One Heat Minute Productions

All the President's Minutes is a podcast where conversations about movies, journalism, politics and history meet. Each show we use the seminal and increasingly prescient 1976 film All The President's Men as a portal, to engage with the themes and the warnings of the film resonating since its release. For minute 127, I attempt to channel Robert Redford's Woodward to find a guest to talk about this moody minute of tradecraft. This episode features Stu Coote, Alexei Toliopolous, Cameron Williams, Jen Johans, Jedidiah Ayres and Roxana Hadadi.  Support this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

All the President's Minutes is a podcast where conversations about movies, journalism, politics and history meet. Each show we use the seminal and increasingly prescient 1976 film All The President's Men as a portal, to engage with the themes and the warnings of the film resonating since its release. For minute 126, I join film reporter, broadcaster, historian, author with almost two decades of experience working in television, Alicia Malone. Alicia and I talk about picking the "great ass" minute on her previous appearance, discuss what makes a classic in the traditional sense, beautifully written cursive notes and Pakula's hesitation in casting Robards as Bradlee. About Alicia Malone (via aliciamalone.com)Alicia Malone is a film reporter, broadcaster, historian, author and self-confessed movie geek, with almost two decades of experience working in television.She was born in Canberra, Australia, with a love of cinema… and horses. Her weekdays were spent trying to convince fellow high school students to join her film club, and weekends were reserved for horse-riding and self-study: making her way through film books and visiting her local video store with her never-ending watchlist of classic and foreign films, taking advantage of their seven films for seven days for seven dollars deal.The day after graduating from high school, Alicia moved to “the big smoke” of Sydney, deciding not to go to University, but to try and get work in film or television. She immediately got a job working at a video store, where she took her “staff picks” list a little too seriously, and annoyed customers by suggesting alternative films to the ones they had chosen. Not long after, at the age of 18, Alicia began to work at the national television station, Channel Seven. Her TV career began as a teleprompter operator for the Australian broadcast of the 2000 Sydney Olympics, plus the breakfast show “Sunrise” and the national news. Alicia stayed at Channel Seven for six years, trying out a variety of behind-the-scenes production roles - from graphics to director’s assistant to continuity on “Home and Away.” Then, she answered an ad for a producer, writer and editor for the cable network Movie Network - a place where she could finally put her film expertise to work.Never afraid to go after her dreams, in 2007, Alicia pitched an original show for Movie Network called “Trailer Park,” where she would serve as the producer, editor and… host. It was green-lit, and Alicia’s hosting career began, soon adding film reporter to her title after being sent to interview the stars on the red carpet and at press junkets. Over the next three years Alicia gained notice hosting more movie-centric shows for Movie Network, and working as a film critic for “FilmInk” magazine, “Triple M” radio and “The Morning Show” on national television. And then, at the end of 2010, Alicia decided to go after her dreams once more - quitting all her jobs, saying goodbye to her friends and family… and moving to Hollywood with two suitcases to her name.Since then, Alicia has appeared on the Today show, NPR, MSNBC, ABC’s Academy Awards Red Carpet Pre-show, CNN’s “The Movies” docu-series and many more as a film expert. She has also worked as a correspondent for “Fandango,” where she created the show “Indie Movie Guide,” which she hosted, produced, filmed and edited. From 2016 until its end in 2018, Alicia was hired as the host of “FilmStruck.” the streaming service for Turner Classic Movies and Criterion, and also hosted and produced “The FilmStruck Podcast.”In 2018, Alicia achieved another of her dreams, by becoming a host on Turner Classic Movies. She can currently be seen introducing the films on Sundays and Tuesdays, and hosting “TCM Imports” on Sunday nights. Alicia is also an interviewer for “Adventures in Movie Going” on the Criterion Channel, and the host of “Reel Destinations” for Focus Features.Alicia is passionate about preserving film history and encouraging new viewers to watch classic films, foreign cinema and arthouse movies. She believes in using her voice to do what she can to keep classic cinema alive, and to support women in film. In 2015, Alicia gave a TEDx talk about gender inequality in the film industry and why that needs to change. In 2017, she was invited to give a second TEDx talk, expanding on the subject further and delving into the early history of women in cinema.Alicia has also spoken about women in film at festivals and conferences around America, and was named of one the 100 #WorthyWomen of 2016 and one of LA Weekly’s People of 2019. Her first book “Backwards and in Heels” about the history of women in Hollywood was published in 2017, and her second book “The Female Gaze: Essential Movies Made by Women” was released in 2018.Alicia has traveled the world to cover the BAFTAs, the Academy Awards, the Cannes Film Festival, Toronto Film Festival, Sundance Film Festival, Telluride Film Festival and SXSW. She has been on the juries of the AFI Film Festival, the Overlook Film Festival, HollyShorts and the Atlanta Jewish Film Festival, and has moderated hundreds of film Q&As and panels. Alicia is also a member of the Hollywood Critics Association and over the years has interviewed almost every movie star and filmmaker you can name.She also wrote this bio, but knew it would sound much less egotistical if written in third person.Website: https://aliciamalone.com/ Support this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

All the President's Minutes is a podcast where conversations about movies, journalism, politics and history meet. Each show we use the seminal and increasingly prescient 1976 film All The President's Men as a portal, to engage with the themes and the warnings of the film resonating since its release. For minute 125, I join writer and actor on the stage and screens James Urbaniak. James and I talk about revisiting President's constantly and that sidebar conversations about every aspect of this film are in fact "frontbar" on this podcast.About James UrbaniakJames Urbaniak was born on September 17, 1963 in Bayonne, New Jersey, USA. He is an actor and writer, known for American Splendor (2003), The Venture Bros. (2003) and Legally Blonde 2 (2003). Twitter: @JamesUrbaniakSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

All the President's Minutes is a podcast where conversations about movies, journalism, politics and history meet. Each show we use the seminal and increasingly prescient 1976 film All The President's Men as a portal, to engage with the themes and the warnings of the film resonating since its release. For minute 124, I join Chief Meme Officer of One Heat Productions, John P. Glynn. John and I discuss how strange it is to pine for Nixon's decency, how Watergate feels like a "Mickey Mouse" scandal in contrast to the current administration and finally catching out the filmmakers for utilising the same traffic stop to get two 'Woodstein' exit shots. About John P. GlynnOne Heat Minute Ride-or-Die.Chief Meme Officer One Heat Minute Productions. Best Dressed All The President's Minutes Guest. Twitter: @JohnPGlynnSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

All the President's Minutes is a podcast where conversations about movies, journalism, politics and history meet. Each show we use the seminal and increasingly prescient 1976 film All The President's Men as a portal, to engage with the themes and the warnings of the film resonating since its release. For minute 123, I join actor and filmmaker best known for roles in film such including Schindler's List (1993), Hook (1991), Cliffhanger (1993), Disclosure (1994), White Squall (1996) and The Princess Diaries (2001), Caroline Goodall. Caroline and I discuss the scary similarities in rhetoric between Ziegler and everyone working for Trump, Caroline's impressions of what direction Pakula would have provided to the cast in this devastating moment and embarking on a new challenge as a writer and producer with the thriller The Bay of Silence. About Caroline Goodall Caroline Goodall, best known for her roles in film such including Schindler's List (1993), Hook (1991), Cliffhanger (1993), Disclosure (1994), White Squall (1996) and The Princess Diaries (2001) is forging a career behind the camera. The Bay of Silence, which she wrote produced and stars in, is out on DVD and digital platforms.The Bay of Silence - based on Lisa St Aubin De Teran's haunting novel of the same name - is a psychological thriller with a stellar cast including Claes Bang (Dracula, The Burnt Orange Heresy), Olga Kurylenko (The Courier, Quantum of Solace) and Brian Cox (from Succession).THE BAY OF SILENCE VOD - APPLETHE BAY OF SILENCE VOD - YOUTUBETHE BAY OF SILENCE DVDSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

All the President's Minutes is a podcast where conversations about movies, journalism, politics and history meet. Each show we use the seminal and increasingly prescient 1976 film All The President's Men as a portal, to engage with the themes and the warnings of the film resonating since its release. For minute 122, I join incredible editor and editorial consultant with credits that include Gone Girl and Deadpool, Vashi Nedomansky. Vashi and I discuss the murderer's row of actors in sixty seconds, playing this movie in his edit suite on a loop and Redford calling this movie a "howdunnit about a whodunnit." About Vashi NedomanskyVashi Nedomansky defected from Czechoslovakia as a child during the Cold War and grew up in Toronto and Detroit. Following his career as a professional hockey player, Vashi has been a film editor in Los Angeles since 2001. Vashi has edited 11 feature films including the global phenomenon "Sharknado 2", the comedy "An American Carol" for director David Zucker (Airplane, Scary Movie) and the PTSD documentary "That Which I Love Destroys Me" for director Ric Roman Waugh (Snitch, Felon). He also edited 6 Below, the first native 6K feature film in Hollywood history. Vashi has cut over 50 national commercials for numerous brands including Nike, Volkswagen, Ford, NHL, EA Sports, Adobe, Medal of Honor, US Army, US Navy, US Marines, US Reserve and the US Air Force. His company Vashi Visuals has provided post-production workflow and consulting services for numerous films including Gone Girl directed by David Fincher and Deadpool directed by Tim Miller. Vashi has also trained fellow film editors: Kirk Baxter, Angus Wall, Billy Fox, Michael Tronick, Don Zimmerman, Dean Zimmerman, Julian Clarke, Nicolas De Toth, Jon Corn and others.Website: vashivisuals.comTwitter: @vashikooSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

All the President's Minutes is a podcast where conversations about movies, journalism, politics and history meet. Each show we use the seminal and increasingly prescient 1976 film All The President's Men as a portal, to engage with the themes and the warnings of the film resonating since its release. For minute 121, I join the author of Peckerwood, Fierce Bitches and cinephile curator of crime blog Hardboiled Wonderland, Jedidiah Ayres. Jed and I discuss that this minute is waiting for someone to blink that encapsulates the feeling of the post-election voter fraud propaganda and Jed's theory that Pakula made slasher movies with recording devices as the weapons. About Jedidiah AyresJEDIDIAH AYRES IS THE AUTHOR OF FIERCE BITCHES, PECKERWOOD. HE WRITES ABOUT CRIME FICTION AND FILM ON THE BLOG HARDBOILED WONDERLAND. Twitter: @JEDIDIAHAYRESWebsites: HARDBOILED WONDERLAND. Support this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

All the President's Minutes is a podcast where conversations about movies, journalism, politics and history meet. Each show we use the seminal and increasingly prescient 1976 film All The President's Men as a portal, to engage with the themes and the warnings of the film resonating since its release. For minute 120, I join Emmy nominated media maker and podcaster Liam Billingham. Liam and I discuss it being 155 years since he last appeared on the show, such tension in Bradlee walking across the newsroom and just how magnetic Dustin Hoffman is counting to ten. About Liam BillinghamLIAM BILLINGHAM HAS SPENT THOUSANDS OF HOURS TALKING ABOUT FILMS, FILMMAKING, AND NEARLY EVERY ASPECT OF MEDIA PRODUCTION AS AN INSTRUCTOR AND PRODUCER. HE HAS PRODUCED AND DIRECTED EMMY-NOMINATED FILMS, DOCUMENTARIES, AND PSAS, AS WELL AS AWARD-WINNING THEATRE IN EUROPE, ASIA, AND THE US. HIS WORK CAN BE SEEN AT LIAMBILLINGHAM.COM.TWITTER: @LIAMGBILLINGHAM / @OEUVREBUSTERSPODCAST: HTTPS://SHOWS.ACAST.COM/OEUVRE-BUSTERSSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

All the President's Minutes is a podcast where conversations about movies, journalism, politics and history meet. Each show we use the seminal and increasingly prescient 1976 film All The President's Men as a portal, to engage with the themes and the warnings of the film resonating since its release. For minute 119, I join producer, critic, podcaster and an essential ingredient in the Sydney film community, Glen Falkenstein. Glen and I discuss living in Washington and seeing the old sights in President's, the West Wing energy of the scene in question and many digressions about our shared love the 'beacon' of Sneakers.  About Glen FalkensteinGlen produces film, theatre and television news, reviews and commentary for several outlets, covering Festivals, interviews and events. He is the founder of Australian Film Festival database Festevez and Producer and Host of Film Fight Club (Wednesdays 7:30 PM on 2SER 107.3). Glen lives in Sydney where he enjoys making short films.Twitter: @GlenFalkensteinWebsites: FalkenscreenPodcasts: Film Fight ClubSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

All the President's Minutes is a podcast where conversations about movies, journalism, politics and history meet. Each show we use the seminal and increasingly prescient 1976 film All The President's Men as a portal, to engage with the themes and the warnings of the film resonating since its release. For minute 118, I join art director, writer and the creator of Cinephile: A Card Game, Cory Everett. Cory and I discuss the burden of curating cinema canon, the bold formal choices being made in President's, and being so taken with the unashamedly romantic casting of Robert Redford and Dustin Hoffman as 'WOODSTEIN'. About Cory EverettCORY EVERETT IS AN ART DIRECTOR, WRITER, AND CREATOR OF CINEPHILE: A CARD GAME. HE HAS WRITTEN ABOUT FILM AT INDIEWIRE, THE FILM STAGE, AND CIGARETTES & RED VINES: THE DEFINITIVE PAUL THOMAS ANDERSON RESOURCE AND APPEARED ON THE SHORT-LIVED IFC SHOW ULTIMATE FILM FANATIC. (HE LOST.) HE LIVES IN LOS ANGELES WITH HIS WIFE AND SON.Twitter: @modage, @cinephilegame, @lilcinephileWebsites: Cinephile Game,  PersonalSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy