The Virtual Memories Show

With MOTHER NATURE (Titan Comics), artist Karl Stevens adapts a graphic novel from an eco-horror screenplay by Oscar™-winner Jamie Lee Curtis & Russell Goldman. We get into how he wound up collaborating with JLC, the challenges in adapting a screenplay into comics and how it was sort of like directing his own movie, how he discovered his affinity for horror, and how nervous he was to show Jamie Lee his drawings of the character who's modeled after her. We also discuss comics-making & graphomania, the long-lost comic shops & record stores of Northampton, MA, his drive to make it onto the cover of The New Yorker, and why he's used the same pen nib for the last 30 years. Plus, we talk about the challenges and moving parts in making a biography of his father (and his dad's insane Vietnam draft experience), how his family history goes back to the 1720s pre-America, the Artist's Editions volumes he's been collecting lately, why his favorite era of Jack Kirby was the '70s, and of course, running. Follow Karl on Twitter, and Instagram, support his Patreon, and find out more about his work at his Linktree (and listen to our past conversations: 2019, 2020, & 2021) • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our Substack

Writer, musician and composer Howard Fishman joins the show to celebrate his amazing new book, TO ANYONE WHO EVER ASKS: The Life, Music and Mystery of Connie Converse (Dutton). We get into how he discovered the music of the enigmatic Connie Converse, when he realized her life was a rabbit hole that would take more than a decade to delve through, what it was like to write a biography around the gaps in her life, and the sheer amount of chance, happenstance, and miraculous occurrences that led to this book. We talk about how Connie Converse arose as a singer-songwriter in 1950s NYC (maybe) just a few years ahead of her time, her subsequent role as a public intellectual and progressive activist, her Cassandra-like nature, the analytical mind she brought to music, policy, and every other topic in her life, and how she vanished without a trace in the mid-'70s. We also discuss his time as a research assistant for NYT editor Arthur Gelb, how his idea of artistic legacy changed in light of learning Connie Converse's story, the relationship between artist and audience (and the Cat Stevens story that first brought him to my attention), what it means to renounce one's art, how he tried to do justice to the Connie Converse story, and a lot more. Follow Howard on Twitter, Instagram, YouTube, and Bandcamp • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our Substack

During Readercon weekend, Christopher Brown rejoined the show for our first conversation since the 2020 release of his novel Failed State. We talk about the nonfiction project he's working on, tentatively titled THE SECRET HISTORY OF EMPTY LOTS, the surprising reach of his FIELD NOTES weekly newsletter, tribes' creation myths and how they manage to justify dominion over the land, why the outdoors is one of America's most segregated spaces, and why he thinks calling Washington, DC "The Swamp" is an insult to swamps. We get into the differences and similarities between his fiction and nature writing, the impact of Tesla and the Gigafactory on life in/around Austin, TX (esp. for its neighbors in unincorporated land), the tensions of child-rearing at a time of ecological disaster, what it means to read science fiction through nature-lens (esp. Annihilation and Neuromancer), the natural world's response to COVID lockdowns and capital's post-COVID snapback, and what it was like to vacation in South Padre Island, TX during the hottest week in history. Plus, we discuss the fun of coming back to Readercon, the old semi-hip days of psychogeography, our backup plans to bug out of the failed state, and plenty more. (And go listen to our past talks: 2018, 2019, 2020 + COVID Check-In) Follow Chris on Twitter, Bluesky and Instagram • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our Substack

Writer, graphic designer, typographer, illustrator, comics writer/artist, and photographer Rian Hughes rejoins the show to celebrate the US release of his fantastic novel, The Black Locomotive (Pan Macmillan). We talk about how he wanted to follow up 2020's XX with something more plot-driven & less philosophical and wound up celebrating his love affair with London while getting in touch with his inner JG Ballard. We get into his integration of prose, typography, and graphic design in the new book, what he's learned about writing (and the new novel he's working on), the nature of font-design (and the real difference between sans-serif & serif fonts), and what he thinks about AI image-generation and its impact on creative fields (and what it says about popular tastes). We also discuss Rayguns & Rocketships, the recent book of his collection of vintage science fiction book cover art, the collector impulse and how to short-circuit it, the fun of writing the song for a fictional club of train aficionados & having his sister set it to music (and then hearing it remixed by Scott Hoffman), his fear of accidentally kicking off a flamewar among stream-train enthusiasts, and a LOT more. Follow Rian on Twitter and Instagram • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our Substack

With the publication of The Second Fake Death of Eddie Campbell (Top Shelf), the great cartoonist Eddie Campbell brings his decades-long autobiographical comics project into the COVID era. In this return conversation (go listen to our 2018 episode & our 2020 COVID check-in) we talk about the meta-narratives that haunt his books, the culture of masks that prompted his latest work, how it felt getting back to making long-form comics again, and whose idea it was to publish this one like an Ace Double along with the revised version of The Fate Of The Artist. We also get into how he learned to make art with computers and how that learning curve accelerated when he was making the color version of From Hell, the temptation to revise past work, why his last two major autobio books involve his fictional death, and a lot more. Follow Eddie on Twitter • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our Substack

No show this week, but here's a bonus episode with my impromptu speech at the remembrance/memorial for the late Michael Denneny, recorded June 19, 2023. Michael & I were supposed to record a podcast on April 15 about his collection, On Christopher Street (U of Chicago), but he was dead when I arrived at his apartment. I recorded a wrenching monologue about that discovery the next day, and a followup a week later, so this piece serves as a sort of coda to that, and a celebration of all Michael meant to the literary and gay communities. We'll be back next week.

Investigative journalist & longtime pal Mitchell Prothero joins the show to talk about his new podcast, GATEWAY: Cocaine, Murder, and Dirty Money in Europe (Project Brazen). We get into how the project evolved from his reporting on the global war on terror, how the cocaine trade mirrors the globalization wave, how Colombia's piece deal led to mega-cartel consolidation, why his EU law enforcement sources did not want to talk about the cocaine trade, and whether the Netherlands trial of drug kingpin Ridouan Taghi reveals cracks in the security of the state itself. We also talk about the differences between writing for a podcast vs. writing for readers (like his reporting at Vice News), the strains of scheduling interviews with people under security detail, the changes in the media landscape over the course of his career, and his path through journalism, covering our days together in Annapolis to his time as a Capitol Hill reporter to stints in Afghanistan, Iraq, Serbia, and beyond. And we discuss how living and reporting in Baltimore in the 1990s prepared him for pretty much any scenario he's encountered since. Follow Mitch on Twitter • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our Substack

With his new memoir, GOODBYE TO CLOCKS TICKING: How We Live While Dying (Steerforth), writer and professor Joseph Monninger writes through the experience of a stage 4 lung cancer diagnosis, delivered only 3 days into his retirement in 2021. We talk about how he's navigating life on borrowed time (& the drug that's miraculously loaning him that time), his notion of legacy and how it plays out in his books and his students, and what he's learned about impatience and regret. We get into the books that brought him solace, the comforts of Marcus Aurelius' Meditations, how Wilder's Our Town inspired the memoir's title, and his desire to take the world in while he's still in it. We also discuss the origins of his writing life, his Peace Corps stint in Burkina Faso and the big novels that he and the other volunteers traded, whether there are any books he wants to get to before he dies, what we each learned about oncology waiting room etiquette and the grace & goodwill of oncologists, the issue of assisted suicide, and a LOT more. (Plus, I talk about this week's NYC memorial for Michael Denneny.) • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our Substack

With his new story collection, The Disappeared (Knopf), Andrew Porter explores the intricacies of loss in day-to-day life, and all that vanishes as we grow into middle age. We talk about how the stories came together for him, why he set (almost) all the stories in The Disappeared in San Antonio and Austin, how he had to adjust his writing life once he became a dad, and why he loves writing about artists. We also get into his path into writing, the moment he discovered contemporary fiction is his jam, and his lessons learned from teaching fiction for more than 20 years: how student sensibilities around genre have changed, the stories he's had to retire from teaching, and Marilynne Robinson's influence of his teaching style. Plus, we discuss stories vs. novels, the changes in literary magazines, his newfound penchant for flash fiction, how he lost all his writing in an apartment break-in 20+ years ago (and my twisted idea for a story about that), and more. Follow Andrew on Twitter and Instagram • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our Substack

Author Jonathan Papernick joins the show to celebrate his fantastic new short story collection, Gallery of the Disappeared Men, and new novel, I am my Beloveds (Story Plant). We talk about his writing life, the weirdness & joy of retracing the footsteps of his characters in Israel, his move into playwriting and how it contrasts with writing novels & stories, and how a failed novel sparked a very successful novella. We also get into his career teaching fiction writing, what he's learned from teaching, how his students have changed and how he learned to appreciate trigger warnings, and the Tobias Wolff story he uses in virtually all of his fiction-writing classes. Plus, we discuss Judaism, his multi-generation Canadian roots, why he likes living in Providence after leaving Boston, the very embarrassing time he met Margaret Atwood, and more! Follow Jonathan on Twitter, Bluesky and Instagram • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our Substack