One Heat Minute Productions

Blake Howard
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May 29, 2020 • 32min

MIAMI NICE: Handlebar Haiku

Undercover operatives Katie Walsh and Blake Howard discuss the fascinating and influential fashion in Miami Vice (2006). We follow the lineage of the original 80s show and Don Johnson, theories about Sam Elliott from "Roadhouse," discussions of "Point Break," "shit chops" in Australian Rugby League and handlebar moustache haiku.Support this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
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May 28, 2020 • 54min

All The President's Minutes - Minute 45 with Jacob Knight

All the President's Minutes is a podcast where conversations about movies, journalism, politics and history meet. Each show we use the seminal and increasingly prescient 1976 film All The President's Men as a portal, to engage with the themes and the warnings of the film resonating since its release. For minute 45, I join writer for Rebeller, Fangoria, Dark Moon Digest and connoisseur of movie trash-art, Jacob Knight. Jacob and I discuss to the allure of the idiosyncratic, the dopamine rush of chasing the truth in President's and David Fincher's Zodiac and Jacob advocates for the upcoming documentary Alan Pakula: Going for Truth. About Jacob KnightRising from the sewers of Philadelphia, Jacob Knight is a man out of time currently residing in Austin, TX. When not lamenting the Disneyfication of our current culture, he's usually enjoying a whiskey, watching some form of disreputable trash cinema, or drunkenly perusing one of the few remaining video stores. No matter what, do not @ him.Twitter: @JacobQKnightOutlets: Rebeller, Fangoria, Dark Moon Digest, Birth Movies Death Support this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
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May 27, 2020 • 57min

All The President's Minutes - Minute 44 with Noah Gittell

All The President's Minutes is a podcast where conversations about movies, journalism, politics and history meet. Each show we use the seminal and increasingly prescient 1976 film All The President's Men as a portal, to engage with the themes and the warnings of the film resonating since its release. For minute 44, I join former political staffer, writer and film critic Noah Gittell. Noah and I discuss how All The President's Men transcends above the movie of the week 'quick buck' ethos and journalism elevated to heroism. About Noah Gittell Noah Gittell is a film critic for Washington City Paper and former political staffer. His writing has also appeared at the Atlantic, LA Review of Books, Wired, GQ and Talking Points Memo.Twitter: @noahgittellOutlets: Washington City Paper, The Economist, The Atlantic, The Guardian, LA Review of Books, GQ, Wired, Talking Points Memo Support this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
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May 27, 2020 • 1h 9min

All The President's Minutes - Minute 43 with Niles Schwartz

All The President's Minutes is a podcast where conversations about movies, journalism, politics and history meet. Each show we use the seminal and increasingly prescient 1976 film All The President's Men as a portal, to engage with the themes and the warnings of the film resonating since its release. For minute 43, I join writer, author and incredible film mind Niles Schwartz. Niles and I digress into discussions about "Capone," being a disease investigator, President's being all a second act, the austerity of the storytelling and what happens next being for the history books. About Niles SchwartzCo-founder and writer, Minneapolis / St. Paul Cinephile Society (http://mspcinephiles.org ). Contributor to The Point (http://thepointmag.com ) & Slant Magazine.Twitter: @nilesfiles Buy Niles' excellent novel here.Synopsis: A motion picture chronicling the last adventures of bank robber John Dillinger (Johnny Depp), Public Enemies was met with much bafflement upon its 2009 release. Director Michael Mann's terse storytelling and unorthodox use of high-definition digital cameras challenged viewers' familiarity with Hollywood's historical gangland elegance while highlighting Public Enemies' own place in a medium—and culture—undergoing sweeping technological change. In Off the Map, Niles Schwartz immerses us in Mann's representation of Dillinger, a subject increasingly aware of his own role as a romanticized frontier folk hero, in flight from an enveloping bureaucratic system. The cultural issues of Dillinger's 1930s anticipate the 21st century watershed moment for the moving image, as our relationship with the pictures surrounding us increasingly affects our own sense of identity, historical truth, and means of relating to each other. Mann's follow-up, the hacker thriller Blackhat (2015), reflects a world where Public Enemies' abstract surveillance state has since colonized the firmament of our everyday lives. Yet in this virtual labyrinth of surplus images, cinema may inwardly illuminate a transformative path for us. Off the Map places Mann's late works in deep focus, exploring our present relationship to cinema on a backdrop that swings from the blockbuster spectacle of Avatar to the curious intimacy of Moonrise Kingdom, ultimately suggesting the mysterious space between the viewer and the screen may yet become a sanctuary of deep spiritual reflection.Support this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
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May 22, 2020 • 2h 9min

INCREMENT VICE - EPISODE #26: “...most of us happen to be dentists...” with Elric Kane and Brian Saur

For all of Thomas Pynchon’s tracing of the souring and the downfall of the American fate, from pre-revolution secret doom waiting to devour the 60s and 70s and how that leads to our current tainted now, forever, probably the one thing he didn’t predict coming to pass by this nightmare year of our dark lord 2020 was that, eventually, every single movie obsessive would have their own podcast, including one about his only film adaptation. That said, there is one film podcast out there that reigns supreme: the New Beverly-presented Pure Cinema Podcast, with hosts Brian Saur and Elric Kane, has become an absolutely ESSENTIAL ongoing conversation and cinephilic resource between the two men, their guests, and their friends, about not just the films of the New Bev, but films in general, various subgenres and performers and eras, and, in these odd pandemic times, is a real lifeline of listening.And today, they’ll explore with us the unique cinematic mayhem that is Dr.Rudy Blatnoyd, DDS.About the Guest - ELRIC KANE & BRIAN SAUR (PURE CINEMA PODCAST)A weekly film podcast hosted by Elric Kane (of the Shock Waves podcast) and Brian Saur (of the Rupert Pupkin Speaks film blog) and presented by the New Beverly Cinema, the Pure Cinema Podcast features discussions of new films, old films, double features, cult movies, filmmakers and movie lists among a smorgasbord of other Cinema-related things.Support this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
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May 21, 2020 • 55min

MIAMI NICE: Accents

Big disco fans Katie Walsh and Blake Howard begin to unpack the incredible accent work on show in Miami Vice (2006). Beginning with Eddie Marsan’s king of Cajuns - Nicholas; moving to the utility talent more committed than a crazy pig, John Ortiz as Jose Yero. Finally, we unpack the enigma of Ciarán Hinds’ FBI Agent Fujima whose vaguely British in most other films is replaced by vaguely American. Support this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
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May 21, 2020 • 56min

All The President's Minutes - Minute 42 with Oeuvre Busters (Liam Billingham and George Fragopoulos)

All The President's Minutes is a podcast where conversations about movies, journalism, politics and history meet. Each show we use the seminal and increasingly prescient 1976 film All The President's Men as a portal, to engage with the themes and the warnings of the film resonating since its release. For minute 42, I join Oeuvre Bustersdynamic duo of Emmy-nominated media maker Liam Billingham and poet/academic George Fragopoulos. Liam, George and I discuss Zodiac way too much, the optimism of this movie feeling alien in the contemporary political context and text reviews of President's that begin with "Redford is an adonis."About Liam Billingham Liam Billingham has spent thousands of hours talking about films, filmmaking, and nearly every aspect of media production as an instructor and producer. He has produced and directed Emmy-nominated films, documentaries, and PSAs, as well as award-winning theatre in Europe, Asia, and the US. His work can be seen at liambillingham.com.Twitter: @liamgbillingham / @OeuvreBustersPodcast: https://shows.acast.com/oeuvre-bustersAbout George FragopoulosGeorge Fragopoulos is an academic and a poet. When not struggling to find the right words, George spends too much time watching movies and prestige television. His claim to fame is that Robert De Niro once said hi to him. He lives and works in Brooklyn, NY.Twitter: @gfragopoulosPodcast: https://shows.acast.com/oeuvre-bustersSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
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May 20, 2020 • 1h 10min

All The President's Minutes - Minute 41 with Michael McLennan

All The President's Minutes is a podcast where conversations about movies, journalism, politics and history meet. Each show we use the seminal and increasingly prescient 1976 film All The President's Men as a portal, to engage with the themes and the warnings of the film resonating since its release. For minute 41, I join Sydney-based writer/director/producer/editor, Michael McLennan. Michael and I discuss entering the paranoia genre with Oliver Stone's "Nixon" and "The X-Files," the intimidation of an offscreen and unseen antagonist, the burgeoning optimism in the text and always finding a way back to talking about Michael Mann.About Michael McLennanMichael McLennan is an Australian-based writer/director whose short films have played at film festivals around the world. These films include 'Standby', 'A Tea Party for Sad People', 'Go Quickly', 'Small Things', 'Magpie' and 'Why We Trade'. He was Head of Production and Head of Film at Sydney Film School, where he taught Screen Language, Writing, Post-Production and Creativity, and supervised over 400 short films made at the School. In 2009 he founded the Secret Film Society, producing ten short films over the subsequent two years. He has also worked as a producer, director of photography, editor, sound designer and music editor. He currently has three feature scripts in development and teaches film at the Academy of Film Theatre and Television and AIT.Vimeo: https://vimeo.com/secretfilms/about Support this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
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May 19, 2020 • 51min

All The President's Minutes - Minute 40 with Jason Bailey

 All The President's Minutes is a podcast where conversations about movies, journalism, politics and history meet. Each show we use the seminal and increasingly prescient 1976 film All The President's Men as a portal, to engage with the themes and the warnings of the film resonating since its release. For minute 40, I join film critic with bylines at the New York Times, Vulture (and more); editor in chief at Crooked Media and author of Pulp Fiction: The Complete Story of Quentin Tarantino's Masterpiece and It's Okay With Me: Hollywood, The 1970s, and the Return of the Private Eye (and more), Jason Bailey. Jason and I discuss letting Gordon Willis off the leash for this scene, the fact that President's is a terrible background movie and Pakula making a leading man as an everyman with Parallax View and President's. About Jason Bailey Jason Bailey is contributing editor-at-large at Flavorwire, with bylines at The New York Times, Vulture, VICE, Slate, Rolling Stone, and more. He is currently writing his fifth book. Twitter: @jasondashbaileyOutlets: New York Time, The Playlist, Vulture, Flavorwire, Vice, Slate and CNN Support this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
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May 15, 2020 • 1h 17min

INCREMENT VICE - EPISODE #25: “...that one day in the rain...” with Rian Johnson

The mystery of Shasta Fay Hepworth bookends Inherent Vice. Despite a few brief memories and cameos, she primarily anchors either end of the story, suffusing the long stretch of two hours and 30 minutes in between with the dusting of her starstuff, as if she is this universe’s Big Bang and Big Crunch—the story cannot begin, nor end, without her; but even further, the story is her, a strange supercosmos of Shasta Fay. Sprinkled throughout this long tale is the history of Doc and Shasta, the two once-young lovers who, in the words of their narrator, “each gradually located a different karmic thermal.”And at the exact moment of the film’s halfway point, Shasta reappears as a postcarded memory, in the film’s—and Paul Thomas Anderson’s—most heartrending moment, soaked in sweet melancholy like only PTA can orchestrate it, a memory that sends Doc hurtling towards the dark heart of Golden Fang, but how? Was the postcard a secret message from Shasta, coded in lovetalk, to help him locate the Fang? Was it simply a note of lovesick regret, and his flash to return to the scene simply a moment of coincidental luck? Is the appearance of the Fang’s headquarters here, where Doc and Shasta once kissed, some brutal metaphor for time sweeping away their love? Or was the postcard simply a hallucination sent forth from some blood-kinked, cell-deprived fold of Doc’s overtaxed cerebellum? What’s real, and what is simple hope? What is a true memory, and what is the fictional story we tell ourselves to survive it? That’s a question our host wrestles with today, while talking to someone who’s no stranger to tales of mystery and love and time and space…About the Guest - RIAN JOHNSONRian Johnson is the writer-director behind BRICK, THE BROTHERS BLOOM, LOOPER, STAR WARS: THE LAST JEDI (the best STAR WARS, if you're keeping track of that kind of thing), and KNIVES OUT. He also directed your favorite episodes of BREAKING BAD. Beginning with episode 26, he will be the new host of INCREMENT VICE, and is looking forward to interviewing KNIVES OUT 2: KNIVES HARDER scribe Travis Woods.Support this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

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