In Conversation: An OUP Podcast

In her original and thought-provoking book Ornamentalism (Oxford University Press, 2019), Anne A. Cheng illustrates the longstanding relationship between the ‘oriental’ and the ‘ornamental’. So doing, she moves beyond a simple analysis of objectification to reveal the powerful role Ornamentalism plays in constituting modern ideas of personhood, racialized femininity and the figure of the Asian woman. Drawing on examples from the realms of law, popular culture and art from the 19th and 20th centuries, Cheng deepens our understanding of racial formation by demonstrating how race and gender are conceived not only in relation to the body, but inorganic ornamentation as well.Anne A. Cheng is Professor of English and Director of American Studies at Princeton University.Sitara Thobani is Assistant Professor in the Residential College in the Arts and Humanities, Michigan State University. Her research focuses on the performance arts in colonial and postcolonial South Asia and its diasporas, especially as these relate to formations of nation, gender, sexuality and religion. She received her DPhil in Social and Cultural Anthropology from Oxford University, and is the author of Indian Classical Dance and the Making of Postcolonial National Identities: Dancing on Empire’s Stage (Routledge 2017).

Guy Beiner, who is professor of modern history at Ben Gurion University of the Negev, has written one of the longest and certainly one of the most extraordinary recent contributions to the historiography of Ireland and of memory studies. His new book, Forgetful Remembering: Social Forgetting and Vernacular Historiography of a Rebellion in Ulster(Oxford University Press, 2018), argues for the complexities and ambiguities of communal recollection by focusing on the contested memories of one of the shortest and certainly the bloodiest of politically driven Irish insurrections. In 1798, Catholics, protestants and dissenters joined together in armed uprisings against British state forces. Their defeat was followed by prolonged and traumatic reprisals, and by the union of the British and Irish parliaments to create a new “United Kingdom.” Within a decade of their participation in the rebellion, protestants and dissenters had swung to support the new state, beginning a long process of forgetting and remembering that continues to the present day. How and why do communities forget and remember these moments of collective trauma? Beiner’s ground-breaking argument offers new insights, new lines of inquiry, and some startling new conclusions.Crawford Gribben is a professor of history at Queen’s University Belfast. His research interests focus on the history of puritanism and evangelicalism, and he is the author most recently of John Owen and English Puritanism (Oxford University Press, 2016).

"Dear Brother," Jane Manning James wrote to Joseph F. Smith in 1903, "I take this opportunity of writing to ask you if I can get my endowments and also finish the work I have begun for my dead .... Your sister in the Gospel, Jane E. James." A faithful Latter-day Saint since her conversion sixty years earlier, James had made this request several times before, to no avail, and this time she would be just as unsuccessful, even though most Latter-day Saints were allowed to participate in the endowment ritual in the temple as a matter of course. James, unlike most Mormons, was black. For that reason, she was barred from performing the temple rituals that Latter-day Saints believe are necessary to reach the highest degrees of glory after death.A free black woman from Connecticut, James positioned herself at the center of LDS history with uncanny precision. After her conversion, she traveled with her family and other converts from the region to Nauvoo, Illinois, where the LDS church was then based. There, she took a job as a servant in the home of Joseph Smith, the founder and first prophet of the LDS church. When Smith was killed in 1844, Jane found employment as a servant in Brigham Young's home. These positions placed Jane in proximity to Mormonism's most powerful figures, but did not protect her from the church's racially discriminatory policies. Nevertheless, she remained a faithful member until her death in 1908.Your Sister in the Gospel: The Life of Jane Manning James, a Nineteenth-Century Black Mormon (Oxford University Press, 2019) is the first scholarly biography of Jane Manning James.  Quincy D. Newell chronicles the life of this remarkable yet largely unknown figure and reveals why James's story changes our understanding of American history.Daniel P. Stone holds a PhD in American religious history from Manchester Metropolitan University (United Kingdom) and is the author of William Bickerton: Forgotten Latter Day Prophet (Signature Books, 2018). He has taught history courses at the University of Detroit Mercy and Florida Atlantic University, and currently, he works as a research archivist for a private library/archive in Detroit, Michigan.

Dr. Deonnie Moodie is Assistant Professor of South Asian Religions at the University of Oklahoma. Her book, The Making of a Modern Temple and a Hindu City: Kālīghāṭ and Kolkata (Oxford University Press, 2018), examines the history of the Kalighat temple of Kolkata and how that temple has been a symbol for competing expressions of Bengali middle class modernity.Shandip Saha is associate professor of Religious Studies at Athabasca University, the world leader in the realm of distance education and open learning. His research interests focus on religion and politics in pre-modern North India and on the changing performance practices in devotional music in India and Pakistan.

Lindsey N. Kingston’s new book, Fully Human: Personhood, Citizenship, and Rights (Oxford University Press, 2019) interrogates the idea of citizenship itself, what it means, how it works, how it is applied and understood, and where there are clear gaps in that application. This is a wide-ranging, rigorously researched examination of citizenship, statelessness, and human movement. And it is vitally relevant to contemporary discussions of immigration, supranationalism, understandings of national borders, and concepts of belonging. Not only does Kingston delve into theoretical concepts of citizenship and statelessness, she also integrates analyses of various kinds of hierarchies of personhood in context of these broader issues. The research also includes explorations of nomadic people, indigenous nations, and "second class" citizens in the United States within this theoretical framework of citizenship and statelessness. This careful and broad analysis defines the novel idea of ‘functional citizenship’, which is both theoretical and practical in considering citizenship and statelessness in our modern world. Fully Human focuses on the promises and protections that are outlined in the 1948 Universal Declaration of Human Rights, unpacking the protection gaps and difficulties that have become clearer and more acute in this era of globalization and security concerns, and highlighting some of the key problems with the current human rights regimes that are in place.

Domesticating Empire: Egyptian Landscapes in Pompeian Gardens (Oxford University Press, 2019) is the first contextually-oriented monograph on Egyptian imagery in Roman households. Caitlín Eilís Barrett, Associate Professor of Classics at Cornell University, draws on case studies from Flavian Pompeii to investigate the close association between representations of Egypt and a particular type of Roman household space: the domestic garden. Through paintings and mosaics portraying the Nile, canals that turned the garden itself into a miniature "Nilescape," and statuary depicting Egyptian themes, many gardens in Pompeii offered ancient visitors evocations of a Roman vision of Egypt. Simultaneously faraway and familiar, these imagined landscapes made the unfathomable breadth of empire compatible with the familiarity of home. In contrast to older interpretations that connect Roman "Aegyptiaca" to the worship of Egyptian gods or the problematic concept of "Egyptomania," a contextual analysis of these garden assemblages suggests new possibilities for meaning. In Pompeian houses, Egyptian and Egyptian-looking objects and images interacted with their settings to construct complex entanglements of "foreign" and "familiar," "self" and "other." Representations of Egyptian landscapes in domestic gardens enabled individuals to present themselves as sophisticated citizens of empire. Yet at the same time, household material culture also exerted an agency of its own: domesticizing, familiarizing, and "Romanizing" once-foreign images and objects. That which was once imagined as alien and potentially dangerous was now part of the domus itself, increasingly incorporated into cultural constructions of what it meant to be "Roman." Featuring brilliant illustrations in both color and black and white, Domesticating Empire reveals the importance of material culture in transforming household space into a microcosm of empire.Ryan Tripp is adjunct history faculty for the College of Online and Continuing Education at Southern New Hampshire University.

It is an article of faith in many circles that the most effective and efficient way to solve a broad range of local and national problems is through public-private partnerships. What’s not to like? Especially in a climate in which people think resources are scarce, seeking out help from corporate actors seems an obvious win-win. But it’s not. Listen to Jonathan H. Marks discuss The Perils of Partnership: Industry Influence, Institutional Integrity, and Public Health (Oxford University Press, 2019), and the public harm and private profiteering that are too often the result of these relationships.Stephen Pimpare is Senior Lecturer in the Politics & Society Program and Faculty Fellow at the Carsey School of Public Policy at the University of New Hampshire. He is the author of The New Victorians (New Press, 2004), A People’s History of Poverty in America (New Press, 2008), winner of the Michael Harrington Award, and Ghettos, Tramps and Welfare Queens: Down and Out on the Silver Screen (Oxford, 2017).

In The Form of the Firm: A Normative Political Theory of the Corporation (Oxford University Press, 2018), Abraham Singer essentially marries together two disciplinary schools of thought and approaches to understand and consider the corporate firm. In his work, Singer takes seriously the idea, structure, function, and position of the firm, as distinct from markets, within modern societies. Singer notes that the thrust of the book is “to articulate a normative theory of the corporation that synthesizes economic and political insights” and positions these understandings within the political and economic realities of contemporary capitalism and liberalism. Singer analyzes and explores the historical and theoretical development of firms and corporations, integrating economic and political theory as the dual lenses through which to consider not only the firms themselves but also their position and function within political societies, since “corporations serve economic ends, but through political means.” The Form of the Firm considers how and in what ways firms can and should contribute to and sustain the values, particularly the political values, that define and inform the world in which they exist. This analysis has broad and interdisciplinary appeal, especially for political theorists, economists, political scientists, managerialists, legal and regulatory experts, ethicists, and those in corporate governance.

Shortly after its introduction, photography transformed the ways Americans made political arguments using visual images. In the mid-19th century, photographs became key tools in debates surrounding slavery. Yet, photographs were used in interesting and sometimes surprising ways by a range of actors. Matthew Fox-Amato, an Assistant Professor at the University of Idaho, examines the role of photography in the politics of slavery during the 19th century and the important legacies of those uses on later visual politics in his new book, Exposing Slavery: Photography, Human Bondage, and the Birth of Modern Visual Politics in America (Oxford University Press, 2019). The book examines the use of photographs by slaves, abolitionists, slaveholders, and Union soldiers to explore the rich complexities of the visual politics of the moment. He also considers the legacies of this use of the new medium.In this episode of the podcast, Fox-Amato discusses the ways these various groups used photography for individual purposes and to shape the debates surrounding slavery in the antebellum period. He explains how photographs also highlight how union soldiers were beginning to think about a post-slavery racial hierarchy during the war. The book demonstrates the importance of thinking about photographs as both visual images and material objects. In the interview, Fox-Amato discusses the research necessary to analyze the photographs in both these ways and the broader importance of studying visual and material culture in all their historical complexity.Christine Lamberson is an Associate Professor of History at Angelo State University. Her research and teaching focuses on 20th century U.S. political and cultural history. She’s currently working on a book manuscript about the role of violence in shaping U.S. political culture in the 1960s and 1970s. She can be reached at clamberson@angelo.edu.

What does a typical American Catholic parish look like? Tricia Bruce, an affiliate of the University of Notre Dame’s Center for the Study of Religion and Society, argues in her new book that America’s largest denomination is held together by the differences it contains. Parish and Place: Making Room for Diversity in the American Catholic Church, published by Oxford University Press (2017), offers an outstanding account of how ecclesiastical structures have changed to take account of the tensions that can exist when “mobile people encounter immobile infrastructure.” Existing alongside the more familiar territorial and national parish structures, personal parishes allow believers with similar ethnic, linguistic, political or liturgical preferences to gather together. But does this represent a concession to the congregational impulse of American Protestantism, or to the market created by religious competition? Are personal parishes a symbol of the success or failure of American Catholicism? Do they represent new forms of segregation, and do they allow the hierarchy to control dissent? Tricia Bruce’s Parish and Place offers a distinctive and compelling analysis of the structures that may determine the future of the American Catholic church.Crawford Gribben is a professor of history at Queen’s University Belfast. His research interests focus on the history of puritanism and evangelicalism, and he is the author most recently of John Owen and English Puritanism (Oxford University Press, 2016).