In Conversation: An OUP Podcast

When did Christianity become cool? How did an Australian church conquer the world and expand into Brazil, a country with its own crop of powerful megachurches? In her exciting new book, Cool Christianity: Hillsong and the Fashioning of Cosmopolitan Identities (Oxford UP, 2023), anthropologist Cristina Rocha analyses the creation of a transnational Pentecostal field between Brazil and Australia, two countries that have been peripheral in the history of Pentecostalism but which more recently have been at the forefront of new forms of global Pentecostalism. She shows how new and reconfigured forms Christianity in both the Global North and South are increasingly digitally mediated, engaged with youth and popular cultures, and involve new forms of consumption, branding and identity. The Australian megachurch Hillsong has expanded globally through a Cool Christianity style which embraces pop music, digital media, spectacle, branding, and celebrity culture. Rocha follows young Brazilians from their budding Hillsong fandom, to their journey to Australia to join the church and study at its College, and on their return to Brazil. She argues that Brazilian middle-class youth join Hillsong to become cosmopolitan and to distinguish themselves from the Pentecostalism of the Brazilian poor. Notwithstanding Hillsong's recent scandals, the megachurch offers them an alternative geography of belonging, where pastors speak English and Christianity is about love, ethics, rationality, autonomy, and more equal relations between congregants and pastors. Rocha makes a strong argument for the importance of the local in globalization studies, and the key roles of class, affect and aesthetics for an understanding of the formation of religious subjectivities and communities.Jeff Adler is an ex-linguist and occasional contributor to New Books Network!

In the 1990s, the promise of justice for atrocity crimes was associated with the revival of international criminal tribunals (ICTs). More recently, however, there has been a renewed emphasis on domestic accountability for international crimes across the globe. In identifying a 'complementarity turn', a paradigm shift toward domestic accountability in the field of international criminal justice, this book investigates how the shadow of international criminal tribunals influences the treatment of serious crimes at the national level.Drawing on research and interviews in Rwanda, the Democratic Republic of Congo, and Sierra Leone, International Criminal Tribunals and Domestic Accountability: In the Court's Shadow (Oxford University Press, 2023) by Dr. Patryk I. Labuda develops a tripartite framework to analyse how states and tribunals work with, despite, or against one another in the fight against impunity. While international prosecutors and judges use the principle of complementarity to foster cooperation and decrease tension with government actors, Dr. Labuda argues that too much deference by ICTs toward states reduces the likelihood of accountability and may enable national elites to consolidate authoritarian power.By interrogating how international accountability stakeholders relate to their domestic counterparts, International Criminal Tribunals and Domestic Accountability advocates improvements to ICTs' institutional design and more dynamic interactions with states to strengthen the enforcement of international criminal law.This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

Music in Colonial Punjab (Oxford UP, 2023) offers the first social history of music in undivided Punjab (1800-1947), beginning at the Lahore court of Maharaja Ranjit Singh and concluding at the Patiala royal darbar. It unearths new evidence for the centrality of female performers and classical music in a region primarily viewed as a folk music centre, featuring a range of musicians and dancers -from 'mirasis' (bards) and 'kalawants' (elite musicians), to 'kanjris' (subaltern female performers) and 'tawaifs' (courtesans). A central theme is the rise of new musical publics shaped by the anglicized Punjabi middle classes, and British colonialists' response to Punjab's performing communities. The book reveals a diverse connoisseurship for music with insights from history, ethnomusicology, and geography on an activity that still unites a region now divided between India and Pakistan.Dr Radha Kapuria is an Assistant Professor of South Asian History at Durham University, United Kingdom. She is a historian of gender and culture in South Asia. Her current research is on the impact of the 1947 Partition on musicians’ lives in India and Pakistan. This ongoing research will feed into her second monograph on musical memories of the Partition, focused on the history of musical exchange across the Indo-Pak border in both South Asia and the British diaspora since 1947.

The roots of the Arab world’s current Russian entanglements reach deep into the tsarist and Soviet periods. To explore those entanglements, Russian-Arab Worlds: A Documentary History (Oxford UP, 2023) presents and contextualizes a set of primary sources translated from Russian, Arabic, Armenian, Persian, French, and/or Tatar: a 1772 Russian naval officer’s diary, an Arabic slave sale deed from the Caucasus, an interview with a Russian-educated contemporary Syrian novelist, and many more. These archival, autobiographical, and literary sources, introduced by specialists and in some cases by pairs of scholars with complementary language expertise, highlight connections long obscured by disciplinary cleavages between Slavic and Middle East studies. Taken together, the thirty-four chapters of this book show how various Russian/Soviet and Arab governments sought to nurture political and cultural ties and expand their influence, often with unplanned results. They reveal the transnational networks of trade, pilgrimage, study, ethnic identity, and political affinity that state policies sometimes fostered and sometimes disrupted. Above all, they give voice to some of the resourceful characters who have embodied and exploited Arab-Russian contacts: missionaries and diplomats, soldiers and refugees, students and party activists, scholars and spies. A set of new maps helps orient readers amid the expansion and collapse of empires, border changes, population transfers, and creation of new nation-states that occurred during the two centuries these sources cover.Eileen Kane teaches modern European history at Connecticut College, where she also directs the Program in Global Islamic Studies. A historian of imperial Russia and the Soviet Union, she is the author of Russian Hajj: Empire and the Pilgrimage to Mecca. She is the 2017 recipient of a Mellon New Directions Fellowship and is currently writing a history of Jewish and Muslim migrations from Russia to the Middle East.Masha Kirasirova is assistant professor of history at New York University Abu Dhabi. She is a historian of exchanges between the Soviet Eurasia and the Middle East. She is finishing a book called The Eastern International: Culture, Power, and Politics in Soviet-Arab Relations. Her articles have appeared in Kritika: Explorations in Russian and Eurasian History, Ab Imperio, Iranian Studies, and Mediterranean Politics.Margaret Litvin is associate professor of Arabic and comparative literature at Boston University. A historian of modern Arabic literature and its global ties, she is the author of Hamlet’s Arab Journey: Shakespeare’s Prince and Nasser’s Ghost and the translator of Sonallah Ibrahim’s Arabic novel Ice, set in 1973 Moscow. Her current book project, Another East: Arab Writers, Moscow Dreams, reconstructs some literary legacies of Arab-Russian and Arab-Soviet cultural ties during the long 20th century. She also writes about Arabic theatre for global audiences.Tugrul Mende holds an M.A in Arabic Studies. He is based in Berlin as a project coordinator and independent researcher.

The period immediately following World War II was an era of dramatic transformation for Jews in America. At the start of the 1940s, President Roosevelt had to all but promise that if Americans entered the war, it would not be to save the Jews. By the end of the decade, antisemitism was in decline and Jews were moving toward general acceptance in American society.Drawing on several archives, magazine articles, and nearly-forgotten bestsellers, Postwar Stories: How Books Made Judaism American (Oxford University Press, 2024) by Dr. Rachel Gordan examines how Jewish middlebrow literature helped to shape post-Holocaust American Jewish identity. For both Jews and non-Jews accustomed to antisemitic tropes and images, positive depictions of Jews had a normalising effect. Maybe Jews were just like other Americans, after all.At the same time, anti-antisemitism novels and “Introduction to Judaism” literature helped to popularise the idea of Judaism as an American religion. In the process, these two genres contributed to a new form of Judaism—one that fit within the emerging myth of America as a Judeo-Christian nation, and yet displayed new confidence in revealing Judaism's divergences from Christianity.This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts.

In the sixteenth century, members of the Ouchi family were kings in all but name in much of Japan. Immensely wealthy, they controlled sea lanes stretching to Korea and China, as well as the Japanese city of Yamaguchi, which functioned as an important regional port with a growing population and a host of temples and shrines. The family was unique in claiming ethnic descent from Korean kings, and-remarkably for this time-such claims were recognized in both Korea and Japan. Their position, coupled with dominance over strategic ports and mines, allowed them to facilitate trade throughout East and Southeast Asia. They also played a key cultural role in disseminating Confucian texts, Buddhist sutras, ink paintings, and pottery, and in creating a distinctive, hybrid culture that fused Japanese, Korean, and Chinese beliefs, objects, and customs.Kings in All But Name: The Lost History of Ouchi Rule in Japan, 1350-1569 (Oxford UP, 2024) illustrates how Japan was an ethnically diverse state from the fourteenth through the sixteenth centuries, closely bound by trading ties to Korea and China. It reveals new archaeological and textual evidence proving that East Asia had integrated trading networks long before the arrival of European explorers and includes an analysis of ores and slag that shows how mining techniques improved and propelled East Asian trade. The story of the Ouchi rulers argues for the existence of a segmented polity, with one center located in Kyoto, and the other in the Ouchi city of Yamaguchi. It also contradicts the belief that Japan collapsed into centuries of turmoil and rather proves that Japan was a stable and prosperous trading state where rituals, policies, politics, and economics were interwoven and diverse.

In 1908, Unitarian pastor Bertrand Thompson observed the momentous growth of the labor movement with alarm. "Socialism," he wrote, "has become a distinct substitute" for the church. He was not wrong.In the generation after the Civil War, few of the migrants who moved North and West to take jobs in factories and mines had any association with traditional Protestant denominations. In the place of church, workers built a labor movement around a shared commitment to a Christian commonwealth. They demanded an expanded local, state and federal infrastructure which supported collective bargaining for better pay, shorter work-days, and an array of municipal services. Protestant clergy worried that if the labor movement kept growing in momentum and cultural influence, socialist policies would displace the need for churches and their many ministries to the poor. Even worse, they feared that the labor movement would render the largest Protestant denominations a relic of the nineteenth century.In The Gospel of Church: How Mainline Protestants Vilified Christian Socialism and Fractured the Labor Movement (Oxford UP, 2023), Janine Giordano Drake carefully traces the relationships which Protestant ministers built with labor unions and working class communities. She finds that Protestant ministers worked hard to assert their cultural authority over Catholic, Jewish, and religiously-unaffiliated working-class communities. Moreover, they rarely supported the most important demands of labor, including freedom of speech and the right to collective bargaining. Despite their heroic narratives of Christian social reform, Protestant reformers' efforts to assert their authority over industrial affairs directly undermined workers' efforts to bring about social democracy in the United States.Matt Simmons is an Assistant Professor of History at Emmanuel University where he teaches courses in U.S. and public history. His research interests focus on the intersection of labor and race in the twentieth-century American South. You can follow him on X @matthewfsimmons.

Authoritarianism is not something that happens only within the borders of authoritarian regimes. In this episode, Marlies Glasius talks with host Licia Cianetti about her work on “authoritarian practices”, how the sabotage of accountability can take place also within democracies, how it can be transnational, how the actors involved are not always the ones you are thinking about, and what this all means for the future of democracy.Marlies Glasius is Professor of International Relations at the University of Amsterdam. She is the author of Authoritarian Practices in a Global Age (Oxford UP, 2023).Licia Cianetti is Lecturer in Political Science and International Studies at the University of Birmingham and Deputy Founding Director of CEDAR.The People, Power, Politics podcast brings you the latest insights into the factors that are shaping and re-shaping our political world. It is brought to you by the Centre for Elections, Democracy, Accountability and Representation (CEDAR) based at the University of Birmingham, United Kingdom. Join us to better understand the factors that promote and undermine democratic government around the world and follow us on Twitter at @CEDAR_Bham!

Gendering the Hadith Tradition: Recentering the Authority of Aisha, Mother of the Believers (Oxford UP, 2024) presents for the first time a partial translation and study of Imam Badr al-Din al-Zarkashi's work, al-Ijaba li-Iradi ma Istadraktahu Aisha Ala al-Sahabah-"The Corrective: Aisha's Rectification of the Companions. "It critically analyses from the perspective of hadith criticism a number of sections presenting Aisha's refutations and corrections of key Companions including, Umar b. al-Khattab, Abdullah b. Abbas, Zayd b. Thabit, and Abu Hurayra, applying classical hadith methodology to the scrutiny of narrators by way of impugnment and validation (al-jarh wa al-tadil) in an effort to re-construct and re-present Aisha as a central authority in Islamic knowledge production.This work constitutes a major rethinking of the Muslim hadith and jurisprudential traditions by evaluating how Aisha responded to hadiths that were circulating and being ascribed, often incorrectly, as authoritative statements of the Prophet Muhammad. From her critique of overwhelmingly male Companions of the Prophet, the study elicits a methodology for hadith criticism which is sure to challenge classical approaches. Sofia Rehman unearths the scholarly acumen of this great female Companion and mother of the believers, in her discussion of several legal positions which Aisha held in contradistinction to many of the male authorities among the Companions.This interdisciplinary study serves as a model for how the voice of Aisha may be given renewed life and significance in the way it re-centres her traditions and thinking. A crucial aspect is its contributing to expanding the horizons of multiple Islamic disciplines. A major contribution to the study of hadith lies in the development of an emergent methodology of Aisha in the scrutiny of the actual statements (matn) of traditions, not just the chains of transmission (isnad). The contributions of this study to the development of the Muslim legal tradition (fiqh) also lies in a framework that emerges from this research based on the pattern of how Aisha approaches juridical matters. The implications for this are many, especially regarding women and their spiritual and daily life and practice.“Sofia Rehman is an independent scholar of Islam, trained both traditionally in Syria and Turkey, and in Western academia, receiving her PhD from the University of Leeds. She advocates bridging the gap between scholarship on Islam and the Muslim community, setting up critical reading groups with global reach to facilitate learning and empowerment. She is a contributor to Mapping Faith: Theologies of Migration, edited by Lia Shimada, Cut from the Same Cloth?, edited by Sabeena Akhtar and Violent Phenomena: 21 Essays on Translation, edited by Kavita Bhanot and Jeremy Tiang. She is author of A Treasury of Aisha Bint Abu Bakr.Tugrul Mende holds an M.A in Arabic Studies. He is based in Berlin as a project coordinator and independent researcher.

Tell It to the World: The Broadway Musical Abroad (Oxford UP, 2024) offers a look at how the Broadway musical travels the world, influencing and even transforming local practices and traditions. It traces especially how the musical has been indigenized in South Korea and Germany, the commercial centers for Broadway musicals in East Asia and continental Europe. Both countries were occupied after World War II by the United States, which disseminated U.S. American popular music, jazz, movies, and musical theatre in the belief that these nations needed to rebuild their cultures in accordance with U.S. guidelines. By the 1990s, Broadway imports had become phenomenally popular in Seoul and Hamburg while home-grown musicals proliferated that adapted and transformed the prototypes that had been disseminated by the U.S.Although this book focuses on recent musicals, it also looks back through the twentieth century to plot the evolution of musical theatre in South Korea and Germany. Part One considers the key questions: What is a musical? Why is it the great success story of U.S. theatre? How has it been assimilated to musical theatre traditions around the world? Part Two focuses on musical theatre in South Korea, studying the import/export business in large-scale musicals about Korean history and innovative hybrid experiments that mix local performance traditions with the Broadway vernacular. Part Three moves to Europe to analyze the conflicted attitudes toward musicals in the German-speaking world. Its three chapters survey the history of musicals in Germany from 1945 until the fall of the Berlin Wall, the reconfiguration of musical theatre conventions by experimental directors, and finally the ground-breaking German-language productions of Broadway classics by Barrie Kosky and other innovative directors.In the twenty-first century, Broadway-style musical theatre has succeeded in becoming a lingua franca, the template for musical theatre around the world. This book shows how some of the most innovative, beautiful, and exciting musical theatre is being made outside the United States.Peter C. Kunze is a visiting assistant professor of communication at Tulane University.