The Virtual Memories Show

With SEARCHES: Selfhood in the Digital Age (Pantheon), tech writer Vauhini Vara explores how our sense of self has been co-opted, quantified, and exploited by big tech as a way of selling us more stuff or selling us to third parties. We talk about what we talk about when we talk about our Google searches (& Amazon purchases, Twitter subject preferences, etc.), the interface of exploitation and self-expression, what selfhood means to tech companies vs. what it means to us, and what she learned when she fed chapters of her book into ChatGPT. We get into agency vs. coercion, how the promise of tech so often gets inverted, how ChatGPT tried & failed to express her grief from her sister's death from cancer, why she brought memoir into SEARCHES alongside its other experimental modes, how her husband serves as a low-tech foil in the book, and whether or not we have a say in how the online era plays out. We also discuss why she doesn't post about her personal life, how the book's multiplicity of voices offsets the corporate voice of ChatGPT, what she got out of Bill Gates' biography, the importance of non-VC-funded technology to help us escape exploitative models of information, whether an essayist ever really changes over the course of an essay, and more. Follow Vauhini on Twitter, LinkedIn and Instagram • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

Artist Craig Thompson joins the show at long last to celebrate his new book, GINSENG ROOTS: A Memoir (Pantheon). We talk about how he spent ten summers of his childhood helping farm ginseng, how that herb connects rural Wisconsin with China and South Korea, how he balanced history, journalism, economics, and memoir in the pages of his book, and why he chose to make Ginseng Roots as a serial comic rather than a standalone book and how that affected his creative process. We get into how the book serves as a sort of midlife revision of his breakthrough book, Blankets, how the last chapter of the book had to happen in near-real-time, how a degenerative condition in his hands became a unifying theme to the book while almost derailing it, how he found the design language of the book and obsessed over a two-color process (to amazing results), and whether this is his swansong for comics (spoiler: it's not!). We also discuss what home means to him, 8 months into being on the road, what it was like discovering that he had a global audience, his ongoing relationship with his evangelical Christian upbringing, his editor's concerns that Ginseng Roots could open him up to accusations of cultural insensitivity (and how he got over it), all while geeking out over our fave cartoonists from the '90s indy period (go, Dylan Horrocks!), and more. Follow Craig on Instagram • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

Artist, professor and now like-it-or-not cartoonist Ari Richter joins the show to talk about his fantastic book, Never Again Will I Visit Auschwitz: A Graphic Family Memoir of Trauma & Inheritance (Fantagraphics). We talk about how he he began this project in the wake of the Tree of Life massacre in 2018, how it helped him exorcise the demons of his imagination after a lifetime of hearing his family's stories about the Holocaust, and how the book centered around intergenerational trauma and collaboration. We get into how he incorporated his grandfathers' holocaust memoirs into the book, why he found different styles for each section of the book, what he had to learn about comics storytelling after a career in fine arts, the revelation of reading Miriam Katin's memoirs and why he avoided rereading MAUS during the 5 years he worked on this book. We also discuss how drawing comics has changed his brain, why he was stunned by the commercialism of Auschwitz, why he's glad he got a German passport, why comics folks seem friendlier than fine arts people, the insanity of composing his comics pages in Photoshop (and what happens when he forgets to label his layers), and a lot more. Follow Ari on Instagram • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

Author and curator Dan Nadel joins the show to celebrate the publication of his amazing new biography, CRUMB: A Cartoonist's Life (Scribner). We get into Robert Crumb's significance in American art, comics, and culture, Dan's first experience with a Crumb comic (it was an ish of American Splendor), the challenge of capturing the underground comics scene of the '60s & '70s, and what it took for him to get over the "R. Crumb" persona and realize how integrated Robert's personality is. We talk about Crumb's role as nexus in the history of comics, the book's focus on Crumb's drawing and how different tools opened him up artistically, what it means to see Crumb as part of tradition and not just a conceptual outlier, how his Crumb differs from the Crumb of Terry Zwigoff's documentary, and the one detail he's still dying to find out about Zap Comix. We also discuss Dan's comics and art upbringing, how he found his place as a publisher then gallery & museum curator, how he was affected by the death of Crumb's wife Aline in 2022, how his museum experience prepared him for writing about the racist and sexist aspects of Crumb's comics, the only cartoonist biography he could tackle after Crumb, whether Crumb's Book of Genesis succeeds as comics, and a lot more. Follow Dan on Instagram • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

No guest? No problem! It's time for another impromptu monologue episode: this time, Gil sorts through family legacies of the genetic and Larkinesque variety, as occasioned by taking his dad for cataract surgery and getting a call from an old & previously deceased friend! Follow Gil on Bluesky and Instagram • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

With his amazing new book The Twilight of Bohemia: Westbeth and the Last Artists in New York (Black Sparrow Press), Peter Trachtenberg explores the 50+ years of history for Westbeth Artists Housing in the far West Village, the role of the arts in New York City, and the ways we build & sustain community. We get into his long-term history with Westbeth, how this book's was born from an essay about the suicide of his friend and Westbeth resident Gay Milius, how Westbeth managed to survive a series of financial crises over the decades before finding a sustainable model, and how architect Richard Meier repurposed the Bell Labs complex into affordable artists' housing in the 1960s. We talk about Westbeth's requirement that residents be professional artists and what that came to mean over the years (esp. when some residents' productivity diminished), what it's like to raise families in Westbeth, and how the community handled generational change. We also discuss how Westbeth reflects New York back on itself, how Vin Diesel's vandalism as a kid growing up in Westbeth led to his acting career, how the Village's Halloween parade originated there, how I stumbled across Westbeth in 2017 during — what else? — a podcast, how we build artistic communities when we don't have geographic proximity, whether there's a secret radioactive room left over from the Bell Labs years (!), and more. Follow Peter on Instagram, and subscribe to his newsletter • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

Author David Shields returns to the show for a conversation about his new documentary, HOW WE GOT HERE, and the companion book, HOW WE GOT HERE: Melville plus Nietzsche divided by the square root of Allan Bloom times Žižek squared = Bannon (Sublation Media). We get into how the world moved from the death of God to the death of essence to the death of truth, and how deconstruction, once the province of left-wing academia, was weaponized by right-wing authoritarians for political aims. We talk about how much blame he bears for all this with his 2010 book Reality Hunger, how it feels to be a radical with deep skepticism of radicals' language, his affinity for Werner Herzog's notion of the ecstatic truth in documentary films, what he learned from interviewing nonfiction writers about the nature of truth, and how he feels about going to his first WWE event. We also discuss nonlinear warfare and the endless deconstruction of reality, how writing can "build a bridge across the abyss of human loneliness" (per DFW), what he's learned from the collaboration of making documentaries, his fixation on hamartia (the tragic flaw), Walter Benjamin's notion of pursuing the truth even if we'll never reach it, bringing the public, social and personal worlds together in his writing, and a lot more. More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

Uh-oh! Gil doesn't have a guest this week, so he recorded a monologue from a hotel room in Weehawken, NJ during a business conference for his day job! He talks mental health, oblique mythology, Charles Crumb, comics and pharma friends, the St. Patrick's Day Parade, and more! Follow Gil on Bluesky and Instagram • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

With THE MAN NOBODY KILLED: Life, Death, and Art In Michael Stewart's New York (Celadon Books), author Elon Green brings us an investigation into a terrible episode of police brutality and its aftermath in mid-'80s NYC. We talk about what drew him to the story of Michael Stewart, a 25-year-old black artist-model-DJ who died at the hands of transit police in 1983, his amazement that no one else had written this book, and how his early assumptions about a coverup gave way to a different coverup. We get into how he so wonderfully evokes the gritty NYC of that era, spreading out a canvas that takes in the arts scene — think Haring, Basquiat, Madonna — and the awful crimes and police behavior — think Bumpurs, Goetz — of that era. We discuss the art of interviewing people 40+ years after an event without reopening old wounds, the judge on the case who talked with him for 3 hours and shared how his conclusions on the verdict changed, what he sees in Stewart's art, how he tries to build the entire environment of the world he's writing about in his books, why he considers himself a history writer (& despises the "true crime" label & genre), why being a good journalist means having a sense of decency, bringing his first book to life as an HBO series, and more. Follow Elon on Bluesky and Instagram • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

Biographer Vanda Krefft returns to the show to celebrate her wonderful & illuminating new book: EXPECT GREAT THINGS!: How the Katharine Gibbs School Revolutionized the American Workplace for Women (Algonquin Books). We talk about the turn of the (20th) century origins of Katharine Gibbs & her school, the legacy of her executive secretarial course for generations of women, "Gibbs Girls'" descendants' desire to honor their family members, the incredible quality of faculty Gibbs was able to recruit, the risks women had to take to enter the professional workforce, and the Trojan Horse campaign of teaching women to learn how businesses work until they're able to run them themselves. We get into Vanda's desire to write about people who were overlooked in history, how this book veered away from her initial idea, how it required a different mode than her biography of William Fox, the challenges of century-old research into women's lives, what she had to learn about the history of women in America, the myth that the 1920s were liberating for women, and her interest in mid-century America. We also discuss how the Gibbs school declined when the family finally sold it in the late '60s, what she'd like her next book to be about, her experience living in Santa Monica during the LA fires, a lengthy aside about publishing and the changes I've seen, getting inspired by Howard Fishman's book on Connie Converse, and a lot more. Follow Vanda on Instagram • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter