Screen Australia Podcast

During the latest episode of the Screen Australia podcast, we explore the changing theatrical distribution landscape. Madman Entertainment's CEO Paul Wiegard and Screen Australia Distribution Manager Anthony Grundy explain how audience behaviour has shifted since the COVID-19 pandemic and reflect on the challenges and opportunities this presents Australian filmmakers in an increasingly global marketplace. Wiegard shares Madman's approach to audience engagement as an independent distributor, while Grundy discusses some of the research and tools available through Screen Australia to support discoverability, including the new Where to Watch function.

Taking your project to market? Screen Australia Marketplace Manager Rakel Tansley shares the latest marketplace intel and advice to get the best deals on your projects. Tansley breaks down the key terms of finance plans and the market and explains the role of the Marketplace team in supporting Australian producers navigate domestic and global deals, as well as the resources publicly available on the Screen Australia website. She also talks to the key findings of the most recent Post-Financing International distribution of projects between 2020–2023, the current trend of rights, how to make IP and secondary rights work for you, the hidden costs to watch out for when building a finance plan, and shares the top five key territories and regions buying Australian film and television, both in terms of volume of sales and highest spendings.

Screenwriter and media advocate Dot West talks writing animation, reflecting kid experiences on television, and the inspiration behind Little J & Big Cuz. Throughout the episode, West shares her insight on representing First Nations experiences on screen for kids, how ACER influences the narrative, incorporating Language and the power of translations, and her thoughts on the state of children's screen content.

Filmmaker Devina Saberi shares the inspiration for new documentary series Growing Pains, as well as the challenges and opportunities of documentary storytelling for online platforms, and advice for early career filmmakers. Throughout the episode, Saberi talks about structuring stories for social media platforms, supporting community storytelling, and the challenges of observational documentary – especially while filming your friends.

Director Paul Clarke breaks down the elements of a music documentary, and the inspiration and process behind his latest feature Midnight Oil: The Hardest Line. Throughout the episode, Clarke shares his approach to research and production for the music documentary format, navigating the complexities of footage and music licensing, and celebrating the legacy of the Oils.

Writer and director Tig Terera shares his experiences creating his debut television series Swift Street, and working with production company Magpie Pictures' Lois Randall and Ivy Mak, and writer Sam Carroll, to develop the series for SBS. He also shares his journey from photography to the small screen, the challenges and opportunities as a self-taught writer and director, reflecting community on screen, and advice for early career storytellers.

Learn more about the new below-the-line training and professional development initiative Screen Careers. Denise and Ken share their insight into the below-the-line sector, and discuss the challenges facing below-the-line workers, the role of training in developing the screen industry, and the resources and opportunities available to BTL crew to build responsive and sustainable careers. Eriksen shares the philosophy and development of Screen Careers, alongside details of their industry-led programming, while Crouch identifies the challenges for BTL practitioners and insight into the role of professional development within the industry.

The Future Leaders Delegation and Screen Australia Games team share their takeaways and advice from the 2024 Game Developers Conference. Screen Australia's Head of Online and Games Lee Naimo and Games Investment Manager Amelia Laughlan discuss their insights into the games industry, the significance of GDC for the global community, and the key takeaways from this year's conference. They also introduce the Future Leaders Delegation - a new program from Screen Australia to support underrepresented early-mid career game makers get the most out of their GDC experience. The delegation included Cult of the Lamb writer Jojo Zhou (Massive Monster); game designer and project manager Emma Losin who has worked on space epics Phantom Galaxies and Star Trek Lower Decks; co-founder of new indie studio Fat Alien Cat and game artist Jessica Lyon; Jae Stuart who is lead programmer on the recent Screen Australia Emerging Gamemakers Fund project King Tidal; and creative director of Anecdote Games Jarrod Farquhar-Nicol.

Ra Chapman and Katherine Fry share the journey from development to production of new ABC comedy series White Fever. Inspired by Chapman's lived experience as an inter-country adoptee, Chapman and Fry share their experiences developing White Fever for television; juggling multiple roles in front of and behind the camera; balancing the comedic and dramatic in storytelling; representing lived experiences authentically on screen throughout development, shooting, and the editing process, and more.

Executive Producer and CEO of Blacksand Pictures Kauthar Abdulalim reflects on her Enterprise journey, reaching international audiences with online stories, and authentic Muslim representation in storytelling. Abdulalim talks about embracing online content, supporting meaningful cultural diversity behind the scenes, building a strategic plan for your screen career, and how the Enterprise program strengthened her business skills, as she shares her advice for early career practitioners considering applying.