New Books in American Studies

National Book Award finalist Sarah Smarsh speaks to managing editor Emily Everett about her career writing memoir, essays, and journalism centered on the experience of the rural working class in the US. Her essay in The Common’s fall 2014 issue, “Death of the Farm Family,” became part of her 2018 book Heartland: A Memoir of Working Hard and Being Broke in the Richest Country on Earth, which became an instant New York Times bestseller, was shortlisted for the National Book Award and the Kirkus Prize, and named on President Barack Obama’s best books of the year list. Smarsh discusses her most recent book, a collection of essays from 2012 to 2024 titled Bone of the Bone: Essays on America from a Daughter of the Working Class (Scribner, 2024), out this fall in paperback. The conversation ranges from what the media gets wrong about working class Americans to how our understanding of and interest in talking about class and access has changed since the early 2000s. Stick around to hear how Smarsh manages the dual identities of rural Kansas farm kid and nationally recognized writer-commentator on class and culture, and hear what she’s working on next. Born a fifth-generation Kansas wheat farmer on her paternal side, Sarah Smarsh is a journalist who has reported for the New York Times, Harper’s, the Guardian, and many other publications. Her 2020 book She Come By It Natural: Dolly Parton and the Women Who Lived Her Songs was a finalist for the National Book Critics Circle Award. She is a frequent political commentator and speaker on socioeconomic class. A former writing professor, Smarsh has served as a Shorenstein Fellow at Harvard University’s Kennedy School of Government and a Pritzker Fellow at the University of Chicago Institute of Politics. She lives in rural Kansas, where she is currently at work on a book about the endangered tallgrass prairie ecosystem. ­­Read Sarah Smarsh’s essay “Death of the Farm Family” in The Common here. Learn more about her books and work at her website. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at here, and follow us on Instagram, Bluesky, and Facebook. Emily Everett is managing editor of the magazine and host of the podcast. Her new debut novel All That Life Can Afford is the Reese’s Book Club pick for April 2025. Her work has appeared in The New York Times Modern Love column, the Kenyon Review, Electric Literature, Tin House, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

The humble goat has played a surprising and important role throughout the history of the United States. Despite this, goats are often overlooked by many Americans, even if they have strong opinions about these complex creatures. In Goats in America: A Cultural History (Oregon State UP, 2025) Dr. Tami Parr calls attention to these disregarded animals, uncovering the remarkable stories behind everything from goat meat and milk to goat yoga and more. Since arriving in North America with cattle and other domesticated livestock in the sixteenth century, goats have provided people sustenance and valuable products, including milk, meat, and mohair. But humans did not appreciate the animals, and as a result, throughout much of American history goats were persecuted as public nuisances and symbols of degenerate behavior. Nevertheless, over the centuries the tenacious goat has overcome many of these stereotypes and secured a spot in the hearts and minds of modern Americans, who love goat cheese and embrace goats as social media stars. Examining key moments and notable developments in goat history and culture, Goats in America outlines the history and evolving role of goats in communities across the country, from San Francisco and New York City to rural Wisconsin and the Navajo Nation. Parr shows that the evolving reputation of goats in American society ultimately reveals more about humans than it does about goats themselves. So, the next time you are enjoying your favorite goat cheese, take a moment to consider the history and role of goats within American culture. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Today, images of cartels, security agents donning face coverings, graphs depicting egregious murder rates, and military guards at US border crossings influence the world's perception of Mexico. Mexico's so-called drug war, as generally conceived by journalists and academics, was the product of recent cartel turf wars, the end of the PRI's single party rule in 2000, and enhanced US border security measures post-9/11. These explanations are compelling, but they overlook state actions beginning in the 1970s that set the foundation for drug violence over the longer term. In Policing on Drugs: The United States, Mexico, and the Origins of the Modern Drug War, 1969-2000 (Oxford University Press, 2025), Aileen Teague chronicles a largely ignored but critical prehistory of intensified bilateral antidrug efforts by exploring their origins and inherent contradictions in Mexico. Beginning in the 1960s, US leaders externalized their aggressive domestic drug control practices by forcing junior partners such as Mexico into adopting their policies. Leaders on both sides of the border situated counternarcotics within a larger paradigm of militarized policing, which increased the power and influence of the military and aggressive counternarcotics in both countries. However, different security imperatives motivated US and Mexican agents, complicating enforcement in Mexico. Between 1969 and 2000, Mexico's embrace of America's punitive antidrug policies strengthened the coercive capacities of the Mexican state, exacerbated crime, and were so ineffective in an era of open trade blocs that they hastened the expansion of the drug trade. Drawing on such sources as records from the Drug Enforcement Administration (DEA), the US State Department, interviews with key officials, accounts from Mexican journalists, and rarely seen Mexican intelligence reports, Teague relates the war on drugs as a transnational story with deep historical roots in US and Mexican conceptions of policing and security. The negative impacts of US-led counternarcotics policies in Mexico can be attributed to the complex relationship between the United States' and Mexico's shared approach to the drug war--with critical implications for present-day relations. Aileen Teague is an Assistant Professor of International Affairs at the Bush School of Government and Public Service at Texas A&M University. She is a former Marine Corps officer and a fellow at the Quincy Institute for Responsible Statecraft. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

The adoption of the Hart-Celler Act in 1965, triggered a wave of immigration to the U.S. not seen since before the First World War. But these newcomers were now far less likely to have come from Europe than Asia, the Caribbean and Latin America. And they were far more likely to settle in suburbia than the “inner city.” In The New Suburbia: How Diversity Remade Suburban Life in Los Angeles After 1945 (Oxford UP, 2024) Becky M. Nicolaides analyzes the consequences of mass migration by looking at how four LA suburbs reacted—wealthy San Marino and Pasadena, working class South Gate, and lower middle class Lakewood. She invites the reader to consider whether in becoming more diverse, a community becomes more tolerant. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Unleashing Black Power: Grassroots Organizing in Harlem and the Advent of the Long, Hot Summers (UVA Press, 2025) explores the local dynamics, national connections, and global context of the Black freedom movement in Harlem from 1954 to 1964, illuminating how activists, organizers, and ordinary people mounted their resistance to systemic racism in the Jim Crow North. The richness of Black radical thought and action in this period made Harlem a key battleground in the national civil rights movement, transformed local Black grassroots politics, and facilitated the rise of Black Power in New York City. At the same time, the city’s attempts to clamp down on activists revealed the repressive nature of Northern liberalism and heralded the expansion of the carceral state. Peter Blackmer argues that this decade of confrontations between Black communities and white state power caused Harlem residents and activists to seek “new means” for achieving freedom within a city, state, and nation determined to deny it. Tracing the dual evolution of Black radicalism and white resistance, Unleashing Black Power offers a new framework for analyzing the epochal urban uprisings in the 1960s. Guest: Peter Blackmer (he/him) is an associate professor of Africology and African American Studies at Eastern Michigan University and his research and teaching explore the ways in which Black-led grassroots organizing campaigns for self-determination in the 20th and 21st Century United States have shaped local and national politics through struggles for civil rights, human rights, and political power in American cities. Host: Michael Stauch (he/him) is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

The Jazz Masters: Setting the Record Straight (UP of Mississippi, 2021) is a celebration of jazz and the men and women who created and transformed it. In the twenty-one conversations contained in this engaging and highly accessible book, we hear from the musicians themselves, in their own words, direct and unfiltered. Peter Zimmerman’s interviewing technique is straightforward. He turns on a recording device, poses questions, and allows his subjects to improvise, similar to the way the musicians do at concerts and in recording sessions. Topics range from their early days, their struggles and victories, to the impact the music has had on their own lives. The interviews have been carefully edited for sense and clarity, without changing any of the musicians’ actual words.Peter Zimmerman tirelessly sought virtuosi whose lives span the twentieth and twenty-first centuries. The reader is rewarded with an intimate look into the past century’s extraordinary period of creative productivity. The oldest two interview subjects were born in 1920 and all are professional musicians who worked in jazz for at least five decades, with a few enjoying careers as long as seventy-five years. These voices reflect some seventeen hundred years of accumulated experience yielding a chronicle of incredible depth and scope.The focus on musicians who are now emeritus figures is deliberate. Some of them are now in their nineties; six have passed since 2012, when Zimmerman began researching The Jazz Masters. Five of them have already received the NEA’s prestigious Jazz Masters award: Sonny Rollins, Clark Terry, Yusef Lateef, Jimmy Owens, and most recently, Dick Hyman. More undoubtedly will one day, and the balance are likewise of compelling interest. Artists such as David Amram, Charles Davis, Clifford Jordan, Valery Ponomarev, and Sandy Stewart, to name a few, open their hearts and memories and reveal who they are as people.This book is a labor of love celebrating the vibrant style of music that Dizzy Gillespie once described as “our native art form.” Zimmerman’s deeply knowledgeable, unabashed passion for jazz brings out the best in the musicians. Filled with personal recollections and detailed accounts of their careers and everyday lives, this highly readable, lively work succeeds in capturing their stories for present and future generations. An important addition to the literature of music, The Jazz Masters goes a long way toward “setting the record straight.”Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

“No country is ever just one thing.” In her new book Cuba: An American History (Scribner, 2021), NYU historian Ada Ferrer shows this again and again. In clear and engaging prose, Ferrer narrates five centuries of history from a decidedly different angle than previous one-volume studies; the main drivers of history in this book are not just familiar political figures and abstract historical forces, but a whole range of typically marginalized historical actors. Ferrer integrates the voices of the enslaved, ordinary Cubans, and her own family to reimagine what it means to tell the history of the island. Part of this reimagining also involves showing the many points of convergence between the history of the United States and Cuba. Ferrer uses many anecdotes—such as the story of the inauguration of a Vice President of the United States on a sugar plantation in Cuba—to suggest how the lines between Cuban and American history were often blurred together. The result is a finely crafted and deeply personal book that encourages readers to recognize Cuba’s contested past and its multiple identities.Steven P. Rodriguez is a PhD Candidate in history at Vanderbilt University. You can reach him at steven.p.rodriguez@vanderbilt.edu and follow his twitter at @SPatrickRod. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Upstate New York's Anti-Rent Movement is considered the last struggle over feudalism in the United States. Tenant farmers in the Hudson-Mohawk region engaged in organized protest throughout the 1840s to contest monopoly ownership of the land they worked. Arguing their cause in newspapers, on broadsides, and at rallies, their aspirations also took shape in poetry and song. More than twenty sets of lyrics (and one instrumental composition) were written at various stages of the conflict. Some of their musical sources, such as "Old Dan Tucker" and "Bruce's Address," are still well known. Each fully contextualized song offers insight into the role vernacular music played in one of the nineteenth century's major social reform movements. Songs and Sounds of the Anti-Rent Movement in Upstate New York: Including Twenty-Two New Settings of Period Tunes (SUNY Press, 2025) by Dr. Nancy Newman is the first book to gather the poetry and corresponding tunes into one publication (you can find recordings of some of the songs here). It provides detailed analysis of the repertory, followed by new musical scores of the songs, reconstructed from contemporary historical sources for study and performance. It also examines the movement's later dramatization in novels, film, and public commemorations as successive generations grapple with its meaning. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

The first and definitive history of the use of food in American law and politics as a weapon of conquest and control, a Fast Food Nation for the Black Lives Matter era In 1779, to subjugate Indigenous nations, George Washington ordered his troops to “ruin their crops now in the ground and prevent their planting more.” Destroying harvests is just one way that the United States has used food as a political tool. Trying to prevent enslaved people from rising up, enslavers restricted their consumption, providing only enough to fuel labor. Since the Great Depression, school lunches have served as dumping grounds for unwanted agricultural surpluses. From frybread to government cheese, Ruin Their Crops on the Ground: America’s Politics of Food, from the Trail of Tears to School Lunch (Metropolitan Books, 2024) on the Ground draws on over fifteen years of research to argue that American food law and policy have created and maintained racial and social inequality. In an epic, sweeping account, Andrea Freeman, who pioneered the term “food oppression,” moves from colonization to slavery to the Americanization of immigrant food culture, to the commodities supplied to Native reservations, to milk as a symbol of white supremacy. She traces the long-standing alliance between the government and food industries that have produced gaping racial health disparities, and she shows how these practices continue to this day, through the marketing of unhealthy goods that target communities of color, causing diabetes, high blood pressure, and premature death. Ruin Their Crops on the Ground is a groundbreaking addition to the history and politics of food. It will permanently upend the notion that we freely and equally choose what we put on our plates. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Southern History Remixed: On Rock ‘n’ Roll and the Dilemma of Race (UP Florida, 2024) spotlights the key role of popular music in the shaping of the United States South from the late nineteenth century to the era of rock ’n’ roll in the 1940s, ’50s, and ’60s. While musical activities are often sidelined in historical narratives of the region, Michael Bertrand shows that they can reveal much about social history and culture change as he connects the rise of rock ’n’ roll to the civil rights movement for racial equality. In this book, Bertrand traces a long-term culture war in which white southerners struggled over the region’s cultural complexion with music serving as an engine that both sustained and challenged white supremacy. He shows how rock ’n’ roll emerged as a working-class genre with biracial sources that stoked white racial anxieties and engaged the region’s color and culture lines. This book discusses the conflict over southern identity that played out in responses to jazz, barn dance radio, Pentecostal and gospel music, Black radio programming, and rhythm and blues, concluding with a close look at the popularity of Elvis Presley within a racially segregated society. Southern History Remixed suggests that both Black and white southerners have used music as a tool to resist or negotiate a rigid regional hierarchy. Urging readers and scholars to take the study of popular music seriously, Bertrand argues that what occurs in the music world affects and reflects what happens in politics and history. Guest: Michael T. Bertrand is a historian of the American South and the modern United States. Host: Caroline Alt (she/her), a Ph.D. student in the Department of History at the University of Georgia. She studies the hauntings of the American South from the 19th through the 21st centuries. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies