New Books in American Studies

While media pundits continually speculate over the future leanings of the so-called “Latino vote,” Benjamin Francis-Fallon historicizes how Latinos were imagined into a national electoral constituency in his new book The Rise of the Latino Vote: A History (Harvard University Press, 2019). Francis-Fallon, Assistant Professor of History at Western Carolina University, examines the rhetorical construction of a national voting bloc by politicians, parties, and a national network of Latino political elites. This interview explores some of the major themes in the book, including the essential role of Latino congressmen, the ideological struggles between Latino elected officials and radical activists, and the ongoing appeals to a panethnic Latino voting bloc from presidential campaigns. Of course Democratic Party politics is only half of the story, with the efforts of the Republican Party featuring prominently in the text as well. By discussing the parallel Latino engagement strategies of both parties, Francis-Fallon underscores the fact that the “rise of the Latino vote was a multiparty phenomenon.” Building upon existing studies that detail how panethnic Latinidad was constructed in the twentieth-century United States, Francis-Fallon adds national and presidential politics to the list of forces that continue to define what it means to be Latino.Jaime Sánchez, Jr. is a Ph.D. Candidate in the Department of History at Princeton University and a scholar of U.S. politics and Latino studies. He is currently writing an institutional history of the Democratic National Committee and partisan coalition politics in the twentieth century. You can follow him on Twitter @Jaime_SanchezJr. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

hat is the relationship between culture and trade? In Trading on Art: Cultural Diplomacy and Free Trade in North America Sarah E. K. Smith, an Associate Professor in the Faculty of Information and Media Studies at Western University and the Canada Research Chair (Tier 2) in Art, Culture and Global Relations, examines the history of cultural relations between Canada, the USA and Mexico at the turn of the twenty-first century. The book considers how North America was conceptualised by cultural practices such as art and video, as well as how the arts engaged and responded to free trade agreements in that period. As the world confronts a very different trading and cultural context, the book is essential reading for anyone interested in the future, as well as the past, of cross-national cultural exchange. The book will also be available open access in 2026 Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In 2016, Anand Pandian was alarmed by Donald Trump's harsh attacks on immigrants to the United States, the appeal of that politics of anger and fear. In the years that followed, he crisscrossed the country—from Fargo, North Dakota to Denton, Texas, from southern California to upstate New York—seeking out fellow Americans with markedly different social and political commitments, trying to understand the forces that have hardened our suspicions of others. The result is Something Between Us: The Everyday Walls of American Life (Stanford University Press, 2025), and How to Take Them Down, a groundbreaking and ultimately hopeful exploration of the ruptures in our social fabric, and courageous efforts to rebuild a collective life beyond them. The stakes of disconnection have never been higher. From the plight of migrants and refugees to the climate crisis and the recent pandemic, so much turns on the care and concern we can muster for lives and circumstances beyond our own. But as Pandian discovers, such empathy is often thwarted by the infrastructure of everyday American life: fortified homes and neighborhoods, bulked-up cars and trucks, visions of the body as an armored fortress, and media that shut out contrary views. Home and road, body and mind: these interlocking walls sharpen the divide between insiders and outsiders, making it difficult to take unfamiliar people and perspectives seriously, to acknowledge the needs of others and relate to their struggles. Through vivid encounters with Americans of many kinds—including salesmen, truck drivers, police officers, urban planners, and activists for women's rights and environmental justice—Pandian shares tools to think beyond the twists and turns of our bracing present. While our impasses draw from deep American histories of isolation and segregation, he reveals how strategies of mutual aid and communal caretaking can help to surface more radical visions for a life in common with others, ways of meeting strangers in this land as potential kin. Anand Pandian is Krieger-Eisenhower Professor of Anthropology at Johns Hopkins University. Lilian Calles Barger is a cultural, intellectual and gender historian. Her most recent book is entitled The World Come of Age: An Intellectual History of Liberation Theology (Oxford University Press, 2018). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

How do social movements arise, wield power, and bring about meaningful change? Renowned scholar Linda Gordon investigates these and other salient questions in this “visionary, cautionary, timely, and utterly necessary book” (Nicole Eustace), narrating how some of America’s most influential twentieth-century social movements transformed the nation.Beginning with the turn-of-the century settlement house movement, the book compares Chicago’s celebrated Hull-House, begun by privileged women, to a much less well known African American project, Cleveland’s Phillis Wheatley House, begun by a former sharecropper. Expanding her highly praised book The Second Coming of the KKK, the second chapter shows how a northern Klan became a mass movement in the 1920s. Contrary to what many Klan opponents thought, this KKK was a middle-class organization, its members primarily urban and well educated. In the 1930s, the KKK gave birth to dozens of American fascist groups—small but extremely violent. Profiles of two other 1930s movements follow: the Townsend campaign for old-age insurance, named for its charismatic leader, Dr. Francis Townsend. It created the public pressure that brought us Social Security, which was considered radical at the time, as was the movement to bring about federal unemployment aid for millions.Proceeding to the 1955–1956 Montgomery bus boycott—which jump-started the career of Martin Luther King, Jr.—the narrative shows how the city’s entire Black population refused to ride segregated buses; initiated by Black women, their years-long, hard-fought victory inspired the civil rights movement. Gordon then examines the 1970s farmworkers struggle, led by Cesar Chavez and made possible by the work of tens of thousands of the primarily Mexican American farmworkers. Together they built the United Farm Workers Union, winning better wages and working conditions for some of the country’s poorest workers. The book concludes with the dramatic stories of two Boston socialist feminist groups, Bread and Roses and the Combahee River Collective, which influenced the whole women’s liberation movement. Linda Gordon is professor emerita of history and University Professor of the Humanities at New York University. She is the winner of two Bancroft prizes for best book in American History.  Her previous work includes The Second Coming of the KKK and a biography of the photographer Dorothea Lange. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

From his early albums with the Mothers of Invention, Frank Zappa established a reputation as a musical genius who pushed the limits of culture throughout the 1960s and 1970s, experimenting with a blend of genres in innovative and unheard-of ways. Not only did his exploratory styles challenge the expectations of what popular music could sound like, but his prolific creative endeavors also shaped how audiences thought about the freedom of artistic expression. In Frank Zappa's America (LSU Press, 2025), Bradley Morgan casts the artist as an often-misunderstood figure who critiqued the actions of religious and political groups promoting a predominantly white, Christian vision of the United States. A controversial and provocative satirist, often criticized for the shocking subject matter of his songs, Zappa provided social commentary throughout his career that spoke truth to power about the nefarious institutions operating in the lives of everyday Americans. Beginning in the late 1970s, his music frequently addressed the rise of extremist religious influence in American politics, specifically white Christian nationalism. Despite commercial and critical pressure, Zappa refused to waver in his support for free speech during the era of Reagan and MTV, including his pointed testimony before the U.S. Senate at the Parents Music Resource Center (PMRC) hearings. Throughout the 1980s, and until his death in 1993, Zappa crafted his art form to advocate for political engagement, the security of individual liberties, and the advancement of education. Music became his platform to convey progressive views promoting the rights of marginalized communities most at risk in a society governed by the principles of what he perceived as Christian radicalism. Frank Zappa's Americexamines the musician's messaging through song, tracing the means by which Zappa created passionate, at times troubling, art that combats conservativism in its many manifestations. For readers in the twenty-first century, his music and public advocacy demonstrate the need to preserve democracy and the voices that uphold it. Bradley Morgan, a media arts professional based in Chicago, is the author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships for CHIRP Radio 107.1 FM and directs the station's music film festival. Morgan also interviews authors of music and pop culture books for the New Books Network podcast. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Gardens are often spaces of hope, expected to solve many problems in a city including food insecurity and climate resilience. In fact, there has been a historical trend of urban gardening gaining popularity during times of crisis. Gardens of Hope is the story of urban gardening in New Orleans in the decade after Hurricane Katrina and Hurricane Rita. Yuki Kato highlights the impact urban gardens have on communities after disasters and the efforts of well-intended individuals envisioning alternative futures in the form of urban farming. Drawing on repeated interviews with residents who began cultivation projects in New Orleans between 2005 and 2015, Kato explains how good intentions and grit were not enough to implement or sustain urban gardeners’ visions for the post-disaster city’s future. Coining the term “prefigurative urbanism,” Kato illustrates how individuals tried to realize alternative ways of living and working in the city through pragmatism and innovation. Gardens of Hope asks key questions about what inspires and enables individuals to pursue prefigurative urbanism and about the potential and limitations of this form of civic engagement to bring about short- and long-term changes in cities undergoing transformation, from gentrification, post-pandemic recovery, to climate change. Yuki Kato is Associate Professor at the Department of Sociology at Georgetown University. She is an urban sociologist whose research interests intersect the subfields of social stratification, food and environment justice, culture and consumption, and symbolic interaction. She is the co-editor of A Recipe for Gentrification: Food, Power, and Resistance in the City (NYU Press, 2020). Yadong Li is a socio-cultural anthropologist-in-training. He is registered as a PhD student at Tulane University. His research interests lie at the intersection of economic anthropology, development studies, hope studies, and the anthropology of borders and frontiers. More details about his scholarship and research interests can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In the late twentieth century, artists were on the front lines of the culture wars. Leaders of the Christian Right in the U.S. made a national spectacle out of feminist and queer art, blasting it as sacrilegious or pornographic--and sometimes both. On the bully pulpits of television and talk radio, as well as in the halls of Congress, conservatives denounced artists ranging from Robert Mapplethorpe and Judy Chicago to Marlon Riggs and David Wojnarowicz. Conservatives, alarmed by shifting sex and gender norms, collided with progressive artists who were confronting sexism, homophobia, and racism. In Provoking Religion: Sex, Art, and the Culture Wars (Oxford University Press, 2025), Anthony Petro offers a compelling new history of the culture wars that places competing moralities of gender and sexuality alongside competing visions of the sacred. The modern culture wars, he shows, are best understood not as contests pitting religious conservatives against secular activists, but as a series of ongoing historical struggles to define the relationship between the sacred and the political. Through captivating case studies of "subversive" artists, Provoking Religion illuminates the underside of the culture wars, revealing how progressive artists and activists rendered from those most apparently profane aspects of human life-the stuff of conservatives' worst nightmares--their own haunting visions of the sacred. Anthony M. Petro is Associate Professor in the Department of American Studies at University of Notre Dame (effective fall 2025). His first book, After the Wrath of God: AIDS, Sexuality, and American Religion, was a finalist for the Religion Newswriters Association's book award for nonfiction. An early chapter from this book also won the 2012 LGBTQ Religious History Award from the LGBTQ Religious Archives Network. In 2019-2020, Petro was a member of the School of Historical Studies at the Institute for Advanced Study in Princeton, NJ. Clayton Jarrard is a graduate student at NYU's XE: Experimental Humanities & Social Engagement program. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Until now, the standard narrative of American religious history has begun with English settlers in Jamestown or Plymouth and remained predominantly Protestant and Atlantic. Driven by his strong sense of the historical and moral shortcomings of the usual story, Thomas A. Tweed offers a very different narrative in this ambitious new history. He begins the story much earlier—11,000 years ago—at a rock shelter in present-day Texas and follows Indigenous Peoples, African Americans, transnational migrants, and people of many faiths as they transform the landscape and confront the big lifeway transitions, from foraging to farming and from factories to fiber optics. Setting aside the familiar narrative themes, Dr. Tweed highlights sustainability, showing how religion both promoted and inhibited individual, communal, and environmental flourishing during three sustainability crises: the medieval Cornfield Crisis, which destabilized Indigenous ceremonial centers; the Colonial Crisis, which began with the displacement of Indigenous Peoples and the enslavement of Africans; and the Industrial Crisis, which brought social inequity and environmental degradation. The unresolved Colonial and Industrial Crises continue to haunt the nation, Dr. Tweed suggests, but he recovers historical sources of hope as he retells the rich story of America’s religious past. Our guest is: Dr. Thomas A. Tweed, who is professor emeritus of American Studies and history at the University of Notre Dame. A past president of the American Academy of Religion, he is the editor of Retelling U.S. Religious History and the author numerous books including Religion: A Very Short Introduction, and Religion in the Lands That Became America. Our host is: Dr. Christina Gessler, who holds a PhD in American history. She works as a grad student and dissertation coach, and is a developmental editor for scholars in the humanities and social sciences. She is the producer of the Academic Life podcast and the author of the Academic Life newsletter, found at christinagessler.substack.com Playlist for listeners: The Lost Journals of Sacajewea Disabled Ecologies: Lessons From A Wounded Desert Gay on God's Campus How to Human The Good-Enough Life Mindfulness A Conversation About Yiddish Studies Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 275+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

At the turn of the twentieth century, the Black press provided a blueprint to help Black Americans transition from slavery and find opportunities to advance and define African American citizenship. Among the vanguard of the Black press was Jefferson Lewis Edmonds, founder and editor of The Liberator newspaper. His Los Angeles-based newspaper championed for women's rights, land and business ownership, education, and civic engagement, while condemning lynchings and other violent acts against African Americans. It encouraged readers to move westward and build new communities, and it printed stories about weddings and graduations as a testament to the lives and moments not chronicled in the White-owned press. Edmonds took this fierce perspective in his career as a journalist, for he himself was born into slavery and dedicated his life to creating pathways of liberation for those who came after him. Across the pages of his newspaper, Edmonds painted a different perspective on Black life in America and championed for his community--from highlighting the important work of his contemporaries, including Booker T. Washington and W.E.B. Du Bois, to helping local readers find love in the personal ads section. The Liberator, along with a chorus of Black newspapers at the turn of the century, educated an entire generation on how to guard their rights and take claim of their new American citizenship. Written by Jefferson Lewis Edmonds' great-great granddaughter, We Now Belong to Ourselves: J. L. Edmonds, the Black Press, and Black Citizenship in America (Oxford University Press, 2025) chronicles how Edmonds and other pioneering Black publishers documented the shifting tides in the advancement of Black liberation. Arianne Edmonds argues that the Black press was central in transforming Black Americans' communication patterns, constructing national resistance networks, and defining Black citizenship after Reconstruction--a vision, mission, and spirit that persists today through Black online social movements. Weaving together poetry, personal narrative, newspaper clips, and documents from the Edmonds family archive, We Now Belong to Ourselves illustrates how Edmonds used his platform to center Black joy, Black triumph, and radical Black acceptance. Arianne Edmonds is a 5th generation Angeleno, archivist, civic leader, and founder of the J.L. Edmonds Project, an initiative dedicated to preserving the history and culture of the Black American West. She is currently a Senior Civic Media Fellow at the USC Annenberg School for Communication and Journalism funded by the MacArthur Foundation and a Commissioner for the Los Angeles Public Library. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

More than a century and a half after Robert E. Lee surrendered to Ulysses S. Grant, historians are still searching for exactly when the U.S. Civil War ended. Was it ten weeks afterward, in Galveston, where a federal commander proclaimed Juneteenth the end of slavery? Or perhaps in August of 1866, when President Andrew Johnson simply declared “the insurrection is at an end”?  That the answer was elusive was baffling even to a historian of the stature of Michael Vorenberg, whose previous work served as a key source of Steven Spielberg’s Lincoln. Vorenberg was inspired to write this groundbreaking book, finding its title, Lincoln's Peace, in the peace Lincoln hoped for but could not make before his assassination. A peace that required not one but many endings, as Vorenberg reveals in these pages, the most important of which came well more than a year after Lincoln’s untimely death. To say how a war ends is to suggest how it should be remembered, and Vorenberg’s search is not just for the Civil War’s endpoint but for its true nature and legacy, so essential to the American identity. It’s also a quest, in our age of “forever wars,” to understand whether the United States’s interminable conflicts of the current era have a precedent in the Civil War—and whether, in a sense, wars ever end at all, or merely wax and wane. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies