New Books in American Studies

Broadway has body issues.What is a Broadway Body? Broadway has long preserved the ideology of the "Broadway Body": the hyper-fit, exceptionally able, triple-threat performer who represents how Broadway musicals favor certain kinds of bodies. Casting is always a political act, situated within a power structure that gives preference to the Broadway Body.In Broadway Bodies: A Critical History of Conformity (Oxford UP, 2023), author Ryan Donovan explores how ability, sexuality, and size intersect with gender, race, and ethnicity in casting and performance. To understand these intersectional relationships, he poses a series of questions: Why did A Chorus Line, a show that sought to individuate dancers, inevitably make dancers indistinguishable? How does the use of fat suits in musicals like Dreamgirls and Hairspray stigmatize fatness? What were the political implications of casting two straight actors as the gay couple in La Cage aux Folles in 1983? How did deaf actors change the sound of musicals in Deaf West’s Broadway revivals? Whose bodies does Broadway cast and whose does it cast aside?In answering these questions, Broadway Bodies tells a history of Broadway’s inclusion of various forms of embodied difference while revealing its simultaneous ambivalence toward non-conforming bodies. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

The deepest dive yet into the heart and soul, secret affairs, unexplored alliances, and bitter feuds of a generally worshipped, intermittently reviled American icon. Perhaps no founding father is as mysterious as Thomas Jefferson. The author of the Declaration of Independence was both a gifted wordsmith and a bundle of nerves. His superior knowledge of the human heart is captured in the impassioned appeal he brought to the Declaration. But as a champion of the common man who lived a life of privilege on a mountaintop plantation of his own design, he has eluded biographers who have sought to make sense of his inner life. In Being Thomas Jefferson: An Intimate History (Bloomsbury, 2026), acclaimed Jefferson scholar Andrew Burstein peels away layers of obfuscation, taking us past the veneer of the animated letter-writer to describe a confused lover and a misguided humanist, too timid to embrace antislavery.Jefferson was a soft-spoken man who recoiled from direct conflict, yet a master puppeteer in politics. Whenever he left Monticello, where he could control his environment, he suffered debilitating headaches that plagued him for decades, until he finally retired from public life. So, what did it feel like to be Thomas Jefferson? Burstein explains the decision to take as his mistress Sally Hemings, the enslaved half-sister of his late wife, who bore him six children, none of whom he acknowledged. Presenting a society that encouraged separation between public and private, appearance and essence, Burstein paints a dramatic picture of early American culture and brings us closer to Jefferson's life and thought than ever before. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In her new book, Finding Jackie: A Life Reinvented (Diversion Books, 2023), scholar and writer Oline Eaton examines the story of an era's biggest "star of life," Jaqueline Bouvier Kennedy Onassis, as she coped with trauma and built a new existence in an unstable world during the time between JFK's murder in 1963 and the death of her second husband, Aristotle Onassis, in 1975. Jackie Kennedy was universally loved and to this day is still remembered as dignified, classy, a superior wife, mother, decorator, and hostess. But what story lies beneath that of the former First Lady? What is the true tale of the woman who later wore leather miniskirts, grew her hair long, and married infamous Greek shipping tycoon Ari Onassis?Eaton charts the taboo and often dismissed story of Jackie, the life of a woman reinventing herself time and time again. In Finding Jackie, she follows the "star of life" through her tragedies and triumphs with all the urgency and uncertainty she faced. Revealed is the Jackie the world has never seen, the Jackie who climbed pyramids, held fascinating jobs, lived abroad, married a scandalous man, saw a sex movie with him in a theater, and then judo-flipped a photographer on her way out. She frolicked braless and barefoot in Capri. She saved Grand Central. She stepped outside the rarefied world she'd been born into and exemplified the cultural changes of the 1960s and 70s. With newly released archival evidence, Finding Jackie illuminates the disconnect between the public story and what is now known of Jackie Kennedy Onassis' actual private life. Jackie has long been celebrated for her style rather than her substance but, when set in its full historical context, her story resonates today. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

From the earliest days of its founding, the United States set its sights on Native territory. Amid better-known “Indian wars,” the federal government quietly built an empire by treaty, offering payments to Native peoples for their land. Routinely inadequate, these payments were nonetheless pivotal because federal officials chose not to deliver them as a lump sum. Instead, the government kept the bulk of payments owed to Native nations under its own control as a trustee, and made access to future installments contingent on Native compliance. In Vested Interests: Trusteeship and Native Dispossession in the United States (Princeton UP, 2025), Dr. Emilie Connolly describes how a system of “fiduciary colonialism” seized a continent from its original inhabitants—and, ironically, furnished Native peoples with financial resources that sustained their nations.Connolly documents two centuries of dispossession in the guise of fiduciary benevolence. Acting as both dispossessor and trustee, the federal government invested Native wealth in state bonds that financed banks, canals, and other infrastructural projects that enabled the country to expand further westward. Meanwhile, Native peoples protected the money they did receive for future generations, investing it in their own institutions and mounting legal challenges to hold their trustees accountable. Still, federal trusteeship placed tight constraints on Native economies with the aim of containing Native power, forcing nations to endure through sheer resilience and ingenuity. By chronicling the long history of Native land dispossession through financial paternalism, Vested Interests reveals the unequal dividends of colonialism in the United States. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

How police abuse ignited the Chicano movement in the Southwest Brown and Blue: Mexican Americans, Law Enforcement, and Civil Rights in the Southwest, 1935-2025 (UNC Press, 2025)  offers a sweeping history of Mexican American interactions with law enforcement and the criminal justice system in the US Southwest. Looking primarily at Arizona, California, New Mexico, and Texas, Brown and Blue tells a complex story: Violent, often racist acts committed by police against Mexican American people sparked protests demanding reform, and criminal justice authorities sometimes responded positively to these protests with measures such as recruiting Mexican Americans into local police forces and altering training procedures at police academies.Brian D. Behnken demonstrates the central role that the struggle for police reform played in the twentieth-century Chicano movement, and the ways its relevance continues to the present. By linking social activism and law enforcement, Behnken illuminates how the policing issues of today developed and what reform remains to be done. Guest: Brian Behnken is a professor of history at Iowa State University. He specializes in African American and Mexican American history, with an emphasis on civil rights activism and comparative race relations. He has published widely within these fields and has also expanded his research focus to explore racial violence, law enforcement, popular culture, and nationalism as they relate to African American and Latino/a/x peoples. Host: Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

The Great Migration saw more than six million African Americans leave the US South between 1910 and 1970. Though the experiences of migrant laborers are well-known, countless African Americans also left the South to pursue entrepreneurial opportunities and viewed business as key to Black liberation. Detroit's status as a mecca for Black entrepreneurship illuminates this overlooked aspect of the Great Migration story. In Freedom Enterprise, Kendra D. Boyd uses "migrant entrepreneurship" as a lens through which to understand the entwined histories of Black-owned business, racial capitalism, and urban space. Freedom Enterprise follows Black Southerners' journeys to Detroit during the initial wave of migration in the 1910s and 1920s, through their efforts to build a prosperous Black business community in the 1930s and 1940s, to the destruction of that community through urban renewal projects and freeway construction in the 1950s and 1960s. Combining business and social history methods to analyze an eclectic archive, Boyd chronicles migrant entrepreneurs' experiences, highlighting tales of racial and economic violence, Black women's business organizing, illegal business, communist entrepreneurs, and cooperative economics. Boyd uses the framework of racial capitalism to examine migrant entrepreneurs' experiences in twentieth-century America. In the Jim Crow South, African Americans worried about white mobs taking away their property, wealth, and lives. Though they sought refuge in Detroit, migrant entrepreneurs subsequently faced the loss of their livelihoods and the businesses they had spent decades building to the bulldozers of state-sponsored urban redevelopment initiatives. Southern migrants' "freedom enterprise"--their undertaking of attaining freedom through business--was curtailed by the reality of operating within the confines of US racial capitalism. In tracing Black entrepreneurs across the Great Migration, Freedom Enterprise provides important insights into African Americans' activism for racial and economic justice and continued racialized wealth disparities. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In the spring of 1969, hundreds of workers, all Black and mostly female, went on strike at Medical College Hospital and Charleston County Hospital to protest racial discrimination, low wages, and the marginalization of their dignity. The movement began with an incident of wrongful termination in 1967 involving five Black women at Medical College Hospital that uncovered the pervasiveness of racial and economic discrimination at both hospitals. The termination sparked outrage among other hospital workers who, with support from local community leaders, organized a movement that galvanized the city, state, and nation. We Paved the Way: Black Women and the Charleston Hospital Workers' Campaign (UP of Mississippi, 2025) explores this campaign in the context of a broader protest tradition, revealing it to be a full-scale movement that demonstrates the power and complexity of Black women's activism in the mid-twentieth century. O. Jennifer Dixon-McKnight argues that the experiences of the women at the center of this conflict offer a window into the plight of Southern Black working-class women and the ways in which they fought for equality, access, and well-being. Though much of what has been written about the hospital workers' campaign focuses on the strike through an institutional lens, Dixon-McKnight uses extensive interviews and oral history to expand the scope of existing scholarship. Local leaders such as Septima Clark, Esau Jenkins, William Saunders, and Isaiah Bennett served as bridge builders for the Black community's involvement in protest, which helped shape and nurture the hospital workers' campaign. By discussing the grassroots organizing that sparked the strike and tracing the aftermath of the conflict, including what workers experienced in their return to work and their relationships with the Southern Christian Leadership Conference and Local 1199 Hospital and Nursing Home Employees Union, this volume situates the hospital workers' movement as a critical moment in the nation's long civil rights history. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In Transoceanic Blackface: Empire, Race, Performance (Northwestern UP, 2024) Dr. Kellen Hoxworth presents a sweeping history of racialized performance across the Anglophone imperial world from the eighteenth to the early twentieth century. A material history of racialized performance throughout the Anglophone imperial world, Transoceanic Blackface: Empire, Race, Performance revises prevailing understandings of blackface and minstrelsy as distinctively US American cultural practices. Tracing intertwined histories of racialized performance from the mid-eighteenth through the early twentieth century across the United States and the British Empire, this study maps the circulations of blackface repertoires in theatrical spectacles, popular songs, visual materials, comic operas, closet dramas, dance forms, and Shakespearean burlesques. Dr. Hoxworth focuses on overlooked performance histories, such as the early blackface minstrelsy of T. D. Rice’s “Jump Jim Crow” and the widely staged blackface burlesque versions of Othello, as traces of the racial and sexual anxieties of empire. From the nascent theatrical cultures of Australia, Britain, Canada, India, Jamaica, South Africa, and the United States, Transoceanic Blackface offers critical insight into the ways racialized performance animated the imperial “common sense” of white supremacy on a global scale. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Stephen C. Foster (1826–1864) was a prolific song composer. A few of his minstrel tunes have become so enmeshed in American musical culture that they are often thought to be folk songs. Although he died in poverty and most of his music was quickly forgotten, by the early twentieth century he was hailed as the “Father of American Music” and had become a symbol of US democracy. In Formulating Foster: Stephen C. Foster and the Creation of a National Musical Myth (Oxford University Press, 2025), Christopher Lynch examines the reception of Foster and his music between the composer’s death and the 1930s. It is an unusual book—part biography, part sourcebook, part scholarly reflection, part reception history, part myth buster. Lynch divides the book into three sections which each contain anywhere from ten to eighteen primary sources that provide evidence for how Foster’s American reception changed over time. He frames these primary documents with five essays that examine the ever-changing myths around Foster, why those myths developed, and how the collecting practices and biases of Foster devotees and his family members influenced the national memory about the composer and his most famous songs. Christopher Lynch, PhD, is a musicologist and Head of the Theodore M. Finney Music Library in the University of Pittsburgh Library System, where he helps curate the Stephen Foster Memorial museum and archive. His research examines minstrelsy, popular song, and music theater as sites for contesting American ideals. He is co-editor of Listening Across Borders: Musicology in the Global Classroom and his work has been published in numerous journals. Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

The period from 1550 to 1700 was critical in the development of slavery across the English Atlantic world. During this time, English discourse about slavery revolved around one central question: How could free persons be made into slaves? John Samuel Harpham shows that English authors found answers to this question in a tradition of ideas that stretched back to the ancient world, where they were most powerfully expressed in Roman law. These ideas, in turn, became the basis for the earliest defenses of American slavery. The Roman tradition had located the main source of slavery in war: enslavement was the common fate of captives who otherwise faced execution. In early modern England, this account was incorporated into studies of the common law and influential natural rights theories by the likes of Hugo Grotius and John Locke. When Europeans started to publish firsthand accounts of Africa in the sixteenth century, these reports were thus received into a culture saturated with Roman ideas. Over time, English observers started to assert that the common customs of enslavement among the nations of Africa fit within the Roman model. Englishmen had initially expressed reluctance to take part in the Atlantic slave trade. But once assured that the slave trade could be traced back to customs they understood to be legitimate, they proved keen to profit from it. An eloquent account of the moral logic that propelled the development of an immoral institution, John Samuel Harpham's The Intellectual Origins of American Slavery (Harvard University Press, 2025) reveals the power of an overlooked tradition of ideas in the history of human bondage. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies