New Books in American Studies

For last 100 years, the neighborhood of Harlem in New York City has stood as the capital of Black America and the capital of the global African diaspora. Yet Harlem is so big and so varied that it contains smaller sections with distinct identities and histories of their own.Davida Siwisa James explores two parts of Harlem in her book Hamilton Heights and Sugar Hill: Alexander Hamilton’s Old Harlem Neighborhood Through the Centuries, published by the Empire State Editions imprint of Fordham University Press. Exploring four centuries of life in a part of upper Manhattan that stretches from 135th Street to 165th Street and from Edgecombe Avenue to the Hudson River, James looks at the encounters between the Lenape and Dutch settlers, the rural village that was Harlem, and the Harlem Renaissance luminaries who lived in Hamilton Heights and Sugar Hill.James blends the personal and the historical to illuminate great events, fascinating people, and amazing architecture. In a time when Harlem is going through great demographic and cultural changes, she explores both the long history of Hamilton Heights and Sugar Hill and their significance for the history Black America.Robert W. Snyder is Manhattan Borough Historian, professor emeritus of Journalism and American Studies at Rutgers University, and the author of When the City Stopped: Stories from New York’s Essential Workers (Cornell, 2025). Email: rwsnyder@rutgers.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Today I’m speaking with Asad L. Asad, Assistant Professor of Sociology at Stanford University. He is the author of Engage and Evade: How Latino Immigrant Families Manage Surveillance in Everyday Life (Princeton UP, 2023). A highly relevant book, Engage and Evade documents the interactions between undocumented people and the agents and institutions of government. One might expect undocumented people to avoid the IRS, but as Asad demonstrates, many engage with government institutions in the hopes that positive interactions and compliance might help their immigration cases down the road. Published in 2023, immigration policy and treatment of undocumented people by the government has shifted dramatically in a short time. I’m grateful today to be able to speak with Asad about this thoughtful book. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

It’s the UConn Popcast, and on the 100th anniversary of F. Scott Fitzgerald’s classic novel, we explore what The Great Gatsby means in America today.In this deep-dive we ask: What did Gatsby mean in 1925, and how have those meanings changed in 2025? What mythologies of America does Gatsby circulate, and challenge? How does Gatsby read to a Brit who never read it in high school, and to an American who only encountered it as an adult? Is Nick Carraway right that Gatsby is the only pure soul in the story? Can we rescue utopian imaginings from this dystopic picture of America? Is there a hidden story of race submerged beneath Gatsby’s overt story of class? Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Liberal democracy in America has always contained contradictions—most notably, a noble but abstract commitment to freedom, justice, and equality that, tragically, has seldom been realized in practice. While these contradictions have caused dissent and even violence, there was always an underlying and evolving solidarity drawn from the cultural resources of America’s “hybrid Enlightenment.”James Davison Hunter, who introduced the concept of “culture wars” thirty years ago, tells us in Democracy and Solidarity: On the Cultural Roots of America's Political Crisis (Yale UP, 2024) that those historic sources of national solidarity have now largely dissolved. While a deepening political polarization is the most obvious sign of this, the true problem is not polarization per se but the absence of cultural resources to work through what divides us. The destructive logic that has filled the void only makes bridging our differences more challenging. In the end, all political regimes require some level of unity. If it cannot be generated organically, it will be imposed by force.Can America’s political crisis be fixed? Can an Enlightenment-era institution—liberal democracy—survive and thrive in a post-Enlightenment world? If, for some, salvaging the older sources of national solidarity is neither possible sociologically, nor desirable politically or ethically, what cultural resources will support liberal democracy in the future? Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Those who fought in the Civil War were expected to overcome their fear of injury or death as they charged into a hail of bullets. Soldiers could expect erupting artillery shells or Minié balls to maim or tear their bodies apart. The 11th New York Fire Zouaves and the 2nd Texas Infantry were no different. They charged into battle with high, perhaps even inflated, expectations of glory on the field of battle. After all, they had already shown their bravery at home especially in the case of the Fire Zoaves. Yet when they marched into battle at the fields of Bull Run or Shiloh, falter as a unit they did. Afterwards, members of both units faced charges of cowardice casting a lingering shadow on their regiments and personal reputations. Over time charges of cowardice would fade to be replaced with the rhetoric of martial heroism leading some historians to insist that all Civil War soldiers were heroes. In her latest work, Dread Danger: Cowardice and Combat in the America Civil War (Cambridge UP, 2024), Dr. Lesley Gordon seeks to offer a fuller understanding of the experiences of Civil War soldiers and sufferings of war.Dr. Gordon is the Charles Boal Ewing Chair in Military History at West Point and the Charles G. Summersell Chair of Southern History at the University of Alabama. Dr. Gordon received her Ph.D. from the University of Georgia and specializes in civil war history.  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Art has long played a key role in constructing how people understand and imagine America. Starting with contemporary controversies over public monuments in the United States, in Temporary Monuments: Art, Land, and America’s Racial Enterprise (University of Chicago Press, 2024), Dr. Rebecca Zorach carefully examines the place of art in the occupation of land and the upholding of White power in the US, arguing that it has been central to the design of America’s racial enterprise. Confronting closely held assumptions of art history, Zorach looks to the intersections of art, nature, race, and place, working through a series of symbolic spaces—the museum, the wild, islands, gardens, home, and walls and borders—to open and extend conversations on the political implications of art and design.Against the backdrop of central moments in American art, from the founding of early museums to the ascendancy of abstract expressionism, Dr. Zorach shows how contemporary artists—including Dawoud Bey, Theaster Gates, Maria Gaspar, Kerry James Marshall, Alan Michelson, Dylan Miner, Postcommodity, Cauleen Smith, and Amanda Williams—have mined the relationship between environment and social justice, creating works that investigate and interrupt White supremacist, carceral, and environmentally toxic worlds. The book also draws on poetry, creative nonfiction, hip-hop videos, and Disney films to illuminate crucial topics in art history, from the racial politics of abstraction to the origins of museums and the formation of canons.This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Martha S. Jones grew up feeling her Black identity was obvious to all who saw her. But weeks into college, a Black Studies classmate challenged Jones’s right to speak. Suspicious of the color of her skin and the texture of her hair, he confronted her with a question that inspired a lifetime of introspection: “Who do you think you are?”Now a prizewinning scholar of Black history, Jones delves into her family’s past for answers. In every generation since her great-great-great-grandmother survived enslavement to raise a free family, color determined her ancestors’ lives. But the color line was shifting and jagged, not fixed and straight. Some backed away from it, others skipped along it, and others still were cut deep by its sharp teeth.Journeying across centuries, from rural Kentucky and small-town North Carolina to New York City and its suburbs, The Trouble of Color: An American Family Memoir (Basic Books, 2025) is a lyrical, deeply felt meditation on the most fundamental matters of identity, belonging, and family.Martha S. Jones is the Society of Black Alumni Presidential Professor, professor of history, and a professor at the SNF Agora Institute at the Johns Hopkins University. A prizewinning author and editor of four books, most recently Vanguard, she is past copresident of the Berkshire Conference of Women Historians and has contributed to the New York Times, Atlantic, and many other publications. She lives in Baltimore, Maryland.Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Dancing Black, Dancing White: Rock 'n' Roll, Race, and Youth Culture of the 1950s and Early 1960s (Oxford University Press, 2023) offers a new look at the highly popular phenomenon of the televised teen dance program. These teen shows were incubators of new styles of social and popular dance and both reflected and shaped pressing social issues of the day. Often referred to as "dance parties," the televised teen dance shows helped cultivate a nascent youth culture in the post-World War II era. The youth culture depicted on the shows, however, was primarily white. Black teenagers certainly had a youth culture of their own, but the injustice was glaring: Black culture was not always in evident display on the airwaves, as television, like the nation at large, was deeply segregated and appealed to a primarily white, homogenous audience. The crux of the book, then, is twofold: to explore how social and popular dance styles were created and disseminated within the new technology of television and to investigate how the shows both reflected and re-affirmed the racial politics and attitudes of the time. The story of televised teen dance told here is about Black and white teenagers wanting to dance to rock 'n' roll music despite the barriers placed on their ability to do so. It is also a story that fuses issues of race, morality, and sexuality. Dancing Black, Dancing White weaves together these elements to tell two stories: that of the different experiences of Black and white adolescents and their desires to have a space of their own where they could be seen, heard, appreciated, and understood.Julie Malnig is Professor of Dance and Theatre Studies at The Gallatin School of Individualized Study at New York University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Today I’m speaking with Jonathan Rauch, a senior fellow in governance studies at the Brookings Institution and a contributing editor of The Atlantic. We are discussing his latest book, Cross Purposes: Christianity’s Broken Bargain with Democracy (Yale UP, 2025). The enmity between secular liberals and religious conservatives is a source of chaos in American democracy. Religious conservatives blame secular liberals for creating a decadent society without traditional norms. Secular liberals accuse religious conservatives of intolerance and hatred. Both sides want to do away with the other, when we actually need to try to understand each other. Jonathan’s book offers a powerful critique of our uncompromising ways.Caleb Zakarin is editor at the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

On this episode of the New Books Network, Dr. Megan Hunt joins us to talk about her recent book, Southern By the Grace of God, which was published in 2024 by the University of Georgia Press.Lke the media coverage of the civil rights era itself, Hollywood dramas have reinforced regional stereotypes of race, class, and gender to cleanse and redeem the wider nation from the implications of systemic racism. As Southern by the Grace of God reveals, however, Hollywood manipulates southern religion (in particular) to further enhance this pattern of difference and regional exceptionalism, consistently displacing broader American racism through a representation of the poor white southerner who is as religious as he (and it is always a he) is racist. By foregrounding the role of religion in these characterizations, Megan Hunt illuminates the pernicious intersections between Hollywood and southern exceptionalism, a long-standing U.S. nationalist discourse that has assigned racial problems to the errant South alone, enabling white supremacy to not only endure but reproduce throughout the nation. Southern by the Grace of God examines the presentation and functions of Protestant Christianity in cinematic depictions of the American South. Hunt argues that religion is an understudied signifier of the South on film, used--with varying degrees of sophistication--to define the region's presumed exceptionalism for regional, national, and international audiences. Rooted in close textual analysis and primary research into the production and reception of more than twenty Hollywood films that engage with the civil rights movement and/or its legacy, this book provides detailed case studies of films that use southern religiosity to negotiate American anxieties around race, class, and gender. Religion, Hunt contends, is an integral trope of the South in popular culture and especially crucial to the divisions essential to Hollywood storytelling. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies