In Conversation: An OUP Podcast

Games are a unique art form. Games work in the medium of agency. Game designers tell us who to be and what to care about during the game. Game designers sculpt alternate agencies, and game players submerge themselves in those alternate agencies. Thus, the fact that we play games demonstrates the fluidity of our own agency. We can throw ourselves, for a little while, into a different and temporary motivations.This volume presents a new theory of games which insists on their unique value. In Games: Agency as Art (Oxford UP, 2020), C. Thi Nguyen argues that games are an integral part our systems of communication and our art. Games sculpt our practical activities, allowing us to experience the beauty of our own actions and reasoning. Bridging aesthetics and practical reasoning, he gives an account of the special motivational structure involved in playing games. When we play games, we can pursue a goal, not for its own value, but for the value of the struggle. Thus, playing games involves a motivational inversion from normal life. We adopt an interest in winning temporarily, so we can experience the beauty of the struggle. Games offer us a temporary experience of life under utterly clear values, in a world engineered to fit to our abilities and goals.Games also let us to experience forms of agency we might never have developed on our own. Games, it turns out, are a special technique for communication. They are a technology that lets us record and transmit forms of agency. Our games form a "library of agency" and we can explore that library to develop our autonomy. Games use temporary restrictions to force us into new postures of agency.Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com.

It is often thought that the story of Tutankhamun ended when the thousands of items discovered by Howard Carter and Lord Carnarvon were transported to the Egyptian Museum in Cairo and put on display. But there is far more to Tutankhamun's story. Tutankhamun and the Tomb that Changed the World (Oxford UP, 2022) explores the 100 years of research on Tutankhamun that has taken place since the tomb's discovery: we learn that several objects in the tomb were made of meteoritic iron that came from outer space; new evidence shows that Tutankhamun may have been a warrior who went into battle; and author Bob Brier takes readers behind the scenes of the recent CAT-scanning of his mummy to reveal secrets of the pharaoh.The book also illustrates the wide-ranging impact the discovery of Tutankhamun's tomb had on fields beyond Egyptology. Included is an examination of how the discovery of the tomb influenced Egyptian politics and contributed to the downfall of colonialism in Egypt. Outside Egypt, the modern blockbuster exhibitions that raise great sums of monies for museums around the world all began with Tutankhamun, as did the idea of documenting every object discovered in place, before it was moved. And to a great extent, the modern fascination with ancient Egypt--Egyptomania--was also greatly promoted by the Tutmania that surrounded the discovery of the tomb.

Dancing Women: Choreographing Corporeal Histories of Hindi Cinema (Oxford UP, 2020), an ambitious study of two of South Asia's most popular cultural forms ― cinema and dance ― historicizes and theorizes the material and cultural production of film dance, a staple attraction of popular Hindi cinema. It explores how the dynamic figurations of the body wrought by cinematic dance forms from the 1930s to the 1990s produce unique constructions of gender, sexuality, stardom, and spectacle. By charting discursive shifts through figurations of dancer-actresses, their publicly performed movements, private training, and the cinematic and extra-diegetic narratives woven around their dancing bodies, the book considers the "women's question" via new mobilities corpo-realized by dancing women. Some of the central figures animating this corporeal history are Azurie, Sadhona Bose, Vyjayanthimala, Helen, Waheeda Rehman, Madhuri Dixit, and Saroj Khan, whose performance histories fold and intersect with those of other dancing women, including devadasis and tawaifs, Eurasian actresses, oriental dancers, vamps, choreographers, and backup dancers. Through a material history of the labor of producing on-screen dance, theoretical frameworks that emphasize collaboration, such as the “choreomusicking body” and “dance musicalization,” aesthetic approaches to embodiment drawing on treatises like the Natya Sastra and the Abhinaya Darpana, and formal analyses of cine-choreographic “techno-spectacles,” Dancing Women offers a variegated, textured history of cinema, dance, and music. Tracing the gestural genealogies of film dance produces a very different narrative of Bombay cinema, and indeed of South Asian cultural modernities, by way of a corporeal history co-choreographed by a network of remarkable dancing women.Pratichi Priyambada is a Ph.D Candidate in the Department of History at the University of California, Irvine. She is broadly interested in histories of performance, gender and sexuality, and colonial law. She can be reached at @rhymingrhythm on Twitter.

Greg Marchildon interviews Benjamin Hoy, author of A Line of Blood and Dirt: Creating the Canada-United States Border across Indigenous Lands (Oxford UP, 2021). Hoy’s book is a history of the infrastructure, policies, and personnel that were put in place over the past three centuries to create a boundary between the United States and British North America and, subsequently, Canada after 1867. Hoy also examines the impact of this boundary on Indigenous peoples who lived on either side of this border, or on both sides simultaneously. A transnational historian and a dual citizen of both Canada and the United States, Benjamin Hoy is an Associate Professor of History at the University of Saskatchewan.This interview was produced with the support of The Champlain Society. The mission of The Champlain Society is to increase public awareness of, and accessibility to, Canada’s rich store of historical records.Gregory P. Marchildon is the Ontario Research Chair in Health Policy and System Design with the Institute of Health Policy, Management and Evaluation at the University of Toronto.

Michael Slouber's Early Tantric Medicine: Snakebite, Mantras, and Healing in the Garuda Tantras (Oxford UP, 2016) looks at a traditional medical system that flourished over 1,000 years ago in India. The volume brings to life this rich tradition in which knowledge and faith are harnessed in complex visualizations accompanied by secret mantras to an array of gods and goddesses; this religious system is combined with herbal medicine and a fascinating mixof lore on snakes, astrology, and healing. The book's appendices include an accurate, yet readable translation of ten chapters of the most significant Tantric medical text to be recovered: the Kriyakalagunottara.Raj Balkaran is a scholar, online educator, and life coach. For information see rajbalkaran.com.

In Dispossession as Delivery: Land Occupation and Eviction in the Postapartheid City (Oxford University Press; 2022), Zachary Levenson explains why post-Apartheid South Africa continues to evict land occupations. Levenson shows that the government does this in the name of preserving the order they imagine is necessary to deliver housing to its citizens. Based upon a decade of participant observation in two land occupations in Cape Town, this book provides a novel, relational understanding about group formation and how collective actions interact with the state.Richard E. Ocejo is professor of sociology at John Jay College and the Graduate Center of the City University of New York (CUNY).

Michael S. Allen's book The Ocean of Inquiry: Niscaldas and the Premodern Origins of Modern Hinduism (Oxford UP, 2022) focuses on a single remarkable work and its place within that history: "The Ocean of Inquiry," a vernacular compendium of Advaita Vedåanta by the North Indian monk Niâscaldåas (ca. 1791 - 1863). Though not well known today, Niâscaldåas's work was once referred to by Vivekananda (himself a key figure in the shaping of modern Hinduism) as the most influential book in India. The present book situates "The Ocean of Inquiry" as a representative of both a neglected genre (vernacular Vedåanta) and a neglected period (ca. 17th-19th centuries) in the history of Indian philosophy.Raj Balkaran is a scholar, online educator, and life coach. For information see rajbalkaran.com.

Most of our information about Herod the Great derives from the accounts found in Josephus' Jewish War and Jewish Antiquities. Together they constitute a unique resource on one of the most famous personalities of ancient history. But from where did Josephus get his information? It is commonly agreed that his primary source was Nicolaus of Damascus, Herod's court historian, though the extent to which Josephus adapted his material remains disputed. Herod in History: Nicolaus of Damascus and the Augustan Context (Oxford UP, 2021) takes a modern, source-critical approach to Josephus' extensive account of Herod's reign to suggest that Josephus did indeed rely heavily on Nicolaus's work, but that previous scholarship was mistaken in seeing Nicolaus as a mere propagandist. Nicolaus may have begun his Universal History while Herod was alive, but he finished it after his death and so had no reason to write propaganda. This makes his work all the more interesting, for what we have instead is something rather different: a Syrian intellectual claiming a place in Augustan Rome, by telling a story about what the Augustan World looks like on the Eastern periphery. Kimberley Czajkowski and Benedikt Eckhardt delineate Nicolaus' approach to various critical topics in Herod's reign in order to reveal his perception of client kingship, the impact of empire, and the difficulties involved in ruling Judaea. This study uncovers an Eastern intellectual's view on how to succeed and how to fail in the new Augustan world order.

In recent years, calls for reparations and restorative justice, alongside the rise of populist grievance politics, have demonstrated the stubborn resilience of traumatic memory. From the transnational Black Lives Matter movement's calls for reckoning with the legacy of slavery and racial oppression, to continued efforts to secure recognition of the Armenian genocide or Imperial Japan's human rights abuses, international politics is replete with examples of past violence reasserting itself in the present. But how should scholars understand trauma's long-term impacts? Why do some traumas lie dormant for generations, only to surface anew in pivotal moments? And how does trauma scale from individuals to larger political groupings like nations and states, shaping political identities, grievances, and policymaking?In From the Ashes of History: Collective Trauma and the Making of International Politics (Oxford University Press, 2022), Dr. Adam B. Lerner looks at collective trauma as a foundational force in international politics—a "shock" to political cultures that can constitute new actors and shape decision-making over the long-term. As Dr. Lerner shows, uncovering collective trauma's role in international politics is vital for two key reasons. First, it can help explain longstanding tensions between groups—an especially relevant topic as scholars examine the transnational resurgence of nationalism and populism. Second, it pushes the discipline of International Relations to more completely account for mass violence's true long-term costs, particularly as they become embedded in longstanding structural inequalities and injustices.While IR scholarship has largely dismissed non-systematic, latent phenomena like trauma, Dr. Lerner argues that collective trauma can help draw the lines between international political groups and frame the logics of international political action. Drawing on three historical cases that uncover the impact of collective trauma in Indian, Israeli, and American foreign policymaking, From the Ashes of History demonstrates the broad utility of collective trauma as a theoretical lens for investigating how mass violence's legacy can resurge and dissipate over time.This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

Today I talked to Eric Posner about his book How Antitrust Failed Workers (Oxford UP, 2021).When anti-trust cases are brought forward, typically they involve monopolies exercising undue power in regards to products or services. Rarely do labor issues get the same treatment. Reasons vary from the previous power of unions, to the expense and risk of going to trial, to whether the potential for unfair, uncompetitive practices get scrutinized at all. Posner points in this episode to why the laws may need strengthening. Issues include stagnant wages, and the use and abuse of non-poaching, non-complete and arbitration clauses in the contracts that workers sign. Add in the practice of gig workers and rising inequality issues related to household wealth, and you can’t find a more timely topic than this one.Eric Posner is a professor of Law at the University of Chicago. He’s currently on leave and working for the Anti-Trust Division of the U.S. Justice Department. (Note that his views do not necessarily reflect those of the Justice Department.) Two previous books by Posner were each separately chosen as a book of the year in 2018, one by The Economist and the other by The Financial Times.Dan Hill, PhD, is the author of ten books and leads Sensory Logic, Inc. (https://www.sensorylogic.com). His newest book is Emotionomics 2.0: The Emotional Dynamics Underlying Key Business Goals. To check out his related “Dan Hill’s EQ Spotlight” blog, visit https://emotionswizard.com.