcement in immigration policy? To what extent does the arrival of newcomers hurt long-time residents? What are the "root causes" of immigration and how can we address them?Realistic about the desire of most citizens for national borders, this book is an indispensable guide for moving toward ethical borders and better immigration policy.This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

If world cinema studies have mostly displayed national cinemas and their transnational mutations, Seung-hoon Jeong’s global frame highlights two conflicting ethical facets of globalization: the ‘soft-ethical’ inclusion of differences in multicultural, neoliberal systems and their ‘hard-ethical’ symptoms of fundamentalist exclusion and terror. Reflecting both and suggesting their alternatives, global cinema draws attention to new changes in subjectivity and community that Jeong investigates in terms of biopolitical ‘abjection’ and ethical ‘agency.’ In this frame, Biopolitical Ethics in Global Cinema (Oxford UP, 2023) explores a vast net of post-1990 films circulating in both the mainstream market and the festival circuit. Ultimately, the book renews critical discourses on global issues––including multiculturalism, catastrophe, sovereignty, abjection, violence, network, nihilism, and atopia––through a core cluster of political, ethical, and psychoanalytic philosophies.Seung-hoon Jeong is Assistant Professor of Cinematic Arts at California State University Long Beach. He is the author of Cinematic Interfaces: Film Theory after New Media, co-translator of the Korean edition of Jacques Derrida’s Acts of Literature, and co-editor of The Global Auteur: The Politics of Authorship in 21st Century Cinema and Thomas Elsaesser’s The Mind-Game Film: Distributed Agency, Time Travel, and Productive Pathology.Steve Choe is Associate Professor of Critical Studies in the School of Cinema at San Francisco State University who researches and teaches in film and media theory. He is the author of Afterlives: Allegories of Film and Mortality in Early Weimar Germany (2014), Sovereign Violence: Ethics and South Korean Cinema in the New Millennium (2016) and ReFocus: The Films of William Friedkin (2023). He is the co-editor of Beyond Imperial Aesthetics: Theories of Art and Politics in East Asia (2019) and editor of the Handbook for Violence in Film and Media (2022).

Where is the "life" in scholarly life? Is it possible to find in academic writing, so often abstracted from the everyday? How might religion bridge that gap? In Love in the Time of Scholarship: The Bhagavata Purana in Indian Intellectual History (Oxford UP, 2024), author Anand Venkatkrishnan explores these questions within the intellectual history of a popular Hindu scripture, the Bhagavata Purana, spanning the precolonial period of the fourteenth to eighteenth centuries in India. He shows that Brahmin intellectuals writing in Sanskrit were neither impervious to the quotidian religious practices of bhakti, nor uninterested in its politics of language and caste. They supported, contested, and repurposed the social commentary of bhakti even in highly technical works of Sanskrit knowledge, and their personal religious commitments featured in a language and genre of writing that deliberately isolated itself from worldly matters. The religion of bhakti bound together the transregional discourse of Sanskrit learning and the local devotional practices of everyday people, though not in a top-down manner. Rather, vernacular ways of being, believing, and belonging in the world could and did reshape the contours of Sanskrit intellectuality.Venkatkrishnan revisits the historiography of the Bhagavata Purana to expand our knowledge of the many different religious and philosophical communities that interpreted and laid claim to the themes of the text. While most associated with the traditions of Vaisnavism, Love in the Time of Scholarship brings to light how the Bhagavata was also studied by Saivas, Saktas, and others on the periphery of the text's history.This is an open access title available under the terms of a Creative Commons Attribution Non-Commercial No Derivatives 4.0 International licence.

George Orwell is sometimes read as disinterested in (if not outright hostile) to philosophy. Yet a fair reading of Orwell's work reveals an author whose work was deeply informed by philosophy and who often revealed his philosophical sympathies. Orwell's written works are of ethical significance, but he also affirmed and defended substantive ethical claims about humanism, well-being, normative ethics, free will and moral responsibility, moral psychology, decency, equality, liberty, justice, and political morality. In George Orwell: The Ethics of Equality (Oxford UP, 2023), philosopher Peter Brian Barry avoids a narrow reading of Orwell that considers only a few of his best-known works and instead considers the entirety of Orwell's corpus, including his fiction, journalism, essays, book reviews, diaries, and correspondence, contending that there are ethical commitments discernible throughout his work that ground some of his best-known pronouncements and positions.While Orwell is often read as a humanist, egalitarian, and socialist, too little attention has been paid to the nuanced versions of those doctrines that he endorsed and the philosophical sympathies that led him to embrace them. Barry illuminates Orwell's philosophical sympathies and contributions that have either gone unnoticed or been underappreciated. Philosophers interested in Orwell now have a text that explores many of the philosophical themes in his work and Orwell's readers now have a text that makes the case for regarding him as a worthy philosopher as well as one of the greatest Anglophone writers of the 20th century.Peter Brian Barry is Professor of Philosophy and the Finkbeiner Endowed Professor in Ethics at Saginaw Valley State University. He is the author of Evil and Moral Psychology and The Fiction of Evil as well as several papers in ethics, applied ethics, and social and political philosophy. He has contributed to The Cambridge Companion to Nineteen Eighty-Four, The Oxford Handbook of George Orwell, and George Orwell Studies.Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.

Art looting is commonly recognized as a central feature of Nazi expropriation, in both the Third Reich and occupied territories. After the war, the famed Monuments Men (and women) recovered several hundred thousand pieces from the Germans' makeshift repositories in churches, castles, and salt mines. Well publicized restitution cases, such as that of Gustav Klimt's luminous painting featured in the film Woman in Gold, illustrate the legacy of Nazi looting in the art world today. But what happened to looted art that was never returned to its rightful owners?In France, Belgium, and the Netherlands, postwar governments appropriated the most coveted unclaimed works for display in museums, embassies, ministries, and other public buildings. Following cultural property norms of the time, the governments created custodianships over the unclaimed pieces, without using archives in their possession to carry out thorough provenance (ownership) research. This policy extended the dispossession of Jewish owners wrought by the Nazis and their collaborators well into the twenty-first century.The custodianships included more than six hundred works in Belgium, five thousand works in the Netherlands, and some two thousand in France. They included paintings by traditional and modern masters, such as Rembrandt, Cranach, Rubens, Van der Weyden, Tiepolo, Picasso, and Matisse. This appropriation of plundered assets endured without controversy until the mid-1990s, when activists and journalists began challenging the governments' right to hold these items, ushering in a period of cultural property litigation that endures to this day. Including interviews that have never before been published, Museum Worthy: Nazi Art Plunder in Postwar Western Europe (Oxford University Press, 2024) by Dr. Elizabeth Campbell deftly examines the appropriation of Nazi art plunder by postwar governments and highlights the increasingly successful postwar art recovery and restitution process.This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

Radical right parties are no longer political challengers on the fringes of party systems; they have become part of the political mainstream across the Western world. How the Radical Right Has Changed Capitalism and Welfare in Europe and the USA (Oxford UP, 2024) shows how they have used their political power to reform economic and social policies in Continental Europe, Northern Europe, Eastern Europe, and the USA. In doing so, it argues that the radical right's core ideology of nativism and authoritarianism informs their socio-economic policy preferences. However, diverse welfare state contexts mediate their socio-economic policy impacts along regime-specific lines, leading to variations of trade protectionism, economic nationalism, traditional familialism, labour market dualism, and welfare chauvinism.The radical right has used the diverse policy instruments available within their political-economic arrangements to protect threatened labour market insiders and male breadwinners from decline, while creating a racialized and gendered precariat at the same time. This socio-economic agenda of selective status protection restores horizontal inequalities in terms of gender and ethnicity, without addressing vertical inequalities between the rich and the poor.Combining insights from comparative politics, party politics, comparative political economy, and welfare state research, the book provides novel insights into how the radical right manufactures consent for authoritarian rule by taming the socially corrosive effects of globalised capitalism for key electoral groups, while aiming to exclude the rest from democratic participation.Philip Rathgeb is an associate professor in Social Policy in the School of Social and Political Science at the University of Edinburgh. Previously, he was a Postdoctoral Researcher in the Department of Politics and Public Administration at the University of Konstanz. Philip holds a PhD in Political and Social Sciences from the European University Institute (EUI) and held visiting positions at Harvard University, Lund University, University of Southern Denmark, and the EUI. His research interests are in comparative political economy and comparative politics, with a particular focus on welfare states, industrial relations, and party politics. His first book Strong Governments, Precarious Workers was published with Cornell University Press in 2018.Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.